DOCSLIB.ORG

Stainless Steel Rulers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stainless Steel Rulers Arthur H. Gaebel, Inc. “The Original” for over 56 years 2002 Edition ARTHUR H. GAEBEL, INC. “The Original” Ruler Company Lithco Inc. is now the home of Gaebel. ☎ For fast courteous service please call toll-free: ☎ (1-888-4-RULERS) (1-888-454-8426) (310) 559-7770 • Fax (310) 559–6908 9449 Jefferson Blvd., Culver City, CA 90232-2913 E-Mail : [email protected] • Website: www.gaebel.com WE THANK YOU FOR YOUR CONTINUED SUPPORT! IMPRINTED/PROMOTIONAL ITEMS 7550 606M 7549 719 or 719A Any Line Gauge P-52 657 SR-1 611-C Many of our products can be imprinted with your own or your customer’s logo, in small or large quantities, for direct sale or for use as promotional items. The most popular items are shown above, but feel free to call for further suggestions. The process is very simple: ■ Call us for a quote. ■ Mail us the logo/information to be etched or screen printed. Electronic e-mail attachments work fine. Logo should be in proportion to space available as indicated in picture above. ■ Upon receipt of down payment and approval of the art work, work will begin. ■ You should receive delivery of your merchandise within 30 days. TABLE OF CONTENTS RULERS Promotional Items STAINLESS STEEL METRIC ENGLISH CORK BACK 2 Promotional, incentive and give- LINE GAUGES away items have become very popular in recent years. An ideal ONE SIDED TWO SIDED 12 promotional item is economical, unique, and most importantly, DRAFTING TOOLS functional. We have many such T– SQUARES TRIANGLES PROTRACTORS 20 items. Please see the inside back cover of this catalog for some of our CUTTING TOOLS most popular “brandable” items. BLADES NEEDLE CUTTERS UTILITY KNIVES 24 Call us for same day quotes and fast, realistic delivery schedules. PANTONE PRODUCTS FORMULA GUIDES SURVIVAL KITS CHIP BOOKS 25 We Can Supply Your Needs DCS PRODUCTS In addition to our own line of stainless steel rulers, which is the DIGITAL COLOR SCALE BOOKS 28 most extensive in the industry, you will see in this catalog a wide 3L PRODUCTS / ALIGNMATE / PRINTMATE variety of press and pre-press tools POCKETS SELF LAMINATES ALIGNMATE PRINTMATE 29 and supplies. While we are limited in how much we can show in this COLOR WHEEL PRODUCTS catalog, please be aware that we COLOR SELECTOR COLOR WHEELS COLOR GUIDES 31 can usually obtain for you any products produced by the following MAGNIFIERS & OPTICAL TOOLS manufacturers: LINEN TESTERS LOUPES MICROSCOPES 32 LIGHTING LAMPS LIGHT TABLES 43 MEASURING TOOLS MICROMETERS CALIPERS PAPER GAUGES 44 COMPUTER & DESKTOP PUBLISHING TOOLS E– SCALES RULER SETS PROPORTION DIALS 47 CALCULATORS MEASURE MASTER SCALE MASTER 50 SCISSORS SHEARS TRIMMERS UTILITY SNIPS 51 MISCELLANEOUS TOOLS INDENTAFONT TAPE MEASURES PENS PAPER SCALE 53 INDEX 56 1 STAINLESS STEEL RULERS ARTHUR H. GAEBEL, INC. stainless steel rulers are, and for over 55 years always have been, manufactured in the USA from the highest quality steel obtainable. We are currently using 301 and 410 spring tempered stainless steel. Don’t be misled by imitations and poor quality imports. All of our rulers are manufactured using ISO 9002 standards. As you review the following pages for the ruler that best meets your requirements, you will notice that in addition to inch and metric scales, many printer scale combinations are available. Brief definitions of these scales follow: A point is a measurement of .0138 or approximately 1/72 of an inch. In other words, there are approximately 72 points to the inch. All type is designated in points (10-point Caslon, 24-point Baskerville, etc.). Points are always used to specify the size of type. Typefaces may be set in sizes from four to 144 points, but are generally used in six to 72 points. Line spacing is also specified in points (two points of leading, etc.). A pica is used for linear measurements of type (a pica gauge is the printer’s measuring tool). There are 12 points to 1 pica, and approximately 6 picas to 1 inch. The length of a line is specified in picas, as well as depth of a type area. For example, a given block of copy is to be set 20 picas wide by 36 picas deep. Inches are never used in type measurement. An agate line is a measurement used by newspapers to sell advertising space. There are 14 agate lines to an inch. An agate line refers to the space occupied by one line of agate type in one column. The width of the column can vary from paper to paper. A 60-line ad can take several forms: 60 agate lines in one column, 30 agate lines in 2 columns, etc. A cicero is a continental unit of measurement for type, equal to 12 Didot points, or .178 inches, roughly comparable to a pica. Named after the type cast for a 15th century edition of Cicero’s works. 