Journal of Discourses
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Sensualistic Philosophy of the Nineteenth Century
THE SENSUALISTIC PHILOSOPHY THE NINETEENTH CENTURY, CONSIDERED ROBERT L. DABNEY, D.D., LL.D., PROFESSOR IN DIVINITY IN THE UNION THEOLOGICA\. SEMINARY, OF THE PRESBYTER1AH CHURCH OF THB SOUTH PRINCE EDWARD, VA. EDINBURGHl T. & T. CLARK, 38 GEORGE STREET. 1876. CONTENTS. CHAPTER. PAGE. I. THE ISSUE STATED, i II. REVIEW OF THE SENSUALISTIC PHILOSOPHY OF THE PREVIOUS CENTURY. HOBBES, LOCKE, CONDIL- LAC, HELVETIUS, ST. LAMBERT, ... 7 III. ANALYSIS OF THE HUMAN MIND, . .52 IV. SENSUALISTIC ETHICS OF GREAT BRITAIN, . 85 V. POSITIVISM, 93 VI. EVOLUTION THEORY, 107 VII. PHYSIOLOGICAL MATERIALISM, . -131 VIII. SPIRITUALITY OF THE MIND, .... 137 IX. EVOLUTION THEORY MATERIALISTIC, THEREFORE FALSE, 165 X. VALIDITY OF A-PRIORI NOTIONS, . 208 XI. ORIGIIJ OF A-PRIORI NOTIONS, . 245 XII. REFUTATION OF SENSUALISTIC ETHICS, . 287 XIII. PHILOSOPHY OF THE SUPERNATURAL, . 337 .13.15892 SENSUALISTIC PHILOSOPHY. CHAPTER I. THE ISSUE STATED. TT^NGLISHMEN and Americans frequently use the ^ word "sensualist" to describe one in whom the animal appetites are predominant. We shall see that it is a just charge against the Sensualistic philosophy, that it not seldom inclines its advocates to this dominion of beastly lusts. But it is not from this fact that we draw the phrase by which we name it. The Sensualistic philosophy is that theory, which resolves all the powers of the human spirit into the functions of the five senses, and modifications thereof. It is the philosophy which finds all its rudiments in sensation. It not only denies to the spirit of man all innate ideas, but all innate powers of originating ideas, save those given us from our senses. -
Guardian Agate Sans Family Specimen
Guardian Agate Sans Guardian Agate Sans looks awkward and strange at 18 point, as you can see here. That’s because this family was carefully designed to compensate for the worst imaginable printing conditions: 6 point and below on newsprint. The optical compensations required for maximum legibility under such difficult circumstances inevitably look strange at large sizes. PUBLISHED Stylistically and structurally, Guardian Agate Sans is very much a 2009 part of the Guardian Collection, but it differs in the specifics: A far DESIGNED BY PAUL BARNES & CHRISTIAN SCHWARTZ narrower overall proportion packs a lot of information into a very 40 STYLES small space. Short ascenders and descenders allow for tight, even 2 WEIGHTS W/ ITALICS IN 4 GRADES solid leading without any compromise in redability. Inktraps ensure PLUS 2 ADDITIONAL WEIGHTS W/ ITALICS ALL IN STANDARD AND DUPLEXED VERSIONS that the structures stand up well even at 4pt on newsprint, carving FEATURES out space where ink will fill in and extra clarity is needed. Some GRADED WEIGHTS letters do end up looking admittedly odd at large sizes, such as the DUPLEXED ITALICS DUPLEXED WEIGHTS dropped bars on the f and t, but these compensations ensure that TABULAR LINING FIGURES FRACTIONS the characters remain recognizable no matter what. SUPERSCRIPT/SUBSCRIPT Commercial commercialtype.com Guardian Agate Sans 2 of 15 Guardian Agate Sans Grade 1 Regular Guardian Agate Sans Grade 1 Regular Italic Guardian Agate Sans Grade 1 Bold Guardian Agate Sans Grade 1 Bold Italic Guardian Agate Sans Grade -
Subchapter C—Federal Hazardous Substances Act Regulations
SUBCHAPTER C—FEDERAL HAZARDOUS SUBSTANCES ACT REGULATIONS PART 1500—HAZARDOUS SUB- for use by children over 18 but not over 36 months of age. STANCES AND ARTICLES: ADMIN- 1500.53 Test methods for simulating use and ISTRATION AND ENFORCEMENT abuse of toys and other articles intended REGULATIONS for use by children over 36 but not over 96 months of age. Sec. 1500.81 Exemptions for food, drugs, cos- 1500.1 Scope of subchapter. metics, and fuels. 1500.2 Authority. 1500.82 Exemption from full labeling and 1500.3 Definitions. other requirements. 1500.4 Human experience with hazardous 1500.83 Exemptions for small packages, substances. minor hazards, and special cir- 1500.5 Hazardous mixtures. cumstances. 