DOCSLIB.ORG

Schriftarten Für Iphone/Ipad-Apps

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Schriftarten Für Iphone/Ipad-Apps Schriftarten für iPhone/iPad-Apps Allgemeines • Standard-Schriftart ist „Helvetica Neue“ mit der Schriftgröße 17.0 (Label, Text View) oder 12.0 (Text Field). • Über das Attribut „Adjust to fit“ kann die Schriftgröße automatisch angepasst werden. o Hierfür sollte dann, falls möglich, eine Mindestgröße der Schriftgröße angegeben werden. Standardmäßig ist diese auf 10.0 gesetzt. • Standard-Textfarbe ist schwarz. Diese kann individuell angepasst werden durch Angabe der RGB- Werte (Am besten in Dezimal-Format). • Zusätzlich zu den unten aufgeführten Schriftarten, besteht die Möglichkeit eigene Schriftarten zu verwenden. Die korrekte Anzeige der individuellen Schriftart kann nicht garantiert werden und muss im Einzelfall getestet werden. o Zu beachten ist, dass für das Einbinden einer Schriftart eine entsprechende .ttf- oder .otf-Datei zur Verfügung gestellt werden muss. o Das „TrueType“-Format (.ttf-Datei) wird bevorzugt und empfohlen zu verwenden. • Die kostenlose iPhone-App „Fonts“ (http://itunes.apple.com/app/fonts/id285217489?mt=8) bietet einen sehr guten Überblick der auf einem Device verfügbaren Schriftarten. Siehe auch „iPhone- und iPad Fonts Beispiele (Screenshots aus der „Fonts“ App)“ Seite 1 iPhone- und iPad Fonts • Auflistung der im iOS verfügbaren Schriftarten (ermittelt mit Hilfe der iOS-Simulatoren): Nr. Font-Family Font-Name Ab iOS Nur iPad 1 Academy Engraved LET - AcademyEngravedLetPlain 4.2 X 2 American Typewriter - AmericanTypewriter 4.0 - AmericanTypewriter-Bold 3 Apple Color Emoji - AppleColorEmoji 4.2 4 AppleGothic - AppleGothic 4.0 5 Arial - Arial-ItalicMT 4.0 - Arial-BoldItalicMT - ArialMT - Arial-BoldMT 6 Arial Hebrew - ArialHebrew 4.0 - ArialHebrew-Bold 7 Arial Rounded MT Bold - ArialRoundedMTBold 4.0 8 Bangla Sangam MN - BanglaSangamMN-Bold 4.0 - BanglaSangamMN Seite 2 Nr. Font-Family Font-Name Ab iOS Nur iPad 9 Baskerville - Baskerville 4.0 - Baskerville-Italic - Baskerville-BoldItalic - Baskerville-Bold 10 Bodoni 72 - BodoniSvtyTwoITCTT-Book 4.2 X - BodoniSvtyTwoITCTT-BookIta - BodoniSvtyTwoITCTT-Bold 11 Bodoni 72 Oldstyle - BodoniSvtyTwoOSITCTT-Book 4.2 X - BodoniSvtyTwoOSITCTT-BookIt - BodoniSvtyTwoOSITCTT-Bold 12 Bodoni 72 Smallcaps - BodoniSvtyTwoSCITCTT-Book 4.2 X 13 Bodoni Ornaments - BodoniOrnamentsITCTT 4.2 X 14 Bradley Hand - BradleyHandITCTT-Bold 4.2 X 15 Chalkboard SE - ChalkboardSE-Regular 4.2 - ChalkboardSE-Bold 16 Chalkduster - Chalkduster 4.2 X 17 Cochin - Cochin 4.0 - Cochin-Italic - Cochin-Bold - Cochin-BoldItalic Seite 3 Nr. Font-Family Font-Name Ab iOS Nur iPad 18 Copperplate - Copperplate 4.2 X - Copperplate-Bold 19 Courier - Courier 4.0 - Courier-Oblique - Courier-Bold - Courier-BoldOblique 20 Courier New - CourierNewPSMT 4.0 - CourierNewPS-ItalicMT - CourierNewPS-BoldMT - CourierNewPS-BoldItalicMT 21 DB LCD Temp - DBLCDTempBlack 4.0 22 Devanagari