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Learn About Greek and Roman Mythology Share What You Know! Take the Test and Win CASH PRIZES! First Meeting: Friday, Dec 2nd Conrad’s Room MEDUSA MYTHOLOGY CLUB Meets Every Friday Morning FRIDAYS 7:45–8:30 from 7:45–8:30 First Meeting: Friday, December 2nd Meet like-minded students interested in Greek and Roman mythology! Prepare together for The Medusa Mythology Exam, an “International Competition For COACHES: Mythology Enthusiasts”. The 2016 Exam theme is “The Rise and Fall Of the Titans” – get ahead and see the resources on the back! Katrina McLane, GT Come to our first meeting to learn about this exciting opportunity! [email protected] Jocelyn Conrad, Lang Arts [email protected] Fountain Middle School 515 North Santa Fe Ave Jessica Wykstra, P.E. Fountain, CO 80817 [email protected] Phone (719) 382-1580 2016 Medusa Mythology Exam “The Rise and Fall of the Titans” Note Bene: For this exam, Olympians will only be included on a question when they are part of a story that stems from a Titan. The exam will cover the following: The six male Titans: Oceanus, Coeus, Hyperion, Crius, Iapetus and Cronus (the youngest). The six female Titans (Titanides): Theia, Rhea, Themis, Mnemosyne, Phoebe and Tethys. Titans and their offspring: Iapetus + Asia (his niece, daughter of Oceanus and Oceanus + Tethys: Tethys) OR Clymene: nautical Oceanids, including Styx, Asia, Electra, Atlas Doris, Eurynome, Metis and others Prometheus Coeus + Phoebe: Epimetheus Asteria Cronos + Rhea: Leto (mother of Artemis and Apollo) the six older Olympians Hyperion + Theia” Themis + her nephew Zeus (his second wife): Eos Moirae Helios Horae Selene Astraea Crius + Eurybia: the River Eridanus' water nymphs Astraeus (perhaps) the Hesperidae Pallas Mnemosyne + her nephew Zeus: Perses The nine Muse Primary sources Secondary sources On-line sources (English translation of these sources are readily available.) Apollodorus, The Library Bulfinch, Thomas, Greek and Classical Mythology, 9th ed. Roman Mythology (www.classicalmythology.org/) Hesiod, Theogony D’Aulaire, Ingri, and Theoi Greek Mythology Homer, The Iliad D’Aulaire, Edgar, Book of (www.theoi.com) Greek Myths Homeric Hymns Grant, Michael, and Hazel, Ovid, Metamorphoses John, Who’s Who In Classical Mythology Plutarch, Lives Hamilton, Edith, Mythology: Vergil, The Aeneid Timeless Tales of Gods and Heroes Grimal, Pierre, The Penguin Dictionary of Classical Mythology Morford, Mark, and Lenardon, Robert J., Classical Mythology Oxford Classical Dictionary Tripp, Edward, Handbook of Classical Mythology .

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Ayelet Peer, "Entry on: Heroes in Training (Series, Book 9): Crius and the Night of Fright by Joan Holub, Craig Phillips, Suzanne Williams ", peer-reviewed by Lisa Maurice and Daniel Nkemleke. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/399. Entry version as of September 24, 2021. Joan Holub , Craig Phillips , Suzanne Williams Heroes in Training (Series, Book 9): Crius and the Night of Fright United States (2015) TAGS: Apollo Ares Artemis Athena/ Athene Crius Cronus Demeter Hades Hera Hestia Poseidon Pythia Rhea Zeus We are still trying to obtain permission for posting the original cover. General information Title of the work Heroes in Training (Series, Book 9): Crius and the Night of Fright Country of the First Edition United States of America Country/countries of popularity Worldwide Original Language English First Edition Date 2015 Joan Holub and Suzanne Williams, Heroes in Training: Crius and First Edition Details the Night of Fright. Simon & Schuster Children’s Publishing Division. New York: Aladdin Press, 2015, 88 pp. ISBN 9781481435062 (paperback) Action and adventure fiction, Alternative histories (Fiction), Genre Bildungsromans (Coming-of-age fiction), Humor, Illustrated works, Mythological fiction, Novels Target Audience Children (Older children, 8-14 yrs) Author of the Entry Ayelet Peer, Bar Ilan University, [email protected] Lisa Maurice, Bar-Ilan University, [email protected] Peer-reviewer of the Entry Daniel Nkemleke, University of Yaoundé 1, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood..
