A Modest Proposal by Paul Spencer Before Me Is the Proof That It Can Be Done
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Street Value for Viagra
GREAT SALE PRICES INSIDE! From the front cover: Brett Halsey: Art or Instinct in Movies NEW TITLES by John B. Murray - $25 Brett Halsey is mainly known for his work in Alfred Hitchcock’s London - $25 spaghetti Westerns and Italian adventure films, Gary Giblin takes film fans on a tour of but also classics like Return of the Fly and Return London locations used in Hitchcock films. to Peyton Place. When one examines Hollywood Whether a world traveler or armchair tour- and European genre movies together, it becomes ist you will enjoy this guided tour. clear that Brett Halsey has fashioned an impres- sive body of work. Forgotten Horrors 4 - $25 by Michael H. Price and John Wooley Classic Cliffhangers: Vol. 2 FH4 picks up where FH3 left off and cov- by Hank Davis - $25 ers the years 1947 and 1948. Titles include Volume 2 also allows us to examine titles made series such as Jungle Jim, the Falcon and during the Golden Era. Beginning in 1941, our Philo Vance, etc. $25 coverage includes serial gems like The Adven- tures of Captain Marvel, The Perils of Nyoka, Good Movies: Bad Timing - $25 Spy Smasher. Secret Service in Darkest Africa, Author Nicholas Anez examines films that and The Crimson Ghost—1941-1955 displays were considered box office duds but upon some of the finest actors, stuntmen and directors reevaluation prove to be decent films. In- to grace the screen. cludes James Bond and Tarzan, Hollywood’s Top Dogs Mantan the Funnyman - $35 by Deborah Painter - $25 by Michael H. Price [Includes a CD] The dog hero has existed in motion pictures for A biography of the great Mantan Moreland, over 100 years. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Forward Thinking Can Help Parents Deal with Cancer Dear Abby: I’M Writing in to Cherish from Her
Page 6B East Oregonian COFFEE BREAK Thursday, August 13, 2015 PEANUTS BY CHARLES M. SCHULZ DEAR ABBY Forward thinking can help parents deal with cancer Dear Abby: I’m writing in to cherish from her. response to “Not Talking About the “Not Talking’s” wife may want to Future” (March 24), whose wife has consider doing some of these things. breast cancer, was told she has only a I send her, and everyone else dealing FOR BETTER OR WORSE BY LYNN JOHNSTON few years to live, and feels sad when with cancer, a prayer of peace. — her kids talk about their futures. My Proud Daughter, Vancouver, Wash. dad was diagnosed with stage four Dear Abby: I was 13 when my multiple myeloma, a type of blood father found out he had cancer. I cancer, in 2006. He was told that even Jeanne didn’t know what it was, and no one the most aggressive treatment would Phillips in my family sat me down and told buy him only two or three more years. Advice me he was going to die. He passed Well, he’s now working on year nine. away at a hospital out of town, and I While I must admit that it’s been wasn’t there when it happened. When hard at times for me to stay positive about I was told, I was heartbroken. his prognosis, I try not to let it show. Instead, Now, as an adult, I am crushed that I every chance I get, I talk about the future with wasn’t able to have the conversations with him — holiday plans, plans for my wedding him I needed — about his boyhood, grand- B.C. -
Visual Representations of Terry Pratchett's Discworld in Time And
IMAGINATIONS: JOURNAL OF CROSS-CULTURAL IMAGE STUDIES | REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE Publication details, including open access policy and instructions for contributors: http://imaginations.glendon.yorku.ca Visibility and Translation Guest Editor: Angela Kölling December 31, 2020 Image Credit: Cia Rinne, Das Erhabene (2011) To cite this article: Sohár, Anikó. “Each to Their Own: Visual Representations of Terry Pratchett’s Discworld in Time and Space.” Imaginations: Journal of Cross-Cultural Image Studies, vol. 11, no. 3, Dec. 2020, pp. 123-163, doi: 10.17742/IMAGE.VT.11.3.6. To link to this article: http://dx.doi.org/10.17742/IMAGE.VT.11.3.6 The copyright for each article belongs to the author and has been published in this journal under a Creative Commons 4.0 International Attribution NonCommercial NoDerivatives license that allows others to share for non-commercial purposes the work with an acknowledgement of the work’s authorship and initial publication in this journal. The content of this article represents the author’s original work and any third-party content, either image or text, has been included under the Fair Dealing exception in the Canadian Copyright Act, or the author has provided the required publication permissions. Certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act. EACH TO THEIR OWN: VISUAL REPRESENTATIONS OF TERRY PRATCHETT’S DISCWORLD IN TIME AND SPACE ANIKÓ SOHÁR When a book is translated, publishers Lorsqu’un livre est traduit, les éditeurs mo- will often modify or completely change difient souvent, voire changent complète- the cover design. -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Yarcon Programme Book
