Illuminati Formula to Create a Mind Control Slave

Total Page:16

File Type:pdf, Size:1020Kb

Illuminati Formula to Create a Mind Control Slave The Illuminati Formula to Create an Undetectable Total Mind Control Slave Dedication & Table of Contents Fritz Springmeier's Introduction Glossary of Terms By Fritz Springmeier & Cisco Wheeler http://educate-yourself.org/mc/IlluminatiFormulaindex.shtml Dedication This book is dedicated to the two million Americans and counting who have been programmed with Monarch-type trauma-based mind control. This book is written to destroy trauma-based mind control before it destroys the human race. It’s time for this horrendous secret to end. It is also written as part of God’s end time work to propel people of faith to the high calling that is prophesied of the Body, but cannot be attained without men of faith understanding these things. Humanity’s great prophet said he came to heal those whose hearts had been broken-- literally split and crushed, and to free those who are captive. That work needs to go forward. Blood, sweat and tears are associated with this book. The blood of the innocent victims of this mind- control cries out in a single unison, along with the pungent sweat of those who have tried to minister help to the shattered humanity left by the sadistic programmers, and the pools of tears shed as this book was written, "How long, O Lord, holy and true, do you not judge and avenge our blood on earth?" WARNING, READ THIS FIRST BEFORE READING THE BOOK: IF THERE IS ANY CHANCE you the reader have had mind-control done to you, you must consider the following book to be DANGEROUS. If you are consulting a therapist for DID (also known as MPD), it is recommended that you consult your therapist before reading this book. The complications that could result for those under mind control learning the truth--could be fatal. The co-authors take no responsibility for those who read or misuse this information. The reader’s mind is like a garden. It may not be time to plant the truth in your mind. Perhaps you need some weeding or ground preparation, before the garden of your mind is ready. Perhaps the weather is too stormy to plant the truth. Pray to the Lord of the Harvest. The blessings that flow from planting the information of this book in your mind will require the presence of living waters of love. If you do not have love in your heart, this book is not for you. The information contained in this book is the biggest news-story of the 20th century, and still the biggest secret. It will challenge you, shock you, horrify you and hopefully motivate you to redouble your efforts to humble yourself and seek strength from God Almighty. The programming procedures, which are described in this book, are based on research and consultation with deprogrammers, exprogrammers, therapists, counselors and pertinent literature. To the best of our knowledge the statements made in this book are factual, although they may not reflect the latest or currently accepted methodology among each and every faction of the New World Order, which carries out Monarch-type programming. This book tends to devote more emphasis to Illuminati programming, which is the highest level of programming. For individual application in understanding a survivor of Monarch programming, therapists are admonished to use this material with consideration for the Monarch victim’s personal case and situation. The authors disclaim any responsibility for therapeutic work based upon this material. 1 Fritz Springmeier and Cisco Wheeler have co-authored They Know Not What They Do, An Illustrated Guidebook To Monarch Mind Control. Both Fritz and Cisco bring years of experience in dealing with Monarch programming to bear on the writing of this book. Fritz has researched the Illuminati, while he has worked with victims of its programming. He has authored The Top 13 Illuminati Families, and several other books. Table of Contents (573 pages) Chap. 1 The Selection & Preparation of the Victim A. Genetics & dissociative abilities B. Availability C. Physical & Mental requirements D. List of organizations carrying out programming E. 4 foundational steps for programming F. Step 1. Spiritual requirements, Moon Child ceremonies, traumatization in vitro G. Step 2. Trauma by premature birth H. Step 3. Love bombing/love bonding I. Step 4. Severing the "core" of the mind J. Further considerations Chap. 2 The Traumatization & Torture of the Victim A. A site for torture of children, NOTS China Lake B. What trauma does, the creation of PTSD & DID (MPD) C. How the torture is carried out, types of trauma D. How MPD works E. The Core F. The