DOCSLIB.ORG

52945.1 BLH Trio 360 CFX Manual MULTI.Indb

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
52945.1 BLH Trio 360 CFX Manual MULTI.Indb ® Instruction Manual Bedienungsanleitung Manuel d’utilisation Manuale di Istruzioni NOTICE All instructions, warranties and other collateral documents are subject to change at the sole discretion of Horizon Hobby, LLC. For up-to-date product literature, visit horizonhobby.com and click on the support tab for this product. Meaning of Special Language The following terms are used throughout the product literature to indicate various levels of potential harm when operating this product: NOTICE: Procedures, which if not properly followed, create a possibility of physical property damage AND a little or no possibility of injury. CAUTION: Procedures, which if not properly followed, create the probability of physical property damage AND a possibility of serious injury. WARNING: Procedures, which if not properly followed, create the probability of property damage, collateral damage, and serious injury OR create a high probability of superfi cial injury. WARNING: Read the ENTIRE instruction manual to become familiar with the features of the product before operating. Failure to operate the product correctly can result in damage to the product, personal property and cause serious injury. This is a sophisticated hobby product. It must be operated with caution and common sense and requires some basic mechanical ability. Failure to operate this Product in a safe and responsible manner could result in injury or damage to the product or other property. This product is not intended for use by children without direct adult supervision. Do not use with incompatible components or alter this product in any way outside of the instructions provided by Horizon Hobby, LLC. This manual contains instructions for safety, operation and maintenance. It is essential to read and follow all the instructions and warnings in the manual, prior to assembly, setup or use, in order to operate correctly and avoid damage or serious injury. Age Recommendation: Not for children under 14 years. This is not a toy. Safety Precautions and Warnings • Always keep a safe distance in all directions around your model to avoid • Never operate your model with low transmitter batteries. collisions or injury. This model is controlled by a radio signal subject to • Always keep aircraft in sight and under control. interference from many sources outside your control. Interference can • Always move the throttle fully down at rotor strike. cause momentary loss of control. • Always use fully charged batteries. • Always operate your model in open spaces away from full-size vehicles, • Always keep transmitter powered on while aircraft is powered. traffi c and people. • Always remove batteries before disassembly. • Always carefully follow the directions and warnings for this and any optional • Always keep moving parts clean. support equipment (chargers, rechargeable battery packs, etc.). • Always keep parts dry. • Always keep all chemicals, small parts and anything electrical out of the • Always let parts cool after use before touching. reach of children. • Always remove batteries after use. • Always avoid water exposure to all equipment not specifi cally designed and protected for this purpose. Moisture causes damage to electronics. • Never operate aircraft with damaged wiring. • Never place any portion of the model in your mouth as it could cause serious • Never touch moving parts. injury or even death. EN 2 ® Box Contents: • Blade Trio 360 CFX Table of Contents Safety Precautions and Warnings ........................................................................ 2 Blade Helicopter Belt Tension ..............................................................................8 Table of Contents .................................................................................................3 Post-Flight Inspections and Maintenance ............................................................. 8 First Flight Preparation .........................................................................................4 Troubleshooting Guide ......................................................................................... 8 Flying Checklist ................................................................................................... 4 Limited Warranty ................................................................................................. 9 Low Voltage Cutoff (LVC) ...................................................................................... 4 Warranty and Service Contact Information ......................................................... 10 Transmitter Setup ................................................................................................ 4 FCC Information .................................................................................................10 Installing the Flight Battery .................................................................................. 5 IC Information .................................................................................................... 10 Transmitter and Receiver Binding .........................................................................5 Compliance Information for the European Union .................................................10 Throttle Hold ........................................................................................................5 Exploded View / Explosionszeichnung / Vue Éclatée / Vista Esplosa .................... 