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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
News Arts Eats
NORTHERN SANTA BARBARA COUNTY’S NEWS AND ENTERTAINMENT WEEKLY > JANUARY 31 - FEBRUARY 7, 2019 > VOL. 19 NO. 48 > WWW.SANTAMARIASUN.COM AT THE MOVIES 1 Serenity: It’s meh [26] A point in time The biennial homeless count gives the Sun a firsthand look at what it really means to be homeless in Santa Maria [12] BY KASEY BUBNASH Southern California Edison Civic Theatre takes on New sweets shop is NEWS sues the county [4] ARTS Tennessee Williams [22] EATS a great spot [28] JANUARY 31 - FEBRUARY 7, 2019 VOL. 19 NO. 48 alentine’s very two years, volunteers fan out across the county for the Point In Time Homeless Count. Staff Writer Kasey V Bubnash volunteered to help with the count in Santa EMaria on Jan. 24. She tells the story of how those three hours went in this week’s cover story. It involves a 7-Eleven, two homeless men, two police officers, and three volunteers— A COUNT TO REMEMBER: Volunteering and a life lesson or two about how things don’t always work 2 to help with the biennial Point In Time out as they’re planned and how situations aren’t always what Count can yield a variety of things, they seem [12]. including the shock of experiencing a Also this week, Santa Barbara County and SoCalGas are suing situation that has all of the stereotypes about police officers and homeless each other , Santa Maria Civic Theatre’s powerful rendition [4] individuals rolled into it. of A Streetcar Named Desire [22], poetry with the power to highlight social issues [23], and a Sweet Spot to find candy from around the world [28]. -
WHO's on FIRST - BLUES HAPPENINGS AROUND the STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N
1 WHO'S ON FIRST - BLUES HAPPENINGS AROUND THE STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N. Blues Soc.: Next meet: 6/13/2017 - Loppnow's Bar, Wausau at 7 PM Dates do change! Check with the venue and/or band to confirm before you go!!!! GROUP DATE VENUE TIME 20 Watt Tombstone 5/21 Tin Roof, Charleston; SC 9 PM Robert Allen Jr. Band 5/21 Smiling Moose, Osman 4 PM Altered Five Blues Band 6/03 Jackson Blues Fest, Jackson; MI 4:30 PM Dale Anderson Big Mouth & Power Tool Horns 6/01 Astor Park, Green Bay 6 PM The Blue Olives The Blues Disciples 5/27 Knuckle Down Saloon, Madison 9 PM Chris Brandenburg & the 6/24 Classics Lounge, Shawano 8 PM Bluetones Cadillac Pete w/Donnie Pick 5/28 Hardtails, Hortonville 2 PM Cash Box Kings 5/24 Buddy Guy's Legends, Chicago; IL 9 PM ERIC NODEN w/Steve Cohen 5/21 Von Trier's, Milwaukee 6:30 PM Davina and the Vagabonds 5/22-6/04 European Tour, Various Venues Varies Glenn Davis & Cruise Control 5/24 Harry's Cafe Blues JAM, Lake Geneva 9 PM Sena Ehrhardt Band 6/13 Saint Paul Saints Game, St. Paul; MN 7 PM Bobby Evans Band 7/07 Gibson Music Hall, Appleton 8 PM Paul Filipowicz 5/26 Ginger Snaps, Oshkosh 8 PM Flat Broke Blues Band 6/17 Kestner Park, Houghton; MICHIGAN 7:30 PM Billy Flynn 5/26 Ground Zero, Clarksdale; MISSISSIPPI Nick Foytik 5/25 Acoustic Cafe, Eau Claire 7:30 PM Highway 414 6/10 Thirsty Beaver, Beaver Dam 7 PM Hip Pocket 6/07 The Bar, Wausau 7 PM Jonny T-Bird & the MP's 5/25 Red Dot Tosa, Wauwatosa 7:30 PM Katz Sass Band 6/11 Locust Street Fest, Milwaukee ? Greg Koch Left Wing Bourbon 6/02 -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Floydfest: Floyd, VA 8/13-15/2004
