Savoy Brown a Step Further Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Savoy Brown A Step Further mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A Step Further Country: UK Style: Blues Rock MP3 version RAR size: 1860 mb FLAC version RAR size: 1237 mb WMA version RAR size: 1392 mb Rating: 4.1 Votes: 955 Other Formats: MP4 VOX DXD AC3 TTA DMF ASF Tracklist Hide Credits Studio Made Up My Mind A1 Written-By – Youlden* Waiting In The Bamboo Grove A2 Written-By – Simmonds* Life's One Act Play A3 Written-By – Youlden* I'm Tired A4a Written-By – Youlden* Where Am I A4b Written-By – Willie*, Brown* Live Savoy Brown Boogie Including Ba Written-By – Youlden*, Simmonds* I Feel So Good Bb Written-By – Willis* Whole Lotta Shakin Goin On Bc Written-By – Williams*, David* Little Queenie Bd Written-By – Berry* Purple Haze Be Written-By – Hendrix* Hernando's Hideaway Bf Written-By – Ross*, Adler* Credits Arranged By [Musical Arrangement] – Terry Noonan (tracks: A2, A3, A4b) Engineer – David Grinstead* Engineer [Assistant] – Colin Freeman, John Punter (tracks: Ba to Bf), Mike Mailes (tracks: Ba to Bf) Liner Notes – Mike* Photography By – Terence Ibbott Producer – Mike Vernon Notes Stereo/Mono printed sleeve but no indicator hole Made in England. 1980s reissue label Other versions Category Artist Title (Format) Label Category Country Year SKL 5013, Savoy A Step Further (LP, Decca, SKL 5013, UK 1969 SKL.5013 Brown Album) Decca SKL.5013 Savoy A Step Further (LP, SKL 5013 Decca SKL 5013 UK Unknown Brown Album, RE) SKL 5013, Savoy A Step Further (LP, Decca, SKL 5013, UK 1974 SKL.5013 Brown Album) Decca SKL.5013 Savoy A Step Further (CD, Decca, 844 015-2 844 015-2 US Unknown Brown Album, RE) Deram Savoy A Step Further (LP, PAS 71029 Parrot PAS 71029 US 1969 Brown Album) Related Music albums to A Step Further by Savoy Brown Savoy Brown Featuring Kim Simmonds - You Should Have Been There! Savoy Brown - Looking In Savoy Brown - Highway Blues Savoy Brown - Looking From The Outside - Live '69 / '70 Savoy Brown - Poor Girl Savoy Brown - Blue Matter Savoy Brown - Lion's Share Savoy Brown - Jack The Toad Chris Youlden - Citychild Chris Youlden - Nowhere Road Savoy Brown - Let It Ride Savoy Brown - Street Corner Talking.

Copy Link

Recommended publications

Billboard 1971-01-02
f JANUARY 2, 1971 $1.25 ÚÇ L NOV 7t FÑCRÁÌSDTUDÁÁZO b SEVENTY -SEVENTH YEAR TTUDDR SANDS OINT The International PRT WASHGTN NY 11050 Music- RecordTape Newsweekly CARTRIDGE TV PAGE 14 HOT 100 PAGE 44 Bill TOP LP's PAGES 38, 39 Rock Oratorio Makes Tape Crystal Ball for '71: Debut in New Picture By. MIKE Recovery, $ Rise GROSS Rebound, By BRUCE WEBER NEW YORK - The "film "reek symphony," "rock ballet" rock oratorio" is rock music's and "rock musical." LOS ANGELES -What can strong recovery prospects in the many companies are planning latest step into the arts. It fol- The "film rock oratorio" is a the tape industry look forward year ahead. major merchandising programs lows rock music's move into conception of movie producer - to in 1971? In brief, many see a possible earlier than usual. diverse culture areas with such director Jack O'Connell, who has To many, the seemingly end- profit rebound of about 20 to The tide of corporate costs designations as "rock opera," made rock an integral part of less stream of poor earnings 30 percent in 1971. (See sep- cutting is continuing into 1971 his new film, "Christa," by re- reports adds up to strong rea- arate story in music section.) even though economists are cording the album first and then sons for being ultra- cautious. Accordingly, tape companies, cautiously predicting better extracting it for the film score. To them, a draggy economy, both hardware and software, times. 'Dupe Giants Manfred Mann produced the al- tightfisted consumers, and over- are building programs after A dump of prerecorded bum and Derek Wadsworth was production are some of the "speculating on the renewed 8 -track and cassettes distorted the arranger.