40 Control Tests ........................................................................................................6 Parts List / Ersatzteile / Pièces de Rechange / Pezzi di Ricambio ........................42 Flying the Blade Trio 360 CFX .............................................................................. 7 Optional Parts / Optionale Bauteile / Pièces optionnelles / Pezzi opzionali ...........43 Gyro Gain Adjustment .......................................................................................... 8 Specifi cations Length 26.4 in (670mm) Tail Rotor Diameter 6.9 in (175mm) Height 8.5 in (215mm) Flying Weight 30 oz (850 g) Main Rotor Diameter 31.1 in (790mm) To receive product updates, special offers and more, register your product at www.bladehelis.com. 3 EN First Flight Preparation Flying Checklist • Remove and inspect contents ❏ Always turn the transmitter on fi rst • Begin charging the fl ight battery ❏ Plug the fl ight battery into the lead from the ESC • Program your computer transmitter ❏ Allow the ESC to initialize and arm properly • Install the fl ight battery in the helicopter (once it has been fully charged) ❏ Fly the model • Bind your transmitter ❏ Land the model • Familiarize yourself with the controls ❏ Unplug the fl ight battery from the ESC • Find a suitable area for fl ying ❏ Always turn the transmitter off last Low Voltage Cutoff (LVC) The ESC will continuously lower power to the motor until complete shutdown Repeatedly fl ying the helicopter until LVC activates will damage the helicopter when the battery reaches 18V under load. This helps prevent over-discharge of the battery. Li-Po battery. Land immediately when the ESC activates LVC. Continuing to fl y after Disconnect and remove the Li-Po battery from the aircraft after use to prevent LVC can damage the battery, cause a crash or both. Crash damage and batteries trickle discharge. During storage, make sure battery charge does not fall below damaged due to over-discharge are not covered under warranty. 3V per cell. Transmitter Setup Program your transmitter before attempting to bind or fl y the helicopter. The fi les for models using Spektrum™ transmitters with AirWare™ software are Transmitter programming values are shown below for the Spektrum DX6, also available for download online at www.spektrumrc.com. DX7 (Gen 2), DX8 (Gen 2), DX9, DX18 and DX20. DX6, DX7 (Gen 2), DX8 (Gen 2), DX9, DX18, DX20 SETUP LIST FUNCTION LIST Model Type HELI Servo Setup Swash Type Normal Chan Travel Reverse Chan Travel Reverse F-Mode Setup THR 130/110 Normal RUD 100/100 Reverse Switch 1 Switch B AIL 100/100 Reverse GER 100/100 Normal ELE 100/100 Reverse PIT 100/100 Reverse Switch 2 Inhibit Hold Switch Switch H D/R & Expo Throttle Curve Chan Switch (F) Pos D/R Expo Switch (B) Pos Pt 1 Pt 2 Pt 3 Pt 4 Pt 5 Channel Assign 0 100/100 0 N 0 30 30 30 30 Channel Input Confi g AILE 1 85/85 0 17575757575 1 Throttle 2 85/85 0 2 100 100 100 100 100 2 Aileron 0 100/100 0 HOLD 0 0 0 0 0 3 Elevator ELEV 1 85/85 0 Pitch Curve 4 Rudder 2 85/85 0 Switch (B) Pos Pt 1 Pt 2 Pt 3 Pt 4 Pt 5 5 Flight Mode Switch B 0 100/100 0 N 30 40 50 75 100 6 Collective RUDD 1 85/85 0 1 0 25 50 75 100 Frame Rate 2 85/85 0 2 0 25 50 75 100 22ms Gyro HOLD 0 25 50 75 100 DSMX Pos 0 58% Timer Pos 1 48% Mode Count Down Pos 2 40% Time 3:00 Channel Gear Start Throttle Out SW B Over 25% One Time Inhibit EN 4 Installing the Flight Battery 1. Lower the throttle. CAUTION: Make sure the fl ight battery does not come in contact with the 2. Power on the transmitter. motor. Failure to do so will cause the motor, ESC and battery to overheat, 3. Center the throttle trim. resulting in a crash causing property damage and injury. 4. To allow the ESC to arm and to keep rotors from initiating at startup, turn on 7. Do not move the helicopter until the AR7210BX initializes. The swashplate will throttle hold and normal fl ight mode before connecting the fl ight battery. move up and down, indicating that the unit is ready. The AR7210BX will also 5. Attach hook material to the helicopter frame and loop material to the battery. emit a solid BLUE Status LED when it is ready.
Load more

Recommended publications
  • Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930S
    Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Ariel Mae Lambe All rights reserved ABSTRACT Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe This dissertation shows that during the Spanish Civil War (1936–1939) diverse Cubans organized to support the Spanish Second Republic, overcoming differences to coalesce around a movement they defined as antifascism. Hundreds of Cuban volunteers—more than from any other Latin American country—traveled to Spain to fight for the Republic in both the International Brigades and the regular Republican forces, to provide medical care, and to serve in other support roles; children, women, and men back home worked together to raise substantial monetary and material aid for Spanish children during the war; and longstanding groups on the island including black associations, Freemasons, anarchists, and the Communist Party leveraged organizational and publishing resources to raise awareness, garner support, fund, and otherwise assist the cause. The dissertation studies Cuban antifascist individuals, campaigns, organizations, and networks operating transnationally to help the Spanish Republic, contextualizing these efforts in Cuba’s internal struggles of the 1930s. It argues that both transnational solidarity and domestic concerns defined Cuban antifascism. First, Cubans confronting crises of democracy at home and in Spain believed fascism threatened them directly. Citing examples in Ethiopia, China, Europe, and Latin America, Cuban antifascists—like many others—feared a worldwide menace posed by fascism’s spread.
