Font Collection by Sprint Software

Total Page:16

File Type:pdf, Size:1020Kb

Font Collection by Sprint Software Font Collection by Sprint Software This font collection contains roughly 3000 TrueType fonts. The collection is contained on a CD entitled „Super Oz Shareware Fonts“ produced by the defunct „Sprint Software Pty Ltd“, run by Niall Ginsbourg (see http://mobilewares.net/profile.aspx). Despite the misleading label „shareware“, this CD contains a lot of commercial fonts by Adobe, Linotype, Agfa, Monotype, URW etc. etc., often using the real typeface names („Helvetica“ etc.). This CD also contains 200 fonts by David Rakowski. This rip-off CD by Niall Ginsbourg is similar to the „Herlitz“ rip-off CD by Susanne Kurschus (see http://www.sanskritweb.net/forgers/herlitz.pdf). In order to show how the fonts of the „Sprint Software“ font collection CD were forged, I wrote a special program which dumps all internal entries of the font files. In this way a lot of additional data which are usually not seen by the user, are made visible. For instance, the fonts converted with the font converter „ALLTYPE“ contain the original font file names. Besides the Windows TrueType fonts listed below, this „Sprint Software“ collection also contains many Adobe-Linotype rip-off fonts in Macintosh TrueType format not listed here. Ulrich Stiehl, Heidelberg, 10-May-2005 TTF File Windows Name Unique Identifier Release & Version Trademark Copyright Notice NEARS21 &_NearSighted FontMonger:&_NearSighte 001.003 Normal d Normal AACHEN_B Aachen-Bold ALLTYPE:Aachen-Bold Converted from Converted by ALLTYPE Regular:MIKE C:\TEMP\AARDVARK.TF1 by ALLTYPE AACHENB Aachen-Bold ALLTYPE:Aachen-Bold Converted from Regular:ATECH C:\TTFONTS\AACHENB.T F1 by ALLTYPE AACHEN Aachen-Light ALLTYPE:Aachen-Light Converted from d Regular:ATECH C:\TTFONTS\AACHEN.TF 1 by ALLTYPE AACHEN_L Aachen-Light ALLTYPE:Aachen-Light Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\A ACHEN.TF1 by ALLTYPE AACHEN1L Aachen-Light ALLTYPE:Aachen-Light Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\A ACHEN.TF1 by ALLTYPE AAPEX Aapex FontMonger:Aapex 1.000 Copyright 1992-1993 by Elfring Soft Fonts. All rights reserved. Unlicensed copying, distribution, duplication, or 1 posting to BBSs is illegal. AARCO___ Aarco Regular Altsys Altsys Aarcover font ª 1991 by Metamorphosis:Aarco Metamorphosis:4/16/92 David Rakowski. All Regular Rights Reserved. AARCO1 Aarco1 Aarco1 Regular Fantazia Fonts and Sounds AARCOVER Aarcover ALLTYPE:Aarcover Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\A ARCO1.TF1 by ALLTYPE AARCOVR1 Aarcover ALLTYPE:Aarcover Converted from Converted by ALLTYPE Regular:MIKE D:\TEMP\AARCOVER.TF1 by ALLTYPE AARCOVR2 Aarcover ALLTYPE:Aarcover Converted from Copyright 1991, Atech Regular:ATECH c:\windows\system\AAP__ Software, Carlsbad CA ___.TF1 by ALLTYPE AAP_____ Aarcover Altsys Altsys Aarcover font 1991 by (Plain):001.001 Metamorphosis:Aarcover Metamorphosis:8/18/91 David Rakowski. All (Plain):001.001 Rights Reserved. AAP001 Aarcover Altsys Altsys Aarcover font 1991 by (Plain):001.001 Metamorphosis:Aarcover Metamorphosis:8/18/91 David Rakowski. All (Plain):001.001 Rights Reserved. AA0004 Aarcover Regular Altsys Altsys Aarcover font 1991 by Metamorphosis:Aarcover Metamorphosis:3/8/92 David Rakowski. All