1500.12 Products declared to be hazardous 1500.85 Exemptions from classification as substances under section 3(a) of the act. banned hazardous substances. 1500.13 Listing of ‘‘strong sensitizer’’ sub- 1500.86 Exemptions from classification as a stances. banned toy or other banned article for 1500.14 Products requiring special labeling use by children. under section 3(b) of the act. 1500.87 Children’s products containing lead: 1500.15 Labeling of fire extinguishers. inaccessible component parts. 1500.17 Banned hazardous substances. 1500.88 Exemptions from lead limits under 1500.18 Banned toys and other banned arti- section 101 of the Consumer Product cles intended for use by children. Safety Improvement Act for certain elec- 1500.19 Misbranded toys and other articles tronic devices. intended for use by children. 1500.89 Procedures and requirements for de- 1500.20 Labeling requirement for advertising terminations regarding lead content of toys and games. -
The Practice of Typography; a Treatise on the Processes of Type-Making
W^UIBRARV.;. aMUBRA oCii LA- ^OFCAllFOff^ ^OFl. o ^^ ^ !!]? '^)i mm ^/yaiAINH, •''^A'jvas , \WtUNIVr >10SAN( 5- -c, CO -n «-j O u_ %ojiiv3jo^ %o\\mi^^ <rii33NYsoi^'^ '^•/mmi •UIFOMi^ i;niver5/a v^lOSANC o -n O •re: <rjl30NV ^10SANC[I^ ^iLlBRARY(2^ -^ILIBRA mo ?Hii!M ir.'v'.Aurci r,- , r TAii I nn. ^ H\ m\ym/A C3 Cc DN^SOl^"^ - r\rrA'iFn'?j.. f^ *- J 30 O II1V3W^ Mm<^ ''<imm{\\'^' f^. "^^ '^imhrn'm' INfl3WV THE PRACTICE OF TYPOGRAPHY THE PRACTICE OF TYPOGRAPHY A TEEATISE ON THE PEOCESSES OF TYPE-MAKING, THE POINT SYSTEM, THE NAMES, SIZES STYLES AND PEICES OF PLAIN PRINTING TYPES BY THEODORE LOW DE VINNE, AM. SECOND EDITION fi f^.ni'Ai-'^. NEW YORK THE CENTURY CO. 1902 Copyright, 1899, by Theodork Low DeVinne. The DeVinne Press. 1 9 OS. PREFACE THIS treatise is a summary of detached notes collected by the writer since 1860. A desire to make it complete and exact has prevented its earlier publication. As an aid to this result each chapter has been revised recently by experts in different branches of printing. In its present cor- rected form it is believed that it will be found of use to all who seek for information about types which cannot be compressed within the ordinary manual of printing, or be gleaned quickly from the specimen books of many type-founders. The scope of the book has to be limited to plain types. Re- marks concerning newspaper types, typographic decorations, and recent fashions in book-work, have to be postponed. The composition of title- pages may be the subject of another treatise. -
Uma Tipografia Para Tamanhos Agate
Hotel Agate Uma tipografia para tamanhos agate. Joel Vilas Boas Dissertação/Projeto para a obtenção do grau de Mestre em Design Gráfico e Projetos Editoriais. Orientador Professor Doutor Eduardo Aires Co-Orientador Mestre Dino dos Santos Porto · Julho de 2012 CÓLOFON Esta tese foi redigida em conformidade com o Acordo Ortográfico em vigor desde janeiro de 2009. Título Hotel Agate – Uma tipografia para tamanhos agate. Autor Joel Vilas Boas Design Joel Vilas Boas aka J85 · www.j85.pt Tipografia Lyon Collection – Kai Bernau, 2005-2010 (Commercial Type) Impressão Encadernada a quente com capa em papel acetinado 300gr e interior em papel couché 170gr. Data Porto · Julho de 2012 Type is a beautiful group of letters, not a group of beautiful letters. MATTHEW CARTER (1937-) Agradecimentos Ao Professor Doutor Eduardo Aires, por ter assumido a orientação desta investigação e pelo apoio inexcedível demonstrado desde o início do projeto. Ao Mestre Dino dos Santos, pela co-orientação deste projeto, sempre pautada pela sua dedicação em todos os momentos do trabalho; por me ter aconselhado e facul- tado bibliografia, documentação e outras fontes de pesquisa, imprescindíveis para a realização e enriquecimento do projeto, e ainda por todas as sugestões e críticas que permitiram o seu contínuo aperfeiçoamento. A Jean François Porchez, a Thomas Huot-Marchand e a Joana Correia da Silva, pela atenção dedicada e pelo material bibliográfico disponibilizado, que muito contribuíram para a realização deste projeto. A Pedro Leal e a Sónia da Rocha, pela amizade e por partilharmos o mesmo interesse por Tipografia… e não só! Aos meus pais, pela presença constante em todos os momentos, não só durante a reali- zação deste trabalho de investigação, como ao longo da minha vida. -