    [Show full text]
  • Robert Rauschenberg and James Rosenquist Graphics Rosenquist
    RAUSCHENBERG PAST POP: ROBERT RAUSCHENBERG AND JAMES ROSENQUIST GRAPHICS ROSENQUIST KEAN UNIVERSITY !CKNOWLEDGEMENTS We would like to recognize the many individuals and institutions who generously provided assistance in this process. Bard Graduate Center: Olga Valle Tetkowski; Graebel Movers International Inc.: Jim Wilderotter; Kean University: Dr. Dawood Farahi, Holly Logue, John Maso, and Kenneth Kimble; The Montclair Art Museum: Gail Stavitsky and Erica Boyd; The Newark Museum: Amber Woods Germano, Olivia Arnone; O’Hara Gallery: Ruth O’Hara and Lauren Yen; Prudential Insurance Company of America: Carol Skuratofsky and Joseph Sabatino; the Estate of Robert Rauschenberg: Gina C. Guy and Thomas Buehler; James Rosenquist and Beverly Coe at the Rosenquist Studio; Universal Limited Art Editions: Bill Goldston and Marie Allen; The Whitney Museum of American Art: Donna DeSalvo, Barbie Spieler and Matt Heffernan; Visual Artists and Galleries Association (VAGA): Robert Panzer and Kimberly Tishler. Rich Russo for the photographs of prints in the Kean and Prudential collections. Special thanks to Barbara Burn for her remarkable editing ability and unique kindness. Without her diligence, this catalog would not have been possible. Copyright © 2009 by Kean University, Union, New Jersey Catalog essay, Past Pop: Robert Rauschenberg and James Rosenquist Graphics of the 1970s © 2009 Lewis Kachur All rights reserved. No part of this book may be reproduced in any form including electronic or mechanical means, photocopying, information storage and retrieval systems, except in the case of brief extracts for the purpose of critical articles and reviews, without permission in writing from Kean University. Art © James Rosenquist /Licensed by VAGA, New York, NY Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY U.L.A.E.
    [Show full text]
  • Outdoor Environments Benches, Bike Racks, Litter & Recycling, Lighting, Café and Railings
    Outdoor Environments Benches, Bike racks, Litter & recycLing, Lighting, café and raiLings shaping life in public spaces outdoor environments Forms+Surfaces products bring inspiration to public spaces of all kinds and are designed to meet the needs of outdoor environments worldwide. By putting people at the center of our vision, and thoughtfully considering our designs and materials against the challenges they’re intended to address, we’ve built an integrated product line shaped by sophisticated designs, green materials and finishes, superior construction, and competitive pricing. You’ll find our products around the world in airports, train stations, city centers, parks, waterfronts, corporate campuses, hotels, healthcare facilities, shopping malls, stadiums, universities, restaurants and more. Select site furnishings are available for Forms+Surfaces is an FSC® Certified Supplier shipment within 7 days through our QuickShip (FSC C004453). All of our wood slat benches are made program – just look for the QuickShip logo. with FSC Pure wood. 1 | FORMS+SURFACES FORMS+SURFACES | 2 benches Forms+Surfaces benches are recognized worldwide for their distinctive designs and high-performance green materials and finishes. Rugged enough to face the challenges of real-world use, our benches are ideal for a wide variety of indoor and outdoor public spaces. 3 | FORMS+SURFACES FORMS+SURFACES | 4 Trio Bench Hudson Bench Camber Bench + Backed and backless benches in nominal 6 foot seat lengths + Backless benches standard in 6 foot and 8 foot lengths + Backed
    [Show full text]
  • Clear Black Smoke Mohammed Qasim Ashfaq
    CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 17 18 18 19 19 20 20 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 CLEAR 1 BLACK 1 2 2 3 SMOKE 3 4 4 5 MOHAMMED 5 6 QASIM 6 7 7 8 ASHFAQ 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16 17 First Edition 2017 17 18 18 19 Editor Shanay Jhaveri 19 20 Concept Shanay Jhaveri and Hannah Barry 20 21 Coordination Diana Córdoba Barrios 21 22 Photography Damian Griffiths 22 23 Studio photos Mohammed Qasim Ashfaq 23 24 ©The Isamu Noguchi Foundation and Garden Museum 24 25 / ARS, New York + DACS, London 25 26 Design Victoria Bridal 26 27 Typefaces Circular and Palatino Edited by 27 28 Printed by Ex Why Zed, Cambridge, United Kingdom Shanay Jhaveri 28 1 1 2 2 3 3 4 4 5 SCALING UP, TO SHIFT 5 5 6 Shanay Jhaveri 6 7 7 8 BLACK 9 8 9 Alexis Lowry 9 10 10 11 THINKING THROUGH PERFECT 13 11 12 WITH DONATIEN GRAU 12 13 13 14 MULTIPLE PERSPECTIVES: 33 14 15 ISAMU NOGUCHI AND THE JANTAR MANTAR 15 16 Devika Singh 16 17 17 18 POTENTIAL ART 39 18 19 Ben Eastham 19 20 20 21 PERFECTION 45 21 22 Charlie Clarke 22 23 23 24 SHIFT 51 24 25 Paul Hobson 25 26 26 27 27 28 28 SCALING UP, 1 TO SHIFT 2 3 4 SHANAY JHAVERI 5 6 7 8 9 Mohammed Qasim Ashfaq’s is a nascent practice, one that 10 is still revealing itself.