Regular Rights Reserved. AARDVRKB Aardvark Bold Monotype:Aardvark v1.00 Aardvark is a CopyRight Bold:version1(Corel) (c) 1991, Corel Systems Corporation. All rights reserved AARON AaronBold FontMonger:AaronBold AARON_EI AaronBoldExpd FontMonger:AaronBoldEx Italic pd Italic ABBYLEFT Abbey Medium FontMonger:Abbey Fantazia Fonts Copyright (c)1993 by Lefty Medium Lefty and Sounds Fantazia Concepts ABBEY Abbey-Medium ALLTYPE:Abbey-Medium Converted from Another one from Regular:ATECH C:\TTFONTS\ABBEY.TF1 PUBLISHERS' by ALLTYPE PARADISE BBS (205)882-6886 HST ABBEY_ME Abbey-Medium ALLTYPE:Abbey-Medium Converted from Converted by ALLTYPE Regular:MIKE D:\FONTTEMP\ABBEY.TF 1 by ALLTYPE ABBEY_M1 Abbey-Medium Abbey-Medium Extended Fantazia Fonts Extended Regular: and Sounds ABBEY_M4 Abbey-Medium Abbey-Medium Wd Fantazia Fonts Wd Regular: and Sounds ACTIVA Activa ALLTYPE:Activa Converted from Converted by ALLTYPE Regular:MIKE D:\FONTTEMP\ACTIVA.TF 1 by ALLTYPE ACTIVA_E Activa Extended Activa Extended Regular Fantazia Fonts and Sounds ACTIVA_T Activa Th Activa Th Regular Fantazia Fonts and Sounds ACTIVA_W Activa Wd Activa Wd Regular: Fantazia Fonts and Sounds ACTIVAB Activa-Bold ALLTYPE:Activa-Bold Converted from Copyright 1991, Atech Regular:ATECH C:\TTFONTS\ACTIVAB.TF Software, Carlsbad CA 1 by ALLTYPE ACTIVABI Activa-BoldItal ALLTYPE:Activa-BoldItal Converted from Copyright 1991, Atech 2 Regular:ATECH C:\TTFONTS\ACTIVABI.T Software, Carlsbad CA F1 by ALLTYPE ACTIVAI Activa-Italic ALLTYPE:Activa-Italic Converted from Copyright 1991, Atech Regular:ATECH C:\TTFONTS\ACTIVAI.TF1 Software, Carlsbad CA by ALLTYPE ADINEKER Adine Regular Altsys Altsys AdineKirnberg-Script Metamorphosis:Adine Metamorphosis:4/10/92 1991 by D. Rakowski. All Regular Rights Reserved. ADKS006 AdineKirnberg Altsys Altsys AdineKirnberg-Script ÿÿ Regular Metamorphosis:AdineKirnb Metamorphosis:3/6/92 1991 by D. Rakowski. All erg Regular Rights Reserved. ADINEKIR AdineKirnberg- ALLTYPE:AdineKirnberg- Converted from AdineKirnberg-Script Script Script Regular:ATECH C:\EMSTT\ADKS____.TF1 1991 by D. Rakowski. All by ALLTYPE Rights Reserved. ADJUTANT Adjutant-Normal ALLTYPE:Adjutant-Normal Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\S T000042.TF1 by ALLTYPE ADLIB AdLib FontMonger:AdLib Freeware! from A. Carr Remember to vote! If you don't vote, you can't bitch! ADLIB_EX AdLib Ex AdLib Ex Regular: Fantazia Fonts Freeware! from A. Carr and Sounds Remember to vote! If you don't vote, you can't bitch! ADLIB_TH AdLib Th AdLib Th Regular: Fantazia Fonts Freeware! From A. Carr. and Sounds Remember to vote! If you don't vote, you can't bitch! ADLIB_WD AdLib Wd AdLib Wd Regular: Fantazia Fonts Freeware! From A. Carr. and Sounds Remember to vote! If you don't vote, you can't bitch! AEA Aero SWFTE:Aero Regular Rev. 002.001 Aero is a Copyright © 1986-1992 trademark of SWFTE International, Ltd. SWFTE All rights reserved International, Ltd. AERO_HO Aero Extended ALLTYPE:Aero Extended Converted from Converted by ALLTYPE Hollow Hollow Regular:MIKE D:\FINIS\AERO1202.HF1 by ALLTYPE AEROEXTE Aero Extended ALLTYPE:Aero Extended Converted from Converted by ALLTYPE Hollow Hollow Regular:MIKE D:\FINIS\AERO1202.HF1 by ALLTYPE AEROLEFT Aero Extended FontMonger:Aero Fantazia Fonts Copyright (c)1993 by Hollow Lefty Extended Hollow Lefty and Sounds Fantazia Concepts AFRICAN African African 032893 Software Another friendly font from Friends, Inc. © Allen R. Walden. 