This Article Explores Umberto Eco's Contribution to the Current Debate
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Biblioteca Di Rivista Di Studi Italiani
BIBLIOTECA DI RIVISTA DI STUDI ITALIANI CONTRIBUTI UMBERTO ECO'S COGNITIVE HYBRID NOVELS: THE VERTIGO OF INTERTEXTUALITY* I libri parlano sempre di altri libri. [Books always speak of other books] (U. Eco, Postille a Il nome della rosa ) ROCCO CAPOZZI University of Toronto riting on Umberto Eco's Il nome della rosa (1980), and Il pendolo di Foucault (1981)1, some thirty years after their first appearances has advantages and disadvantages. The bibliographies of articles, W 2 texts and monographic studies are becoming overwhelming for readers and researchers interested in Eco the intellectual, the medievalist, the semiotician, *What follows is part of the first chapter of my work in progress "Eco the semiotician narrator"; 'vertigo of intertextuality' is a parodic allusion to Eco's Vertigine della lista (2009; The Infinity of Lists ) which sheds light on Eco's love for the "aesthetics of excess". 1 Il nome della rosa (Milano: Bompiani, 1980), Il pendolo di Foucault (Milano: Bompiani, 1988), Il cimitero di Praga (Milano: Bompiani, 2010). The English translations are from William Weaver's The Name of the Rose (New York: Harcourt Brace Jovanovich, 1983; hereafter abbreviated The Rose ), Postscript to The Name of the Rose (New York: Harcourt Brace Jovanovich, 1984), Foucault's Pendulum (New York: Harcourt Brace Jovanovich, 1989; abbreviated Pendulum ). The Prague Cemetery is translated by Richard Dixon (New York: Houghton Mifflin Harcourt, 2011) and hereafter is abbreviated as The Cemetery . For the Postille a Il nome della rosa I use the edition published as a booklet and distributed with the 1984 paperback edition of Il nome della rosa ; hereafter abbreviated as Postille . -
On the Monitor, Darkly. from Mediation to Media by Way of Reality 73
Siegener Periodicum zur Internationalen____ Empirischen______ Literaturwissenschaft Herausgegeben von Reinhold Viehoff (Halle/Saale) Gebhard Rusch (Siegen) Jg. 25 (2006), Heft 1 Peter Lang Internationaler Verlag der Wissenschaften SPIEL Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL: Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft Jg. 25 (2006), Heft 1 Peter Lang Frankfurt am Main • Berlin • Bern • Bruxelles • New York • Oxford • Wien Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://www.d-nb.de> abrufbar. ISSNISSN 2199-80780722-7833 © Peter Lang GmbH Internationaler Verlag der Wissenschaften Frankfurt am Main 2009 Alle Rechte Vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. www.peterlang.de Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL 25 (2006), H. 1 Mediale Wende - Ansprüche, Konzepte und Diskurse / Mediatic turn - Claims, Concepts, and Discourses hrsg. von / ed. by Theo Hug (Innsbruck) Die Heftbezeichnung SPIEL 25 (2006), H. 1 ist produktionstechnischen Gründen geschuldet und bezieht sich nicht auf das tatsächliche Erscheinungsjahr dieses Bandes, 2008. Dafür bittet die Redaktion um Verständnis. Das Heft wird zitiert: Theo Hug (Hg.), 2008: Mediale Wende - Ansprüche, Konzepte und Diskurse. Frankfurt/Main: Peter Lang. (= special issue SPIEL, 25 (2006), H. 1). Owing to technical reasons of production, the title SPIEL 25 (2006), H. 1 does not refer to the actual year of publication of this issue. The editorial team asks for the readers’ indulgence. -
Postmodern Narration in Umberto Eco's the Name of The
Shanlax International Journal of English 1 Umberto Eco, Italy‟s most celebrated philosopher, semiotician, literary critic, linguist and novelist, is widely acclaimed for many of his influential scholarly works. His novels The Name of the Rose, Foucault’s Pendulum, Baudolino, An Island of the Day Before, Mysterious Flame of Queen Loana, The Prague Cemetery have gained much adulation from his readers. His recent novel Numero Zero has also earned greater Dr. B. Kathiresan popularity. An exceptional narrative style imposed in these Associate Professor of English novels identifies them predominantly with postmodern Thiruvalluvar University literature. The Name of the Rose is a postmodern novel where Eco recites a