[Show full text]
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
[Show full text]
Contents ART/Community
Please remember to be good stewards of the land this hunting season ith hunting season just and vehicles for weeds and weed seeds to – Accessing public lands: Access to public lands property, including driving on roads, parking getting started, our help prevent the spread to other private and (on a private road) through private land areas, no shooting zones, walk-in only areas, friends at Montana Fish, public lands. requires permission of the private camping, number of hunters allowed, game Wildlife & Parks (FWP) – Leave gates as you find them: If a gate is landowner, lessee, or their agent. retrieval, etc. Rules for most land agencies reminds hunters and all closed, close it behind you. If it’s obviously – Know where you are located: Whether you’re can be found on maps and/or on brochures. outdoor enthusiasts to be open, leave it open. If you’re unsure, hunting public or private land, as well as Go to the appropriate agency website or good stewards of the contact the landowner or public land land enrolled in an access program such as local office for information. land, and to respect both private and agency. block management, it is every hunter’s – Report violations: report any hunting and public property. – Camping: overnights are allowed on most responsibility to know where they are to fishing, trespassing, vandalism, or other Although most hunters respect the land, public lands (see agency regulations), but avoid trespassing. Maps are always available, criminal activity you see to 1-800-TIP- property, and wildlife they are hunting, permission is needed to camp on private as are GPS chips and cell phone apps to aid MONT (1-800-847-6668).
[Show full text]
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
[Show full text]
Savoy Brown Looking from the Outside - Live '69 / '70 Mp3, Flac, Wma
Savoy Brown Looking From The Outside - Live '69 / '70 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Looking From The Outside - Live '69 / '70 Country: UK Released: 2000 Style: Blues Rock MP3 version RAR size: 1502 mb FLAC version RAR size: 1448 mb WMA version RAR size: 1737 mb Rating: 4.3 Votes: 973 Other Formats: MMF VOX APE AUD FLAC MPC DTS Tracklist Hide Credits I'm Tired 1 5:02 Written-By – Chris Youlden Hard Way To Go 2 2:20 Written-By – Chris Youlden A Little More Wine 3 5:50 Written-By – Chris Youlden Savoy Brown Boogie No. 2 4 3:56 Written-By – Chris Youlden, Kim Simmonds I Want You To Love Me 5 3:40 Written-By – Chris Youlden Louisiana Blues 6 20:25 Written-By – Muddy Waters Memory Pain 7 12:42 Written-By – Percy Mayfield Leaving Again 8 10:58 Written-By – Dave Peverett, Tony Stevens Money Can't Save Your Soul 9 4:00 Written-By – Dave Peverett, Kim Simmonds Looking From The Outside 10 3:19 Written-By – Chris Youlden Companies, etc. Marketed By – Trojan Sales Ltd. Credits Bass – Tony Stevens Drums – Roger Earl Lead Guitar – Kim Simmonds Liner Notes – Neil Slaven Rhythm Guitar – Dave Peverett Vocals – Chris Youlden (tracks: 1 to 4), Dave Peverett (tracks: 5 to 10) Notes Tracks 1 to 4 recorded in 1969. Tracks 5 to 10 recorded in 1970. Tracks 1 to 5, 9 & 10 from Kim Simmonds private archive. Tracks 6 to 8 from concert at Colosseum, Edmonton, Canada. Barcode and Other Identifiers Barcode: 766126805126 Related Music albums to Looking From The Outside - Live '69 / '70 by Savoy Brown Savoy Brown Featuring Kim Simmonds - You Should Have Been There! Chris Simmonds - Rush N Soul Savoy Brown - Looking In Savoy Brown - A Step Further Chris Sprague - Hammer Down! Savoy Brown - Blue Matter Savoy Brown - Lion's Share Whippersnapper - Tsubo Foghat - Rock And Roll Outlaws Chris Youlden - Citychild Various - Latin House Vol.7 - Mixed by Chris Simmonds Chris Youlden - Nowhere Road.