Anchoring Experience Chap. 3 The Use of Drugs A. A list of drugs used B. A brief history of use C. Applications for drugs to control a slave Chap. 4A The Use of Hypnosis A. Dissociation, trance, & its historical use B. How to program with hypnosis C. How to boost creativity of victim with hypnosis D. Keeping the mind dissociative E. Keeping the mind in a programming state F. Hypnotic triggers & cues G. Hypnosis in programs & other uses 2 Chap. 4B Hypnosis (continued) Chap. 5A V. The Skill of Lying, The Art of Deceit A. Overview B. The use of fiction C. The use of lies externally, incl. covers and fronts D. The use of internal deceptions, incl. the art of hiding things in a system Chap. 5B The Skill of Lying, The Art of Deceit (Billy Graham) Chap. 6 The Use of Electricity & Electronics A. For torture B. For memory deletion C. For implanting thoughts D. Electronic communication & control Chap. 7A Engineering & Structuring Of An MPD System A. Structuring of MPD worlds B. The creation of roles C. Building in layered defenses D. Building backup systems Chap. 7B Chap. 7C Chap. 8 Body Manipulation & Programming A. Scarring the brain stem B. Split brain work C. Medical technologies D. Histamines E. The use of body programs Chap. 9 Mind Manipulation by Psychological Programming Methods: Behavior Modification, Psychological Motivation & NLP A. Observing a satanic family conditioning their children B. Behavior modification, obedience training C. Isolation D. Repetition E. Psychological motivators, md. pride/needs/wants F. Neuro-linguistic programming G. The inversion of pain & pleasure Chap. 10A Spiritual Control Techniques, Possession, Trances, Etc. 3 A. Using spiritual principles against a person B. How the Monarch program miniturizes what is done on a large scale C. Dehumanization D. Fear E. The use of guilt, shame, ridicule & anger F. Teaching that the master is God G. Portals, Focal Points H. Vows & oaths I. The use of demon possession, layering in, etc. J. The use of "angel" alters K. The misuse of Scripture L. Theta programming Chap. 10B Chap. 10C Chap. 11 Internal Controls A. Teaching occult philosophies & ideologies B. Internal computers C. Internal hierarchies Chap. 12 External Controls A. Monitoring (Asset control) B. The art of blackmail C. Bribes D. The Control of the Milieu E. Bonding & twinning F. Peer pressure 4 CHAPTER 1: THE SELECTION & PREPARATION OF THE VICTIM By Fritz Springmeier & Cisco Wheeler http://educate-yourself.org/mc/illumformula1chap.shtml Web posted at: http://www.geocities.com/truthwalker2003/ [Newsflash: Dr. Martin T. Orne, 72, died of cancer on February 11, 2000 in Pennsylvania. He was one of the founders and a Board member of the FMSF (False Memory Syndrome Foundation, or better the False Memory Spin-drome). In the sixties, he was an MKULTRA consultant and received research moneys from the Institute of Human Ecology and another CIA-funding organization.] A - SELECTION BASED ON GENETICS & DISSOCIATIVE ABILITIES B - AVAILABILITY C - MENTAL AND PHYSICAL FEATURES One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically, then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind-control. The primary important factor for the trauma-based mind-control is the ability to disassociate. It was discovered that this ability is passed genetically from generation to generation. American Indian tribes (who had traumatic ritual dances and who would wait motionless for hours when hunting), children of Fakirs in India (who would sleep on a bed of nails or walk on hot coals), children of Yogis (those skilled in Yoga, who would have total control over their body in trance), Tibetan buddhists, children of Vodoun, Bizango and other groups have a good ability to disassociate. The children of multigenerational abuse are also good at dissociation. The Illuminati families and European occultists went to India and Tibet to study occultism and eastern philosophy. These Europeans learned yoga, tantric yoga, meditations, trances and other methods to disassociate. These skills are passed on to their children via genetics. A test is run when the children are about 18 months old to determine if they can dissociate enough to be selected for programming or not. Mind-controlled slaves are created for different purposes: hierarchy or non-hierarchy purposes The Illuminati create mind-controlled slaves who are to function within the Illuminati hierarchy. These slaves will usually have their genealogies hidden, and will be created to have excellent cover lives to insure that they are not detected. They will be given multifunctional programming, and will usually be used to help program other slaves.