fictious tale of Adso of Melk who inturn narrates S.Pushpanjali his past to the readers. Adso‟s story deals with William along Research Scholar, Thiruvalluvar University with his novice Adso, solving the mystery of seven bizarre deaths that occurs in the Benadictine Monastery where they come o n a mission to partake in a theological disputation. The postmodern narration in the novel harnesses temporal distortion and unreliable narration. Temporal distortion refers to a technique that the postmodern authors implement in their novels to convey the story. It includes employing features like fragmentation and non- linear narration. Fragmentation is the disarray of events whereas non-linear narration is the usage of distorted timeline in the portrayal of events. A novel, in general, usually incorporates a structure that assembles the compendium of information belonging to the story in an organized fashion. When this fabrication breaks, there is an interruption in the disposal of the events of the story, affecting the totality of meaning. -
Ngafilms-Umberto-Eco-And-Film.Pdf
The universe of action depicted by the cinema is already a universe of signs. — umberto eco, “sulle articolazioni del codice cinematografico” 1 IPERSIGNIFICATO: UMBERTO ECO AND FILM A literary and cultural giant whose influence can be seen in many aspects of our rapidly evolving media, Umberto Eco (1932 – 2016) produced a critical oeuvre that remains import- ant to the study of cinema. Throughout decades of interdis- ciplinary writing, Eco seamlessly moved between academic work, semiotic analysis, acclaimed novels, and more informal cultural commentary, leaving indelible marks on each area. Eco once explained his approach as concerned “with the problems of language, communication, organization of the systems of signs that we use to describe the world and to tell it to one another,” acknowledging the relationship between his own work and the field of semiotics.2 A tracing of Eco’s theories inevitably recounts the history of cinema and reveals a mutual development. The film series at the National Gallery to cinematic language; if language is traditionally a pragmatic of Art illustrates the inextricable link between his work and its solution through which meaning is inevitably impoverished, subject matter, as the cinema itself was informed and chal- the moving image allows us to reclaim some of that meaning, lenged by his theoretical approach while also enriched by his a result the writer would refer to as ipersignificato.3 contributions. The films presented in the Gallery’s series distill Eco’s work Although his direct encounters with filmmaking were fleet- and map his critical footsteps, following a loose chronology ing — among them a near screenwriting collaboration with that illustrates the development of the theory and practice of Michelangelo Antonioni — Eco was, among many other filmmaking over the past century, while noting the progres- innovative roles, a founding father of film semiotics, a disci- sive awareness of what a language of film has the potential to pline propelled forward in a series of memorable debates at be. -
Eco, Umberto Y Martini, Carlo Maria – En Qué Creen Los Que No Creen
http://biblioteca.d2g.com ¿En qué creen los que no creen? Umberto Eco Carlo Maria Martini (Arzobispo de Milán) http://biblioteca.d2g.com En que creen los que no creen? Un diálogo sobre la ética en el fin del milenio Umberto Eco Carlo Maria Martini (Arzobispo de Milán) Con la intervención de Emanuele Severino Manlio Sgalambro Eugenio Scalfari Indro Montanelli Vittorio Foa Claudio Martelli Traducción de Carlos Gumpert Melgosa temas de hoy. http://biblioteca.d2g.com Este libro no podrá ser reproducido, ni total ni parcialmente, sin el previo permiso escrito del editor. Todos los derechos reservados. © 1996, Atlantide Editoriale S. p. A. © 1997, EDICIONES TEMAS DE HOY, S.A. (T.H.) Edición en español realizada con la mediación de la Agencia Letteraria Eulama Título original: In cosa crede chi non crede? Paseo de la Castellana, 28. 20046 Madrid Diseño de cubierta: Rudesindo de la Fuente Fotografías de cubierta: Cover (Umberto Eco) y Contífoto (Cario Maria Martini) Primera edición: octubre de 1997 ISBN (edición italiana): 88-86838-03-4 ISBN (edición española): 84-7880-876-0 Compuesto en J. A. Diseño Editorial, S. L. Reimpresión para Editorial Planeta Argentina S.A.I.C. Independencia 1668, 1100, Bs. As. Primera edición argentina: mayo de 1998 Hecho el depósito que prevé la ley 11.723 ISBN: 950-730-039-2 Impreso en la Argentina http://biblioteca.d2g.com Este libro El diálogo epistolar entre el cardenal Cario Maria Martini y Umberto Eco, que ocupa la primera parte del presente libro, dio comienzo en el primer número de la revista Liberal —aparecido el 22 de marzo de 1995— y prosiguió con ritmo trimestral. -
