Kronos Quartet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kronos Quartet Prelude to a Black Hole Beyond Zero: 1914-1918 Aleksandra Vrebalov, Composer Bill Morrison, Filmmaker
KRONOS QUARTET PRELUDE TO A BLACK HOLE BeyOND ZERO: 1914-1918 ALeksANDRA VREBALOV, COMPOSER BILL MORRISon, FILMMAKER Thu, Feb 12, 2015 • 7:30pm WWI Centenary ProJECT “KRONOs CONTINUEs With unDIMINISHED FEROCity to make unPRECEDENTED sTRING QUARtet hisTORY.” – Los Angeles Times 22 carolinaperformingarts.org // #CPA10 thu, feb 12 • 7:30pm KRONOS QUARTET David Harrington, violin Hank Dutt, viola John Sherba, violin Sunny Yang, cello PROGRAM Prelude to a Black Hole Eternal Memory to the Virtuous+ ....................................................................................Byzantine Chant arr. Aleksandra Vrebalov Three Pieces for String Quartet ...................................................................................... Igor Stravinsky Dance – Eccentric – Canticle (1882-1971) Last Kind Words+ .............................................................................................................Geeshie Wiley (ca. 1906-1939) arr. Jacob Garchik Evic Taksim+ ............................................................................................................. Tanburi Cemil Bey (1873-1916) arr. Stephen Prutsman Trois beaux oiseaux du Paradis+ ........................................................................................Maurice Ravel (1875-1937) arr. JJ Hollingsworth Smyrneiko Minore+ ............................................................................................................... Traditional arr. Jacob Garchik Six Bagatelles, Op. 9 ..................................................................................................... -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Recent Publications in Music 2010
Fontes Artis Musicae, Vol. 57/4 (2010) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2010 Compiled and edited by Geraldine E. Ostrove On behalf of the Pour le compte de Im Auftrag der International l'Association Internationale Internationalen Vereinigung Association of Music des Bibliothèques, Archives der Musikbibliotheken, Libraries Archives and et Centres de Musikarchive und Documentation Centres Documentation Musicaux Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2009. It includes titles of new journals, but no journal articles or excerpts from compilations. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. CONTRIBUTORS Austria: Thomas Leibnitz New Zealand: Marilyn Portman Belgium: Johan Eeckeloo Nigeria: Santie De Jongh China, Hong Kong, Taiwan: Katie Lai Russia: Lyudmila Dedyukina Estonia: Katre Rissalu Senegal: Santie De Jongh Finland: Tuomas Tyyri South Africa: Santie De Jongh Germany: Susanne Hein Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Hungary: Szepesi Zsuzsanna Tanzania: Santie De Jongh Iceland: Bryndis Vilbergsdóttir Turkey: Paul Alister Whitehead, Senem Ireland: Roy Stanley Acar Italy: Federica Biancheri United Kingdom: Rupert Ridgewell Japan: Sekine Toshiko United States: Karen Little, Liza Vick. The Netherlands: Joost van Gemert With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Irina Kirchik, Everett Larsen and Thompson A. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
PROGRAM C'd I .:R:F 1=Jj 5D3
PROGRAM C'D I .:r:F 1=Jj 5D3 Piece pour piano et quatuor acordes (1991) ...........':!:!..?:..?::........... Olivier Messiaen (1908·1992) Luke Fitzpatrick, violin Hye Jung Yang, cello Allion Salvador, violin Zack Myers, piano Vijay Chalasani, viola z.. Feuilles atravers les cloches (1998) .................?.~......:c............................ Tristan Murall (b. 1947) Natalie Ham, flute Isabella Kodama, cello Luke Fitzpatrick, violin Steven Damouni, piano 3 Rain Spell (1983) ................................9..;.H.:t..................................... Toru Takemitsu (1930·1996) Natalie Ham, flute Lauren Wessels, harp Ivan Arteaga, clarinet Ania Stachurska, piano Isaac Anderson, vibraphone 4 Les Sept crimes de I'amour (1979) ................. J.?::.: ..f:?..r?.. ................... Georges Aperghis (b. 1945) Sequence I Sequence II Sequence III Sequence IV Sequence V Sequence VI Sequence VII Emerald Lessley, soprano Ivan Arteaga, clarinet Isaac Anderson, percussion INTERMISSION CD2-#l7-1 S'D'1 Quasi Hoquetus (1985) ................./.7:..