1993 UNPROTECTED. - Please distribute freely. AGATE_RE Agate ALLTYPE:Agate Converted from Converted by ALLTYPE Regular:MIKE C:\TEMP4\AGATE-NO.TF1 by ALLTYPE AGATE_R1 Agate Bold ALLTYPE:Agate Converted from Converted by ALLTYPE Bold:MIKE C:\TEMP4\AGATE- NO.BF1 by ALLTYPE AGATE_R3 Agate Bold Italic ALLTYPE:Agate Bold Converted from Converted by ALLTYPE Italic:MIKE C:\TEMP4\AGATE- NO.BF1 by ALLTYPE AGATE_R2 Agate Italic ALLTYPE:Agate Converted from Converted by ALLTYPE Italic:MIKE C:\TEMP4\AGATE-NO.TF1 by ALLTYPE 3 AGATE_BO Agate-Bold ALLTYPE:Agate-Bold Converted from Courtesy of Regular:ATECH C:\EMSTT\AGATE_B.TF1 PUBLISHERS' by ALLTYPE PARADISE BBS (205)882-6886 HST D/S AGATE1BO Agate-Bold ALLTYPE:Agate-Bold Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\A GATEB.TF1 by ALLTYPE AGATEB Agate-Bold ALLTYPE:Agate-Bold Converted from Courtesy of Regular:ATECH C:\TTFONTS\AGATEB.TF PUBLISHERS' 1 by ALLTYPE PARADISE BBS (205)882-6886 HST D/S AGA002 Agate-Normal ALLTYPE:Agate-Normal Converted from Converted by ALLTYPE Regular:MIKE F:\WINDOWS\TTFONTS\A GATE.TF1 by ALLTYPE AGATE Agate-Normal ALLTYPE:Agate-Normal Converted from Courtesy of Regular:ATECH C:\TTFONTS\AGATE.TF1 PUBLISHERS' by ALLTYPE PARADISE BBS (205)882-6886 HST D/S AGATE_NO Agate-Normal ALLTYPE:Agate-Normal Converted from Courtesy of Regular:ATECH C:\EMSTT\AGATE.TF1 by PUBLISHERS' ALLTYPE PARADISE BBS (205)882-6886 HST D/S AGATE_N1 Agate-Normal- ALLTYPE:Agate-Normal- Converted from Courtesy of Italic Italic Regular:ATECH C:\EMSTT\AGATE_I.TF1 PUBLISHERS' by ALLTYPE PARADISE BBS (205)882-6886 HST D/S AGATE1N1 Agate-Normal- ALLTYPE:Agate-Normal- Converted from Converted by ALLTYPE Italic Italic Regular:MIKE F:\WINDOWS\TTFONTS\A GATEI.TF1 by ALLTYPE AGATEI Agate-Normal- ALLTYPE:Agate-Normal- Converted from Courtesy of Italic Italic Regular:ATECH C:\TTFONTS\AGATEI.TF1 PUBLISHERS' by ALLTYPE PARADISE BBS (205)882-6886 HST D/S AT Agate-Normal- ALLTYPE:Agate-Normal- Converted from Converted by ALLTYPE Italic Italic Regular:MIKE F:\WINDOWS\TTFONTS\A GATEI.TF1 by ALLTYPE AKKA Akka FontMonger:Akka FREEWARE! ALBATROB Albatross Bold Altsys Fontographer 3.5 Altsys Fontographer 3.5 v1.3 ShareWare $10 Albatross Bold 3/31/92 PoBox 1828 Easton MD 21613 ALBATROI Albatross Italic Altsys Fontographer 3.5 Altsys Fontographer 3.5 v1.3 ShareWare $10 Albatross Italic 4/1/92 PoBox 1828 Easton MD 21613 ALBERTA Alberta FontMonger:Alberta FREEWARE! ALEXLEFT Alex Antiqua Book FontMonger:Alex Antiqua Fantazia Fonts Copyright (c)1993 by Lefty Book Lefty and Sounds Fantazia Concepts ALEXFRAC Alex Regular Altsys Metamorphosis:Alex Altsys Copyright 1991 - Carlos Regular Metamorphosis:4/4/92 Alexandre - All Rights Reserved.... ALEXANDR Alexandria ALLTYPE:Alexandria Converted from Alexandria 1.0 1990 by Regular:ATECH C:\TTFONTS\ALEXANDR. Hank Gillette. This font is TF1 by ALLTYPE free. ALEX_ANT Alex-Antiqua-Book
Recommended publications
  • The Sensualistic Philosophy of the Nineteenth Century