Sangam MN - DevanagariSangamMN 4.0 - DevanagariSangamMN-Bold 23 Didot - Didot 4.2 X - Didot-Italic - Didot-Bold 24 Futura - Futura-Medium 4.0 - Futura-MediumItalic - Futura-CondensedExtraBold 25 Geeza Pro - GeezaPro 4.0 - GeezaPro-Bold 26 Georgia - Georgia 4.0 - Georgia-Italic - Georgia-Bold - Georgia-BoldItalic Seite 4 Nr. Font-Family Font-Name Ab iOS Nur iPad 27 Gill Sans - GillSans 4.2 X - GillSans-Italic - GillSans-Bold - GillSans-BoldItalic 28 Gujarati Sangam MN - GujaratiSangamMN 4.0 - GujaratiSangamMN-Bold 29 Gurmukhi MN - GurmukhiMN 4.0 - GurmukhiMN-Bold 30 Heiti J - STHeitiJ-Light 4.0 - STHeitiJ-Medium 31 Heiti K - STHeitiK-Light 4.0 - STHeitiK-Medium 32 Heiti SC - STHeitiSC-Light 4.0 - STHeitiSC-Medium 33 Heiti TC - STHeitiTC-Light 4.0 - STHeitiTC-Medium 34 Helvetica - Helvetica 4.0 - Helvetica-Oblique - Helvetica-Bold - Helvetica-BoldOblique 35 Helvetica Neue - HelveticaNeue 4.0 - HelveticaNeue-Italic - HelveticaNeue-Bold - HelveticaNeue-BoldItalic Seite 5 Nr. Font-Family Font-Name Ab iOS Nur iPad 36 Hiragino Kaku Gothic ProN - HiraKakuProN-W3 4.0 - HiraKakuProN-W6 37 Hiragino Mincho ProN - HiraMinProN-W3 4.2 X - HiraMinProN-W6 38 Hoefler Text - HoeflerText-Regular 4.2 X - HoeflerText-Italic - HoeflerText-Black - HoeflerText-BlackItalic 39 Kailasa - Kailasa 4.2 - Kailasa-Bold 40 Kannada Sangam MN - KannadaSangamMN 4.0 - KannadaSangamMN-Bold 41 Malayalam Sangam MN - MalayalamSangamMN 4.0 - MalayalamSangamMN-Bold 42 Marker Felt - MarkerFelt-Thin 4.0 - MarkerFelt-Wide 43 Noteworthy - Noteworthy-Bold 4.3 - Noteworthy-Light 44 Optima - Optima-Regular 4.2 X - Optima-Italic - Optima-Bold - Optima-BoldItalic Seite 6 Nr. Font-Family Font-Name Ab iOS Nur iPad 45 Oriya Sangam MN - OriyaSangamMN 4.0 - OriyaSangamMN-Bold 46 Palatino - Palatino-Roman 4.0 - Palatino-Italic - Palatino-Bold - Palatino-BoldItalic 47 Papyrus - Papyrus 4.2 X 48 Party LET - PartyLetPlain 4.2 X 49 Sinhala Sangam MN - SinhalaSangamMN 4.0 - SinhalaSangamMN-Bold 50 Snell Roundhand - SnellRoundhand 4.2 - SnellRoundhand-Bold 51 Tamil Sangam MN - TamilSangamMN 4.0 - TamilSangamMN-Bold 52 Telugu Sangam MN - TeluguSangamMN 4.0 - TeluguSangamMN-Bold 53 Thonburi - Thonburi 4.0 - Thonburi-Bold Seite 7 Nr. Font-Family Font-Name Ab iOS Nur iPad 54 Times New Roman - TimesNewRomanPSMT 4.0 - TimesNewRomanPS-ItalicMT - TimesNewRomanPS-BoldMT - TimesNewRomanPS-BoldItalicMT 55 Trebuchet MS - Trebuchet MS 4.0 - TrebuchetMS-Italic - TrebuchetMS-Bold - Trebuchet-BoldItalic 56 Verdana - Verdana 4.0 - Verdana-Italic - Verdana-Bold - Verdana-BoldItalic 57 Zapf Dingbats - ZapfDingbatsITC 4.2 X 58 Zapfino - Zapfino 4.0 Seite 8 iPhone- und iPad Fonts Beispiele (Screenshots aus der „Fonts“ App) Seite 9 Seite 10 Seite 11 Seite 12 Seite 13 Quellen iPhone-App: http://itunes.apple.com/app/fonts/id285217489?mt=8 Liste iOS-Fonts: http://iosfonts.com/ Apple TrueType Reference: http://developer.apple.com/fonts/TTRefMan/index.html OpenType: http://de.wikipedia.org/wiki/OpenType Seite 14 .
