2 Highlights 6 Fall 2019 10 Spring/Summer 2020 44 First Book Award 46 Special Editions 48 Stationery 50 Backlist 62 Contacts and Distribution
Total Page：16
File Type：pdf, Size：1020Kb
2 Highlights 6 Fall 2019 10 Spring/Summer 2020 44 First Book Award 46 Special Editions 48 Stationery 50 Backlist 62 Contacts and Distribution HIGHLIGHTS HIGHLIGHTS KEY POINTS I Know How Furiously Your Mother Paul’s Book Heart Is Beating Paul Graham Collier Schorr In Veneto In Sardegna Oobanken Alec Soth €45 £40 $50 €40 £35 $45 Guido Guidi Guido Guidi Jerome Ming €55 £50 $65 ISBN 978-1-912339-45-7 ISBN 978-1-912339-56-3 €35 £30 $45 €70 £60 $80 €30 £27 $35 ISBN 978-1-912339-31-0 ISBN 978-1-912339-62-4 ISBN 978-1-912339-40-2 ISBN 978-1-912339-35-8 I walk toward the sun Family which is always going down Colazione sull’erba Dein Kampf Omaha Sketchbook April Dawn Alison Masahisa Fukase Erin O’Toole (ed.) Alan Huck Luigi Ghirri Brad Feuerhelm Gregory Halpern €50 £45 $55 €30 £25 $35 €40 £35 $45 €35 £30 $40 €45 £40 $50 €40 £35 $45 ISBN 978-1-912339-57-0 ISBN 978-1-912339-43-3 ISBN 978-1-912339-07-5 ISBN 978-1-912339-07-5 ISBN 978-1-912339-58-7 ISBN 978-1-912339-44-0 ABOUT THE ARTIST BOOK SPECIFICATIONS Book of Roy Shirley Baker Yerevan 1966/1997 The Canary and The Hammer Murder The Castle (reprint) Neil Drabble Lou Stoppard Urusula Schulz-Dornburg Lisa Barnard Guillaume Simoneau Richard Mosse €40 £35 $45 €40 £35 $45 €25 £20 $30 €45 £40 $50 €45 £40 $50 €65 £60 $80 ISBN 978-1-912339-50-1 ISBN 978-1-912339-51-8 ISBN 978-1-912339-49-5 ISBN 978-1-912339-33-4 ISBN 978-1-912339-48-8 ISBN 978-1-912339-18-1 3 HIGHLIGHTS HIGHLIGHTS KEY POINTS The Camera The Complete Essays Photographs 1997–2017 Pictures From Home Ravens Deep Springs Victor Burgin Luigi Ghirri Hannah Starkey Larry Sultan Masahisa Fukase Sam Contis €19 £17 $23 €19 £15 $25 €45 £40 $50 €45 £40 $50 €80 £75 $85 €40 £35 $45 ISBN 978-1-912339-06-8 ISBN 978-1-910164-14-3 ISBN 978-1-912339-19-8 ISBN 978-1-910164-78-5 ISBN 978-1-910164-83-9 ISBN 978-1-910164-86-0 The Map and the Territory And Time Folds Luigi Ghirri Stable Vices The Whiteness of the Whale Fish Story TTP Joanna Piotrowska Vanessa Winship €45 £40 $50 Paul Graham Allan Sekula Hayahisa Tomiyasu €40 £35 $45 ISBN 978-1-912339-08-2 [English] €40 £35 $45 €65 £50 $75 €35 £30 $40 €30 £27 $35 ISBN 978-1-910164-09-9 [German and Spanish available] ISBN 978-1-912339-39-6 ISBN 978-1-910164-32-7 ISBN 9978-1-912339-04-4 ISBN 978-1-912339-24-2 ABOUT THE ARTIST SLANT The Complete Papers Niagara Sleeping by the Mississippi ZZYZX BOOK SPECIFICATIONSshe dances on Jackson Aaron Schuman Thomas Demand Alec Soth Alec Soth Gregory Halpern Vanessa Winship €35 £30 $40 €95 £85 $110 €45 £40 $50 €45 £40 $50 €40 £35 $50 €45 £40 $50 ISBN 978-1-912339-38-9 ISBN 978-1-910164-90-7 ISBN 978-1-912339-259 ISBN 978-1-910164-89-1 ISBN 978-1-910164-65-5-5 ISBN 978-1-907946-36-3 5 Guido Guidi In Veneto, 1984-89 KEY POINTS • Renowned Italian photographer who has long focused his lens on the overlooked, vernacular landscape of his native country • Prior books include In Sardegna (2019), Per Strada (2018), Veramente (2014) and Preganziol, 1983 (2013). Per Strada sold out in 3 months • Coincides with exhibition at Museo Casa Giorgione, Castelfranco Veneto Italy, 19 October - 17 November 2019 Guido Guidi’s new book, In Veneto 1984-89, opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal landscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in Beauty in Photography: geography, biography, and metaphor. ABOUT THE ARTIST Guido Guidi (b. 1941, Cesena) lives and works in Cesena. His work, spanning over more than 40 years, has focused on