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Goebbels' Ufa: „Filmschaffen“ Und Ökonomie Elitenbildung Und Unterhaltungsproduktion
Symposium Linientreu und populär. Das Ufa-Imperium 1933 bis 1945 11. und 12. Mai, Filmreihe 11. bis 14. Mai 2017 Symposium Linientreu und populär. Das Ufa-Imperium 1933 bis 1945 Ablauf, Abstracts, Kurzbiografien, Filmreihe Do, 11.05., 13:00 Akkreditierung der Symposiumsteilnehmer*innen Deutsche Kinemathek – Museum für Film und Fernsehen im Filmhaus am Potsdamer Platz, Potsdamer Straße 2, 10785 Berlin, Veranstaltungsraum, 4. OG 14:00 Begrüßung: Rainer Rother (Künstlerischer Direktor, Deutsche Kinemathek), Wolf Bauer (Co-CEO UFA GmbH), Ernst Szebedits (Vorstand Friedrich-Wilhelm-Murnau- Stiftung) 14:30 Block 1 | 100 Jahre Ufa: Rückblicke und Ausblicke Die Ufa im Nationalsozialismus – Die ersten Jahre | Rainer Rother 15:00 Alfred Hugenberg: Wegbereiter der Ufa unterm Hakenkreuz? | Friedemann Beyer 15:30 Zwischen Tradition und Moderne. Zum NS-Kulturfilm 1933–1945 | Kay Hoffmann 16:00 Über die Popularität der Ufa-Filme, 1933–1945. Präsentation von Forschungs- ergebnissen des DFG-Projektes „Begeisterte Zuschauer: Über die Filmpräferenzen der Deutschen im Dritten Reich“ | Joseph Garncarz 16:30 Kaffeepause 17:00 Im Gespräch: Mediale Vermittlung von Zeitgeschichte. Zum Umgang mit brisanten historischen Stoffen | Teilnehmer: Nico Hofmann, Thomas Weber, Moderation: Klaudia Wick 18:00 Zwangsarbeit bei der Ufa | Almuth Püschel 18:30 Die Erinnerungen Piet Reijnens – ein niederländischer Zwangsarbeiter bei der Ufa | Jens Westemeier Ende ca. 19:00 Fr. 12.05., 9:30 Block 2 | Goebbels' Ufa: „Filmschaffen“ und Ökonomie Elitenbildung und Unterhaltungsproduktion. Ufa-Lehrschau und Deutsche Filmakademie als geistiger Ausdruck der Filmstadt Babelsberg im Nationalsozialismus | Rolf Aurich 10:00 Das große Scheitern: Die Ufa als Wirtschaftsunternehmen | Alfred Reckendrees 10:30 Mythos „Filmstadt Babelsberg“. Zur Baugeschichte der legendären Ufa-Filmfabrik | Brigitte Jacob, Wolfgang Schäche 11:15 Kaffeepause 11:45 Der merkwürdige Monsieur Raoul. -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
German Videos Use the Find Function to Search This List
German Videos Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. -
Copyright by Christelle Georgette Le Faucheur 2012
Copyright by Christelle Georgette Le Faucheur 2012 The Dissertation Committee for Christelle Georgette Le Faucheur Certifies that this is the approved version of the following dissertation: Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 Committee: David Crew, Supervisor Sabine Hake, Co-Supervisor Judith Coffin Joan Neuberger Janet Staiger Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 by Christelle Georgette Le Faucheur, Magister Artium Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Acknowledgements Though the writing of the dissertation is often a solitary endeavor, I could not have completed it without the support of a number of institutions and individuals. I am grateful to the Department of History at the University of Texas at Austin, for its consistent support of my graduate studies. Years of Teaching Assistantships followed by Assistant Instructor positions have allowed me to remain financially afloat, a vital condition for the completion of any dissertation. Grants from the Dora Bonham Memorial Fund and the Centennial Graduate Student Support Fund enabled me to travel to conferences and present the preliminary results of my work, leading to fruitful discussions and great improvements. The Continuing Fellowship supported a year of dissertation writing. Without the help of Marilyn Lehman, Graduate Coordinator, most of this would not have been possible and I am grateful for her help. I must also thank the German Academic Exchange Service, DAAD, for granting me two extensive scholarships which allowed me to travel to Germany. -