600 601 (front) 601 (back) 600 Series This one-sided ruler is available in 12", 18" and 24" lengths. It is manufactured with .032" thick stainless steel and is 1 1/4" wide. The increments are etched in inches (16ths). This ruler has a flush start and indented finish. 601, 602, 603 These two-sided rulers are 1 1/4" wide and .032" thick and are identical to each other except in length. The 601 is 12"; 602 is 15"; 603 is 18". Both edges on the front have inch (16ths) scales. The back has pica/half-pica increments on the top and agate line increments on the bottom. These rulers have flush starts and indented finishes. CAT. NO. LENGTHS WIDTH THICKNESS GRADUATIONS 600 12",18", 24" 1 1/4" .032" Inches (16ths) 601 12" 1 1/4" .032" Inches (16ths), Picas/Half-Picas, Agate Lines 602 15" 1 1/4" .032" Inches (16ths), Picas/Half-Picas, Agate Lines 603 18" 1 1/4" .032" Inches (16ths), Picas/Half-Picas, Agate Lines 2 STAINLESS STEEL RULERS 604 (front) 604 (back) 604-A (front) 604-A (back) 604-B (front) 604-B (back) 604 Series This two-sided ruler is available in 24" and 36" lengths. It is 1 1/2" wide and .032" thick. The front has inches (16ths) on the top and bottom with a type gauge slit on the left side giving the type size markings from 5–30 points. The back has picas/half-picas on the top and agate lines on the bottom. 604-A This printers comparative ruler is a two-sided ruler available in 24" length only. The front has inches (16ths) on both edges and a line scale with markings from hairline to 2-point on the left end. A US point system conversion table is on the right side of the front. On the back is pica/half-pica increments on top, inch (16ths) increments and an agate line scale on the bottom. A point scale from 0–84 points is on the left end of the back. 604-B This two-sided ruler is available in 24" length only. The front side has inches (16ths) on the top and 32nds on the bottom. The back has picas/half-picas on the top and agate lines on the bottom. This ruler has a flush start and indented finish on both sides. CAT. NO. LENGTHS WIDTH THICKNESS GRADUATIONS 604 24", 36" 1 1/2" .032" Inches (16ths), Picas/Half-Picas, Agate Lines, 5–30 point Type-Size Gauge 604-A 24" 1 1/2" .032" Inches (16ths), Picas/Half-Picas, Agate Lines, 0–84 point Type Scale, hairline–2 point line scale 604-B 24" 1 1/2" .032" Inches (16ths; 32nds), Picas/Half-Picas, Agate Lines 3 STAINLESS STEEL RULERS 604-C (front) 604-C (back) 605 605-P (front) 605-P (back) 608 604-C This printers comparative ruler is a two-sided ruler in 24" only. The front has inches (16ths) on the top and millimeters along the bottom. The back has picas/half-picas on the top and agate lines on the bottom. 605 Series This one-sided ruler is available in 12", 18", 24", 36" and 48" lengths. The top is inches (16ths) and the bottom is picas/half-picas. The 12", 18" and 24" have flush starts and indented finishes. The 36" and 48" have indented starts and finishes. Available with cork backing for a small additional charge. 605-P Series This two-sided ruler is available in 12", 18" and 24" lengths. The front has inches (16ths) and picas/half-picas. The back contains point markings the entire length. 608 This one-sided ruler is available in 24" only. It has a width of 7/8" and the thickness is .020" for increased flexibility. The top has sub-zero inch increments in 32nds and inches (16ths) the rest of the length. The bottom has sub-zero inch increments in 64ths with inches in 32nds the rest of the length. CAT. NO. LENGTHS WIDTH THICKNESS GRADUATIONS 604-C 24" 1 1/2" .032" Inches (16ths), Picas/Half-Picas, Agate Lines, Millimeters, 5–30 point Type-Size Gauge 605 12", 18", 24", 36", 48" 1 1/4" .032" Inches (16ths), Picas/Half-Picas 605-P 12", 18", 24" 1 1/4" .020" Inches (16ths), Picas/Half-Picas, Points 608 24" (25") 7/8" .020" Inches (16ths with sub-zero in 32nds, 32nds with sub-zero in 64ths) 4 STAINLESS STEEL RULERS 609 (front) 609 (back) 610 (front) 610 (back) 610-A (front) 610-A (back) 609 Series This two-sided ruler is available in 6", 12" and 24" lengths. The front is exactly like the 608 with two sub-zero scales (one in 32nds and the other in 64ths); the top is incremented in 16ths and the bottom in 32nds.
