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ENGL 279 Course Title: Science Fiction and Dystopic Literature Units
Course name: ENGL 279 Course title: Science Fiction and Dystopic Literature Units: 3 Course Description: This course is designed to increase students’ knowledge of the literary genre known as Science Fiction. Emphasis will be on the study of literature--novels and short fiction--that depicts our future world, visionary scientific endeavor, and conflicts between humans, aliens, and sentient technology. Students will study the history, exciting contemporary trends, and the relevant contemporary issues in Science Fiction, including dystopia vs. utopia, artificial intelligence, current theory concerning technology, cloning and physical science, human psychology in a futuristic environment, and the rise of Cyberpunk and new Alternate Reality literature within the genre. Prerequisites: Completion of ENGL 101 Course Objectives: l. Analyze the role of literature as a means of reflecting and shaping thought and behavior. 2. Recognize and employ literary terminology and the language of literary criticism. 3. Identify, interpret, and compare and contrast specific leitmotifs and character types of the Science Fiction genre. 4. Practice critical reading and writing skills. 5. Conduct research and synthesize material from outside the given text in developing a written or oral project. 6. Recognize the attributes that make literary works universal and timeless, as well as unique to certain genres. 7. Demonstrate the ability to discuss literature using relevant support from the text. 8. Evaluate a literary work objectively, being able to understand and analyze critical responses to the works read. Course Content: I. In discussing the roots of many essential elements of Science Fiction, the instructor will guide students in: A. Distinguishing the important archetypes of Science Fiction. -
A Very Short History of Cyberpunk
A Very Short History of Cyberpunk Marcus Janni Pivato Many people seem to think that William Gibson invented The cyberpunk genre in 1984, but in fact the cyberpunk aesthetic was alive well before Neuromancer (1984). For example, in my opinion, Ridley Scott's 1982 movie, Blade Runner, captures the quintessence of the cyberpunk aesthetic: a juxtaposition of high technology with social decay as a troubling allegory of the relationship between humanity and machines ---in particular, artificially intelligent machines. I believe the aesthetic of the movie originates from Scott's own vision, because I didn't really find it in the Philip K. Dick's novel, Do Androids Dream of Electric Sheep (1968), upon which the movie is (very loosely) based. Neuromancer made a big splash not because it was the "first" cyberpunk novel, but rather, because it perfectly captured the Zeitgeist of anxiety and wonder that prevailed at the dawning of the present era of globalized economics, digital telecommunications, and exponential technological progress --things which we now take for granted but which, in the early 1980s were still new and frightening. For example, Gibson's novels exhibit a fascination with the "Japanification" of Western culture --then a major concern, but now a forgotten and laughable anxiety. This is also visible in the futuristic Los Angeles of Scott’s Blade Runner. Another early cyberpunk author is K.W. Jeter, whose imaginative and disturbing novels Dr. Adder (1984) and The Glass Hammer (1985) exemplify the dark underside of the genre. Some people also identify Rudy Rucker and Bruce Sterling as progenitors of cyberpunk. -
Chapterhouse: Dune Frank Herbert April 1985 Those Who Would Repeat
Chapterhouse: Dune Frank Herbert April 1985 Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council -- Tamalane and Bellonda -- showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. -
Panels Seeking Participants
Panels Seeking Participants • All paper proposals must be submitted via the Submittable (if you do not have an account, you will need to create one before submitting) website by December 15, 2018 at 11:59pm EST. Please DO NOT submit a paper directly to the panel organizer; however, prospective panelists are welcome to correspond with the organizer(s) about the panel and their abstract. • Only one paper proposal submission is allowed per person; participants can present only once during the conference (pre-conference workshops and chairing/organizing a panel are not counted as presenting). • All panel descriptions and direct links to their submission forms are listed below, and posted in Submittable. Links to each of the panels seeking panelists are also listed on the Panel Call for Papers page at https://www.asle.org/conference/biennial-conference/panel-calls-for-papers/ • There are separate forms in Submittable for each panel seeking participants, listed in alphabetical order, as well as an open individual paper submission form. • In cases in which the online submission requirement poses a significant difficulty, please contact us at [email protected]. • Proposals for a Traditional Panel (4 presenters) should be papers of approximately 15 minutes-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file. Please include your name and contact information in this file. • Proposals for a Roundtable (5-6 presenters) should be papers of approximately 10 minute-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file. -