yarcon : committee dave &-barber ken00! Steve Oakey phi ro9°"* archie mercer - beryl.mercet ©copyrightC 1966 for the B.S. F.A. ® tea Residents Royal Bar. Bar. a Lounge. Lounge. | Ballroom. fan ( | Managers Office_j +, tents | : yo: (eeeLadies. | TA Palm Court. | Main Entrance. / Yard. fe iain Stairs. Clive Bar. Reception. x Dining Room. = ee Yarmouth is an old town, it was incorporated as a woreugh and the first Charter granted by King John in 1209, but it does not follow that it is @ dull town. It is a modexn Holiday resort as well as combining a go- ahead industrial centre. If any conventioneers can find time to take a look round Yarmouth, may we suggest that they keep their eyes open for a few of the following sights of interest. Parts of the 14th century defences still stand; they are the North West Tower on the North Quay, the South East and Blackfriars Towers on Blackfriars Road, there is St. Nicholas Parish Church, founded in 1101,. the Medieval Tollhouse, the Old Merchants House and the Tow Hall. Also worth a visit are the Quaysides where all types of Merchant Vessels can be seen. Modern amenities include. a Ten Pin Bowling Centre, Ice Skating, several Cinemas and Theatres, all types of eating houses and, of course, the Pleasure Beach, The areas surrounding Yarmouth are flat end uninteresting when viewed from the road, but take on a far more romantic aspect if seen from the deck of a small craft. We are in the heart of the Norfolk Broads, where some of you may have spent many happy hours. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Argentuscon Had Four Panelists Piece, on December 17
Matthew Appleton Georges Dodds Richard Horton Sheryl Birkhead Howard Andrew Jones Brad Foster Fred Lerner Deb Kosiba James D. Nicoll Rotsler John O’Neill Taral Wayne Mike Resnick Peter Sands Steven H Silver Allen Steele Michael D. Thomas Fred Lerner takes us on a literary journey to Portugal, From the Mine as he prepared for his own journey to the old Roman province of Lusitania. He looks at the writing of two ast year’s issue was published on Christmas Eve. Portuguese authors who are practically unknown to the This year, it looks like I’ll get it out earlier, but not Anglophonic world. L by much since I’m writing this, which is the last And just as the ArgentusCon had four panelists piece, on December 17. discussing a single topic, the first four articles are also on What isn’t in this issue is the mock section. It has the same topic, although the authors tackled them always been the most difficult section to put together and separately (mostly). I asked Rich Horton, John O’Neill, I just couldn’t get enough pieces to Georges Dodds, and Howard Andrew Jones make it happen this issue. All my to compile of list of ten books each that are fault, not the fault of those who sent out of print and should be brought back into me submissions. The mock section print. When I asked, knowing something of may return in the 2008 issue, or it may their proclivities, I had a feeling I’d know not. I have found something else I what types of books would show up, if not think might be its replacement, which the specifics. -
Searching for Extraterrestrial Intelligence
THE FRONTIERS COLLEctION THE FRONTIERS COLLEctION Series Editors: A.C. Elitzur L. Mersini-Houghton M. Schlosshauer M.P. Silverman J. Tuszynski R. Vaas H.D. Zeh The books in this collection are devoted to challenging and open problems at the forefront of modern science, including related philosophical debates. In contrast to typical research monographs, however, they strive to present their topics in a manner accessible also to scientifically literate non-specialists wishing to gain insight into the deeper implications and fascinating questions involved. Taken as a whole, the series reflects the need for a fundamental and interdisciplinary approach to modern science. Furthermore, it is intended to encourage active scientists in all areas to ponder over important and perhaps controversial issues beyond their own speciality. Extending from quantum physics and relativity to entropy, consciousness and complex systems – the Frontiers Collection will inspire readers to push back the frontiers of their own knowledge. Other Recent Titles Weak Links Stabilizers of Complex Systems from Proteins to Social Networks By P. Csermely The Biological Evolution of Religious Mind and Behaviour Edited by E. Voland and W. Schiefenhövel Particle Metaphysics A Critical Account of Subatomic Reality By B. Falkenburg The Physical Basis of the Direction of Time By H.D. Zeh Mindful Universe Quantum Mechanics and the Participating Observer By H. Stapp Decoherence and the Quantum-To-Classical Transition By M. Schlosshauer The Nonlinear Universe Chaos, Emergence, Life By A. Scott Symmetry Rules How Science and Nature are Founded on Symmetry By J. Rosen Quantum Superposition Counterintuitive Consequences of Coherence, Entanglement, and Interference By M.P. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Philip K. Dick: the Last Interview and Other Conversations
PHILIP K. DICK: THE LAST INTERVIEW AND OTHER CONVERSATIONS Copyright © 2015 by Melville House Publishing “Local Kid Makes Good” © 1955 by the Oakland Tribune, First published in the Oakland Tribune on January 10, 1955. “The Acid Truth” © 1974 by Arthur Byron Cover. First published in the February 1974 issue of Vertex. “Even Paranoids Have Enemies” © by Cindy Lee Berryhill. First published in Only Apparently Real by Paul Williams (Arbor House, 1986). “Anticipating the Future” © 1987 by D. Scott Apel. First published in Philip K. Dick: The Dream Connection (The Permanent Press, 1987). “Killing the Rat” © 1980 and 2015 by Charles Platt. First published in a different form in Dream Makers: The Uncommon People Who Write Science Fiction (Berkley Books, 1980). “Blade Runner and Hollywood Temptations” © by James Van Hise. Expanded from an interview in Star Log magazine in February 1982. “Destruction and Enlightenment”: The Last Interview © by Gregg Rickman. First published in slightly different form in Philip K. Dick: The Last Testament (Fragments West / The Valentine Press, 1985). Melville House Publishing 46 John Street Brooklyn, NY 11201 and 8 Blackstock Mews Islington London N4 2BT mhpbooks.com facebook.com/mhpbooks @melvillehouse Library of Congress Cataloging-in-Publication Data Dick, Philip K. | Streitfeld, David. Philip K. Dick : the last interview and other conversations / edited and with an introduction by David Streitfeld. Brooklyn, NY : Melville House, [2015] The last interview series LCCN 2015039266 ISBN 9781612195261 (paperback)