    THE SENSUALISTIC PHILOSOPHY THE NINETEENTH CENTURY, CONSIDERED ROBERT L. DABNEY, D.D., LL.D., PROFESSOR IN DIVINITY IN THE UNION THEOLOGICA\. SEMINARY, OF THE PRESBYTER1AH CHURCH OF THB SOUTH PRINCE EDWARD, VA. EDINBURGHl T. & T. CLARK, 38 GEORGE STREET. 1876. CONTENTS. CHAPTER. PAGE. I. THE ISSUE STATED, i II. REVIEW OF THE SENSUALISTIC PHILOSOPHY OF THE PREVIOUS CENTURY. HOBBES, LOCKE, CONDIL- LAC, HELVETIUS, ST. LAMBERT, ... 7 III. ANALYSIS OF THE HUMAN MIND, . .52 IV. SENSUALISTIC ETHICS OF GREAT BRITAIN, . 85 V. POSITIVISM, 93 VI. EVOLUTION THEORY, 107 VII. PHYSIOLOGICAL MATERIALISM, . -131 VIII. SPIRITUALITY OF THE MIND, .... 137 IX. EVOLUTION THEORY MATERIALISTIC, THEREFORE FALSE, 165 X. VALIDITY OF A-PRIORI NOTIONS, . 208 XI. ORIGIIJ OF A-PRIORI NOTIONS, . 245 XII. REFUTATION OF SENSUALISTIC ETHICS, . 287 XIII. PHILOSOPHY OF THE SUPERNATURAL, . 337 .13.15892 SENSUALISTIC PHILOSOPHY. CHAPTER I. THE ISSUE STATED. TT^NGLISHMEN and Americans frequently use the ^ word "sensualist" to describe one in whom the animal appetites are predominant. We shall see that it is a just charge against the Sensualistic philosophy, that it not seldom inclines its advocates to this dominion of beastly lusts. But it is not from this fact that we draw the phrase by which we name it. The Sensualistic philosophy is that theory, which resolves all the powers of the human spirit into the functions of the five senses, and modifications thereof. It is the philosophy which finds all its rudiments in sensation. It not only denies to the spirit of man all innate ideas, but all innate powers of originating ideas, save those given us from our senses.
    [Show full text]
  • Fonts in Focus No. 4 In
    Fonts in Focus No. 4 in The source of the originals 2 3 Neu The Satero® Type System. Page 6. Cosmiqua®. Page 5. Ergo™. Page 11. Slate™. Page 14. Frutiger® Serif. Page 13. Soho®. Page 15. ITC Intro™. Page 18. Hamada™: Ein Hauch von Tinte auf dem Papier ITC Handel Gothic. Page 18. ITC Mattia. Page 18. Ein Hauch von Tinte entspringt den Formen dieser Schrift, durchfl ießt Rundungen, Buch- staben und Linien! Dies kreiert ein bewegtes und erfrischendes Bild, speziell bei größeren Schriftgraden. Hamada hinterlässt einen kalligrafi sch anmutenden Eindruck, den man auch schon von der bekannten Linotype Zapfi no kennt. Die meisten Buchstaben verfügen über alternative Zeichen und die Schrift enthält auch einige Ligaturen und Zierbuchstaben. Hamada drückt ein Gefühl großer Eleganz und Raffi nesse aus. Durch ihre technische Perfektion, ihre ruhige, lockere und fl ießende Anmutung ist sie eine zeitgeistige Schrift. Sie eignet sich gut für den Einsatz als Displayschrift und speziell Rufen Sie uns an unter +49 (0) 6172 484 418 für den Bereich Verpackungsdesign. Auch für Grußkarten und Designarbeiten im Mode- oder Mailen Sie uns an [email protected] Kosmetikbereich ist sie bestens geeignet. oder besuchen Sie uns unter www.linotype.com :: Preis ab € 70,21 (inkl. MwSt.) : 1 Schnitt : Erhältlich als OT Com :: 4 5 Font Dienstleistungen Neu Linotype bietet eine Vielzahl an Dienstleistungen an, die speziell auf Kundenbedürfnisse zugeschnitten sind: • Flexible Font-Lizenzierungs-Modelle • Modifikationen oder individuelles Schriftdesign • Spracherweiterungen • Support für Nicht-Lateinische Schriften • Modernste Font-Technologie Ob für kleine oder große Unternehmen; Linotype bietet Ihnen ein Service-Portfolio, mit dem Ihre Kunden eine stimmige und einzigartige Marken- identität erlangen können.