EWSLETTE the Art, Skill and Teaching of Faceting
+ PromotingEWSLETTE the art, skill and teaching of faceting. + Expanding the knowledge of natural and man-made crystals. + Developing and promoting uniform rules for faceting competitions within the U.S.A. and among other countries. + Sponsoring or assisting in managed competitions. + Serving as a national repository and clearing-house for faceting designs, published materials and general informationfor faceters everywhere. Officersand Appointed Staff2000-2002 The opinions expressed in the newsletter are those of the editor. contributing members, or quoted authors, and do not necessarily represent the United States Faceters Guild or its President (Acting) Keith Wyman 360-757-4572 membership. The ne\vsletter is for the express purpose of sharing information with the 20200 Cook Rd. members and other faceting guilds, and has no intent to show preference to or cause damage Burlington, WA 98233 to any product, manufacturer or commercial company. [email protected] Vice President The USFG Ne\vsletter is a quarterly publication of the United States Faceters Guild. It is (open) delivered by bulk (North America) and First Class (Canada & overseas) mail to all paid members of the Guild at the end of March, June, September, and December. Membership Secretary dues are $18 per year (U.S.). $21 (Canada), and $23 (Overseas) and are payable to the Alan Beck 208-884-0468 USFG treasurer. 2173 Sunny Slope Rd. Meridian, ID 83642 Correspondence concerningthe content of the newsletter, exchange bulletins and ne\vslet [email protected] ters should be sent to the editor. § Treasurer MEMBERSHIP-CARD POLICY Don Dunn 937-426-5112 Membership cards will be sent as inclusions in the newsletter. -
Core Collection Signature Surfaces, Made Easy
Porcelain tiles suitable for floors and walls Core Collection Signature surfaces, made easy Solids Terra Quartz Shapes Signature surfaces, made easy Terra 222V, 262V, quarter circle F 29 x 29 cm, circle link E 49 x 26 cm Cover: collage of Solids 5106V, Terra 264V, Terra 239V, semi circle D 59 x 29 cm, Quartz 4101V triangle B 59 x 30 cm / 4107RQ Intuitive surface design Core Collection verbindt de drie geliefde series Die Core Collection verknüpft die drei beliebten Solids, Terra en Quartz, mede door het toevoegen Serien Solids, Terra und Quartz unter anderem van nieuwe kleuren die het mixen van series durch Hinzufügung neuer Farben, die es erlauben, esthetisch beter mogelijk maken. Nu kunnen Serien ästhetisch ansprechender zu kombinieren. architecten en ontwerpers de kleuren en texturen Ab sofort können Architekten und Designer die van de (ongeglazuurde) keramische tegels naar Farben und Texturen der (unglasierten) hartenlust combineren. Keramikfliesen nach Herzenslust kombinieren. Door de feilloze afstemming van lichte, donkere, Dank der feinen Abstimmung heller, dunkler, warme en koele kleurtonen op gelaagde, warmer und kühler Farben mit mehrschichtigen, poederachtige en robuuste texturen biedt Mosa pulverartigen und robusten Texturen bietet Mosa talloze ontwerpmogelijkheden in één oogopslag. zahllose Designoptionen auf einen Blick. Met het grootste gemak kunnen architecten en Architekten und Designer können ganz einfach ontwerpers de juiste tegels voor hun project die richtigen Fliesen für Ihr Projekt auswählen. kiezen. Het creëren van kenmerkende Es ist einfacher als je zuvor, charakteristische oppervlakken wordt eenvoudiger dan ooit. Oberflächen zu gestalten. Die Kollektion De collectie omvat 39 kleuren, drie verschillende umfasst 39 Farben, drei verschiedene Texturen, texturen, diverse traditionele formaten en zeven verschiedene klassische Formate und sieben innovatieve vormen in patronen die volledig naar innovative Formen in Patterns, die ganz nach wens kunnen worden aangepast. -