    [Show full text]
  • The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020
    The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 edited by Dr. Redell Hearn Mississippi Museum of Art Jackson in partnership with Tougaloo College Art Collections Turry M. Flucker, Director Tougaloo made possible by the Henry Luce Foundation The Art and Civil Rights Initiative is a partnership between the Mississippi Museum of Art and Tougaloo College, supported by the Henry Luce Foundation. The Mississippi Museum of Art and its programs are sponsored in part by the city of Jackson and Visit Jackson. Support is also provided in part by funding from the Mississippi Arts Commission, a state agency, and by the National Endowment for the Arts, a federal agency. Tougaloo College is a private, coeducational, historically black four-year liberal arts, church related, but not church-controlled institution. Copyright © 2020 Mississippi Museum of Art 380 South Lamar Street, Jackson, MS 39201 / www.msmuseumart.org and Tougaloo College 500 County Line Rd, Tougaloo, MS 39174 / https://www.tougaloo.edu/ All rights reserved. No part of this publication may be reproduced or transmitted in any form without written permission from the publisher. Artwork dimensions are given in inches; height precedes width precedes depth. MMA collection numbers 1966.001, 1966.018, 1972.006, and 2005.029 photographed by Gil Ford Photography; 2005.029 photographed by Roland L. Freeman. All other photography of artwork from MMA and Tougaloo collections is by Mark Geil. Creative director for the exhibitions A Tale of Two Collections and The Prize is Latrice Lawson.
    [Show full text]
  • Days & Hours for Social Distance Walking Visitor Guidelines Lynden
    53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.
    [Show full text]
  • Drapo Vodou: Sacred Standards of Haitian Vodou
    UC Santa Barbara UC Santa Barbara Previously Published Works Title Drapo Vodou: Sacred Standards of Haitian Vodou Permalink https://escholarship.org/uc/item/5mc5w4g2 Journal Flag Research Quarterly, 2(3-4) Author Platoff, Anne M. Publication Date 2015-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D.
    [Show full text]
  • Creative Flow
    Using marine debris, painted silk, Creative Flow and paper, artist Pam Longobardi, Linda Gass, and Lauren Rosenthal Three Activist Artists advocate for greater consciousness by Sally Hansell of our fragile water systems. owerful new work by three activist artists addresses one of the nation’s most critical issues—the steady degradation of our precious water supply. Pam Lon- gobardi uses plastic trash collected on beaches to Pmake provocative art that points to the devastating dangers of plastic in our environment. Linda Gass creates vibrant paint- ed-silk quilt works depicting specific ecological hazards in San Francisco Bay. Lauren Rosenthal turns watershed data into cut- paper sculptures to demonstrate the interconnectedness of riv- ers and earthly organisms. Through their chosen media, these diverse artists advocate for a heightened global ecological con- sciousness. In 2006, Pam Longobardi launched an ongoing project called Drifters after encountering mounds of consumer waste on the beach at South Point, the southernmost tip of the Hawaiian Islands. The project includes photography, sculp- ture, public art, and installations made from the debris that washes up on shores around the world. The Atlanta artist creates “driftwebs” from abandoned drift nets, the miles-long fishing nets that wreak havoc on sea life, killing fish, mammals, turtles, and birds. She cuts and ties pieces of the nets to make installations resembling spider webs. Her intent is not only to draw attention to the dan- gerous plastic nets, but more importantly, to use their woven colorful forms as a dual metaphor for the predatory, destruc- tive behavior of humankind and the interconnectedness of the web of life.