Recommended publications
  • Blood of the Innocent People I They Regin Fire of War Set a Greet Confie
    the "blood of the innocent people I They regin fire of war set a greet confie gre t ton, tc such on ex+ent that ell the 3 el ken nations arose i n enmity ag£inr + each o^her, totelly disregarding the inviolable rights of men* Even now they ere not calmed down. ’’How oonpi dor clearly the woeful results of polities! prejudices.' CcnF.ecier.tlv we must o h m entirely *hese prejudices r ni rv’teh hi ph the tent of the Oneness of tpe world of humanity and cement the hearts together* Per chance mankind may lighten its lords r nd start on the read of pec J fi cat i oû 7/ere the Tea chings of Babe,’o’Ha h universnlly spread in Europe, all these opnresci or.s , blood-nhed, cruelty, rapacity, hostility and avers 1 on would have been removed- Then all the Kftnin±*:ftrx*i®*y»fy*>*yiij»iijrp3r people would become the sheep of God, a nfl enter under th® benevolent admin3stration of the Heavenly Shepherd* The Keys of Reality would shine -Forth, dispelling the impenetrable darkness of race antipathy and antagonism. "Therefore, strive ye with all your hearts and souls, so that ye may render service to the oneness of the world of human.1 ty; thus e ternol life mpfr be obtai ned and the. heads be crowned with tpe diadem of Everlasting Glory* * - - - - - Another Tablet, to a believer in Vienna, is as follows:- ”0 thou daughter of the Hingdon] The good news of the organiza­ tion of the Bahai Assembly in ■'Vienna, was received- Although this Assembly is limited at this time to a sna.1! number of souls, yet it is a Bivine Assembly, and therefore i*B circle rill be enlarged day unto day like unto the Assembly of +h« Lord’s Supper of His Holiness Christ, and its influence shall be felt in a?.! parts of the world.
    [Show full text]
  • The Anarchists: a Picture of Civilization at the Close of the Nineteenth Century
    John Henry Mackay The Anarchists: A Picture of Civilization at the Close of the Nineteenth Century 1891 The Anarchist Library Contents Translator’s Preface ......................... 3 Introduction.............................. 4 1 In the Heart of the World-Metropolis .............. 6 2 The Eleventh Hour.......................... 21 3 The Unemployed ........................... 35 4 Carrard Auban ............................ 51 5 The Champions of Liberty ..................... 65 6 The Empire of Hunger........................ 87 “Revenge! Revenge! Workingmen, to arms! . 112 “Your Brothers.” ...........................112 7 The Propaganda of Communism..................127 8 Trafalgar Square ...........................143 9 Anarchy.................................153 Appendix................................164 2 Translator’s Preface A large share of whatever of merit this translation may possess is due to Miss Sarah E. Holmes, who kindly gave me her assistance, which I wish to grate- fully acknowledge here. My thanks are also due to Mr. Tucker for valuable suggestions. G. S. 3 Introduction The work of art must speak for the artist who created it; the labor of the thoughtful student who stands back of it permits him to say what impelled him to give his thought voice. The subject of the work just finished requires me to accompany it with a few words. *** First of all, this: Let him who does not know me and who would, perhaps, in the following pages, look for such sensational disclosures as we see in those mendacious speculations upon the gullibility of the public from which the latter derives its sole knowledge of the Anarchistic movement, not take the trouble to read beyond the first page. In no other field of social life does there exist to-day a more lamentable confusion, a more naïve superficiality, a more portentous ignorance than in that of Anarchism.