Load more

Recommended publications
  • Suitcase Fusion 8 Getting Started
    Copyright © 2014–2018 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, LizardTech, MrSID, NetPublish, Portfolio, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, LizardTech logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S.
    [Show full text]
  • Unicode Emoji Page 1 of 18
    UTS #51: Unicode Emoji Page 1 of 18 Technical Reports Working Draft Unicode Technical Report #51 UNICODE EMOJI Version 1.0 (working draft) Editors Mark Davis ([email protected]), Peter Edberg Date 2014-07-24 This Version http://www.unicode.org/reports/tr51/tr51-1d.html Previous n/a Version Latest n/a Version Latest n/a Proposed Update Revision 1 Summary This document provides information about emoji characters in Unicode, including: which characters normally can be considered to be emoji; which of those should be displayed by default with a text-style versus an emoji-style; how to sort emoji characters more naturally; useful categories for character-pickers for mobile and virtual keyboards; useful annotations for searching emoji; and longer- term approaches to emoji. It also presents recommendations for adding variation selectors for Unicode 8.0, and guidance for limiting glyphic variation to promote interoperability across platforms and implementations. Status This is a working draft document which may be updated, replaced, or superseded by other documents at any time. Publication does not imply endorsement by the Unicode Consortium. This is not a stable document; it is inappropriate to cite this document as other than a work in progress. http://www.unicode.org/reports/tr51/ 7/29/2014 UTS #51: Unicode Emoji Page 2 of 18 Please submit corrigenda and other comments with the online reporting form [Feedback]. Related information that is useful in understanding this document is found in the References. For the latest version of the Unicode Standard see [Unicode]. For a list of current Unicode Technical Reports see [Reports].
    [Show full text]
  • Emoji Art: the Aesthetics of 
    Emoji art: The aesthetics of P.D. Magnus January 2018 This is an unpublished draft. Comments are welcome. e-mail: pmagnus(at)fecundity.com web: http://www.fecundity.com/job Abstract This paper explores the possibility of art made using emoji (picture characters like the pile-of-poo glyph in the title). That such art is possible is apprarent from some specific examples. Although these cases are of- ten described in terms of “translation” between emoji and English, emoji cannot generally be given a literal natural-language translation. So what kind of thing is an emoji work? A particular emoji work could turn out to be (1) a digital image, like an illustration; (2) a specified string of emoji characters, in the way that a natural-language novel is a specified string of letters; or (3) a single-instance work, a particular display. keywords: emoji, emoji art, Emoji Dick, emoji poems, art ontology Emoji are picture characters familiar from smart phone text messages. Given their ubiquity, it is inevitable that emoji have been used in works of art. What kind of art are they, though? I begin in §1 by discussing the history of emoji. One of the more notable emoji is the pile of poo which figures in the title of this paper. In§2, I consider the meaning of emoji and argue that there is not generally a natural-language translation for emoji. In §§3–4, I discuss some specific works of emoji art: Fred Benenson’s Emoji Dick and Carina Finn and Stephanie Berger’s emoji poems.
    [Show full text]
  • Title: “Assessing Personality Using Emoji: an Exploratory Study.”
    *Title page with author details Title: “Assessing personality using emoji: an exploratory study.” Running Title: “Assessing personality using emoji.” Davide Marengoa, Fabrizia Giannottab, Michele Settannia* a Department of Psychology, University of Turin, Italy. b Uppsala University, Uppsala Child and Baby Lab, Department of Psychology, Uppsala, Sweden *Corresponding author The corresponding author can be reached at the following address: Michele Settanni Department of Psychology, University of Turin, Italy. Via Verdi, 10 10124 Torino, Italy Phone: 0039 011 6702793 [email protected] *Highlights (for review) Highlights x Emoji are pictorial symbols widely used in computer-mediated communication x We studied the relationship between self-identification with emoji and personality traits x Significant correlations emerged with neuroticism, extraversion and agreeableness x Emoji-based personality scores show adequate psychometric characteristics *Manuscript without author identities Click here to view linked References Title: “Assessing personality using emoji: an exploratory study.” Running Title: “Assessing personality using emoji.” 1 Abstract The increasing popularity of text-based computer mediated communication, such as instant messaging and mobile texting, have resulted in the emergence of a new pictographic form of language, i.e. emoji, offering an intuitive and informal way to convey emotions and attitudes, replacing words or phrases in text messages. Based on these characteristics, could identification with emoji be associated with personality? Could they be used instead of text-based items in personality assessment? The present study aimed at exploring these questions. The sample is composed of 234 young adults recruited online (age: M=24.79, SD=6.47; 62% female). Participants responded to a brief Big-five personality questionnaire and a 91-item survey assessing participants’ degree of self-identification with emoji selected from the Apple Color Emoji fontset.
