Program ISLOs, PSLOs, CSLOs, Mapping, and Assessment Plan

Year 1 Year 2 Year 3 Year 4 Year 5 Year 6 F 2013 S 2014 F 2014 S 2015 F 2015 S 2016 F 2016 S 2017 F 2017 S 2018 F 2018 S 2019 INSTITUTIONAL STUDENT LEARNING OUTCOMES - ISLOs

ISLO 1 COMMUNICATION 1A Read 1B Listen 1C Write 1D Dialogue

ISLO 2 TECHNOLOGY AND INFORMATION COMPETENCY

2A Demonstrate Technical Literacy 2B Apply Technology 2C Access Information 2D Evaluate and Examine Information

ISLO 3 CRITICAL AND CREATIVE THINKING

3A Inquire 3B Analyze 3C Problem Solve 3D Express

ISLO 4 CITIZENSHIP

4A Ethics 4B Diversity 4C Sustainability/Global Awareness 4D Personal Responsibility Related PHOTOGRAPHY PROGRAM OUTCOMES - PSLOs ISLOs Enter "X" in boxes as appropriate Analyze the major historical and contemporary trends and influences within the 1A, 1C; 3B; PSLO A medium of photography. 4B X Critique orally and in writing for content, composition, 1B, 1C, 1D; PSLO B craftsmanship, and originality with terminology commonly used in art and 3D photography. X Create photographs demonstrating good control under a wide variety PSLO C 2B; 3C, 3D of lighting situations, including both natural and studio lighting. X Utilize the or computer to produce final images that have appropriate PSLO D contrast, density and as well as incorporate the elements of design, 2B; 3C, 3D design principles and compositional conventions. X Distinguish between the key principles of copyright laws and understand 1A, 1C; 4A, PSLO E industry business practices, and other legal and ethical considerations. 4D Develop a portfolio of images that illustrates the student photographer’s style, PSLO F 2B; 3C, 3D skill within the medium and subject area interests.

Total Number of Program Outcomes (manually enter) 6 6 6 6 6 6 6 6 6 6 6 6 6 Number of Program Outcomes Assessed (per formula) 4 0 0 0 0 0 0 0 0 0 0 0 Percentage of Program Outcomes Assessed (per formula) 67% 0% 0% 0% 0% 0% 0% 0% 0% 0% 0% 0%

Photography A.A. degree Outcomes - same as the PSLOs. Photography A.S. degree Outcomes - same as the PSLOs. Photography: Certificate of Achievement Outcomes - same as the PSLOs. Alternative Processes in Photography Skills Certificate Outcomes - same as the PSLOs. Skills Certificate Outcomes - same as the PSLOs. Digital Imaging Skills Certificate Outcomes - same as the PSLOs. Skills Certificate Outcomes - same as the PSLOs. Narrative Photography Skills Certificate Outcomes - same as the PSLOs. Photographic Processes Skills Certificate Outcomes - same as the PSLOs. Portrait, Fashion and Skills Certificate Outcomes - same as the PSLOs. Related PHOT 10 History and Aesthetics of Photography (ALSO ART 11) PSLOs Enter "X" in boxes as appropriate Correlate the content and communication of photographs to the available CSLO 1 A technology in historic and contemporary images. X Distinguish the characteristics of different themes, genres, aesthetic principles, CSLO 2 A, B and applications of historic and contemporary photography. Appraise the social, legal and ethical influence of photographic images in both CSLO 3 E historic and contemporary practice.

PHOT 28 INDEPENDENT STUDY Enter "X" in boxes as appropriate Template Course

PHOT 30 PHOTOGRAPHING WORKS OF ART (ALSO AAD 30) Photography Program ISLOs, PSLOs, CSLOs, Mapping, and Assessment Plan

Year 1 Year 2 Year 3 Year 4 Year 5 Year 6 F 2013 S 2014 F 2014 S 2015 F 2015 S 2016 F 2016 S 2017 F 2017 S 2018 F 2018 S 2019 Compare and contrast exposure meters and methods, and lenses, CSLO 1 B lighting and other equipment choices. X CSLO 2 Compose, light and expose 2D and 3D art objects. C Evaluate photographic results for suitable use, sharpness, exposure, contrast CSLO 3 B, D control, color, lighting and .

PHOT 60A Elementary Photography Create a variety of visual effects by applying exposure techniques to CSLO 1 C multiple subjects and scenarios. X Evaluate contact sheets and enlargements for proper tone and contrast CSLO 2 D suitable for the given subject and creative intent. Critique photographs for content, composition, craftsmanship, and historical CSLO 3 A, E context, while using proper photographic terminology.

CSLO 4 Construct a portfolio of photographs that demonstrates a synthesis of acquired F camera technique with desired technical, aesthetic or conceptual goals.

