The Sensualistic Philosophy of the Nineteenth Century
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WAS SUMAROKOV a LOCKEAN SENSUALIST? on Locke's Reception in Eighteenth-Century Russia
Part One. Sumarokov and the Literary Process of His Time 8 WAS SUMAROKOV A LOCKEAN SENSUALIST? On Locke’s Reception in Eighteenth-Century Russia Despite the fact that Locke occupied a central place in European En- lightenment thought, his works were little known in Russia. Locke is often listed among those important seventeenth-century figures including Ba- con, Spinoza, Gassendi, and Hobbes, whose ideas formed the intellectual background for the Petrine reforms; Prokopovich, Kantemir, Tatishchev and perhaps Peter himself were acquainted with Locke’s ideas, but for most Russians in the eighteenth century Locke was little more than an illustrious name. Locke’s one book that did have a palpable impact was his Some Thoughts Concerning Education, translated by Nikolai Popovskii from a French version, published in 1759 and reprinted in 1788.1 His draft of a textbook on natural science was also translated, in 1774.2 Yet though Locke as pedagogue was popular, his reception in Russia, as Marc Raeff has noted, was overshadowed by the then current “infatuation with Rousseau’s pedagogical ideas.”3 To- ward the end of the century some of Locke’s philosophical ideas also held an attraction for Russian Sentimentalists, with their new interest in subjective 1 The edition of 1760 was merely the 1759 printing with a new title page (a so- called “titul’noe izdanie”). See the Svodnyi katalog russkli knigi grazhdanskoi pechati, 5 vols. (Мoscow: Gos. biblioteka SSSR imeni V. I. Lenina, 1962–674), II, 161–2, no. 3720. 2 Elements of Natural Philosophy, translated from the French as Pervonachal’nyia osno va niia fiziki (Svodnyi katalog, II, 62, no. -
Hegel and Aristotle
This page intentionally left blank HEGEL AND ARISTOTLE Hegel is, arguably, the most difficult of all philosophers. To find a way through his thought, interpreters have usually approached him as though he were developing Kantian and Fichtean themes. This book is the first to demonstrate in a systematic way that it makes much more sense to view Hegel’s idealism in relation to the metaphysical and epis- temological tradition stemming from Aristotle. This book offers an account of Hegel’s idealism and in particular his notions of reason, subjectivity, and teleology, in light of Hegel’s inter- pretation, discussion, assimilation, and critique of Aristotle’s philoso- phy. It is the first systematic analysis comparing Hegelian and Aris- totelian views of system and history; being, metaphysics, logic, and truth; nature and subjectivity; spirit, knowledge, and self-knowledge; ethics and politics. In addition, Hegel’s conception of Aristotle’s phi- losophy is contrasted with alternative conceptions typical of his time and ours. No serious student of Hegel can afford to ignore this major new in- terpretation. Moreover, because it investigates with enormous erudi- tion the relation between two giants of the Western philosophical tra- dition, this book will speak to a wider community of readers in such fields as history of philosophy and history of Aristotelianism, meta- physics and logic, philosophy of nature, psychology, ethics, and politi- cal science. Alfredo Ferrarin is Assistant Professor of Philosophy at Boston University. MODERN EUROPEAN PHILOSOPHY General Editor Robert B. Pippin, University of Chicago Advisory Board Gary Gutting, University of Notre Dame Rolf-Peter Horstmann, Humboldt University, Berlin Mark Sacks, University of Essex This series contains a range of high-quality books on philosophers, top- ics, and schools of thought prominent in the Kantian and post-Kantian European tradition. -
Peirce, Pragmatism, and the Right Way of Thinking