    [Show full text]
  • Edmund Reid NICHOLAS CONNELL on the Further Adventures of the Detective Inspector
    No. 147 December 2015 Edmund Reid NICHOLAS CONNELL on the Further Adventures of the Detective Inspector LINDSAY SIVITER on the Masonic Career of Frederick Abberline From the Archives: Sweated London by GEORGE R SIMS JAN BONDESON’S Murder House Casebook NINA and HOWARD BROWN Victorian Fiction by DINAH MARIA MULOCK Ripperologist 118 January 2011 1 Quote for the month “Seriously I am amazed at some people who think a Pantomime of Jack the Ripper is okay. A play by all means but a pantomime? He was supposed to have cut women open from throat to thigh removed organs also laid them out for all to see. If that’s okay as a pantomime then lets have a Fred West pantomime or a Yorkshire Ripper show.” Norfolk Daily Press reader Brian Potter comments on reports of a local production. Sing-a-long songs include “Thrash Me Thrash Me”. Ripperologist 147 December 2015 EDITORIAL: THE ANNIVERSARY WALTZ EXECUTIVE EDITOR by Adam Wood Adam Wood EDITORS THE FURTHER ADVENTURES OF Gareth Williams DETECTIVE INSPECTOR EDMUND REID Eduardo Zinna by Nicholas Connell REVIEWS EDITOR BROTHER ABBERLINE AND Paul Begg A FEW OTHER FELLOW NOTABLE FREEMASONS by Lindsay Siviter EDITOR-AT-LARGE Christopher T George JTR FORUMS: A DECADE OF DEDICATION COLUMNISTS by Howard Brown Nina and Howard Brown David Green FROM THE ARCHIVES: The Gentle Author SWEATED LONDON BY GEORGE R SIMS From Living London Vol 1 (1901) ARTWORK Adam Wood FROM THE CASEBOOKS OF A MURDER HOUSE DETECTIVE: MURDER HOUSES OF RAMSGATE Follow the latest news at by Jan Bondeson www.facebook.com/ripperologist A FATAL AFFINITY: CHAPTERS 5 & 6 Ripperologist magazine is free of charge.
    [Show full text]
  • Penztos Cody AD 2017 Masters
    PRECEDING DEMONS CODY PENTZOS A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERSITY TORONTO, ONTARIO April 2017 © Cody Pentzos, 2017 ii ABSTRACT Preceding Demons is a psychological period drama that explores the fictionalized relationship between Dracula novelist Bram Stoker and prodigious serial killer Jack The Ripper. Set in the years before both the infamous murders (1888-91) and the novel’s publication (1897) took the world by storm, this feature screenplay repurposes the Ripper as an enigmatic yet troubled Londoner destined to serve as the primary inspiration for Stoker’s legendary creation. Best described as a dual-origin story for both iconic figures, Preceding Demons also illuminates Stoker’s struggles as a fledgling, doubt-addled writer, as well as his involvement with a murder investigation involving the Occult. A confluence of historical fact and bloodthirsty fiction, this work ultimately provides an ominous insight into the dark side of creativity; culled through the emotionally vampiric bond between a tortured artist and his twisted muse. iii ACKNOWLEDGEMENTS In no particular order, I would like to extend my sincerest gratitude to a few special (and far less tortured) souls: my Research Consultant Alicia C. Edwards, my Thesis Supervisor Howard Wiseman, my Thesis Reader Amnon Buchbinder and my tireless Graduate Assistant, Kuowei Lee. I thank them for their efforts in assisting me throughout this very long-winded, often angst-inducing process, as well as for their contributions (small and large) which have undoubtedly elevated the piece to its best possible version.
    [Show full text]
  • The Vampire Myth and Christianity
    Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2010 The aV mpire Myth and Christianity Dorothy Ivey [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the History of Religion Commons Recommended Citation Ivey, Dorothy, "The aV mpire Myth and Christianity" (2010). Master of Liberal Studies Theses. 16. http://scholarship.rollins.edu/mls/16 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. THE VAMPIRE MYTH AND CHRISTIANITY A Project Submitted in Partial Fulfillment Of the Requirements for the Degree of Master of Liberal Studies by Dorothy I. Wotherspoon May, 2010 Mentor: Dr. Steve Phelan Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida THE VAMPIRE MYTH AND CHRISTIANITY Project Approved: _____________________________________________ Mentor _____________________________________________ Seminar Director _____________________________________________ Director, Master of Liberal Studies Program _____________________________________________ Dean, Hamilton Holt School Rollins College Table of Contents ACKNOWLEDGMENTS..................................................................................................................... 5 INTRODUCTION..............................................................................................................................