    [Show full text]
  • Assessing Personality Using Emoji: an Exploratory Study
    Personality and Individual Differences 112 (2017) 74–78 Contents lists available at ScienceDirect Personality and Individual Differences journal homepage: www.elsevier.com/locate/paid Assessing personality using emoji: An exploratory study Davide Marengo a, Fabrizia Giannotta b,MicheleSettannia,⁎ a Department of Psychology, University of Turin, Italy b Uppsala University, Uppsala Child and Baby Lab, Department of Psychology, Uppsala, Sweden article info abstract Article history: The increasing popularity of text-based computer mediated communication, such as instant messaging and mo- Received 10 November 2016 bile texting, have resulted in the emergence of a new pictographic form of language, i.e. emoji, offering an intu- Accepted 15 February 2017 itive and informal way to convey emotions and attitudes, replacing words or phrases in text messages. Based on Available online xxxx these characteristics, could identification with emoji be associated with personality? Could they be used instead of text-based items in personality assessment? The present study aimed at exploring these questions. The sample Keywords: Emoji is composed of 234 young adults recruited online (age: M = 24.79, SD = 6.47; 62% female). Participants Emoticons responded to a brief Big-Five personality questionnaire and a 91-item survey assessing participants' degree of Image-based measures self-identification with emoji selected from the Apple Color Emoji fontset. Results indicated that 36 out of 91 ex- Language-free assessment amined emoji are significantly related with three of the Big-Five personality traits - emotional stability, extraver- Big Five sion, and agreeableness - that are consistently linked with emotion and affective processing. Emoji-based Personality assessment measures of these personality traits show moderate-to-large concurrent validity with scores from a validated Test development personality questionnaire (r =0.6–0.8).
    [Show full text]
  • Macos Font Management
    BEST PRACTICES GUIDE macOS Font Management North America 1.800.796.9798 // Europe +44 (0) 1604 654 270 // 061421 // extensis.com 03 Why Do You Need To Manage Your Fonts? The Best Practices for Effective Font Management About This Guide Conventions Used in This Guide 04 Collect Your Fonts Back Up Your Files Check for Operating System and Application Updates Clean Font Caches Clean Up Your System Fonts 07 Clean Up And Organize Your Fonts Identifying Damaged and Incompatible Fonts Replacing Older Fonts Identifying Duplicate Fonts 08 Manage Your Fonts With Suitcase Fusion Adding Your Fonts Creating and Deleting Sets Managing Duplicate Fonts 09 Make A Plan For The Future Backing Up Your Fonts Getting New Fonts Now What? 11 Appendix A: The Hidden User Library 12 Appendix B: Working With System Fonts CONTENTS 15 Contact Extensis Copyright © 2021 by Celartem, Inc. dba Extensis. All rights reserved. Disclaimer: Fonts are software and are subject to license restrictions. Any recommendations in this guide regarding moving and using fonts should be considered with respect to the license included with the fonts. North America 1.800.796.9798 // Europe +44 (0) 1604 654 270 // 061421 // extensis.com // 2 Why Do You Need To Manage Your Fonts? Your fonts are your tools; you need to know where they are, and know how and when to use them. If you have a large collection of fonts, effective font management is essential. Installing your fonts in Font Book Conventions Used In This Guide + Menu commands are indicated by a right angle bracket after the makes the font menus in your menu name (Edit > Select All).