Load more

Recommended publications
  • The Sensualistic Philosophy of the Nineteenth Century
    THE SENSUALISTIC PHILOSOPHY THE NINETEENTH CENTURY, CONSIDERED ROBERT L. DABNEY, D.D., LL.D., PROFESSOR IN DIVINITY IN THE UNION THEOLOGICA\. SEMINARY, OF THE PRESBYTER1AH CHURCH OF THB SOUTH PRINCE EDWARD, VA. EDINBURGHl T. & T. CLARK, 38 GEORGE STREET. 1876. CONTENTS. CHAPTER. PAGE. I. THE ISSUE STATED, i II. REVIEW OF THE SENSUALISTIC PHILOSOPHY OF THE PREVIOUS CENTURY. HOBBES, LOCKE, CONDIL- LAC, HELVETIUS, ST. LAMBERT, ... 7 III. ANALYSIS OF THE HUMAN MIND, . .52 IV. SENSUALISTIC ETHICS OF GREAT BRITAIN, . 85 V. POSITIVISM, 93 VI. EVOLUTION THEORY, 107 VII. PHYSIOLOGICAL MATERIALISM, . -131 VIII. SPIRITUALITY OF THE MIND, .... 137 IX. EVOLUTION THEORY MATERIALISTIC, THEREFORE FALSE, 165 X. VALIDITY OF A-PRIORI NOTIONS, . 208 XI. ORIGIIJ OF A-PRIORI NOTIONS, . 245 XII. REFUTATION OF SENSUALISTIC ETHICS, . 287 XIII. PHILOSOPHY OF THE SUPERNATURAL, . 337 .13.15892 SENSUALISTIC PHILOSOPHY. CHAPTER I. THE ISSUE STATED. TT^NGLISHMEN and Americans frequently use the ^ word "sensualist" to describe one in whom the animal appetites are predominant. We shall see that it is a just charge against the Sensualistic philosophy, that it not seldom inclines its advocates to this dominion of beastly lusts. But it is not from this fact that we draw the phrase by which we name it. The Sensualistic philosophy is that theory, which resolves all the powers of the human spirit into the functions of the five senses, and modifications thereof. It is the philosophy which finds all its rudiments in sensation. It not only denies to the spirit of man all innate ideas, but all innate powers of originating ideas, save those given us from our senses.
    [Show full text]
  • Guardian Agate Sans Family Specimen
    Guardian Agate Sans Guardian Agate Sans looks awkward and strange at 18 point, as you can see here. That’s because this family was carefully designed to compensate for the worst imaginable printing conditions: 6 point and below on newsprint. The optical compensations required for maximum legibility under such difficult circumstances inevitably look strange at large sizes. PUBLISHED Stylistically and structurally, Guardian Agate Sans is very much a 2009 part of the Guardian Collection, but it differs in the specifics: A far DESIGNED BY PAUL BARNES & CHRISTIAN SCHWARTZ narrower overall proportion packs a lot of information into a very 40 STYLES small space. Short ascenders and descenders allow for tight, even 2 WEIGHTS W/ ITALICS IN 4 GRADES solid leading without any compromise in redability. Inktraps ensure PLUS 2 ADDITIONAL WEIGHTS W/ ITALICS ALL IN STANDARD AND DUPLEXED VERSIONS that the structures stand up well even at 4pt on newsprint, carving FEATURES out space where ink will fill in and extra clarity is needed. Some GRADED WEIGHTS letters do end up looking admittedly odd at large sizes, such as the DUPLEXED ITALICS DUPLEXED WEIGHTS dropped bars on the f and t, but these compensations ensure that TABULAR LINING FIGURES FRACTIONS the characters remain recognizable no matter what. SUPERSCRIPT/SUBSCRIPT Commercial commercialtype.com Guardian Agate Sans 2 of 15 Guardian Agate Sans Grade 1 Regular Guardian Agate Sans Grade 1 Regular Italic Guardian Agate Sans Grade 1 Bold Guardian Agate Sans Grade 1 Bold Italic Guardian Agate Sans Grade