Climate Fiction
CLIMATE FICTION Instructor: Christopher A. Walker Course Number: EN/ES 337 Lecture: MW 2:30-3:45 in Miller 319 Office Hours: Mondays 4:00-6:00 (and by appointment) in Miller 216 Mailbox: Miller 216 Email: [email protected] Course Description Contemporary fiction is now investigating the possibilities and limits of story-telling in the era of global climate change. These works, referred to as “climate fiction” or “cli-fi,” explore humanity’s connection to- and impact upon Earth by asking questions such as: what will human and nonhuman communities look like after sea-level rise, desertification, and biodiversity loss remap our planet?; how might species evolve in response to ecological collapse?; what affects— melancholy, despair, hope—will eulogize a lost home-world? Reading cli-fi novels, short stories, poetry, and film, this course will situate our texts within the Environmental Humanities, an interdisciplinary field that combines scientific and cultural discourses about the environment with humanistic concerns for social justice. Working through the narrative conventions of the utopian, dystopian, and apocalyptic genres, we will ask how cli- fi not only narrates impending disaster on a global scale but also strives to imagine a more just future, one that combines environmentalism and social equality. These texts will be paired with excerpts from philosophical and ecocritical writings which will aid our development of the humanistic methodologies needed to analyze and appreciate this new genre. Course Materials Items with an asterisk (*) on reserve in Miller Library. Books to purchase: (Available at The Colby Bookstore) Margaret Atwood, Oryx and Crake (ISBN 978-0-385-72167-7) (2003) * J. -
FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order. -
Earl Kemp: Ei54
Vol. 10 No. 1 February 2011 –e*I*54– (Vol. 10 No. 1) February 2011, is published and © 2011 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents – eI54 – February 2011 Cover: “Cupid Goes Cosmic,” by Steve Stiles …Return to sender, address unknown….44 [eI letter column] by Earl Kemp Introduction “The Last Dangerous Visionaries,” by Earl Kemp A Touch of Ellison, by Earl Terry Kemp “I Must Have It,” by Ted White A Personal Remembrance of Harlan Ellison, by Lynn Munroe In Company with Harlan, by Linda Moorcock Harlan, by Michael Moorcock Harlan, by John-Henri Holmberg Harlan Ellison’s Dangerous Visions, by Rob Latham Fifty Years—That’s Not Too Many, by Richard Lupoff Nebula Awards Tempe AZ 2006, by Patricia Rogers Get Stuffed, by Jerome Winter Unzipped, by J.D. Crayne Harlan Ellison and Final Stage, by Bud Webster Fond Memories, by Various Back cover: “Steam Punk Rescue,” by Ditmar [Martin James Ditmar Jenssen] Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you—as if you haven't been told a million times already—that writing is harder. Lonelier. And nobler and more enriching. —Harlan Ellison THIS ISSUE OF eI is for Harlan Ellison on the occasion of his being named recipient of the 2011 Eaton Award for Lifetime Achievement in Science Fiction by the University of California, Riverside. In the strictly science fiction world, it is also in memory of Ruth Kyle. -
New Alt.Cyberpunk FAQ
New alt.cyberpunk FAQ Frank April 1998 This is version 4 of the alt.cyberpunk FAQ. Although previous FAQs have not been allocated version numbers, due the number of people now involved, I've taken the liberty to do so. Previous maintainers / editors and version numbers are given below : - Version 3: Erich Schneider - Version 2: Tim Oerting - Version 1: Andy Hawks I would also like to recognise and express my thanks to Jer and Stack for all their help and assistance in compiling this version of the FAQ. The vast number of the "answers" here should be prefixed with an "in my opinion". It would be ridiculous for me to claim to be an ultimate Cyberpunk authority. Contents 1. What is Cyberpunk, the Literary Movement ? 2. What is Cyberpunk, the Subculture ? 3. What is Cyberspace ? 4. Cyberpunk Literature 5. Magazines About Cyberpunk and Related Topics 6. Cyberpunk in Visual Media (Movies and TV) 7. Blade Runner 8. Cyberpunk Music / Dress / Aftershave 9. What is "PGP" ? 10. Agrippa : What and Where, is it ? 1. What is Cyberpunk, the Literary Movement ? Gardner Dozois, one of the editors of Isaac Asimov's Science Fiction Magazine during the early '80s, is generally acknowledged as the first person to popularize the term "Cyberpunk", when describing a body of literature. Dozois doesn't claim to have coined the term; he says he picked it up "on the street somewhere". It is probably no coincidence that Bruce Bethke wrote a short story titled "Cyberpunk" in 1980 and submitted it Asimov's mag, when Dozois may have been doing first readings, and got it published in Amazing in 1983, when Dozois was editor of1983 Year's Best SF and would be expected to be reading the major SF magazines. -