How to Write a Thesis
How to Write a Thesis How to Write a Thesis U E translated by Caterina Mongiat Farina and Geoff Farina foreword by Francesco Erspamer The MIT Press Cambridge, Massachusetts London, England © 2015 Massachusetts Institute of Technology Translated from the original Italian, Come si fa una tesi di laurea: le materie umanistiche, © 1977/2012 Bompiani/RCS Libri S.p.A., Via Angelo Rizzoli 8 – 20132 Milano All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected]. his book was set in Chapparal Pro by the MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data is available. isbn: 978-0-262-52713-2 10 9 8 7 6 5 4 3 2 1 CONTENTS Foreword by Francesco Erspamer ix Translators’ Foreword xv Introduction to the Original 1977 Edition xix Introduction to the 1985 Edition xxiii 1 THE DEFINITION AND PURPOSE OF THE THESIS 1.1 What Is a Thesis, and Why Is It Required? 1 1.2 For Whom Is This Book Written? 4 1.3 The Usefulness of a Thesis after Graduation 5 1.4 Four Obvious Rules for Choosing a Thesis Topic 7 2 CHOOSING THE TOPIC 2.1 Monograph or Survey? 9 2.2 Historical or Theoretical? 13 2.3 Ancient or Contemporary? 16 2.4 How Long Does It Take to Write a Thesis? 17 2.5 -
Carlo Maria Martini, Umberto
Carlo Maria Martini Umberto Eco IN COSA CREDE CHI NON CREDE ? CON INTERVENTI DI EMANUELE SEVERINO MANLIO SGALAMBRO EUGENIO SCALFARI INDRO MONTANELLI VITTORIO FOA CLAUDIO MARTELLI Indice IX Questo libro I. Dialoghi 5 UMBERTO ECO , L'ossessione laica della nuova Apocalisse 13 CARLO MARIA MARTINI , La speranza fa della Fine "un fine" 21 UMBERTO ECO , Quando inizia la vita umana? 29 CARLO MARIA MARTINI , La vita umana partecipa della vita di Dio 37 UMBERTO ECO , I maschi e le femmine secondo la Chiesa 51 CARLO MARIA MARTINI , La Chiesa non soddisfa attese, celebra misteri 61 CARLO MARIA MARTINI , Dove trova il laico la luce del bene? 69 UMBERTO ECO , Quando entra in scena l'altro, nasce l'etica II. Coro 83 EMANUELE SEVERINO , La tecnica è il tramonto di ogni buona fede 95 MANLIO SGALAMBRO , Il bene non può fondarsi su un Dio omicida 99 EUGENIO SCALFARI , Per agire moralmente affidiamoci all'istinto 109 INDRO MONTANELLI , Della mancanza di fede come ingiustizia 113 VITTORIO FOA , Come vivo nel mondo, ecco il mio fondamento 117 CLAUDIO MARTELLI , Il credo laico dell'umanesimo cristiano III. Ripresa 135 CARLO MARIA MARTINI , Ma l'etica ha bisogno della verità 146 Indice dei nomi Questo libro Questo libro inaugura la collana dei "Sentieri" di liberal, che nasce per rendere autonome e ancora più visibili le grandi direttrici di ricerca in cui la nostra rivista impegna le proprie energie, unite ai contributi di molti importanti collaboratori. Il dialogo epistolare tra il cardinale Carlo Maria Martini e Umberto Eco, che compone la prima parte, prese avvio sul primo numero di liberal - uscito il 22 marzo 1995 - ed è proseguito con cadenza trimestrale. -
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: from Postmodernism to Anti-Semitism