    [Show full text]
  • Subchapter C—Federal Hazardous Substances Act Regulations
    SUBCHAPTER C—FEDERAL HAZARDOUS SUBSTANCES ACT REGULATIONS PART 1500—HAZARDOUS SUB- for use by children over 18 but not over 36 months of age. STANCES AND ARTICLES: ADMIN- 1500.53 Test methods for simulating use and ISTRATION AND ENFORCEMENT abuse of toys and other articles intended REGULATIONS for use by children over 36 but not over 96 months of age. Sec. 1500.81 Exemptions for food, drugs, cos- 1500.1 Scope of subchapter. metics, and fuels. 1500.2 Authority. 1500.82 Exemption from full labeling and 1500.3 Definitions. other requirements. 1500.4 Human experience with hazardous 1500.83 Exemptions for small packages, substances. minor hazards, and special cir- 1500.5 Hazardous mixtures. cumstances. 1500.12 Products declared to be hazardous 1500.85 Exemptions from classification as substances under section 3(a) of the act. banned hazardous substances. 1500.13 Listing of ‘‘strong sensitizer’’ sub- 1500.86 Exemptions from classification as a stances. banned toy or other banned article for 1500.14 Products requiring special labeling use by children. under section 3(b) of the act. 1500.87 Children’s products containing lead: 1500.15 Labeling of fire extinguishers. inaccessible component parts. 1500.17 Banned hazardous substances. 1500.88 Exemptions from lead limits under 1500.18 Banned toys and other banned arti- section 101 of the Consumer Product cles intended for use by children. Safety Improvement Act for certain elec- 1500.19 Misbranded toys and other articles tronic devices. intended for use by children. 1500.89 Procedures and requirements for de- 1500.20 Labeling requirement for advertising terminations regarding lead content of toys and games.
    [Show full text]
  • The Practice of Typography; a Treatise on the Processes of Type-Making
    W^UIBRARV.;. aMUBRA oCii LA- ^OFCAllFOff^ ^OFl. o ^^ ^ !!]? '^)i mm ^/yaiAINH, •''^A'jvas , \WtUNIVr >10SAN( 5- -c, CO -n «-j O u_ %ojiiv3jo^ %o\\mi^^ <rii33NYsoi^'^ '^•/mmi •UIFOMi^ i;niver5/a v^lOSANC o -n O •re: <rjl30NV ^10SANC[I^ ^iLlBRARY(2^ -^ILIBRA mo ?Hii!M ir.'v'.Aurci r,- , r TAii I nn. ^ H\ m\ym/A C3 Cc DN^SOl^"^ - r\rrA'iFn'?j.. f^ *- J 30 O II1V3W^ Mm<^ ''<imm{\\'^' f^. "^^ '^imhrn'm' INfl3WV THE PRACTICE OF TYPOGRAPHY THE PRACTICE OF TYPOGRAPHY A TEEATISE ON THE PEOCESSES OF TYPE-MAKING, THE POINT SYSTEM, THE NAMES, SIZES STYLES AND PEICES OF PLAIN PRINTING TYPES BY THEODORE LOW DE VINNE, AM. SECOND EDITION fi f^.ni'Ai-'^. NEW YORK THE CENTURY CO. 1902 Copyright, 1899, by Theodork Low DeVinne. The DeVinne Press. 1 9 OS. PREFACE THIS treatise is a summary of detached notes collected by the writer since 1860. A desire to make it complete and exact has prevented its earlier publication. As an aid to this result each chapter has been revised recently by experts in different branches of printing. In its present cor- rected form it is believed that it will be found of use to all who seek for information about types which cannot be compressed within the ordinary manual of printing, or be gleaned quickly from the specimen books of many type-founders. The scope of the book has to be limited to plain types. Re- marks concerning newspaper types, typographic decorations, and recent fashions in book-work, have to be postponed. The composition of title- pages may be the subject of another treatise.