Floydfest: Floyd, VA 8/13-15/2004 SEARCH: GLIDE UPDATES: features :: reviews :: columns :: downloads :: news :: forums » Show: Galactic - Mr. Floydfest Smalls Theater, Millvale, PA Floyd, VA 8/13-15/2004 Brian Gearing » CD: Dirty Dozen Brass Wednesday, September 15, 2004 Band - Funeral For A Friend » Gallery: Gov't Mule, Orpheum Theatre, Boston The approach into the Floyd World Music Festival on the MA 10/15/04 Blue Ridge Parkway is one of the most beautiful on the east coast. The Parkway is nationally recognized as one » CD: Barbara Cue - Rhythm of the most serene drives in the country. Boasting Oil spectacular views of the surrounding valleys and almost completely unspoiled by gas stations or motor-miles, it » Feature: John “Jojo” is one of the few roads anywhere where one can drive Hermann: Another Round Of for miles without seeing any sign of human intervention Smiling Assassins aside from the occasional rustic home. Even on the evening of the first day of the festival, the incoming » Download: moe. - traffic was thin at best, and the stereotypical, sticker-plastered Winnebagos and Westfalias Somerville Theater were nowhere to be seen. Rather than the faceless car-and-bag-checkpoints of Bonnaroo and the like, the entrance to the Floydfest grounds is done up like the visual incarnation of an eager hug from a long- lost friend. An arch reading “Welcome to Floydfest” opens its arms to visitors who walk down a mulched path adorned with flowers both real and sculpted as the warm sounds of acoustic music from five separate stages blend together into a noise one can almost smell. -
Savoy Brown a Step Further Mp3, Flac, Wma
Savoy Brown A Step Further mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A Step Further Country: UK Style: Blues Rock MP3 version RAR size: 1860 mb FLAC version RAR size: 1237 mb WMA version RAR size: 1392 mb Rating: 4.1 Votes: 955 Other Formats: MP4 VOX DXD AC3 TTA DMF ASF Tracklist Hide Credits Studio Made Up My Mind A1 Written-By – Youlden* Waiting In The Bamboo Grove A2 Written-By – Simmonds* Life's One Act Play A3 Written-By – Youlden* I'm Tired A4a Written-By – Youlden* Where Am I A4b Written-By – Willie*, Brown* Live Savoy Brown Boogie Including Ba Written-By – Youlden*, Simmonds* I Feel So Good Bb Written-By – Willis* Whole Lotta Shakin Goin On Bc Written-By – Williams*, David* Little Queenie Bd Written-By – Berry* Purple Haze Be Written-By – Hendrix* Hernando's Hideaway Bf Written-By – Ross*, Adler* Credits Arranged By [Musical Arrangement] – Terry Noonan (tracks: A2, A3, A4b) Engineer – David Grinstead* Engineer [Assistant] – Colin Freeman, John Punter (tracks: Ba to Bf), Mike Mailes (tracks: Ba to Bf) Liner Notes – Mike* Photography By – Terence Ibbott Producer – Mike Vernon Notes Stereo/Mono printed sleeve but no indicator hole Made in England. 1980s reissue label Other versions Category Artist Title (Format) Label Category Country Year SKL 5013, Savoy A Step Further (LP, Decca, SKL 5013, UK 1969 SKL.5013 Brown Album) Decca SKL.5013 Savoy A Step Further (LP, SKL 5013 Decca SKL 5013 UK Unknown Brown Album, RE) SKL 5013, Savoy A Step Further (LP, Decca, SKL 5013, UK 1974 SKL.5013 Brown Album) Decca SKL.5013 Savoy -
Old Crow Medicine Show Announce July 1St Release of Remedy Via Ato Records
FOR IMMEDIATE RELEASE APRIL 2014 OLD CROW MEDICINE SHOW ANNOUNCE JULY 1ST RELEASE OF REMEDY VIA ATO RECORDS BAND ANNOUNCES BIGGEST HEADLINING TOUR TO DATE “SWEET AMARILLO”, FIRST SINGLE, OUT NOW + ALBUM AVAILABLE TO PRE-ORDER Nashville, TN – Heavily celebrated Grammy Award winning band Old Crow Medicine Show has announced their upcoming new album Remedy, due out July 1 via ATO Records. Remedy is full of catchy melodies, quirky and often humorous lyrics, all executed with mesmerizing musicianship. Ten years after the massive success of folk anthem “Wagon Wheel”, which started as a track on a Bob Dylan work tape later finished by fiddler/band leader Ketch Secor, Remedy features a new Dylan/Old Crow penned collaboration on the new track “Sweet Amarillo” one of the album’s