    [Show full text]
  • Ios 7 Font List
    MILAN PANCHAL [email protected] iOS 7 Font List There are total 235 fonts available in iOS 7. Following is the full list of fonts with font families name. Family name: Marion Font name: Marion­Italic Font name: Marion­Bold Font name: Marion­Regular Family name: Copperplate Font name: Copperplate­Light Font name: Copperplate Font name: Copperplate­Bold Family name: Heiti SC Font name: STHeitiSC­Medium Font name: STHeitiSC­Light Family name: Iowan Old Style Font name: IowanOldStyle­Italic Font name: IowanOldStyle­Roman Font name: IowanOldStyle­BoldItalic Font name: IowanOldStyle­Bold Family name: Courier New Font name: CourierNewPS­BoldMT Font name: CourierNewPS­ItalicMT Font name: CourierNewPSMT Font name: CourierNewPS­BoldItalicMT Family name: Apple SD Gothic Neo Font name: AppleSDGothicNeo­Bold Font name: AppleSDGothicNeo­Thin Font name: AppleSDGothicNeo­Regular Font name: AppleSDGothicNeo­Light Font name: AppleSDGothicNeo­Medium Font name: AppleSDGothicNeo­SemiBold Family name: Heiti TC Font name: STHeitiTC­Medium Font name: STHeitiTC­Light Family name: Gill Sans Font name: GillSans­Italic Font name: GillSans­Bold Font name: GillSans­BoldItalic Font name: GillSans­LightItalic Font name: GillSans Page No : 1 MILAN PANCHAL [email protected] Font name: GillSans­Light Family name: Thonburi Font name: Thonburi Font name: Thonburi­Bold Font name: Thonburi­Light Family name: Marker Felt Font name: MarkerFelt­Thin Font name: MarkerFelt­Wide Family name: Avenir Next Condensed Font name: AvenirNextCondensed­BoldItalic Font name: AvenirNextCondensed­Heavy
    [Show full text]
  • Multimodale Kommunikation Im Social Web: Forschungsansätze Und
    Umschlaggestaltung: © Olaf Gloeckler, Atelier Platen, Friedberg SPRACHE · MEDIEN · INNOVATIONEN Herausgegeben von Jens Runkehl, Peter Schlobinski und Torsten Siever Band 8 www.peterlang.com Multimodalität ist ein typisches Merkmal der Kommunikation im Social Web. Der Fokus dieses Bandes liegt auf der Kommunikation in Foto-Communitys, insbesondere auf den beiden kommunikativen Praktiken des Social Taggings und des Verfassens von Notizen innerhalb von Bildern. Bei den Tags stehen semantische Text-Bild-Relationen im Vor- Christina Margrit Siever dergrund: Tags dienen der Wissensrepräsentation, eine adäquate Versprachlichung der Bilder ist folglich unabdingbar. Notizen-Bild-Relationen sind aus pragmatischer Perspektive von Interesse: Die Informationen eines Kommunikats werden komplementär auf Text und Bild verteilt, was sich in verschiedenen sprachlichen Phänomenen nieder- schlägt. Ein diachroner Vergleich mit der Postkartenkommunikation sowie ein Exkurs Multimodale Kommunikation zur Kommunikation mit Emojis runden das Buch ab. im Social Web Forschungsansätze und Analysen zu Text-Bild-Relationen Multimodale Kommunikation im Social Web Social im Kommunikation Multimodale Christina Margrit Siever war Forschungsstipendiatin im Modul »Öffentliche und private Kommunikation in den neuen Medien« des Pro*Doc »Sprache als soziale und kulturelle Praxis« des Schweizerischen Nationalfonds. Ihre Forschungsschwerpunkte liegen im Bereich der Medienlinguistik, Multimodalität, Sprachdidaktik und Dialektologie. Christina Margrit Siever · ISBN 978-3-631-65161-2 www.mediensprache.net 8 Christina Margrit Siever - 978-3-653-98628-0 Downloaded from PubFactory at 01/11/2019 10:52:51AM via free access SMI 08 265161_Siever_AM_A5HCk PLE.indd 1 28.08.15 KW 35 11:50 Umschlaggestaltung: © Olaf Gloeckler, Atelier Platen, Friedberg SPRACHE · MEDIEN · INNOVATIONEN Herausgegeben von Jens Runkehl, Peter Schlobinski und Torsten Siever Band 8 www.peterlang.com Multimodalität ist ein typisches Merkmal der Kommunikation im Social Web.