    [Show full text]
  • Uma Tipografia Para Tamanhos Agate
    Hotel Agate Uma tipografia para tamanhos agate. Joel Vilas Boas Dissertação/Projeto para a obtenção do grau de Mestre em Design Gráfico e Projetos Editoriais. Orientador Professor Doutor Eduardo Aires Co-Orientador Mestre Dino dos Santos Porto · Julho de 2012 CÓLOFON Esta tese foi redigida em conformidade com o Acordo Ortográfico em vigor desde janeiro de 2009. Título Hotel Agate – Uma tipografia para tamanhos agate. Autor Joel Vilas Boas Design Joel Vilas Boas aka J85 · www.j85.pt Tipografia Lyon Collection – Kai Bernau, 2005-2010 (Commercial Type) Impressão Encadernada a quente com capa em papel acetinado 300gr e interior em papel couché 170gr. Data Porto · Julho de 2012 Type is a beautiful group of letters, not a group of beautiful letters. MATTHEW CARTER (1937-) Agradecimentos Ao Professor Doutor Eduardo Aires, por ter assumido a orientação desta investigação e pelo apoio inexcedível demonstrado desde o início do projeto. Ao Mestre Dino dos Santos, pela co-orientação deste projeto, sempre pautada pela sua dedicação em todos os momentos do trabalho; por me ter aconselhado e facul- tado bibliografia, documentação e outras fontes de pesquisa, imprescindíveis para a realização e enriquecimento do projeto, e ainda por todas as sugestões e críticas que permitiram o seu contínuo aperfeiçoamento. A Jean François Porchez, a Thomas Huot-Marchand e a Joana Correia da Silva, pela atenção dedicada e pelo material bibliográfico disponibilizado, que muito contribuíram para a realização deste projeto. A Pedro Leal e a Sónia da Rocha, pela amizade e por partilharmos o mesmo interesse por Tipografia… e não só! Aos meus pais, pela presença constante em todos os momentos, não só durante a reali- zação deste trabalho de investigação, como ao longo da minha vida.
    [Show full text]
  • EWSLETTE the Art, Skill and Teaching of Faceting
    + PromotingEWSLETTE the art, skill and teaching of faceting. + Expanding the knowledge of natural and man-made crystals. + Developing and promoting uniform rules for faceting competitions within the U.S.A. and among other countries. + Sponsoring or assisting in managed competitions. + Serving as a national repository and clearing-house for faceting designs, published materials and general informationfor faceters everywhere. Officersand Appointed Staff2000-2002 The opinions expressed in the newsletter are those of the editor. contributing members, or quoted authors, and do not necessarily represent the United States Faceters Guild or its President (Acting) Keith Wyman 360-757-4572 membership. The ne\vsletter is for the express purpose of sharing information with the 20200 Cook Rd. members and other faceting guilds, and has no intent to show preference to or cause damage Burlington, WA 98233 to any product, manufacturer or commercial company. [email protected] Vice President The USFG Ne\vsletter is a quarterly publication of the United States Faceters Guild. It is (open) delivered by bulk (North America) and First Class (Canada & overseas) mail to all paid members of the Guild at the end of March, June, September, and December. Membership Secretary dues are $18 per year (U.S.). $21 (Canada), and $23 (Overseas) and are payable to the Alan Beck 208-884-0468 USFG treasurer. 2173 Sunny Slope Rd. Meridian, ID 83642 Correspondence concerningthe content of the newsletter, exchange bulletins and ne\vslet­ [email protected] ters should be sent to the editor. § Treasurer MEMBERSHIP-CARD POLICY Don Dunn 937-426-5112 Membership cards will be sent as inclusions in the newsletter.