SANDIA REPORT SAND2011-5583 Unlimited Release Printed August 2011 Peirce, Pragmatism, and The Right Way of Thinking Philip L. Campbell Prepared by Sandia National Laboratories Albuquerque, New Mexico 87185 and Livermore, California 94550 Sandia National Laboratories is a multi-program laboratory managed and operated by Sandia Corporation, a wholly owned subsidiary of Lockheed Martin Corporation, for the U.S. Department of Energy’s National Nuclear Security Administration under Contract DE-AC04-94AL85000.. Approved for public release; further dissemination unlimited. Issued by Sandia National Laboratories, operated for the United States Department of Energy by Sandia Corporation. NOTICE: This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government, nor any agency thereof, nor any of their employees, nor any of their contractors, subcontractors, or their employees, make any warranty, express or implied, or assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represent that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise, does not necessarily con- stitute or imply its endorsement, recommendation, or favoring by the United States Government, any agency thereof, or any of their contractors or subcontractors. The views and opinions expressed herein do not necessarily state or reflect those of the United States Government, any agency thereof, or any of their contractors. Printed in the United States of America. This report has been reproduced directly from the best available copy. -
Unity of Mind, Temporal Awareness, and Personal Identity
UNIVERSITY OF CALIFORNIA, IRVINE THE LEGACY OF HUMEANISM: UNITY OF MIND, TEMPORAL AWARENESS, AND PERSONAL IDENTITY DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Philosophy by Daniel R. Siakel Dissertation Committee: Professor David Woodruff Smith, Chair Professor Sven Bernecker Associate Professor Marcello Oreste Fiocco Associate Professor Clinton Tolley 2016 © 2016 Daniel R. Siakel DEDICATION To My mother, Anna My father, Jim Life’s original, enduring constellation. And My “doctor father,” David Who sees. “We think that we can prove ourselves to ourselves. The truth is that we cannot say that we are one entity, one existence. Our individuality is really a heap or pile of experiences. We are made out of experiences of achievement, disappointment, hope, fear, and millions and billions and trillions of other things. All these little fragments put together are what we call our self and our life. Our pride of self-existence or sense of being is by no means one entity. It is a heap, a pile of stuff. It has some similarities to a pile of garbage.” “It’s not that everything is one. Everything is zero.” Chögyam Trungpa Rinpoche “Galaxies of Stars, Grains of Sand” “Rhinoceros and Parrot” ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION xii INTRODUCTION 1 CHAPTER I: Hume’s Appendix Problem and Associative Connections in the Treatise and Enquiry §1. General Introduction to Hume’s Science of Human Nature 6 §2. Introducing Hume’s Appendix Problem 8 §3. Contextualizing Hume’s Appendix Problem 15 §4. -
Interactive Technologies for the Public Sphere Pamela Lynnette Jennings
Interactive Technologies for the Public Sphere Toward a Theory of Critical Creative Technology by Pamela Lynnette Jennings A thesis submitted to the University of Plymouth in partial fulfillment for the degree of Doctor of Philosophy Center for Advanced Inquiry in the Integrative Arts (CAiiA) School of Computing - · Faculty of Technology .: · ·· · March 2006 Pamela Lynnette Jennings Interactive Technologies for the Public Sphere Toward a Theory of Critical Creative Technology Executive Summary Digital media cultural practices continue to address the social, cultural and aesthetic contexts of the global information economy, perhaps better called ecology, by inventing new methods and genres that encourage interactive engagement, collaboration, exploration and learning. The theoretical framework for creative critical technology evolved from the confluence of the arts, human computer interaction, and critical theories of technology. Molding this nascent theoretical framework from these seemingly disparate disciplines was a reflexive process where .the influence of each component on each other spiraled into the theory and practice as