    [Show full text]
  • Ceramics Monthly Apr04 Cei04
    editor Sherman Hall associate editor Tim Frederich assistant editor Renee Fairchild design Paula John production manager John Wilson production specialist David Houghton advertising manager Steve Hecker advertising assistant Debbie Plummer circulation manager Cleo Eddie publisher Marcus Bailey editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA telephone editorial: (614) 895-4213 advertising: (614) 794-5809 classifieds: (614) 895-4212 customer service: (614) 794-5890 fax (614) 891-8960 e-mail [email protected] [email protected] [email protected] [email protected] website www.ceramicsmonthly.org Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri­ can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add GST (registration number R123994618). change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De­ partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available on request. Send manuscripts and visual sup­ port (slides, transparencies, photographs, drawings, etc.) to Ceramics Monthly, 735 Ceramic PI., Westerville, OH 43081. We also accept unillustrated texts e-mailed to [email protected] or faxed to (614) 891-8960. indexing: An index of each year's feature articles appears in the December issue.
    [Show full text]
  • 1 U.S. Latino Patriots: from the American Revolution to Afghanistan
    U.S. Latino Patriots: From the American Revolution to Afghanistan, An Overview By Refugio I. Rochin and Lionel Fernandez Background The mission of the Smithsonian Center for Latino Initiatives is to disseminate and advance understanding and knowledge of the contributions of Latinas and Latinos to the culture, society, history, arts, and sciences of the United States (U.S.). Since its inaugural opening on August 10, 1998, the Center has taken an active role in developing knowledge of the accomplishments of Latinas/os, “Latino Patriots” and their role in U.S. military history. Under the direction of Refugio I. Rochin, research has been conducted, data collected, and text prepared at the Smithsonian Institution by Lionel Fernandez, a volunteer at the Center for Latino Initiatives. Jose Alonzo Oliveros, a former fellow at the Center under the auspices of the Congressional Hispanic Caucus Institute (FY 2000), initially prepared the groundwork for this project. This research has explored the feasibility of developing an exhibition at the Smithsonian to document the contributions of Hispanic Americans in military conflicts since the American Revolution where the U.S. has played an active role. This history dates back to the colonial era with the onset of the American Revolution and spans more than 200 years to include contemporary military conflicts. The Smithsonian’s collections include more than 140 million objects and archival materials. These include military memorabilia of U.S. war periods. The Smithsonian’s National Museum of American History is the primary repository of materials that involve the participation of Latinas/os in U.S. military engagements.
    [Show full text]
  • LE CORBUSIER's PRINCIPLES of CITY PLANNING and Thelr
    LE CORBUSIER'S PRINCIPLES OF CITY PLANNING AND THElR APPLICATION IN VIRTUAL ENVIRONMENTS by AMlT TUNGARE Bachelor of Architecture, University of Pune, lndia Master of Planning, School of Planning and Architecture, New Delhi, lndia A thesis submitted to the Faculty of Graduate Studies and Research in the partial fulfilment of the requirements of the degree of Master of Architecture School of Architecture Carleton University, Ottawa, Ontario, May, 2001 O 2001, Amit Tungare National Library Bibliothèque nationale 1*1 of Cam& du Canada Acquisitions and Acquisitions et Bibliographie Services senfices bibliographiques 395 Wellington Street 395, rue Wellington OttawaON KlAON4 Ottawa ON K1A ûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lîbraly of Canada to Bibliothèque nationale du Canada de reproduce, 10- distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The objective of this thesis is to develop an approach to understanding the concept of 'Virtual City' by drawing information from the disciplines of architecture and city planning.
    [Show full text]
  • Life-Span Development: Frameworks, Accounts and Strategies, 2Nd Edition
    Sugarman, Leonie (2004) Life-span development: frameworks, accounts and strategies, 2nd edition. Psychology Press, Taylor and Francis Group. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/4719/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. 1111 2 Life-Span Development 3 4 5111 6 7 8 9 1011 1 2 3111 This thorough revision of the highly successful first edition of Life-Span 4 Development, offers the reader a wide-ranging and thought provoking 5 account of human development throughout the life-span.
    [Show full text]