German Actresses of the 2000S – a Study of Female Representation, Acting and Stardom
German Actresses of the 2000s – A Study of Female Representation, Acting and Stardom Verena von Eicken Doctor of Philosophy University of York Theatre, Film and Television September 2014 Abstract This thesis centres on four German actresses active from the year 2000: Nina Hoss, Sandra Hüller, Sibel Kekilli and Diane Kruger. These performers have embodied a range of multifaceted female characters, as well as offering insightful representations of ‛Germanness’ at home and abroad. Their films are emblematic of the revival of German cinema in the 2000s, which has seen the proliferation of commercially successful historical dramas and the emergence of the critically lauded Berlin School art film movement. This research seeks to contribute to German film studies by considering the role actresses have played in the context of the resurging German cinema of the new millennium. The four actresses are discussed both in terms of the female representations offered by their films, and as performers and stars. The films of Nina Hoss, Sandra Hüller and Sibel Kekilli explore the particular social, political and cultural circumstances of women in contemporary Germany, such as the ramifications of reunification and a changing economic order, the persistent female inequality in the workplace and the family, and the nationally specific conception of the mother role. Contributing to the study of film acting and performance, analyses of the four actresses’ performances are conducted to demonstrate how they enhance the films. Analysing and comparing the work of actresses from the 1920s until the present day, a German screen acting tradition is identified that is characterised by the actresses’ maintenance of a critical distance to the character they portray: female performers working across different decades share a stilted, non-naturalistic acting style, which imbues their characters with a sense of mastery and counteracts their frequent experience of oppression or objectification. -
Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia Victoria Vygodskaia Rust Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 5-24-2012 Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia Victoria Vygodskaia Rust Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Vygodskaia Rust, Victoria, "Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia" (2012). All Theses and Dissertations (ETDs). 732. https://openscholarship.wustl.edu/etd/732 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Germanic Languages and Literatures Program in Comparative Literature Dissertation Examination Committee: Lutz Koepnick, Chair Milica Banjanin Erin McGlothlin Max Okenfuss Lynne Tatlock Gerhild Williams Fashioning Women Under Totalitarian Regimes: “New Women” of Nazi Germany and Soviet Russia by Victoria Vygodskaia-Rust A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2012 Saint Louis, Missouri Acknowledgements I am grateful for all the intellectual challenges and support I have received -
Karen Horney (1885-1952) Photographs
Karen Horney (1885-1952) Photographs Loose photographs 1 Apartment house in Eilbek where KH and family lived between 1900-1901 Inscription: “KH 3rd Papenstrasse address, from Pastor Severin” 2 One of the ships KH’s father captained from 1883 to 1888 Inscription: “Setos, from M. Kludas” 3 Pastor Nikolai von Ruckteschell (seated) and KH’s father Wackels (at left) 4-5 KH (far left) with friends at the Gymnasium in Hamburg, ca. 1904 6-7 KH hiking in the Black Forest near Frieburg with Louis “Losch” Grote, Ida “Idchen” Behrmann, and an unidentified man, ca. 1907 8 Idchen in her Fasching costume 9 KH and Losch, probably in the apartment on Sedanstrasse, Freiburg, 1907 10 Losch, KH, Oskar Horney, and Idchen 11 KH and Oskar with friends, including Walter and Rita Honroth, Berlin, ca. 1910 12 KH expecting, ca. 1910 13 KH and two unidentified people 14 KH and one unidentified woman 15 KH 16 KH Inscription: “Dr. Horney at Hakone Hotel, Hakone” 17 Sigmund Freud (?) and unidentified men 18 Cartoon from the satirical periodical Simplicissimus, 1903 Translation: “Bruno Paul, The lady doctor, ‘You’re mine at last! I can hear your heart beating at my words!’