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The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
THE ZODIAC: COMPARISON OF THE ANCIENT GREEK MYTHOLOGY AND THE POPULAR ROMANIAN BELIEFS DOINA IONESCU *, FLORA ROVITHIS ** , ELENI ROVITHIS-LIVANIOU *** Abstract : This paper intends to draw a comparison between the ancient Greek Mythology and the Romanian folk beliefs for the Zodiac. So, after giving general information for the Zodiac, each one of the 12 zodiac signs is described. Besides, information is given for a few astronomical subjects of special interest, together with Romanian people believe and the description of Greek myths concerning them. Thus, after a thorough examination it is realized that: a) The Greek mythology offers an explanation for the consecration of each Zodiac sign, and even if this seems hyperbolic in almost most of the cases it was a solution for things not easily understood at that time; b) All these passed to the Romanians and influenced them a lot firstly by the ancient Greeks who had built colonies in the present Romania coasts as well as via commerce, and later via the Romans, and c) The Romanian beliefs for the Zodiac is also connected to their deep Orthodox religious character, with some references also to their history. Finally, a general discussion is made and some agricultural and navigator suggestions connected to Pleiades and Hyades are referred, too. Keywords : Zodiac, Greek, mythology, tradition, religion. PROLOGUE One of their first thoughts, or questions asked, by the primitive people had possibly to do with sky and stars because, when during the night it was very dark, all these lights above had certainly arose their interest. So, many ancient civilizations observed the stars as well as their movements in the sky.
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The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr.
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THE OLYMPIAN GODS Student Worksheets
CLIL COURSE MATERIALS CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS Student worksheets Pilar Torres Carmona December 2008 CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS STUDENT WORKDHEETS UNIT 1. MYTH AND MYTHOLOGY What is a myth? A myth is a story about gods and other supernatural beings and how they made or shaped the world and humanity. The events told in these stories happened in a very remote past. Myths are a part of religion, and they give an explanation of the world from a moral point of view; there is an ideology under every myth. Myths are also metaphorical; they do not try to explain the world in a logical or scientific way, but through imagination. However, we can still use myths to understand and explore culture: its viewpoints, activities and beliefs. Who made up Myths are very old stories. They are so old, that we do not know who myths? made them up: they are anonymous. People told these stories over the years and this is why we have many versions of them. Sometimes these stories –or parts of them—were written down and now we can enjoy them. Where does the The word ‗myth’ comes from the ancient Greek word μῦθος ―mythos‖. It word ‗myth‘ means ―word, story‖ and it reveals the oral origin of these stories. come from? ‗Mythology’, from the Greek words μῦθος ―mythos‖ story and λόγος What is ―logos‖ collection or study means both collection of stories/myths and study mythology? of the myths. Why classical Every civilization has its myths. We call classical mythology the body of mythology? myths of ancient Greece and Rome.
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Greek Characters
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Lab Assignment 1
CS181: Programming Languages Vladimir Vacic, Christos Koufogiannakis University of California, Riverside Lab Assignment 1 1. Given the following graph of possible flights between seven US cities: (graph taken from the web site of the American Mathematical Society, http://www.ams.org) a) Write a Prolog program that would check if there is a route from Fresno to Dallas, from Seattle to Boston, and from Atlanta to Fresno. b) Write a C program that does the same thing. Note: you have to write complete, working programs, run them and show the results. As far as C goes, the choice of data structure to store the relations between cities is yours. Warning: if there are cycles in the graph, Prolog might never find a solution and may never say that there are no solutions. If this happens in your assignment, make a note of that. 2. Given the partial family tree of the gods of the ancient Greeks encoded as a Prolog database: parent(chaos, gaea). parent(gaea, cyclope). parent(gaea, chronos). parent(gaea, coeus). parent(gaea, oceanus). parent(uranus, cyclope). parent(uranus, chronos). parent(uranus, coeus). parent(uranus, oceanus). parent(chronos, hades). parent(chronos, poseidon). parent(chronos, zeus). parent(rhea, hades). parent(rhea, poseidon). parent(rhea, zeus). parent(coeus, leto). parent(phoebe, leto). parent(leto, apollo). parent(leto, artemis). parent(zeus, apollo). parent(zeus, artemis). parent(oceanus, iapetus). parent(tethys, iapetus). parent(hera, ares). parent(zeus, ares). male(chaos). male(cyclope). male(uranus). male(chronos). male(coeus). male(oceanus). male(hades). male(poseidon). male(zeus). male(ares). male(apollo). male(iapetus).