illustrated through the Constmcted Narratives project. Research that evolves from an arts perspective encourages experimental processes of making as a method for defining research principles. The traditional reductionist approach to research requires that all confounding variables are eliminated or silenced using methods of statistics. However, that noise in the data, those confounding variables provide the rich context, media, and processes by which creative practices thrive. As research in the arts gains recognition for its contributions of new knowledge, the traditional reductive practice in search of general principles will be respectfully joined by methodologies for defining living principles that celebrate and build from the confounding variables, the data noise. -
Nietzsche's Positivism
Nietzsche’s Positivism Nadeem J. Z. Hussain 1. Introduction One strong strain in contemporary Anglo-American secondary literature on Nietzsche would like to take his favourable comments about science, scientific methodology, the results of particular sciences, the role of scientists, and the senses as grounds for interpreting him as similar in many ways to contemporary naturalists.1 According to such a reading, Nietzsche has a basically empiricist epistemology and has ontological commitments that are more or less straight- forwardly read off of whatever he takes to be the best empirically supported account of the world. This interpretation is taken to gain support from the strong presence of materialism in Nietzsche’s historical context. However, this view does run into some problems. Nietzsche often suggests that the theories of scientists do not straightforwardly report how the world is. Thus he says: It is perhaps just dawning on five or six minds that physics, too, is only an interpretation and exegesis of the world (to suit us, if I may say so!) and not a world-explanation; but insofar as it is based on belief in the senses, it is regarded as more, and for a long time to come must be regarded as more—namely, as an explanation. (BGE 14)2 Or consider the following passage: One should not wrongly reify ‘cause’ and ‘effect’, as the natural scientists do (and whoever, like them, now ‘naturalizes’ in his thinking), according to the prevailing mechanical doltishness which makes the cause press and push until it ‘effects’ its end; one should use ‘cause’ and ‘effect’ only as pure concepts, that is to say, as conventional fictions for the purpose of designation and communication—not for explanation. -
Guardian Agate Sans Family Specimen
Guardian Agate Sans Guardian Agate Sans looks awkward and strange at 18 point, as you can see here. That’s because this family was carefully designed to compensate for the worst imaginable printing conditions: 6 point and below on newsprint. The optical compensations required for maximum legibility under such difficult circumstances inevitably look strange at large sizes. PUBLISHED Stylistically and structurally, Guardian Agate Sans is very much a 2009 part of the Guardian Collection, but it differs in the specifics: A far DESIGNED BY PAUL BARNES & CHRISTIAN SCHWARTZ narrower overall proportion packs a lot of information into a very 40 STYLES small space. Short ascenders and descenders allow for tight, even 2 WEIGHTS W/ ITALICS IN 4 GRADES solid leading without any compromise in redability. Inktraps ensure PLUS 2 ADDITIONAL WEIGHTS W/ ITALICS ALL IN STANDARD AND DUPLEXED VERSIONS that the structures stand up well even at 4pt on newsprint, carving FEATURES out space where ink will fill in and extra clarity is needed. Some GRADED WEIGHTS letters do end up looking admittedly odd at large sizes, such as the DUPLEXED ITALICS DUPLEXED WEIGHTS dropped bars on the f and t, but these compensations ensure that TABULAR LINING FIGURES FRACTIONS the characters remain recognizable no matter what. SUPERSCRIPT/SUBSCRIPT Commercial commercialtype.com Guardian Agate Sans 2 of 15 Guardian Agate Sans Grade 1 Regular Guardian Agate Sans Grade 1 Regular Italic Guardian Agate Sans Grade 1 Bold Guardian Agate Sans Grade 1 Bold Italic Guardian Agate Sans Grade -