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: From Postmodernism to Anti-Semitism Saskia Elizabeth Ziolkowski La penna è una vanga, scopre fosse, scava e stana scheletri e segreti oppure li copre con palate di parole più pesanti della terra. Affonda nel letame e, a seconda, sistema le spoglie a buio o in piena luce, fra gli applausi generali. The pen is a spade, it exposes graves, digs and reveals skeletons and secrets, or it covers them up with shovelfuls of words heavier than earth. It bores into the dirt and, depending, lays out the remains in darkness or in broad daylight, to general applause. —Claudio Magris, Non luogo a procedere (Blameless) In 1967, Italo Calvino wrote a letter about the “molto interessante e strano” (very interesting and strange) writings of Thomas Bernhard, recommending that the important publishing house Einaudi translate his works (Frost, Verstörung, Amras, and Prosa).1 In 1977, Claudio Magris held one of the !rst international conferences for the Austrian writer in Trieste.2 In 2014, the conference “Il più grande scrittore europeo? Omag- gio a Thomas Bernhard” (The Greatest European Author? Homage to 1 Italo Calvino, Lettere: 1940–1985 (Milan: Mondadori, 2001), 1051. 2 See Luigi Quattrocchi, “Thomas Bernhard in Italia,” Cultura e scuola 26, no. 103 (1987): 48; and Eugenio Bernardi, “Bernhard in Italien,” in Literarisches Kollo- quium Linz 1984: Thomas Bernhard, ed. Alfred Pittertschatscher and Johann Lachinger (Linz: Adalbert Stifter-Institut, 1985), 175–80. Both Quattrocchi and Bernardi -
Upsetting National Events and Conspiracy Narratives in Contemporary Italian Literature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Research Information System University of Turin Lexia. Rivista di semiotica, 23–24 Complotto ISBN 978-88-548-9931-5 DOI 10.4399/978885489931521 pag. 345–367 (giugno 2016) Upsetting National Events and Conspiracy Narratives in Contemporary Italian Literature Jenny Ponzo* titolo italiano: Avvenimenti nazionali sconvolgenti e narrative del com- plotto nella letteratura italiana contemporanea. abstract: In the history of a nation, upsetting events sometimes threaten its identity. Often, conspiracy theories work as counter–narratives con- trasting the reassuring oYcial accounts of such shocking happenings. Fictional literature is one of the main channels for the diVusion of con- spiracy theories. Starting from such premises, the essay focuses on a corpus of Italian novels written in the last sixty years. They refer to four of the most upsetting moments of Italian national history (Risorgimento, the fall of Fascism, the “lead years”, and the passage from the first to the second Republic). The analysis concentrates on novels by Umberto Eco, Andrea Camilleri, Leonardo Sciascia, Rino Cammilleri, Carlo Alianel- lo, and Luciano Bianciardi. It singles out diVerent types of conspiracy narratives in contemporary Italian literature, each one characterized by peculiar recurrent motifs and characters. The essay, therefore, sets the premises for a semiotic study of conspiracy as literary genre. keywords: Conspiracy; Italian Literature; National Identity; Semiotics; Narrative. 1. Conspiracy narratives In the history of a nation there are upsetting events that threaten the sense of national identity itself. Generally, institutions and citizens ∗ Jenny Ponzo, Ludwig-Maximilians-Universität München. -
Danilo Kiš's Fictionalization of the Protocols of the Elders of Zion
“The Conspiracy, or The Roots of the Disintegration of European Society.” Danilo Kiš’s Fictionalization of the Protocols of the Elders of Zion Dagmar Burkhart Keywords Danilo Kiš; collective memory; thanatopoetics; conspiracy; Book of Kings and Fools; Protocols of the (Learned) Elders of Zion; pogroms Conspiracies have probably been a part of life ever since societies started to be- come more complex and at a time when those in power developed conflicting in- terests. The basic, literal meaning of the verb conspire (from the Latin conspira- re and its derivative, conspiratio, “agreement, union, unanimity”) is “to breathe together,” whereby breathing together was taken to mean “to agree, to concur to one end,” whether that purpose be good or evil (e.g. Genesis 37,18; “They con- spired against [Joseph] to slay him”). Since the middle of the fourteenth century conspiracy has been used in English to mean, first and foremost, “a plotting of evil, unlawful design; a combination of persons for an evil purpose.” The word conspire has, thus, assumed primarily negative connotations: “to secretly plot or make plans together, often with the intention to bring bad or illegal results.”1 Most conspiracy theories are generated in times of crisis. They occupy the space between political constellations and psychological mechanisms. They have much in common with paranoia: the loss of one’s ability to put things into per- spective, a static perception, the narrowed outlook of an extremely egocentric or 1 See “conspire” in Wiktionary, the free dictionary. https://en.wiktionary.org/wiki/con- spire 314 | Burkhart group-driven point of view.2 One of the conspiracy theories that has been most relevant in building an enemy stereotype is based on anti-Semitism, which sup- plied the greatest impetus for the persecution of Jews and legitimated the use of violence against them. -