many highlights. Remedy also features the return of producer Ted Hutt (Flogging Molly, Dropkick Murphys, Gaslight Anthem), who produced 2012’s highly praised Carry Me Back. Long before the resurgence of folk and roots rock, Old Crow Medicine Show was performing their fiery style of amped up old-time music, cultivating a diverse fan base who thrive on the band’s energetic performances. The songs on Remedy are chock full of the same raw energy, swagger and drive that has made rabid fans of everyone from hipsters to college students to traditional music purists. “This is country music for people who think country music needs a whoopin'’ says Secor, who adds, “Country music that knows how deep its roots run--- from the dirtiest blues to the folkiest folk, the songwriters, the crooners and the Outlaws, to the Opry stage; it's all here”. -
Dave Cobb Episode Transcript
VOICES IN THE HALL DAVE COBB EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, producer extraordinaire Dave Cobb. DAVE COBB When we approach these records we approach it much the way a record would’ve been done in 1965, 1970. And it’s humans playing together. There are mistakes all over the record. There’s timing issues, there’s tuning issues, there’s pitch issues, there’s flubs of words. The same way people are seeking out organically grown food, I think people are seeking out organically grown music at the same time. The moment I heard Chris Stapleton I was like, “Man I’ve got to track him down.” If I can just get to Nashville I’d run into him and I’d run into Jason Isbell and try to sucker them in to make records. I like to fly by the seat of my pants. Walk in and see what’s going to grab you that day. To me it was a really cool thing about linking really great artists that I like now, and linking Nashville, what Nashville is today. Taking kind of a snapshot of it. And I love it when I get to introduce somebody to somebody else I think is talented. And you see there eyes both sparkle. And I love the unity in the scene. That’s why I moved here. PETER COOPER It’s Voices in the Hall, with Dave Cobb. “4th of July” - Shooter Jennings (Black Magick / Universal South) PETER COOPER “Fourth of July,” from Shooter Jennings. -
Southwest Virginia Welcome
JUNE 12 - 20, 2015 WELCOME TO SOUTHWEST VIRGINIA WELCOME ___________ Welcome to ___________ Welcome to the Crooked Road and the Mountains of Music Homecoming. There is a huge variety of events here and a rare opportunity for a peek into how music is kept in these mountains. Some of this music has the echo of a rich colonial past, but it is also as new as tomorrow. Creativity is a tradition here. We recycle the riches of history, but we also believe it is our duty to improve and invent. For example, fifty years ago, George Shuffler of Burke County, NC, and other pioneering guitarists were piddling around with ways to improve lead guitar. George heard Jesse McReynolds’ syncopated style on the mandolin and also heard Earl Scruggs and others playing the same interesting rhythm on the banjo. Following tradition, George stood in front of the Stanley Brothers and played a fresh new syncopated guitar style that caught the ear of the nation. Many who now play that style never realize that they are borrowing from a country lad, tall and slender and with a ready smile, who would show anyone who came to the side of the stage what he was doing—and how. So be prepared for friendship and generosity as you travel here on turf that George trod. Hospitality is an important part of the tradition, and almost everyone here knows where and when the music originated. Where it goes is up to you and the rest of us who love it. This is a family gathering, and we want you to be part of our family.