Subchapter C—Federal Hazardous Substances Act Regulations
SUBCHAPTER C—FEDERAL HAZARDOUS SUBSTANCES ACT REGULATIONS PART 1500—HAZARDOUS SUB- for use by children over 18 but not over 36 months of age. STANCES AND ARTICLES: ADMIN- 1500.53 Test methods for simulating use and ISTRATION AND ENFORCEMENT abuse of toys and other articles intended REGULATIONS for use by children over 36 but not over 96 months of age. Sec. 1500.81 Exemptions for food, drugs, cos- 1500.1 Scope of subchapter. metics, and fuels. 1500.2 Authority. 1500.82 Exemption from full labeling and 1500.3 Definitions. other requirements. 1500.4 Human experience with hazardous 1500.83 Exemptions for small packages, substances. minor hazards, and special cir- 1500.5 Hazardous mixtures. cumstances. 1500.12 Products declared to be hazardous 1500.85 Exemptions from classification as substances under section 3(a) of the act. banned hazardous substances. 1500.13 Listing of ‘‘strong sensitizer’’ sub- 1500.86 Exemptions from classification as a stances. banned toy or other banned article for 1500.14 Products requiring special labeling use by children. under section 3(b) of the act. 1500.87 Children’s products containing lead: 1500.15 Labeling of fire extinguishers. inaccessible component parts. 1500.17 Banned hazardous substances. 1500.88 Exemptions from lead limits under 1500.18 Banned toys and other banned arti- section 101 of the Consumer Product cles intended for use by children. Safety Improvement Act for certain elec- 1500.19 Misbranded toys and other articles tronic devices. intended for use by children. 1500.89 Procedures and requirements for de- 1500.20 Labeling requirement for advertising terminations regarding lead content of toys and games. -
The Practice of Typography; a Treatise on the Processes of Type-Making
W^UIBRARV.;. aMUBRA oCii LA- ^OFCAllFOff^ ^OFl. o ^^ ^ !!]? '^)i mm ^/yaiAINH, •''^A'jvas , \WtUNIVr >10SAN( 5- -c, CO -n «-j O u_ %ojiiv3jo^ %o\\mi^^ <rii33NYsoi^'^ '^•/mmi •UIFOMi^ i;niver5/a v^lOSANC o -n O •re: <rjl30NV ^10SANC[I^ ^iLlBRARY(2^ -^ILIBRA mo ?Hii!M ir.'v'.Aurci r,- , r TAii I nn. ^ H\ m\ym/A C3 Cc DN^SOl^"^ - r\rrA'iFn'?j.. f^ *- J 30 O II1V3W^ Mm<^ ''<imm{\\'^' f^. "^^ '^imhrn'm' INfl3WV THE PRACTICE OF TYPOGRAPHY THE PRACTICE OF TYPOGRAPHY A TEEATISE ON THE PEOCESSES OF TYPE-MAKING, THE POINT SYSTEM, THE NAMES, SIZES STYLES AND PEICES OF PLAIN PRINTING TYPES BY THEODORE LOW DE VINNE, AM. SECOND EDITION fi f^.ni'Ai-'^. NEW YORK THE CENTURY CO. 1902 Copyright, 1899, by Theodork Low DeVinne. The DeVinne Press. 1 9 OS. PREFACE THIS treatise is a summary of detached notes collected by the writer since 1860. A desire to make it complete and exact has prevented its earlier publication. As an aid to this result each chapter has been revised recently by experts in different branches of printing. In its present cor- rected form it is believed that it will be found of use to all who seek for information about types which cannot be compressed within the ordinary manual of printing, or be gleaned quickly from the specimen books of many type-founders. The scope of the book has to be limited to plain types. Re- marks concerning newspaper types, typographic decorations, and recent fashions in book-work, have to be postponed. The composition of title- pages may be the subject of another treatise. -
Philosophy and German Literature –
PHILOSOPHY AND GERMAN LITERATURE – EDITED BY NICHOLAS SAUL University of Liverpool PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CBRU,UK West th Street, New York, NY -, USA Williamstown Road, Port Melbourne, VIC , Australia Ruiz de Alarc´on , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C Cambridge University Press This book is in copyright. Subject to statutory exception and to the provisions ofrelevant collective licensing agreements, no reproduction ofany part may take place without the written permission ofCambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville Monotype /. pt. System LATEX ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Philosophy