=..1.........................................Sofia Gubaidulina (b. 1931) Luke fitzpatrick, viola Jamael Smith, bassoon Steven Damouni, piano String Quartet (1964) ........................~.?:.~ ..?:.? ........................Witold Lutoslawski (1913-1994) Introductory Movement Main Movement Luke Fitzpatrick, violin Vijay Chalasani, viola Allion Salvador, violin Hye Jung Yang, cello Program Notes by Luke Fitzpatrick Except Where Noted Piece pour pianoet quatuor acordes(1991) by Olivier Messiaen is one' -
Expanding Horizons: the International Avant-Garde, 1962-75
452 ROBYNN STILWELL Joplin, Janis. 'Me and Bobby McGee' (Columbia, 1971) i_ /Mercedes Benz' (Columbia, 1971) 17- Llttle Richard. 'Lucille' (Specialty, 1957) 'Tutti Frutti' (Specialty, 1955) Lynn, Loretta. 'The Pili' (MCA, 1975) Expanding horizons: the International 'You Ain't Woman Enough to Take My Man' (MCA, 1966) avant-garde, 1962-75 'Your Squaw Is On the Warpath' (Decca, 1969) The Marvelettes. 'Picase Mr. Postman' (Motown, 1961) RICHARD TOOP Matchbox Twenty. 'Damn' (Atlantic, 1996) Nelson, Ricky. 'Helio, Mary Lou' (Imperial, 1958) 'Traveling Man' (Imperial, 1959) Phair, Liz. 'Happy'(live, 1996) Darmstadt after Steinecke Pickett, Wilson. 'In the Midnight Hour' (Atlantic, 1965) Presley, Elvis. 'Hound Dog' (RCA, 1956) When Wolfgang Steinecke - the originator of the Darmstadt Ferienkurse - The Ravens. 'Rock All Night Long' (Mercury, 1948) died at the end of 1961, much of the increasingly fragüe spirit of collegial- Redding, Otis. 'Dock of the Bay' (Stax, 1968) ity within the Cologne/Darmstadt-centred avant-garde died with him. Boulez 'Mr. Pitiful' (Stax, 1964) and Stockhausen in particular were already fiercely competitive, and when in 'Respect'(Stax, 1965) 1960 Steinecke had assigned direction of the Darmstadt composition course Simón and Garfunkel. 'A Simple Desultory Philippic' (Columbia, 1967) to Boulez, Stockhausen had pointedly stayed away.1 Cage's work and sig- Sinatra, Frank. In the Wee SmallHoun (Capítol, 1954) Songsfor Swinging Lovers (Capítol, 1955) nificance was a constant source of acrimonious debate, and Nono's bitter Surfaris. 'Wipe Out' (Decca, 1963) opposition to himz was one reason for the Italian composer being marginal- The Temptations. 'Papa Was a Rolling Stone' (Motown, 1972) ized by the Cologne inner circle as a structuralist reactionary. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Marshall University Music Department Presents
Marshall University Marshall Digital Scholar All Performances Performance Collection Fall 11-7-2008 Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano Michiko Otaki Štĕpán Graffe Lukáš Bednařik Lukáš Cybulski Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Otaki, Michiko; Graffe, Štĕpán; Bednařik, Lukáš; and Cybulski, Lukáš, "Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano" (2008). All Performances. 752. http://mds.marshall.edu/music_perf/752 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. DEPARTMENT of MUSIC Program String Quartet in g min.or, Franz Joseph Haydn op. 74, no. 3 ("Rider") (1732-1809) Allegro moderate MUSIC Largo assai Menuetto: Allegretto Finale: Allegro con brio presents the Quintet for Piano and Strings Robert Schumann Music Alive Series in E-flat major, op. 44 (1810-1856) Allegro brillante In modo d'una marcia GRAFFE STRING QUARTET Scherzo: Molto vivace Stepan Graffe, violin Allegro ma non troppo Lukas Bednarik, violin Lukas Cybulski, viola Michiko Otaki, piano Michal Hreno, violoncello with Michiko Otaki, piano Friday, November 7, 2008 Exclusive Management for the First Presbyterian Church GRAFFE QUARTET and MICHIKO OTAKI: 12:00 p.m. -
Mandingo Watto Sitta Mp3, Flac, Wma