    [Show full text]
  • Guardian Agate Sans Family Specimen
    Guardian Agate Sans Guardian Agate Sans looks awkward and strange at 18 point, as you can see here. That’s because this family was carefully designed to compensate for the worst imaginable printing conditions: 6 point and below on newsprint. The optical compensations required for maximum legibility under such difficult circumstances inevitably look strange at large sizes. PUBLISHED Stylistically and structurally, Guardian Agate Sans is very much a 2009 part of the Guardian Collection, but it differs in the specifics: A far DESIGNED BY PAUL BARNES & CHRISTIAN SCHWARTZ narrower overall proportion packs a lot of information into a very 40 STYLES small space. Short ascenders and descenders allow for tight, even 2 WEIGHTS W/ ITALICS IN 4 GRADES solid leading without any compromise in redability. Inktraps ensure PLUS 2 ADDITIONAL WEIGHTS W/ ITALICS ALL IN STANDARD AND DUPLEXED VERSIONS that the structures stand up well even at 4pt on newsprint, carving FEATURES out space where ink will fill in and extra clarity is needed. Some GRADED WEIGHTS letters do end up looking admittedly odd at large sizes, such as the DUPLEXED ITALICS DUPLEXED WEIGHTS dropped bars on the f and t, but these compensations ensure that TABULAR LINING FIGURES FRACTIONS the characters remain recognizable no matter what. SUPERSCRIPT/SUBSCRIPT Commercial commercialtype.com Guardian Agate Sans 2 of 15 Guardian Agate Sans Grade 1 Regular Guardian Agate Sans Grade 1 Regular Italic Guardian Agate Sans Grade 1 Bold Guardian Agate Sans Grade 1 Bold Italic Guardian Agate Sans Grade
    [Show full text]
  • Subchapter C—Federal Hazardous Substances Act Regulations
    SUBCHAPTER C—FEDERAL HAZARDOUS SUBSTANCES ACT REGULATIONS PART 1500—HAZARDOUS SUB- for use by children over 18 but not over 36 months of age. STANCES AND ARTICLES: ADMIN- 1500.53 Test methods for simulating use and ISTRATION AND ENFORCEMENT abuse of toys and other articles intended REGULATIONS for use by children over 36 but not over 96 months of age. Sec. 1500.81 Exemptions for food, drugs, cos- 1500.1 Scope of subchapter. metics, and fuels. 1500.2 Authority. 1500.82 Exemption from full labeling and 1500.3 Definitions. other requirements. 1500.4 Human experience with hazardous 1500.83 Exemptions for small packages, substances. minor hazards, and special cir- 1500.5 Hazardous mixtures. cumstances. 1500.12 Products declared to be hazardous 1500.85 Exemptions from classification as substances under section 3(a) of the act. banned hazardous substances. 1500.13 Listing of ‘‘strong sensitizer’’ sub- 1500.86 Exemptions from classification as a stances. banned toy or other banned article for 1500.14 Products requiring special labeling use by children. under section 3(b) of the act. 1500.87 Children’s products containing lead: 1500.15 Labeling of fire extinguishers. inaccessible component parts. 1500.17 Banned hazardous substances. 1500.88 Exemptions from lead limits under 1500.18 Banned toys and other banned arti- section 101 of the Consumer Product cles intended for use by children. Safety Improvement Act for certain elec- 1500.19 Misbranded toys and other articles tronic devices. intended for use by children. 1500.89 Procedures and requirements for de- 1500.20 Labeling requirement for advertising terminations regarding lead content of toys and games.