rural and suburban landscapes in Italy and Europe. Guidi’s photographs have been exhibited extensively, including at Fotomuseum Winterthur (2014); Venice Biennale (2004); Canadian Centre for Architecture (2001); Guggenheim Museum, New York (1994); and Centre Pompidou, Paris (1989), among other institutions. He has published numerous books, including In Veneto (MACK, 2019), In Sardegna (MACK, 2019), Per Strada (MACK, 2018), Guardando A Est (2015); Veramente (MACK, 2014) Preganziol (MACK, 2013); A New Map BOOK SPECIFICATIONS of Italy (2011); and Due fotografi per il Teatro Bonci (co-authored by Luigi Ghirri, 1983), among other titles. Hardback Since 1986 Guidi has taught photography at various Paper over board, with silkscreened typography Italian universities, and since 2001 he has been a visiting 64 pages, 30 x 24 cm professor at the IUAV, Venice. €35 £30 $45 Special Edition available Publication date: October 2019 ISBN 978-1-912339-62-4 7 Ursula Schulz-Dornburg Yerevan 1996/1997 KEY POINTS • Follows the success of The Land in Between (MACK, 2018), winner of the 2018 Paris Photo / Aperture Foundation Awards • Depicts remnants of Soviet architecture in Armenia between 1996 – 1997 • Facsimile of the artist’s original sketchbook, compiled in a traditional Armenian schoolbook Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she travelled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This handmade sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time. This publication is a facsimile of the original sketchbook, an artist’s book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material. ABOUT THE ARTIST Ursula Schulz-Dornburg (b.1938, Berlin) has lived and worked in Dusseldorf since 1969. Working primarily in black and white, her work since the late 1960s has been concerned with conceptual approaches to documenting the relationship between architecture, landscape and cycles of human existence. Her previous book The Land in Between BOOK SPECIFICATIONS (MACK, 2018) was the winner of the 2018 Paris Photo / Aperture Foundation Awards. OTA-bound paperback with linen jacket 17 x 20 cm €25 £20 $30 Publication date: November 2019 ISBN 978-1-912339-49-5 9 Guido Guidi Lunario, 1968-1999 KEY POINTS • Renowned Italian photographer best known for his work on rural and suburban landscapes • This book takes the subject of the moon as the basis for a book spanning styles and decades • Previous publications include In Sardegna (2019), Per Strada (2018), which sold out in 3 months, and Veramente (2014) • Includes a conversation between the artist and Antonello Frongia A project composed across several decades, Guido Guidi’s Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life. ABOUT THE ARTIST Guido Guidi (b. 1941, Cesena, Italy) lives and works in Cesena. His work, spanning over more than 40 years, has focused on rural and suburban landscapes in Italy and Europe. Guidi’s photographs have been exhibited extensively, including at Fotomuseum Winterthur (2014); Venice Biennale (2004); Canadian Centre for Architecture (2001); Guggenheim Museum, New York (1994); and Centre Pompidou, Paris (1989), among other institutions. He has published numerous books, including In Veneto (MACK, 2019), In Sardegna (MACK, 2019), Per Strada (MACK, 2018), Guardando A Est (2015); Veramente (MACK, 2014) Preganziol (MACK, 2013); A New Map of Italy (2011); and Due fotografi per il Teatro Bonci (co-authored by Luigi Ghirri, 1983), among other titles. Since 1986 Guidi has taught photography at various BOOK SPECIFICATIONS Italian universities, and since 2001 he has been a visiting professor at the IUAV, Venice.