'Umberto Eco's Adventurous Orders'
Umberto Eco’s Adventurous Orders Umberto Eco’s Adventurous Orders: A Critical Review–Essay on Claudio Paolucci, Umberto Eco: Tra Ordine e Avventura (Milan: Feltrinelli, 2017) Lucio Angelo Privitello Reading the morning newspaper is the realist’s morning prayer. One orients one’s attitude toward the world either by God or by what the world is. The former gives as much security as the latter, in that one knows how one stands. G. W. F. Hegel, Miscellaneous Writings, 247 Umberto Eco masterfully navigated between this Hegelian aut aut. He knew how one can be taken in, entitled, and effortlessly drift into the apocalyptic censoring shore on one side, or manoeuvre towards integralism, academic control, and conspiracy, on the other, and how each churns currents even within itself. He sailed through these haunted straits with his nimble craft of truth — narration — and he did so with intellectual emancipation and cultural production as his goal. Narration gives the ‘gift of the present’, it gives flashes of Truth (Verità) that briefly illuminate our existence, and forge passages through those of others. Narrated moments grant a virtual sostenuto where life, and the social aspect of theory, is held in place, intractable, gifted, and where events fit together as in a great work of art, to which Charles Sanders Peirce compared the Universe.1 Even with his beloved Peirce, Eco would theoretically object to going this far. Instead, à la Foucault, he would turn and say: ‘I’m not where you are lying in wait for me, but over here, laughing at you’.2 This was Eco’s summation at the end of Foucault’s Pendulum, the laughter in The Name of the Rose, his idea of a third type of intellectual (neither apocalyptic nor integrated), his sense of humour, and his moves through multiple cultural dimensions and domains. -
Racial Rivalry As a Dehumanised Emotion in the Form of Antisemitism in Umberto Eco’S the Prague Cemetery
RACIAL RIVALRY AS A DEHUMANISED EMOTION IN THE FORM OF ANTISEMITISM IN UMBERTO ECO’S THE PRAGUE CEMETERY Mr. MUDASIR RAHMAN NAJAR Research Scholar, Sri Satya Sai University, Madhya Pradesh, India. ABSTRACT Under this paper, it is investigated that Umberto Eco’s novel The Prague Cemetery projects imbalanced human emotions with particular emphasis on anti-Semitism. In the very outset of the novel, the main character namely Simonini, an anti-semite, is made to shower the gush of hatred emotion against the Jewish community. He, actually has inherited this emotion of hatred from either the narratives around or the experiences of his grandfather. This state of mind has made him feel sceptic in various socio-political processes and also affected the psyche of his character. In this context, the wrongs-manipulated throughout the history- have to be investigated vis-a-vis the rise and fall of Jewish community against the other communities of the world. This psycho-social alienation has created tension within the character of Simonini he starts to think of his alter ego and most of story is narrated through his letters to Della Piccola, his later-ego.Simoninihas once murdered his alter ego as he comes in his anti-Semitic enterprise. He iscommercializing his services into the secret services to intensify the hatred emotions. He is even involved in some sort of forgery through the anti-Semitic narratives by his grandfather to instigate the Dreyfus affair, an anti-spying investigation against a French Jew who attempts to share secrets in Germany.This notion of naturalizing the ill-will related to a particular community (Jewish Community) develops the sick psyche and create in the main character of the novel.