PHOT 60B INTERMEDIATE PHOTOGRAPHY Utilize a variety of camera formats and techniques based on visual CSLO 1 characteristics desired for specific images C, D CSLO 2 Create prints using advanced darkroom techniques D CSLO 3 Assemble images into cohesive final portfolio D, F

PHOT 61 PHOTOGRAPHY LABORATORY EXPERIENCE Enter "X" in boxes as appropriate Prepare goals for the laboratory course in relation to the stated area of CSLO 1 concentration, define the primary terms, and list the sequence of steps for the C, D laboratory digital or studio processes. X As appropriate for student goals, analyze and evaluate negatives and prints CSLO 2 during laboratory processing, and choose procedures and controls for D photographic processes to achieve desired result. As appropriate for student goals, utilize digital imaging software to correct or CSLO 3 manipulate digital images, and create still life and portraits photographs with C, D studio lighting. Analyze and evaluate the impact of photographs in terms of subject, technique, CSLO 4 F composition, visual communication, and prepare prints for presentations.

PHOT 65 CSLO 1 A, B Analyze and critique contemporary and historical documentary photographs. X Select and utilize cameras and related equipment to create documentary CSLO 2 C imagess. CSLO 3 Create cohesive portfolio(s) of documentary images. E, F

PHOT 70A ADVANCED PHOTOGRAPHY Compare and contrast studio photography with other locations, lighting and CSLO 1 B metering methods. Create still life and demonstrating exposure, camera, CSLO 2 C lighting and stylistic control. Develop a portfolio of still life and portrait solutions for evaluation based on CSLO 3 B, F concept, composition, craft, and communication.

PHOT 70B ADVANCED PHOTOGRAPHY Synthesize photographic interests, skills and abilities with professional goals CSLO 1 B, C, D and portfolio development. CSLO 2 Investigate industry requirements, services and resources. E Use various cameras, lenses, exposure techniques, and lighting skills to CSLO 3 C, D still life or portraits. CSLO 4 F Create, evaluate, and present a focused, pre-professional portfolio for critique.

PHOT 75 INTRODUTION TO DIGITAL IMAGING (ALSO AAD 75) Analyze and select various digital input methods and software enhancements CSLO 1 D for accurate digital reproduction and creative visual impact. Distinguish between various file formats, vector vs. raster files, and apply digital CSLO 2 D tools using non-destructive techniques. Investigate historical and contemporary influences, as well as ethical and legal CSLO 3 A, E issues regarding electronic imaging. Create images that demonstrate digital enhancement techniques including CSLO 4 proper tone and color, retouching, image montage, and file preparation for D various types of output. X

PHOT 76 ADVANCED PROJECTS IN DIGITAL IMAGING (ALSO AAD 76) Enter "X" in boxes as appropriate Create complex multi-layer photographic illustrations with computer graphics CSLO 1 software. D Apply principles of image adjustment, sizing and correction to prepare digital CSLO 2 photographs and photographic illustrations for a variety of output devices. D, E Prepare both still and motion graphics projects meeting design specifications. CSLO 3 C, D Photography Program ISLOs, PSLOs, CSLOs, Mapping, and Assessment Plan

Year 1 Year 2 Year 3 Year 4 Year 5 Year 6 F 2013 S 2014 F 2014 S 2015 F 2015 S 2016 F 2016 S 2017 F 2017 S 2018 F 2018 S 2019

PHOT 0078 CSLO 1 Critique photographs for technical skills employed and visual impact. B Apply exposure controls to produce technically and aesthetically CSLO 2 C successful images in a variety of shooting situations. CSLO 3 Evaluate, adjust and prepare digital photographs for final output. D, F

PHOT 80 COLOR PHOTOGRAPHY Calculate proper exposure for various lighting situations, and evaluate and CSLO 1 C, B process RAW capture files for accurate color, contrast and tone. Investigate color theory, elements and principles of art, color, photographers, CSLO 2 A, D and historical discoveries related to color photography. CSLO 3 Create digital images that exemplify various color concepts and styles. C, D, F Assess visual communication and storytelling through script writing, CSLO 4 F storyboards, photographs, and multimedia presentations.

PHOT 85 Apply ethical standards within the field of photojournalism to images produced CSLO 1 and critiqued. A, E Create individual photographs, visual essays and cutlines for a variety of typical CSLO 2 visual categories in photojournalism. D, F Utilize photographic equipment and techniques commonly employed in CSLO 3 photojournalism. C

PHOT 88 BUSINESS PRACTICES FOR PHOTOGRAPHERS Create a business plan for a commercial, fine art, portrait or other photography CSLO 1 business. E Assess the various legal and practical aspects of running a photography CSLO 2 business. E Investigate trade organizations and develop a network of professional CSLO 3 consultants based on the needs of the individual photography business. E

PHOT 90A INTRODUCTION TO THE CSLO 1 Create both film-based and digital photographs utilizing the Zone System. C, D CSLO 2 Analyze negatives to determine exposure index and development times. C Define Zone System concepts and terminology for both digital and film CSLO 3 applications. C