    [Show full text]
  • The Practice of Typography; a Treatise on the Processes of Type-Making
    W^UIBRARV.;. aMUBRA oCii LA- ^OFCAllFOff^ ^OFl. o ^^ ^ !!]? '^)i mm ^/yaiAINH, •''^A'jvas , \WtUNIVr >10SAN( 5- -c, CO -n «-j O u_ %ojiiv3jo^ %o\\mi^^ <rii33NYsoi^'^ '^•/mmi •UIFOMi^ i;niver5/a v^lOSANC o -n O •re: <rjl30NV ^10SANC[I^ ^iLlBRARY(2^ -^ILIBRA mo ?Hii!M ir.'v'.Aurci r,- , r TAii I nn. ^ H\ m\ym/A C3 Cc DN^SOl^"^ - r\rrA'iFn'?j.. f^ *- J 30 O II1V3W^ Mm<^ ''<imm{\\'^' f^. "^^ '^imhrn'm' INfl3WV THE PRACTICE OF TYPOGRAPHY THE PRACTICE OF TYPOGRAPHY A TEEATISE ON THE PEOCESSES OF TYPE-MAKING, THE POINT SYSTEM, THE NAMES, SIZES STYLES AND PEICES OF PLAIN PRINTING TYPES BY THEODORE LOW DE VINNE, AM. SECOND EDITION fi f^.ni'Ai-'^. NEW YORK THE CENTURY CO. 1902 Copyright, 1899, by Theodork Low DeVinne. The DeVinne Press. 1 9 OS. PREFACE THIS treatise is a summary of detached notes collected by the writer since 1860. A desire to make it complete and exact has prevented its earlier publication. As an aid to this result each chapter has been revised recently by experts in different branches of printing. In its present cor- rected form it is believed that it will be found of use to all who seek for information about types which cannot be compressed within the ordinary manual of printing, or be gleaned quickly from the specimen books of many type-founders. The scope of the book has to be limited to plain types. Re- marks concerning newspaper types, typographic decorations, and recent fashions in book-work, have to be postponed. The composition of title- pages may be the subject of another treatise.
    [Show full text]
  • Uma Tipografia Para Tamanhos Agate
    Hotel Agate Uma tipografia para tamanhos agate. Joel Vilas Boas Dissertação/Projeto para a obtenção do grau de Mestre em Design Gráfico e Projetos Editoriais. Orientador Professor Doutor Eduardo Aires Co-Orientador Mestre Dino dos Santos Porto · Julho de 2012 CÓLOFON Esta tese foi redigida em conformidade com o Acordo Ortográfico em vigor desde janeiro de 2009. Título Hotel Agate – Uma tipografia para tamanhos agate. Autor Joel Vilas Boas Design Joel Vilas Boas aka J85 · www.j85.pt Tipografia Lyon Collection – Kai Bernau, 2005-2010 (Commercial Type) Impressão Encadernada a quente com capa em papel acetinado 300gr e interior em papel couché 170gr. Data Porto · Julho de 2012 Type is a beautiful group of letters, not a group of beautiful letters. MATTHEW CARTER (1937-) Agradecimentos Ao Professor Doutor Eduardo Aires, por ter assumido a orientação desta investigação e pelo apoio inexcedível demonstrado desde o início do projeto. Ao Mestre Dino dos Santos, pela co-orientação deste projeto, sempre pautada pela sua dedicação em todos os momentos do trabalho; por me ter aconselhado e facul- tado bibliografia, documentação e outras fontes de pesquisa, imprescindíveis para a realização e enriquecimento do projeto, e ainda por todas as sugestões e críticas que permitiram o seu contínuo aperfeiçoamento. A Jean François Porchez, a Thomas Huot-Marchand e a Joana Correia da Silva, pela atenção dedicada e pelo material bibliográfico disponibilizado, que muito contribuíram para a realização deste projeto. A Pedro Leal e a Sónia da Rocha, pela amizade e por partilharmos o mesmo interesse por Tipografia… e não só! Aos meus pais, pela presença constante em todos os momentos, não só durante a reali- zação deste trabalho de investigação, como ao longo da minha vida.
    [Show full text]
  • EWSLETTE the Art, Skill and Teaching of Faceting
    + PromotingEWSLETTE the art, skill and teaching of faceting. + Expanding the knowledge of natural and man-made crystals. + Developing and promoting uniform rules for faceting competitions within the U.S.A. and among other countries. + Sponsoring or assisting in managed competitions. + Serving as a national repository and clearing-house for faceting designs, published materials and general informationfor faceters everywhere. Officersand Appointed Staff2000-2002 The opinions expressed in the newsletter are those of the editor. contributing members, or quoted authors, and do not necessarily represent the United States Faceters Guild or its President (Acting) Keith Wyman 360-757-4572 membership. The ne\vsletter is for the express purpose of sharing information with the 20200 Cook Rd. members and other faceting guilds, and has no intent to show preference to or cause damage Burlington, WA 98233 to any product, manufacturer or commercial company. [email protected] Vice President The USFG Ne\vsletter is a quarterly publication of the United States Faceters Guild. It is (open) delivered by bulk (North America) and First Class (Canada & overseas) mail to all paid members of the Guild at the end of March, June, September, and December. Membership Secretary dues are $18 per year (U.S.). $21 (Canada), and $23 (Overseas) and are payable to the Alan Beck 208-884-0468 USFG treasurer. 2173 Sunny Slope Rd. Meridian, ID 83642 Correspondence concerningthe content of the newsletter, exchange bulletins and ne\vslet­ [email protected] ters should be sent to the editor. § Treasurer MEMBERSHIP-CARD POLICY Don Dunn 937-426-5112 Membership cards will be sent as inclusions in the newsletter.