—‘You’re wrong, dear, it’s the abdominal artery.’ Vol. 7, No. 49, 1903” [Goethe-Institut, Munich] 19-23 KH’s grave site at Ferncliff Cemetery 24 Georg Groddeck, 1915 Inscription: “Groddeck 1915, M. Honegger” 25 Georg Groddeck, 1924 Inscription: “Groddeck 1924, M. Honegger” 26 Georg Groddeck, 1933 Inscription: “Groddeck 1933, M. Honegger” 27 Unidentified man, early to mid 1930s Inscription: “This is a picture of my father taken in the early to mid 1930’s. -
Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch -
Paris in the Dark
Paris in the Dark Paris in the Dark Going to the Movies in the City of Light, 1930–1950 Eric Smoodin Duke University Press Durham and London 2020 © 2020 Duke University Press This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons .org/licenses/by-nc/4.0/. Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Drew Sisk Typeset in Garamond Premier Pro and Kabel by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data Names: Smoodin, Eric Loren, author. Title: Paris in the dark : going to the movies in the City of Light, 1930–1950 / Eric Smoodin. Other titles: Movies in the City of Light, 1930–1950 Description: Durham ; London : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019032714 (print) | lccn 2019032715 (ebook) isbn 9781478006114 (hardcover) isbn 9781478006923 (paperback) isbn 9781478007531 (ebook) Subjects: lcsh: Motion pictures—France—Paris—History. | Motion picture theaters—France—Paris—History. | National characteristics in motion pictures. | Culture in motion pictures. | Paris (France)—History. Classification:lcc pn1993.5.f7 s66 2020 (print) | lcc pn1993.5.f7 (ebook) | ddc 791.4309443/6—dc23 lc record available at https://lccn.loc.gov/2019032714 lc ebook record available at https://lccn.loc.gov/2019032715 Cover art: Details from a map of Paris showing the city’s twenty arrondissements, or neighborhoods, and also some of the major cinemas from the period 1930–1950. Map by Michele Tobias. Inside covers: Neon signs at night, Avenue des Champs- Elysées, Paris (VIIIth arrondissement), 1936. -
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950
UC Davis Books Title Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 Permalink https://escholarship.org/uc/item/3hf8f0fn ISBN 9781478007531 Author Smoodin, Eric Publication Date 2020 License https://creativecommons.org/licenses/by-nc/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Paris in the Dark Paris in the Dark Going to the Movies in the City of Light, 1930–1950 Eric Smoodin Duke University Press Durham and London 2020 © 2020 Duke University Press This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons .org/licenses/by-nc/4.0/. Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Drew Sisk Typeset in Garamond Premier Pro and Kabel by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data Names: Smoodin, Eric Loren, author. Title: Paris in the dark : going to the movies in the City of Light, 1930–1950 / Eric Smoodin. Other titles: Movies in the City of Light, 1930–1950 Description: Durham ; London : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019032714 (print) | lccn 2019032715 (ebook) isbn 9781478006114 (hardcover) isbn 9781478006923 (paperback) isbn 9781478007531 (ebook) Subjects: lcsh: Motion pictures—France—Paris—History. | Motion picture theaters—France—Paris—History. | National characteristics in motion pictures. | Culture in motion pictures. | Paris (France)—History. Classification:lcc pn1993.5.f7 s66 2020 (print) | lcc pn1993.5.f7 (ebook) | ddc 791.4309443/6—dc23 lc record available at https://lccn.loc.gov/2019032714 lc ebook record available at https://lccn.loc.gov/2019032715 Cover art: Details from a map of Paris showing the city’s twenty arrondissements, or neighborhoods, and also some of the major cinemas from the period 1930–1950. -