    [Show full text]
  • N/A)” After the Comma, That Character Is Also Not Capable of Being Entered from the Emoji Keyboard in Ios 5.0
    Unified Emoji Reference Peter Edberg, Oct. 25, 2011 (updated Oct 28, 2011) The following table lists the 114 emoji from the core set that were mapped to (unified with) characters or sequences of characters that existed in Unicode 5.2 or earlier. Within a row, the first three columns give the SJIS code and glyph for each carrier's representation (if any) of an emoji character mapped to the Unicode character or sequence shown column 6 (fallback mappings to a carrier’s set are not shown). For mappings to single Unicode characters, column 5 shows the glyph for that Unicode character as shown in the Unicode 6.0 charts. Finally, column 4 suggests the variety of glyphs that may be used on a single platform (here Mac OS X Lion) to represent the Unicode character or sequence. Glyphs shown before the comma (if any) are from standard non-emoji-specific fonts (typically Apple Symbols, Zapf Dingbats, or a Japanese font from the Hiragino family). Glyphs shown after the comma (if any) are from the emoji-specific Apple Color Emoji font. If there is no glyph after the comma, the Unicode character/sequence is always represented using a glyph from one of the standard fonts. If there is “(n/a)” after the comma, that character is also not capable of being entered from the emoji keyboard in iOS 5.0. Two of the characters have no glyph in any font, and are marked “(n/a)”. DoCo KDDI Soft- Apple glyphs: Unicd Unicode codepoint, name, props Mo Bankk std(s),emoji glyph F7AA 2002;EN SPACE;Zs; , (n/a) F7A9 2003;EM SPACE;Zs; , (n/a) F7AB (n/a) 2005;FOUR-PER-EM , SPACE;Zs;
    [Show full text]
  • Card Index Emoji; Or, Who Is John Appleseed?
    Card Index Emoji; Or, Who is John Appleseed? NARRATION: If you have an Apple device and open the emoji keyboard, you’ll see your recently used emojis and then the smileys and people. Keep scrolling and you’ll see animals—the dog, panda, frog. Keep on scrolling, past the trees and flowers, past the food and sports equipment emojis, past the army of automobiles and rows of buildings. Keep on going and eventually you’ll get to a section with a hodgepodge of objects. There are mailboxes and calendars and file folders—generally emojis we don't use much. But among all these is the card index emoji, you know, Rolodexes—those rotating things people used to use as a means of organizing their contacts. This is an emoji I’ve been obsessed about. For such a small image, the emoji packs a lot of placeholder info for the fictional person John Appleseed. It lists his e-mail ([email protected]), his address (125 Main St.), and phone numbers, like (408) 123-4567. But the wildest thing about this emoji is that it includes something real—a real photo, of a real person. This means there’s a photo of this so-called John Appleseed hiding in the phones of millions of people around the world. He appears to be a young white man with dark hair. In the picture, he's wearing an orange shirt. His name probably isn’t actually John Appleseed, but if there’s a photo of him, he must exist, right? This emoji mystery has preoccupied my mind for months.
    [Show full text]
  • Popchar User's Guide Version 9.2
    opChar™ X User’s Guide Version 9.2 April 2021 © 2021 Ergonis Software Contents License agreement .........................................................2 Limited warranty ............................................................2 Contact .........................................................................2 Welcome to PopChar .......................................................3 System requirements ......................................................3 Installation ....................................................................3 Uninstallation .................................................................3 Inserting characters ........................................................4 Apple Color Emoji ...........................................................5 Close-up .......................................................................7 Selecting fonts ...............................................................7 Matching the font in the current document .........................8 Views ............................................................................8 Unicode characters .........................................................9 Ligatures .....................................................................12 Favorite characters .......................................................12 Recent characters .........................................................13 Layouts .......................................................................13 Insertion modes ...........................................................14
    [Show full text]
  • Font Management in OS X: Best Practices Guide
    Contents Why do you need to manage fonts? ................................................................................................................................................................1 About this guide ...............................................................................................................................................................................................1 Conventions ..............................................................................................................................................................................................1 Font management best practices ................................................................................................................................................................... 2 Use a font management application ....................................................................................................................................................... 2 Collect your fonts ..................................................................................................................................................................................... 2 Plan for new font installations ................................................................................................................................................................ 2 Choosing a font management application ....................................................................................................................................................
    [Show full text]