    [Show full text]
  • Core Collection Signature Surfaces, Made Easy
    Porcelain tiles suitable for floors and walls Core Collection Signature surfaces, made easy Solids Terra Quartz Shapes Signature surfaces, made easy Terra 222V, 262V, quarter circle F 29 x 29 cm, circle link E 49 x 26 cm Cover: collage of Solids 5106V, Terra 264V, Terra 239V, semi circle D 59 x 29 cm, Quartz 4101V triangle B 59 x 30 cm / 4107RQ Intuitive surface design Core Collection verbindt de drie geliefde series Die Core Collection verknüpft die drei beliebten Solids, Terra en Quartz, mede door het toevoegen Serien Solids, Terra und Quartz unter anderem van nieuwe kleuren die het mixen van series durch Hinzufügung neuer Farben, die es erlauben, esthetisch beter mogelijk maken. Nu kunnen Serien ästhetisch ansprechender zu kombinieren. architecten en ontwerpers de kleuren en texturen Ab sofort können Architekten und Designer die van de (ongeglazuurde) keramische tegels naar Farben und Texturen der (unglasierten) hartenlust combineren. Keramikfliesen nach Herzenslust kombinieren. Door de feilloze afstemming van lichte, donkere, Dank der feinen Abstimmung heller, dunkler, warme en koele kleurtonen op gelaagde, warmer und kühler Farben mit mehrschichtigen, poederachtige en robuuste texturen biedt Mosa pulverartigen und robusten Texturen bietet Mosa talloze ontwerpmogelijkheden in één oogopslag. zahllose Designoptionen auf einen Blick. Met het grootste gemak kunnen architecten en Architekten und Designer können ganz einfach ontwerpers de juiste tegels voor hun project die richtigen Fliesen für Ihr Projekt auswählen. kiezen. Het creëren van kenmerkende Es ist einfacher als je zuvor, charakteristische oppervlakken wordt eenvoudiger dan ooit. Oberflächen zu gestalten. Die Kollektion De collectie omvat 39 kleuren, drie verschillende umfasst 39 Farben, drei verschiedene Texturen, texturen, diverse traditionele formaten en zeven verschiedene klassische Formate und sieben innovatieve vormen in patronen die volledig naar innovative Formen in Patterns, die ganz nach wens kunnen worden aangepast.
    [Show full text]
  • Fonts & Encodings
    Fonts & Encodings Yannis Haralambous To cite this version: Yannis Haralambous. Fonts & Encodings. O’Reilly, 2007, 978-0-596-10242-5. hal-02112942 HAL Id: hal-02112942 https://hal.archives-ouvertes.fr/hal-02112942 Submitted on 27 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ,title.25934 Page iii Friday, September 7, 2007 10:44 AM Fonts & Encodings Yannis Haralambous Translated by P. Scott Horne Beijing • Cambridge • Farnham • Köln • Paris • Sebastopol • Taipei • Tokyo ,copyright.24847 Page iv Friday, September 7, 2007 10:32 AM Fonts & Encodings by Yannis Haralambous Copyright © 2007 O’Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safari.oreilly.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Printing History: September 2007: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. Fonts & Encodings, the image of an axis deer, and related trade dress are trademarks of O’Reilly Media, Inc.