Als Die Synagogen Brannten … Im Kino
4 ALS DIE SYNAGOGEN BRANNTEN… ALS DIE SYNAGOGEN BRANNTEN… 5 Museum stattfindet, rekonstruiert historische Pro- Brennende Synagoge in Bühl gramme, die in den ersten NovemBerwochen des Jah- res 1938 in den Berliner Kinos zu sehen waren. Die aus Haupt- und Beiprogramm bestehenden Vorstellungen versammeln diejenigen Reklame-, Wochenschau-, Kultur- und Spielfilme, aus denen ein Berliner Kino- aBend im NovemBer 1938, etwa in der Pogromnacht, Bestand. Der Besuch von Kinos war wenig später allen Juden untersagt. Wir Bedanken uns Bei der Friedrich-Wilhelm-Murnau-Stiftung für die freundliche Unterstützung sowie Bei Hans-Michael Bock, Als die Synagogen brannten … Swenja Schiemann und Philipp Stiasny. Im Kino: Berlin, November 1938 Als der 17-jährige Jude Herschel Grynszpan, dessen Heimat Familie zusammen mit 17.000 als „polnischstämmig“ Bezeichneten Juden nach Polen aBgeschoBen worden D "#$%, R: Carl Froelich, K: Franz Weihmayr, M: Theo Mackeben, D: Zarah Leander, Heinrich George, Paul Hörbiger, #%' · 23 mm war, am 7. NovemBer 1938 in Paris einen Mordanschlag DI 3.77. um 79.2: Uhr + DO >.77. um 79.2: Uhr auf den deutschen Diplomaten Ernst von Rath verüBt, Vorprogramm: findet Joseph GoeBBels den Vorwand für einen Ufa-Tonwoche Nr. HIJ D "#$%, "H' · 23 mm „spontanen Sühneakt“. In der Nacht vom 9. auf den Alm im Karwendel D "#$%, R: Wilhelm Prager, II' · 23 mm 10. NovemBer ermorden Mitglieder der NSDAP etwa Der Zarah-Leander-Film Heimat 100 Juden, stecken Hunderte von Synagogen in nach dem Theaterstück von Brand und zerstören Tausende jüdischer Geschäfte Hermann Sudermann ist einer der und Wohnungen. Schaulustige stehen daneBen, ganz großen Erfolge des Kinojah- während Polizei und Feuerwehr vor allem darauf res 1938. -
Titel Kino 3/2002
EXPORT-UNION OF GERMAN CINEMA 3/2002 AT LOCARNO SOPHIIIIE! & DAS VERLANGEN in Competition AT MONTREAL MEIN ERSTES WUNDER & VAETER in Competition AT VENICE Four German Films in Competition AT SAN SEBASTIAN PIGS WILL FLY in Competition, BABY & SCHERBENTANZ in New Directors’ Competition Kino Scene from ”Naked“(photo © Constantin Film) ”Naked“(photo Scene from GERMAN CINEMA Retrospective VOLKER SCHLOENDORFF Scene from ”The Tin Drum“ Der junge Toerless (1966) You’re a Man, My Boy · Mo Kohlhaas – der Rebell (1969) Man on Horseback · Ba Leute von Kombach (1971) The Sudden Wealth of the Poor Georginas Gruende (1975) · Die verlorene Ehre d Blum · Der Fangschuss (1976) · Deutschland im Her The Tin Drum · Die Faelschung (1981) Circle of Deceit · U a Salesman (1985) · A Gathering of Old Men (1987) The Voyager · Billy Wilder, wie haben Sie’s gemach Ogre · Palmetto (1998) · Die Stille nach dem Schus oder er hat keine (2002) 19-28 September 2002 at the 50TH SAN SEBASTIAN Film Festival Scene from ”Germany in Autumn“ Scene from ”The Ogre“ ord und Totschlag (1967) Degree of Murder · Michael aal (1970) · Der ploetzliche Reichtum der armen r People of Kombach · Strohfeuer (1972) Summer Lightning · der Katharina Blum (1975) The Lost Honor of Katharina rbst (1978) Germany in Autumn · Die Blechtrommel (1979) Un Amour de Swann (1984) Swann in Love · Death of · The Handmaid’s Tale (1990) · Homo Faber (1991) ht (1992) Billy, How Did You Do It? · Der Unhold (1996) The s (1999) The Legends of Rita · Ein Produzent hat Seele KINO 3/2002 31 Photographie und Jenseits