(Murderbot Diaries 06) Martha Wells No, I Didn't Kill the Dead Human. If I
Fugitive Telemetry (Murderbot Diaries 06) Martha Wells No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people – who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again! This sixth entry into the series is a standalone novella, set before All Systems Red. Love, love, love it! Cannot recommend highly enough! (If you want one, but we don’t have any in the shop – please, do order one, to stake your claim on the stock we will receive!) If you haven’t read the preceding books in Wells’ fab series – then start with All Systems Red (HC, $29.99) (see #2). Science fiction novella | HC | $29.99 All Systems Red (Murderbot Diaries 01) Martha Wells In a corporate-dominated, spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ’droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though, never out loud) as ‘Murderbot’. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
The Butterfly Phenomena: a Study of Climate Change on Barbara Kingsolver’S Flight Behaviour
© 2018 JETIR October 2018, Volume 5, Issue 10 www.jetir.org (ISSN-2349-5162) The Butterfly phenomena: A Study of Climate Change on Barbara Kingsolver’s Flight Behaviour. Rejani G.S Research Scholar (Ph.D) (Reg.No.18113154012020) S.T Hindu College ,Nagercoil Affiliated to Manonmanium Sundaranar University, Abhishekapatti.Tirunelveli. Abstract Barbara Kingsolver’s Flight Behaviour is a clarion call for the forestalled eco-apocalypse, climate change or global warming .Rachel Carson’s Silent Spring, Maggie Gees The Ice People, Jeanette Winterson’s The Stone Gods and many other novels in the same vein are futuristic. Even though there is always imagination in fiction, Flight Behaviour does not focus on the aftermath of any global disaster. Rather it reflects the actuality of climate change and Monarch butterfly migration. It also focuses on the story of a young woman trying to change her life, and a deeply humane account of working people responding to the local effects of the global climate crisis. Kingsolver has carved a career from examining social issues in her novels, from economic inequality to environmentalism. Flight Behaviour portrays the inducement and consequences of climate change that forms the butterfly effect. The paper throws light on the enormous consequence of climate change and the ignorance of reality. Keywords - Climate change, Butterfly phenomenon , Futuristic, Global Warming and Environmentalism. Climate change is the defining challenge of our age. The science is clear, climate change is happening, the impact is real. The time to act is now. -Ban Ki-Moon Climate novel is an emerging literary genre that has caught much attention and popularity in recent years. -
Table of Contents
TABLE OF CONTENTS Gaming Introduction/Schedule ...........................................4 Role Playing Games (Campaign) ........................................25 Board Gaming ......................................................................7 Campaign RPGs Grid ..........................................................48 Collectible Card Games (CCG) .............................................9 Role Playing Games (Non-Campaign) ................................35 LAN Gaming (LAN) .............................................................18 Non-Campaign RPGs Grid ..................................................50 Live Action Role Playing (LARP) .........................................19 Table Top Gaming (GAME) .................................................52 NDMG/War College (NDM) ...............................................55 Video Game Programming (VGT) ......................................57 Miniatures .........................................................................20 Maps ..................................................................................61 LOCATIONS Gaming Registration (And Help!) ..................................................................... AmericasMart Building 1, 2nd Floor, South Hall Artemis Spaceship Bridge Simulator ..........................................................................................Westin, 14th Floor, Ansley 7/8 Board Games ................................................................................................... AmericasMart Building 1, 2nd