    [Show full text]
  • Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
    Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken
    [Show full text]
  • University of Oklahoma Libraries Western History Collections Richard B. Winters Collection Winters, Richard B., Books, 1937-2013
    University of Oklahoma Libraries Western History Collections Richard B. Winters Collection Winters, Richard B., Books, 1937-2013. 214 feet. Collector. Collection of American and Japanese comic books including Marvel, DC, Dark Horse, and other publishers. Also includes collectible statues, posters, and lithographs. Sample Entry: Comic Title Beginning number and date – ending number and date of series held in Winters Collection Issues Held in Winters Collection Box 1: The A-Team No.1 (March 1984) – No. 3 (May 1984) No. 1-3 Ace Comics Presents Vol. 1, No.1 (May 1987) No. 1, 2, 4 Action Comics No. 1 (June 1938) No. 470, 534-540, 543-544, 546-661 Action Comics Annual No. 1 (October 1987) No. 1-2 Adolescent Radioactive Black Belt Hamsters Massacre Japanese Invasion No. 1 (August 1989) No. 1 Advanced Dungeons and Dragons No. 1 (December 1988) No. 1 Advanced Dungeons and Dragons Annual No. 1 (1990) No. 1 Adventure Comics No. 32 (November 1938) - No. 503 (August 1983) No. 467 The Adventures of Baron Munchausen No. 1 (July 1989) - No. 4 (October 1989) No. 1 The Adventures of Captain Jack No. 1 (June 1986) - No. 12 (1988) No. 4-12 (2 copies of No. 5) The Adventures of Ford Fairlane No. 1 (May 1990) – No. 4 (August 1990) No. 1-4 Adventures of Superman No. 424 (January 1987) No. 424 -474 Adventures of Superman Annual No. 1 (September 1987) No. 1-2 (2 copies of No. 1) Adventures of the Outsiders No. 33 (May 1986) - No. 46 (June 1987) No. 33-46 Agent Unknown No. 1 (October 1987) No.
    [Show full text]
  • VAMPIRES, WEREWOLVES, and OTHER MONSTERS Vamps Fm[Fof] Final Pass 2/2/09 10:06 AM Page Ii
    vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper.
    [Show full text]
  • Dracula: a Comic Thriller Starring Shirley Holmes and Jennie Watson
    Excerpt terms and conditions This excerpt is available to assist you in the play selection process. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest you read the whole play before planning a production or ordering a cast quantity. © Dramatic Publishing Dracula: A Comic Thriller Starring Shirley Holmes and Jennie Watson By KENT R. BROWN Inspired by Bram Stoker’s Dracula Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work.
    [Show full text]
  • The Victorian Approach to Vampires in Stoker's Dracula
    HELSABECK, KEITH HINKLEMAN, M.A. “Chasing After Monsters with a Butterfly Net:” The Victorian Approach to Vampires in Stoker’s Dracula. (2008) Directed by Dr. Annette M. Van. 56 pp. Written and set in the last years of the nineteenth century, Dracula wrestles with a loss of confidence in how the Victorian British deal with their problems. Stoker’s novel challenges the certainty that domesticity, dedication, faith, and science will make right all wrongs. Dracula’s protagonists bring all of the Victorians’ methods to bear against Count Dracula: science, weapons, medicine, rationality, and temperance. However, even as they take his life, in many ways they fall short of resolving the problems he poses. They kill him by resorting to methods that abrogate the progress of the nineteenth century, and even in death, they know almost nothing about his kind, leaving him as a symbol of all their fears, of the dark unknown that lies just beyond the borders of the civilized world. This thesis examines the challenges that Dracula poses to late nineteenth century British confidence in Victorian methods and values. I explain how Stoker uses scientific reasoning, documentation, travel, magic and the occult, and sexuality to confront Victorian norms and progress. I show how the novel raises a mirror up to the age, to show its reflection, or lack thereof. “CHASING AFTER MONSTERS WITH A BUTTERFLY NET:” THE VICTORIAN APPROACH TO VAMPIRES IN STOKER’S DRACULA by Keith Hinkleman Helsabeck A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2008 Approved by ____________________________________ Committee Chair APPROVAL PAGE This thesis has been approved by the following member of the Faculty of The Graduate School at The University of North Carolina at Greensboro.