    [Show full text]
  • Core Collection Signature Surfaces, Made Easy
    Porcelain tiles suitable for floors and walls Core Collection Signature surfaces, made easy Solids Terra Quartz Shapes Signature surfaces, made easy Terra 222V, 262V, quarter circle F 29 x 29 cm, circle link E 49 x 26 cm Cover: collage of Solids 5106V, Terra 264V, Terra 239V, semi circle D 59 x 29 cm, Quartz 4101V triangle B 59 x 30 cm / 4107RQ Intuitive surface design Core Collection verbindt de drie geliefde series Die Core Collection verknüpft die drei beliebten Solids, Terra en Quartz, mede door het toevoegen Serien Solids, Terra und Quartz unter anderem van nieuwe kleuren die het mixen van series durch Hinzufügung neuer Farben, die es erlauben, esthetisch beter mogelijk maken. Nu kunnen Serien ästhetisch ansprechender zu kombinieren. architecten en ontwerpers de kleuren en texturen Ab sofort können Architekten und Designer die van de (ongeglazuurde) keramische tegels naar Farben und Texturen der (unglasierten) hartenlust combineren. Keramikfliesen nach Herzenslust kombinieren. Door de feilloze afstemming van lichte, donkere, Dank der feinen Abstimmung heller, dunkler, warme en koele kleurtonen op gelaagde, warmer und kühler Farben mit mehrschichtigen, poederachtige en robuuste texturen biedt Mosa pulverartigen und robusten Texturen bietet Mosa talloze ontwerpmogelijkheden in één oogopslag. zahllose Designoptionen auf einen Blick. Met het grootste gemak kunnen architecten en Architekten und Designer können ganz einfach ontwerpers de juiste tegels voor hun project die richtigen Fliesen für Ihr Projekt auswählen. kiezen. Het creëren van kenmerkende Es ist einfacher als je zuvor, charakteristische oppervlakken wordt eenvoudiger dan ooit. Oberflächen zu gestalten. Die Kollektion De collectie omvat 39 kleuren, drie verschillende umfasst 39 Farben, drei verschiedene Texturen, texturen, diverse traditionele formaten en zeven verschiedene klassische Formate und sieben innovatieve vormen in patronen die volledig naar innovative Formen in Patterns, die ganz nach wens kunnen worden aangepast.
    [Show full text]
  • Journal of Discourses
    JOURNAL OF DISCOURSES. IDEAS HELD BY THE LATTER-DAY SAINTS WINNING THEIR WAY—TERRITORIAL PROSPERITY—"MORMONISM" NOT FAVORED OF THE GOVERNMENT—LATTER-DAY SAINTS TO SAVE THE GOVERNMENT—GOOD COUNSEL ON MANY POINTS. DISCOURSE BY ELDER GEORGE Q. CANNON, DELIVERED AT THE ANNUAL CONFERENCE, SALT LAKE CITY,SUNDAY MORNING APRIL 7, 1878. REPORTED BY GEO. F. GIBBS. It is somewhat unexpected to myself and will be poured out upon us. It is a that I have the opportunity, this morn- great relief to one who has been absent ing, of appearing in your midst. Impor- for any length of time, mingling with the tant business demanded my return to world, to have the opportunity of asso- this city for a short time; but in conse- ciating with you, my brethren and sis- quence of certain responsibilities devolv- ters; at least I esteem it as such. I never ing upon me at Washington, it seemed turn my face homewards without experi- imprudent for me to leave and come encing joy and gladness at the thought of here. A week ago last Friday morning once more being reunited with you. I scarcely thought it possible that I could get away; but during the day I was fa- I never in my life have had a deeper vored in making such arrangements that interest in the welfare, in the pros- I felt I could leave with safety, for a few perity and in the advancement of the days at least. And I immediately started cause with which we are identified, than for this city by way of Philadelphia.
    [Show full text]
  • Museum Printing
    MOPSummer:Layout 1 5/3/11 4:42 PM Page 1 Museum OF the Printing GalleyVolume 32 • Issue 2 • Summer 2011 DEDICATED TO PRESERVING THE PAST OF PRINTING AND ALL OF ITS RELATED CRAFTS Message From The President In This Issue or the last two years we have been fortunate to have a Colonial print shop on We Get Questions—Members and loan, complete with an English Common Press. Gary Gregory, founder of others ask about presses and other F“Lessons on Liberty” and a member of the Museum’s Board, supported this print paraphernalia. Pages 3 and 3 exhibit in many ways. Gary has now found an appropriate home for this historically- accurate print ship at the Clough House, adjacent to Old North Church. The Printing Museum Type Sale—A great oppor- Office of Edes & Gill is Boston’s colonial-era printing experience and visitors will have tunity to find type, presses, and the opportunity to engage living historians working the printers’ trade in pre-revolu- other printing material. Saturday, tionary Boston. If you are in Boston, visit Gary and also make a trip to North Andover June 11th. Page 4. and visit the Museum. Over the winter, our gang painted and tiled the second floor conference room. Gutenberg was an Idiot—It took a They also kept the 20-year old boiler operating. while to get the type right for the The Museum’s Library Advisor, Brian Frykenberg arranged with OPALS (OPen- Bible. Page 5 source Automated Library System) to allow web-based public access to electronic records of the Museum’s books and ephemera.