PHOT 90B FIELD WORKSHOP: CITYSCAPE Compare genres and differentiate methods and approaches to photographing CSLO 1 urban subject matter. A Compare alternative compositions and select appropriate camera settings for CSLO 2 film and digital photography. C Evaluate lighting situations and correlate with metering for accurate exposures CSLO 3 in different environments. C Analyze and edit digital or film-based images to create a portfolio for CSLO 4 assessment of composition and communication. B, D, F

PHOT 90G PINHOLE PHOTOGRAPHY WORKSHOP Investigate the current and historic use of pinhole photography and the camera CSLO 1 obscura. A Compare essential features and image quality to that of common cameras. CSLO 2 C CSLO 3 Design, construct and utilize a . C Compare and select films, calculate proper exposure, and produce pinhole CSLO 4 photographs for presentation and evaluation. C, D, F

PHOT 90H DOCUMENTARY FIELD WORKSHOP Create visual record of event or group considering the history, standards and CSLO 1 conventions within documentary photography. A, E, F Apply fundamentals of exposure control, equipment selection and composition CSLO 2 to documentary photographs. C, D CSLO 3 Assemble and prepare photographs in a portfolio for visual storytelling. D, F

PHOT 90I FIELD WORKSHOP Differentiate the distinguishing characteristics, potential problems and solutions CSLO 1 of night photography. A Create night scenes using different metering methods, camera settings and CSLO 2 lighting. C Prepare a portfolio reflecting expression and control for review and evaluation CSLO 3 based upon concept, craft, composition and impact. B, D, F

PHOT 90J PHOTOJOURNALISM FIELD EXPERIENCE CSLO 1 Assess the legal and ethical issues surrounding photojournalism. E Utilize photographic equipment and techniques commonly employed in CSLO 2 photojournalism. C Generate cutlines from information gathered regarding the subject, location an CSLO 3 activities within photographs captured. D, E Create a portfolio of both individual and sequential images applying the CSLO 4 fundamental of photographic composition that visually tell a story in the photojounalistic/publication genre. C, F Photography Program ISLOs, PSLOs, CSLOs, Mapping, and Assessment Plan

Year 1 Year 2 Year 3 Year 4 Year 5 Year 6 F 2013 S 2014 F 2014 S 2015 F 2015 S 2016 F 2016 S 2017 F 2017 S 2018 F 2018 S 2019

PHOT 90L FIELD WORKSHOP: LANDSCAPE Investigate landscape photographers and projects, geographic characteristics CSLO 1 and historic background of the region under study. A Assemble and organize photographic and personal equipment, appropriate to CSLO 2 the region and environmental conditions. C Create photographs that demonstrate exposure control and experimentation in CSLO 3 various lighting situations. C Compile a body of landscape photographs reflecting the region and CSLO 4 photographic expression for evaluation. B, C, F

PHOT 90M AUTOBIOGRAPHICAL PHOTOGRAPHY Analyze autobiographical content in historic and contemporary photographs. CSLO 1 A CSLO 2 Critique the evidence of craft, expression, context and impact in images. B CSLO 3 Develop a portfolio of images reflecting personal and universal content. F

PHOT 90P WORKSHOP: PORTRAITURE Analyze portraits that illustrate diverse poses, camera equipment, and lighting CSLO 1 situations. B Plan portrait sessions including anticipated camera, lens and lighting CSLO 2 equipment needs. C Create portraits demonstrating exposure control, camera usage, and effective CSLO 3 lighting and vantage points. C, D CSLO 4 Develop a portfolio of portraits for evaluation. F

PHOT 90T TRAVEL PHOTOGRAPHY FIELD WORKSHOP Distinguish subject themes and the unique and defining aspects of travel CSLO 1 photography. A Analyze and select film and digital camera equipment appropriate for various CSLO 2 travel situations. C Create film or digital media correctly to produce photographs that meet CSLO 3 traditional standards of craftsmanship and expression. C Compile a portfolio of photographs for visual storytelling of place, people, and CSLO 4 events, for peer evaluation. B, F

PHOT 92 ALTERNATIVE PROCESSES Create a portfolio of photographs utilizing a variety of alternative photographic CSLO 1 processes D, F Prepare chemistry, negatives and substrates used in alternative photographic CSLO 2 processes D Critique final images based on creativity, aesthetics and the relationship CSLO 3 between the technique and the subject matter A, B

PHOT 95 INTERNSHIP IN PHOTOGRAPHY Template Course

Total Number of Courses (from last number assigned) 27 27 27 27 27 27 27 27 27 27 27 27

Total Number of CSLOs (manually enter) 6 0

Number of CSLOs Assessed Per Semester (per formula) 6 0 0 0 0 0 0 0 0 0 0 0

Percentage of CSLOs Assessed (per formula) 100% #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! #DIV/0! Number of Courses Assessed Per Semester (manually enter) 6 0

Percentage of Courses Assessed (per formula) 22% 0% 0% 0% 0% 0% 0% 0% 0% 0% 0% 0%