    [Show full text]
  • Journal of Discourses
    JOURNAL OF DISCOURSES. IDEAS HELD BY THE LATTER-DAY SAINTS WINNING THEIR WAY—TERRITORIAL PROSPERITY—"MORMONISM" NOT FAVORED OF THE GOVERNMENT—LATTER-DAY SAINTS TO SAVE THE GOVERNMENT—GOOD COUNSEL ON MANY POINTS. DISCOURSE BY ELDER GEORGE Q. CANNON, DELIVERED AT THE ANNUAL CONFERENCE, SALT LAKE CITY,SUNDAY MORNING APRIL 7, 1878. REPORTED BY GEO. F. GIBBS. It is somewhat unexpected to myself and will be poured out upon us. It is a that I have the opportunity, this morn- great relief to one who has been absent ing, of appearing in your midst. Impor- for any length of time, mingling with the tant business demanded my return to world, to have the opportunity of asso- this city for a short time; but in conse- ciating with you, my brethren and sis- quence of certain responsibilities devolv- ters; at least I esteem it as such. I never ing upon me at Washington, it seemed turn my face homewards without experi- imprudent for me to leave and come encing joy and gladness at the thought of here. A week ago last Friday morning once more being reunited with you. I scarcely thought it possible that I could get away; but during the day I was fa- I never in my life have had a deeper vored in making such arrangements that interest in the welfare, in the pros- I felt I could leave with safety, for a few perity and in the advancement of the days at least. And I immediately started cause with which we are identified, than for this city by way of Philadelphia.
    [Show full text]
  • Antique Olive Compact Free
    Antique olive compact free Download antique olive compact font for Windows and Mac OS at - largest collection containing more then TrueType. Download free Antique Olive Compact font, Antique Olive Compact Linotype-Hell AG Antique Olive Compact. Antique Olive Compact truetype font page. Coolest truetype fonts. Best free fonts download. Download the Antique Olive Compact free font. Detailed information on the Antique Olive Compact font (license, glyphs, specimens, etc.), free download. Download Antique Olive Compact, font family Antique Olive Compact by with Regular weight and style, download file name is Download Antique Olive Compact Regular For Free, View Sample Text, Rating And More On Download Antique Olive Compact For Free, View Sample Text, Rating And More On Download Antique Olive T Compact Regular For Free, View Sample Text, Rating And More On Buy Antique Olive Compact desktop font from Linotype on Antique Olive™ Std Compact. Designer: Roger Join for Free Web Fonts; View Family. Download antique olive compact regular font with regular style. Download free fonts for Mac, Windows and Linux. All fonts are in TrueType. Font Antique Olive Compact font download free at , the largest collection of cool fonts for Windows 7 and Mac OS in ). Download the Antique Olive Compact Font for free. Fast Downloads. No need to register, just download & install. Download antique olive compact font with compact style. Download free fonts for Mac, Windows and Linux. All fonts are in TrueType format. Complete your composition with one of our best shots from among millions of royalty-free photos, videos, illustrations, and graphics from Adobe Stock. A sans serif typeface with 11 styles, available from Adobe Typekit for sync and web use.
    [Show full text]
  • PCL 5 Comparison Guide
    PCL 5 Comparison Guide for the HP LaserJet III HP LaserJet IIID HP LaserJet IIISi HP LaserJet IIIP HP LaserJet 4 Family HP LaserJet 4000 series HP Color LaserJet HP Color LaserJet 5/5M HP LaserJet 5 Family HP LaserJet 6 Family HP DeskJet 1200C HP DeskJet 1600C Printers Edition 1 E1097 HP Part No. 5021-0378 Printed in U.S.A. 10/97 All Rights Reserved. This document contains proprietary information which is protected by copyright. No part of this document may be photocopied, reproduced, or translated to another language without the prior written consent of Hewlett-Packard Company. Warranty The information contained in this document is subject to change without notice. Hewlett-Packard makes no warranty of any kind with regard to this material, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Hewlett-Packard shall not be liable for errors contained herein or for incidental consequential damages in connection with the furnishing, performance, or use of this material. © Copyright 1997 Hewlett-Packard Company ii Printing This manual was created using text formatting software on Information a personal computer. The camera-ready copy was printed direct to film and reproduced using standard offset printing. Trademark Credits Intellifont is a U.S. registered trademark of Agfa Division, Miles Incorporated. CG Times is a product of Agfa Corporation, AGFA Compugraphic Division. LaserJet, PCL, DeskJet, Vectra, and Resolution Enhancement are U.S. registered trademarks of Hewlett-Packard Company. IBM is a registered trademark of International Business Machines Corporation. Wingdings, MS-Mincho, and MS-Gothic are trademarks, and Microsoft, Windows, and MS-DOS are U.S.
    [Show full text]