[Show full text]
Concert Reoiew Lust Get It On
Page 2 Thunder-Word Friday, April 9, 197 1 mxon0 and1 LETTERS hvl uW’k thcBfidiowi11g idtcsr wt:cls sent to Dr. ;!f. A. Aikrn. Prc..yi- Chicago ~II.llighiiw Con1mw1ity (:olk*gc~: the media Wethe members of the Black Students Union of Highline I Editor, Thunder-Word: Community College demandthe following: Understanding greatly, it can be &id that relations betweel, I feel the need to protest the 1. That anyand all minority studentsattending Highline the Nixonadministration and the American press are not at a great injustice and bad publicity Community College be given financial aid in the form of Friendly level. cast upon Chicago by the music paid tuition. The most prominent example of a widening gap between the reviewer in the last editionof 2. That any Black instructor considered for full or part-time cowrnment and the media was Mr A~nw’crpcqnt attack on C& this newspaper. I hope that I employment in any related Black studies course present concerning its special. “The Selling of the Pentagon,” which dealt can reestablish :he reputation of his or herd to the “BlackStudents InstructorReview kith the ropoganda pushcci by the Pentagon and its incredible cost one of the finest groups onthe Board” for approval or disapproval. to the p&c. scene today. 3. That a full Black Studies curriculum be instituted at High- After becoming familiar with Also, relenting. to White House and FCC. pressure, ABC can- line Community College. Chicago’s first two albums I 4. That Mr. Fred Wiggs be retained as a full-time instructor cekd a scheduled debate on the Dick Cavett Showbetween ST was very curious if theycould proponent William Magruder and Senator William proxi-, ad in the division of social sciences.
[Show full text]
A Band Together. but Who Knew We'd Find As Durable an Application Of
o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
[Show full text]
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
[Show full text]
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4.
[Show full text]
Selwyn Birchwood Band
OBBS E-NEWSLETTER March / April 2014 Preserve Promote and Present the Blues Selwyn Birchwood Band Inside this issue: Central Florida Blues Challenge The 2-3 Selwyn Birchwood Band Letter from the President 4 Spott Light 5 _______________ Zshows & WPRK 6 ___________ Around Town By 7 Lonnie Griesemer Local Bands & Jams 8- Winter Garden Blues 11 & BBQ OBBS Events Blues in School / 12 Ladies of the Blues Band Listings 13 About OBBS Our BOD 14- Membership 15 Karen Stott –Editor 1 Preserve Promote and Present the Blues Central Florida Blues Challenge Winners : The Selwyn Birchwood Band (2009) In this series you will be introduced to the past and present Central Florida Blues Challenge winners. Selwyn Birchwood Band received top honors at the 2013 International Blues Challenge coming in 1st place out of over 230 bands from around the world! Selwyn also received the "Albert King Award" for best guitarist!! IBC- K Stott Your band had won the International Blues Challenge 2013. How many times did you compete in the IBC and what blues societies sent you? Selwyn: I competed 3 times. 2009 Orange Blossom Blues Society, 2012 Suncoast Blues Society, 2013 Suncoast Blues Society How did you prepare for the competitions? What do you think the judges look for at the IBC? Selwyn: I didn’t really do too much out of the ordinary from our usual shows. You have to make sure that you’re ob- viously well-rehearsed. The only thing that we had to consciously work out was the time requirement. So, we made sure to rehearse the actual songs that we were going to perform at IBC against a timer to ensure we were within the limits.