    [Show full text]
  • ESPPADOM Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02
    EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 ESPPADOM_Delivery Modèle des données structurées Date: 30/03/2012 Statut: Travail Version: 00.02 EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 ESPPADOM_Delivery: Modèle des données structurées Mention légale Clause de cession de droit de reproduction. L'auteur de ce document est : EDISANTE Comité Technique Le présent document est la propriété de l'auteur. Par la présente, l'auteur cède à titre gracieux à l’utilisateur du présent document, un droit de reproduction non exclusif dans le seul but de l’intégrer dans une application informatique. Cette cession est valable sur supports papier, magnétique, optique, électronique, numérique, et plus généralement sur tout autre support de fixation connu à la date de la reproduction, et permettant à l’utilisateur de créer l’application visée au paragraphe précédent. Cette cession est consentie pour l’ensemble du territoire national, et pour la durée de protection prévue par le code de la propriété intellectuelle. L’utilisateur fera son affaire personnelle de tout dommage qu’il causerait à un tiers et qui trouverait son origine dans une violation des termes de la présente cession. Toute atteinte aux droits d’auteur constitue un délit et est passible des sanctions indiquées aux articles L.335-1 et suivants du Code de propriété intellectuelle. EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 Table des matières Documentation
    [Show full text]
  • Emotional Response to Typogrpahy: the Role of Typographic Variations in Emotional Response to Advertising
    EMOTIONAL RESPONSE TO TYPOGRPAHY: THE ROLE OF TYPOGRAPHIC VARIATIONS IN EMOTIONAL RESPONSE TO ADVERTISING By KEVIN L. GUTHRIE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ADVERTISING UNIVERSITY OF FLORIDA 2009 1 © 2009 Kevin L. Guthrie 2 To my family 3 ACKNOWLEDGMENTS There are many individuals to acknowledge for their help throughout this thesis process. First, I would like to thank my thesis committee: Dr. Robyn Goodman for her support, encouragement and being a wonderful thesis chair; Dr. Jon Morris for the use of the AdSAM measure; and Dr. Michael Weigold for the statistical and methodological assistance. Next, I have to thank my amazing family (Stuart, Patricia, Brian, and Matthew) for their encouragement in completing my graduate studies. Special thanks also go to my friend Keely Hope for all of her editing assistance and all-around moral support. Additionally, I want to thank Dr. Betsy Pearman for all of her statistical assistance. Without Dr. Pearman, I would still be staring at the computer screen. Special thanks go to my former classmates and tutors at the Edinburgh College of Art for the slightly unhealthy typography and graphic design fascination. Finally, thanks to Max Miedinger, designer of Helvetica. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS0 ...............................................................................................................4 LIST OF TABLES...........................................................................................................................8
    [Show full text]
  • Volume 23-2 (Low Res).Pdf
    ITC 10.1,matk Ty peto ■ UPPER AND LOWER CASE THE INTERNATIONAL JOURNAL OF GRAPHIC DESIGN AND DIGITAL MEDIA PUBLISHED BY INTERNATIONAL TYPEFACE CORPORATION VOLUME 23, NUMBER 2, FALL 1996 $5.00 US, $9.90 AUD, £4.95 The Image Club's free monthly catalog is the essential design tool for today's creative masters. Over 800 fonts from the best foundries, thousands of stock photos on CD ROM (royalty free!) and tons of cool digital art, along with ideas, solutions and tips & tricks from other designers. New for you every month! Order your catalog: call 1.800.387.9193 fax 1.403.261.7013 http://www.imageclub.com/ Hey! The entire FONTEK and ITC type libraries featured throughout this issue of U&lc are available from Image Club. Call 1-800-661-9410 to order! Image Club Graphics is a division of Adobe Systems Incorporated Adobe ucLo8 Circle 1on Reader Service Card ATypI I Typelab The Hague, The Netherlands, oit) The Hague 1996 October 24-28, 1996 The Association Typographique Internationale (ATyp1), The Royal Academy of Art and The Royal Conservatory of Music Typography &... is a conference gathering of Art Directors, Graphic Designers, Type Designers, Musicians, Filmmakers, Business and Legal Executives, Users and Developers of Software, and anyone to whom type and typography are essential. Typography &... focuses on how typography is developing, evolving and changing with a speakers' program, debates and discussion groups, exhibitions, studio visits, special museum programs, and TypeLab, an interactive, experimental environment for typography,
    [Show full text]