Museum Printing
MOPSummer:Layout 1 5/3/11 4:42 PM Page 1 Museum OF the Printing GalleyVolume 32 • Issue 2 • Summer 2011 DEDICATED TO PRESERVING THE PAST OF PRINTING AND ALL OF ITS RELATED CRAFTS Message From The President In This Issue or the last two years we have been fortunate to have a Colonial print shop on We Get Questions—Members and loan, complete with an English Common Press. Gary Gregory, founder of others ask about presses and other F“Lessons on Liberty” and a member of the Museum’s Board, supported this print paraphernalia. Pages 3 and 3 exhibit in many ways. Gary has now found an appropriate home for this historically- accurate print ship at the Clough House, adjacent to Old North Church. The Printing Museum Type Sale—A great oppor- Office of Edes & Gill is Boston’s colonial-era printing experience and visitors will have tunity to find type, presses, and the opportunity to engage living historians working the printers’ trade in pre-revolu- other printing material. Saturday, tionary Boston. If you are in Boston, visit Gary and also make a trip to North Andover June 11th. Page 4. and visit the Museum. Over the winter, our gang painted and tiled the second floor conference room. Gutenberg was an Idiot—It took a They also kept the 20-year old boiler operating. while to get the type right for the The Museum’s Library Advisor, Brian Frykenberg arranged with OPALS (OPen- Bible. Page 5 source Automated Library System) to allow web-based public access to electronic records of the Museum’s books and ephemera. -
ESPPADOM Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02
EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 ESPPADOM_Delivery Modèle des données structurées Date: 30/03/2012 Statut: Travail Version: 00.02 EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 ESPPADOM_Delivery: Modèle des données structurées Mention légale Clause de cession de droit de reproduction. L'auteur de ce document est : EDISANTE Comité Technique Le présent document est la propriété de l'auteur. Par la présente, l'auteur cède à titre gracieux à l’utilisateur du présent document, un droit de reproduction non exclusif dans le seul but de l’intégrer dans une application informatique. Cette cession est valable sur supports papier, magnétique, optique, électronique, numérique, et plus généralement sur tout autre support de fixation connu à la date de la reproduction, et permettant à l’utilisateur de créer l’application visée au paragraphe précédent. Cette cession est consentie pour l’ensemble du territoire national, et pour la durée de protection prévue par le code de la propriété intellectuelle. L’utilisateur fera son affaire personnelle de tout dommage qu’il causerait à un tiers et qui trouverait son origine dans une violation des termes de la présente cession. Toute atteinte aux droits d’auteur constitue un délit et est passible des sanctions indiquées aux articles L.335-1 et suivants du Code de propriété intellectuelle. EDISANTE ESPPADOM_Delivery Date: 30/03/2012 Comité Technique Statut: Travail Version: 00.02 Table des matières Documentation -
Emotional Response to Typogrpahy: the Role of Typographic Variations in Emotional Response to Advertising
EMOTIONAL RESPONSE TO TYPOGRPAHY: THE ROLE OF TYPOGRAPHIC VARIATIONS IN EMOTIONAL RESPONSE TO ADVERTISING By KEVIN L. GUTHRIE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ADVERTISING UNIVERSITY OF FLORIDA 2009 1 © 2009 Kevin L. Guthrie 2 To my family 3 ACKNOWLEDGMENTS There are many individuals to acknowledge for their help throughout this thesis process. First, I would like to thank my thesis committee: Dr. Robyn Goodman for her support, encouragement and being a wonderful thesis chair; Dr. Jon Morris for the use of the AdSAM measure; and Dr. Michael Weigold for the statistical and methodological assistance. Next, I have to thank my amazing family (Stuart, Patricia, Brian, and Matthew) for their encouragement in completing my graduate studies. Special thanks also go to my friend Keely Hope for all of her editing assistance and all-around moral support. Additionally, I want to thank Dr. Betsy Pearman for all of her statistical assistance. Without Dr. Pearman, I would still be staring at the computer screen. Special thanks go to my former classmates and tutors at the Edinburgh College of Art for the slightly unhealthy typography and graphic design fascination. Finally, thanks to Max Miedinger, designer of Helvetica. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS0 ...............................................................................................................4 LIST OF TABLES...........................................................................................................................8 -
Volume 23-2 (Low Res).Pdf
ITC 10.1,matk Ty peto ■ UPPER AND LOWER CASE THE INTERNATIONAL JOURNAL OF GRAPHIC DESIGN AND DIGITAL MEDIA PUBLISHED BY INTERNATIONAL TYPEFACE CORPORATION VOLUME 23, NUMBER 2, FALL 1996 $5.00 US, $9.90 AUD, £4.95 The Image Club's free monthly catalog is the essential design tool for today's creative masters. Over 800 fonts from the best foundries, thousands of stock photos on CD ROM (royalty free!) and tons of cool digital art, along with ideas, solutions and tips & tricks from other designers. New for you every month! Order your catalog: call 1.800.387.9193 fax 1.403.261.7013 http://www.imageclub.com/ Hey! The entire FONTEK and ITC type libraries featured throughout this issue of U&lc are available from Image Club. Call 1-800-661-9410 to order! Image Club Graphics is a division of Adobe Systems Incorporated Adobe ucLo8 Circle 1on Reader Service Card ATypI I Typelab The Hague, The Netherlands, oit) The Hague 1996 October 24-28, 1996 The Association Typographique Internationale (ATyp1), The Royal Academy of Art and The Royal Conservatory of Music Typography &... is a conference gathering of Art Directors, Graphic Designers, Type Designers, Musicians, Filmmakers, Business and Legal Executives, Users and Developers of Software, and anyone to whom type and typography are essential. Typography &... focuses on how typography is developing, evolving and changing with a speakers' program, debates and discussion groups, exhibitions, studio visits, special museum programs, and TypeLab, an interactive, experimental environment for typography, -
U. S. Metals Also Will Hold Election Soon Independents File for Race
THS ADS BEFORE YOU THE STORK-YOU'LL WM«t Cittulattd feptr D IT SAVES MONEY. ing CarHrtr Compitttly; ttod Miyir'i "Skb A Sportt." XIV.—No. 49. CARTERET PRESS CARTjERET, N. J,,,FRIDAY, September 16,1938 PRICE THREE CENTS. he Week Now In Race U. S. Metals Orgnniittion Candidate it Review Independents Inter-Party 2 School Building Projects :; \: (,OI;.S OFF TO Also Will Hold • .,, ,v n| [Vnh ArnVioy, File For Race GOP Contest Passed on 2nd Referendum Inr-rrl « Hun on i.o speeding through Election Soon 504 Majority Piled Up fere • i, iinrns clamped down, Up Tuesday , their occupants hep- Next Month G.O. P. PICNIC HAS For Washington School; memhers of a wedding Annual Volf for Represen- High School 163 M.inhT (,li<» raves we had Makwinaki, FitiGerald and Mayor, Organisation Back- . , .n. inst. Summer when tatives to Employee*' LARGE ATTENDANCE |( ed, Opposed By Lubern, 30 VOTES THROWN OUT ,,i m he n wedrtlng-a- Awn Sept. 26, 27 Gregor S«t to Run for Office Young Attorney Many Cwdidtte. Printed |ToUl of A* 5th vMer* have thr rare PERRY TO SUPERVISE ffo r TalkTlk i to ThronTh g in | |,,!rll' SYNOWIECKI IN RACE tn<j 7^ ihl« year o( electing NOW 3 PARTY FIGHT , iff, who Is certain to Child Submits Liat Showing Terebetsky vs. Bracher Is an hanest-to-gftodne« Matlaga On Ticket for Jut- CARTEftET—Some 3,000 people 21 Nomineei Running CARTERET — By a voU of 10M Inn. William C Wilson Other Fight to Be Set- were present at various times dur- tice of Peace; Have for and 840 acalnst mtdenU Of toe ., ,,,.„ candidate either p»ftj for Placet ing the day Bunlay at the family tied By Vote community approved the referendum minted for the office In the C.