    [Show full text]
  • Americomics Blackthorne
    SPRING/SUMMER 1998 SPECIALS CATALOG Page 19 SPECIALSINDEPENDENTS Independent specials are in order by publisher. RED MASK OF THE RIO GRANDE 1 1.00 ARCHIE’S TV LAUGH-OUT AARDVARK AIRCEL SHADE SPECIAL 1 1.00 38, 48-50, 68, 70-73, 76, 79, 84, 105 2.00 SHE-CAT 1, 3 2.00 BETTY AND ME 69, 71, 85 2.00 CEREBUS 95, 97, 98, 101, 106, 108-111, ADVENTURERS 0 1.00 SOLDIERS OF FREEDOM 1, 2 1.00 103-106, 108, 111, 114, 116, 117, 119, 120, 122, 125-128 2.00 1-4, 6, 8-10 2.00 SPACE ARK 1-4 2.00 115, 159, 160, 192 1.00 124 VG 1.00 3 FI 1.00 SPRING BREAK COMICS (MAG) 1 1.00 BETTY AND VERONICA 124 FI 2.00 ADVENTURERS (2ND PR) 1 1.00 STARMASTERS 1 1.00 257, 258, 284 1.00 154, 155, 205 1.00 BLOOD LINES 1-5, 7 1.00 THRILLING SCIENCE TALES 2 2.00 BETTY AND VERONICA (VOL. 2) 164 (2ND PRINT) 1.00 BODY COUNT 2-4 1.00 TOM MIX WESTERN 2 2.00 20, 35 1.00 CEREBUS BI-WEEKLY 1 2.00 CASANOVA! 4 2.00 UNTOLD ORIGIN OF MS. VICTORY 1 1.00 BETTY’S DIARY 17 1.00 2-7, 11, 16, 24 1.00 CAT & MOUSE 1, 5, 8, 12, 17 1.00 VENTURE 1-3 1.00 EVERYTHING’S ARCHIE 23 FI 1.00 4 FI 1.00 VIC BRIDGES FAZERS SKETCHBOOK 130, 135, 139 1.00 CEREBUS HIGH SOCIETY 10 1.00 CHINA SEA GRAPHIC NOVEL 1 FI 3.50 1 1.00 FLY (1983) 5, 6 1.00 13 FI 1.00 1 3.60 YOUNG HERO 1 1.00 JOSIE & THE PUSSYCATS (1963) 84 1.00 FLAMING CARROT (AV) 15 2.00 DARKEWOOD 1, 4, 5 1.00 JUGHEAD (1949) 266, 290-297, 303 1.00 JOURNEY 4, 5 2.00 DEMON HUNTER (AIR) 1, 3, 4 1.00 ANTARCTIC JUGHEAD (1987) 10, 13 1.00 6-8, 11, 12, 18, 19, 21, 23-27 1.00 DRAGONFORCE 6, 8, 9, 11, 12 2.00 JUGHEAD’S DINER 4, 5 1.00 NEIL THE HORSE 1 (2ND PRT)
    [Show full text]
  • The Paratexts of Bram Stoker's Dracula
    Journal of Dracula Studies Volume 13 Article 2 2011 Sexing the Book: The Paratexts of Bram Stoker’s Dracula Brigitte Boudreau Université de Montréal, Canada Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Boudreau, Brigitte (2011) "Sexing the Book: The Paratexts of Bram Stoker’s Dracula," Journal of Dracula Studies: Vol. 13 , Article 2. Available at: https://research.library.kutztown.edu/dracula-studies/vol13/iss1/2 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Sexing the Book: The Paratexts of Bram Stoker’s Dracula Cover Page Footnote Brigitte Boudreau is a Ph.D. candidate in the département d’études anglaises at l’Université de Montréal, where she is examining representations of gender and sexuality in Bram Stoker’s works. She has previously contributed to this journal (2009) and has also published in Romanticism and Victorianism on the Net (2008) and Ol3Media (2010). This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol13/ iss1/2 Sexing the Book: The Paratexts of Bram Stoker’s Dracula Brigitte Boudreau [Brigitte Boudreau is a Ph.D. candidate in the département d’études anglaises at l’Université de Montréal, where she is examining representations of gender and sexuality in Bram Stoker’s works.
    [Show full text]