[Show full text]
Savoy Brown Jack the Toad Mp3, Flac, Wma
Savoy Brown Jack The Toad mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Jack The Toad Country: Europe Released: 2004 Style: Blues Rock MP3 version RAR size: 1283 mb FLAC version RAR size: 1913 mb WMA version RAR size: 1566 mb Rating: 4.6 Votes: 807 Other Formats: FLAC VOC XM MP4 AC3 VOX MMF Tracklist Hide Credits Coming Down Your Way A1 4:51 Written-By – Lynton* Ride On Babe A2 Rhythm Guitar – Paul Raymond Vocals, Harmonica [Harp] – Kim SimmondsWritten-By – 4:21 Simmonds* Hold Your Fire A3 4:16 Written-By – Raymond* If I Want To A4 3:56 Written-By – Lynton* Endless Sleep A5 5:30 Written-By – Nance*, Reynolds* Casting My Spell B1 4:09 Written-By – Johnson*, Johnson* Just Cos' You Got The Blues Don't Mean You Gotta Sing B2 5:45 Written-By – Lynton* Some People B3 6:03 Written-By – Pyle*, Lynton*, Simmonds*, Raymond*, Berg* Jack The Toad B4 6:40 Written-By – Lynton* Credits Backing Vocals – Sue & Sunny Bass – Andy Pyle Drums – Dave Bidwell (tracks: A1, A2, A5, B2, B4), Ron Berg (tracks: A3, A4, B1, B3) Engineer – Terry Evennett Guitar – Kim Simmonds Keyboards, Mellotron – Paul Raymond Percussion – Barry Murray, Frank Ricotti, Ron Berg Producer – Barry Murray Soprano Saxophone – Stan Saltzman Vocals – Jackie Lynton Notes Gatefold cover. Barcode and Other Identifiers Matrix / Runout: SAHS 1642 AL Matrix / Runout: SAHS 1643 AL Other versions Category Artist Title (Format) Label Category Country Year TXS 112 Savoy Brown Jack The Toad (LP, Album) Decca TXS 112 UK 1973 PAR M 79859 Savoy Brown Jack The Toad (8-Trk, Album) Parrot PAR M 79859 US 1973 Jack The Toad (CD, Album, RE, 844 021-2 Savoy Brown Deram 844 021-2 US 1991 RM, RP) XPAS 71059 Savoy Brown Jack The Toad (LP, Album, Gat) Parrot XPAS 71059 US 1973 Jack The Toad (Cass, Album, KTXC112 Savoy Brown Decca KTXC112 UK 1973 Dol) Related Music albums to Jack The Toad by Savoy Brown Savoy Brown - Just Live Jackie Lynton - The Jackie Lynton Album Colleen Brown - Direction Savoy Brown - Kings Of Boogie Mr P.
[Show full text]
Kim Simmonds & Savoy Brown
APRIL 2-8, 2015 THE STORY OF FRANKIE VALLI & THE FOFOURUR SEASONS Photos (Broadway cast): Joan Marcus and Chris Callis "QSJMt&NCBTTZ5IFBUSF 800-745- 3000tUJDLFUNBTUFSDPN %JTDPVOUTBWBJMBCMFGPSHSPVQTPG POTFMFDUQFSGPSNBODFT Your town. Your voice. 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------------April 2, 2015 whatzup Volume 19, Number 33 hether it feels like it or not, spring is officially here, and with it comes warmer temps, maybe some rain, probably a lot of mud and some things that more than a few of us really and truly love: Wbaseball for one (the TinCaps’ season is almost upon us); Record Store Day for another (see Nick Braun’s Out & About column); and, finally, plenty of opportunities to see some good, live music (Sol Fest, Rock the Plaza and other Fort Wayne traditions are just around the corner). Among the things to look forward to are the subjects of this week’s fea- UPCOMING EVENTS tures: British blues from the legendary Kim Simmonds and Savoy Brown (see page 4) and non-stop jams from one of Indy’s favorite party bands, Toy Factory (see page 5). There are other gems inside this issue. Jen Poiry-Prough profiles Stuart Hepler, the lead in the Civic Theatre’s production of 33 Variations (page Friday, April 10 • 8pm • $20-$40 6), and Mark Everetts, recording studio manager for the Music Technology Department at the University of Saint Francis, analyzes the impact of the Photo: Jeremy Daniel KIM SIMMONDS recent infringement case involving the song “Blurred Lines.” It’s a must- read for any songwriter out there. April 14-19 | 7:30p.m.
[Show full text]