and German literature – / edited by Nicholas Saul. p. cm. – (Cambridge studies in German) Includes bibliographical references and index. ISBN --- . German literature – History and criticism. Literature and philosophy. Philosophy, German. I. Saul, Nicholas. II. Series. PT .M . –dc ISBN hardback Contents Contributors page viii Acknowledgements x List of abbreviations xi Introduction: German literature and philosophy Nicholas Saul Criticism and experience: philosophy and literature in the German Enlightenment John A.McCarthy The pursuit ofthe subject: literature as critic and perfecter ofphilosophy – Nicholas Saul Two realisms: German literature and philosophy – John Walker Modernism and the self – Ritchie Robertson The subjects ofcommunity: aspiration, memory,resistance – Russell A.Berman Coming to terms with the past in postwar literature and philosophy Robert C.Holub Bibliography Index vii CHAPTER ONE Criticism and experience: philosophy and literature in the German Enlightenment John A. -
Twentieth-Century French Philosophy Twentieth-Century French Philosophy
Twentieth-Century French Philosophy Twentieth-Century French Philosophy Key Themes and Thinkers Alan D. Schrift ß 2006 by Alan D. Schrift blackwell publishing 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Alan D. Schrift to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2006 by Blackwell Publishing Ltd 1 2006 Library of Congress Cataloging-in-Publication Data Schrift, Alan D., 1955– Twentieth-Century French philosophy: key themes and thinkers / Alan D. Schrift. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-4051-3217-6 (hardcover: alk. paper) ISBN-10: 1-4051-3217-5 (hardcover: alk. paper) ISBN-13: 978-1-4051-3218-3 (pbk.: alk. paper) ISBN-10: 1-4051-3218-3 (pbk.: alk. paper) 1. Philosophy, French–20th century. I. Title. B2421.S365 2005 194–dc22 2005004141 A catalogue record for this title is available from the British Library. Set in 11/13pt Ehrhardt by SPI Publisher Services, Pondicherry, India Printed and bound in India by Gopsons Papers Ltd The publisher’s policy is to use permanent paper from mills that operate a sustainable forestry policy, and which has been manufactured from pulp processed using acid-free and elementary chlorine-free practices. -
Uma Tipografia Para Tamanhos Agate
Hotel Agate Uma tipografia para tamanhos agate. Joel Vilas Boas Dissertação/Projeto para a obtenção do grau de Mestre em Design Gráfico e Projetos Editoriais. Orientador Professor Doutor Eduardo Aires Co-Orientador Mestre Dino dos Santos Porto · Julho de 2012 CÓLOFON Esta tese foi redigida em conformidade com o Acordo Ortográfico em vigor desde janeiro de 2009. Título Hotel Agate – Uma tipografia para tamanhos agate. Autor Joel Vilas Boas Design Joel Vilas Boas aka J85 · www.j85.pt Tipografia Lyon Collection – Kai Bernau, 2005-2010 (Commercial Type) Impressão Encadernada a quente com capa em papel acetinado 300gr e interior em papel couché 170gr. Data Porto · Julho de 2012 Type is a beautiful group of letters, not a group of beautiful letters. MATTHEW CARTER (1937-) Agradecimentos Ao Professor Doutor Eduardo Aires, por ter assumido a orientação desta investigação e pelo apoio inexcedível demonstrado desde o início do projeto. Ao Mestre Dino dos Santos, pela co-orientação deste projeto, sempre pautada pela sua dedicação em todos os momentos do trabalho; por me ter aconselhado e facul- tado bibliografia, documentação e outras fontes de pesquisa, imprescindíveis para a realização e enriquecimento do projeto, e ainda por todas as sugestões e críticas que permitiram o seu contínuo aperfeiçoamento. A Jean François Porchez, a Thomas Huot-Marchand e a Joana Correia da Silva, pela atenção dedicada e pelo material bibliográfico disponibilizado, que muito contribuíram para a realização deste projeto. A Pedro Leal e a Sónia da Rocha, pela amizade e por partilharmos o mesmo interesse por Tipografia… e não só! Aos meus pais, pela presença constante em todos os momentos, não só durante a reali- zação deste trabalho de investigação, como ao longo da minha vida.