Mandingo Watto Sitta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Watto Sitta Country: France Style: Electro, Synth-pop MP3 version RAR size: 1802 mb FLAC version RAR size: 1442 mb WMA version RAR size: 1220 mb Rating: 4.9 Votes: 217 Other Formats: MOD AIFF ASF MMF VOX APE ADX Tracklist Hide Credits Harima 1 6:05 Synthesizer [DX-7] – Herbie Hancock 2 Muso 6:23 3 Natural Dancer 6:17 4 Kansala 5:57 Dewgal 5 6:18 Synthesizer [DX-7] – Herbie Hancock Don't Worry 6 5:24 Djembe – Manu Washington Companies, etc. Recorded At – Evergreen Studio Recorded At – Studiomedia Mixed At – Eldorado Recording Studios Mastered At – Masterdisk Remastered At – Orange Music Designed At – Randesign Credits Artwork – Yoko Yamabe Backing Vocals – Isatou Walker, Nora Harris, Robin Robinson Bass – Joe Thomas Congas, Bongos, Bells, Shekere – Adam Rudolph Drum Programming [DMX] – Bill Laswell, Foday Musa Suso Drums – Hamid Drake Engineer – Rob Stevens Engineer [Assistant Evergreen Studio] – Hahn Rowe Engineer [Assistant Studiomedia] – Sam Fishkin Guitar – Abdul Hakeen Kora, Kora [Dousongonni], Kalimba, Talking Drum, Lead Vocals, Written-By, Arranged By – Foday Musa Suso Mastered By – Howie Weinberg Mixed By – Dave Jerden Percussion [Chatan], Talking Drum – Aiyb Dieng Performer [Dundungo] – Reymond Sillah Producer – Bill Laswell, Foday Musa Suso Remastered By – James Dellatacoma Other versions Category Artist Title (Format) Label Category Country Year Mandingo Mandingo CEL 6103, Featuring Featuring Foday Celluloid, CEL 6103, US 1984 CELL 6103 Foday -
Kronos Quartet
K RONOS QUARTET SUNRISE o f the PLANETARY DREAM COLLECTOR Music o f TERRY RILEY TERRY RILEY (b. 1935) KRONOS QUARTET David Harrington, VIOLIN 1. Sunrise of the Planetary Dream Collector 12:31 John Sherba, VIOLIN Hank Dutt, VIOLA 2. One Earth, One People, One Love 9:00 CELLO (1–2) from Sun Rings Sunny Yang, Joan Jeanrenaud, CELLO (3–4, 6–16) 3. Cry of a Lady 5:09 with Le Mystère des Voix Bulgares Jennifer Culp, CELLO (5) Dora Hristova, conductor 4. G Song 9:39 5. Lacrymosa – Remembering Kevin 8:28 Cadenza on the Night Plain 6. Introduction 2:19 7. Cadenza: Violin I 2:34 8. Where Was Wisdom When We Went West? 3:05 9. Cadenza: Viola 2:24 10. March of the Old Timers Reefer Division 2:19 11. Cadenza: Violin II 2:02 12. Tuning to Rolling Thunder 4:53 13. The Night Cry of Black Buffalo Woman 2:53 1 4. Cadenza: Cello 1:08 15. Gathering of the Spiral Clan 5:24 16. Captain Jack Has the Last Word 1:42 from left: Joan Jeanrenaud, John Sherba, Terry Riley, Hank Dutt, and David Harrington (1983, photo by James M. Brown) Sunrise of the Planetary possibilities of life. It helped the Dream Collector (1980) imagination open up to the possibilities It had been raining steadily that day surrounding us, to new possibilities in 1980 when the Kronos Quartet drove up curiosity he stopped by to hear the quartet Sunrise of the Planetary Dream Collector for interpretation.” —John Sherba to the Sierra Foothills to receive Sunrise practice. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Le Mandingue
André Larquié président Brigitte Marger directeur général le Mandingue : l’empire de la parole introduction Ce n’est pas un hasard si la cité de la musique, à la veille de l’an 2000, s’est intéressée aux héritiers d’un Royaume qui a connu son apogée au XIIe siècle de notre ère… C’est même un défi lancé au temps : découvrir une musique contemporaine de notre Moyen Age euro- péen qui a su rester vivante, populaire, évolutive, «classique » au sens noble du terme… Car si cette musique émerveilla les premiers décou- vreurs de l’Afrique noire, c’est aussi celle qui se joue aujourd’hui à l’ombre des gratte-ciel d’Abidjan comme dans les faubourgs de Bamako ou de Conakry, sous ces auvents de toile qui barrent les rues lors des mariages ou des funérailles ; vous l’entendez dans les cours des chefs de village comme à la radio ou à la télévision : dans toute l’Afrique de l’ouest, c’est la musique la plus écoutée, la plus respectée. En cassette, en disque compact, on l’enregistre jour et nuit dans les studios où elle s’accommode sans honte de tous les sons à la mode : synthétiseurs et boîtes-à-rythme ne risqueront pas de dénaturer la musique « mandingue », avec ses voix héroïques, ses instruments de bois et de peaux parfaitement sem- blables à ceux que décrivait le grand explorateur arabe Ibn Batouta en 1352. Cette musique presque millénaire - car elle a sûre- ment précédé la fondation de l’empire du Mali, celui des Mandingues - c’est avant tout celle des « griots ».