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Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
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Wulf: Libretto
WULF: LIBRETTO compiled by Vic Hoyland [Since most of this score uses modern English, it will be acceptable to perform this work using a translation in the country of performance, as well as using segments in the original French, Icelandic, Anglo‐Saxon, Latin, ancient Greek and Scottish Gaelic. Please contact UYMP to discuss any translation of the English text.] Iliad, chapter 18 (of 24): Patroclus, Achilles’ companion, is killed in battle. Achilles’ emotional reaction is extreme. His screams are heard by his mother, Thetis, from the depths of the sea. She calls on her nymphs (Nereids) to come to her son’s aid. “With these the bright cave was filled, and the nymphs all alike, beat their breasts, and Thetis led the lament.” The names of ancient Greek sea nymphs are recalled throughout the work. Part I – WULF 1. Glauke te Thaleia te Kymodoke te Nesaie Speio te Thoe Halia te Kymothoe te kai Actaee kai Limnoreia Kai Melite kai Iera kai Amphithoe kai Agave Doto te Proto te Pherusa Dynamene te Dexamene te Amphinome kai Kallineira Doris kai Panope kai te Galateia Nemertes te kai Apseudes kai Kallinassa Te Klymene Ianeira te kai Ianassa Maera kai Oreithyia te Amatheia.1 5. Protesilaus, Echepolus, Elephenor, Simoisius, Leukos, Democoon, Diores, Pirous, Phegeus, Idaeus, Odios, Phaestus, Scamandrius, Pherecles, Pedaeus, Hypsenor, Astynoos, Hyperion, Abas, Polyidos, Xanthus, Thoon, Echemmnon, Chromius, Pandarus, Deicoon.2 6. Sigmund took his weapons, but Skarphedinn waited the while. Skyolld turned against Grim and Helgʹ, and they fought violently. Sigmund had a helmet on his head and a shield at his side and was girt with a sword, his spear was in his hand; he turns against Skarphedinn, and thrusts at him with his spear, and the thrust struck the shield.
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Read Book ^ Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate
[PDF] Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys,... Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron Book Review A superior quality pdf along with the font used was intriguing to read through. It can be rally exciting throgh reading through time period. You may like how the blogger create this book. (Dr. Rylee Berg e) TITA NS: ATLA S, TITA N, RHEA , HELIOS, EOS, PROMETHEUS, HECATE, OCEA NUS, METIS, MNEMOSYNE, TITA NOMA CHY, SELENE, THEMIS, TETHYS, THEIA , IA PETUS, COEUS, CRIUS, A STERIA , EPIMETHEUS, HYPERION, A STRA EUS, CRON - To download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF, you should access the web link under and save the ebook or have accessibility to other information which are have conjunction with Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron book. » Download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF « Our solutions was introduced with a want to serve as a total on the internet electronic digital catalogue that provides use of multitude of PDF file book assortment. You could find many kinds of e-publication and also other literatures from your paperwork database.
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STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra.
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Aurora (Mythology)
Aurora (mythology) 2 Usage in literature and music Aurora, by Guercino, 1621-23: the ceiling fresco in the Casino Ludovisi, Rome, is a classic example of Baroque illusionistic painting Aurora (Latin: [awˈroːra]) is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek Eos and Rigvedic Ushas (and possi- bly Germanic Ostara), Aurora continues the name of an earlier Indo-European dawn goddess, Hausos. Aurora Taking Leave of Tithonus 1 Roman mythology 1704, by Francesco Solimena From Homer's Iliad: In Roman mythology, Aurora, goddess of the dawn, re- news herself every morning and flies across the sky, an- Now when Dawn in robe of saffron was has- nouncing the arrival of the sun. Her parentage was flex- tening from the streams of Okeanos, to bring ible: for Ovid, she could equally be Pallantis, signifying light to mortals and immortals, Thetis reached the daughter of Pallas,[1] or the daughter of Hyperion.[2] the ships with the armor that the god had given She has two siblings, a brother (Sol, the sun) and a sis- her. (19.1) ter (Luna, the moon). Rarely Roman writers[3] imitated Hesiod and later Greek poets and named Aurora as the mother of the Anemoi (the Winds), who were the off- But soon as early Dawn appeared, the rosy- spring of Astraeus, the father of the stars. fingered, then gathered the folk about the pyre of glorious Hector. (24.776) Aurora appears most often in sexual poetry with one of her mortal lovers. A myth taken from the Greek by Ro- man poets tells that one of her lovers was the prince of From Virgil's Aeneid: Troy, Tithonus.
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Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them.
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