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"Et in Arcadia Ille – This One Is/Was Also in Arcadia"
99 BARBARA PUSCHMANN-NALENZ "Et in Arcadia ille – this one is/was also in Arcadia:" Human Life and Death as Comedy for the Immortals in John Banville's The Infinities Hermes the messenger of the gods quotes this slightly altered Latin motto (Banville 2009, 143). The original phrase, based on a quotation from Virgil, reads "et in Arcadia ego" and became known as the title of a painting by Nicolas Poussin (1637/38) entitled "The Arcadian Shepherds," in which the rustics mentioned in the title stumble across a tomb in a pastoral landscape. The iconography of a baroque memento mori had been followed even more graphically in an earlier picture by Giovanni Barbieri, which shows a skull discovered by two astonished shepherds. In its initial wording the quotation from Virgil also appears as a prefix in Goethe's autobiographical Italienische Reise (1813-17) as well as in Evelyn Waugh's country- house novel Brideshead Revisited (1945). The fictive first-person speaker of the Latin phrase is usually interpreted as Death himself ("even in Arcadia, there am I"), but the paintings' inscription may also refer to the man whose mortal remains in an idyllic countryside remind the spectator of his own inevitable fate ("I also was in Arcadia"). The intermediality and equivocacy of the motto are continued in The Infinities.1 The reviewer in The Guardian ignores the unique characteristics of this book, Banville's first literary novel after his prize-winning The Sea, when he maintains that "it serves as a kind of catalogue of his favourite themes and props" (Tayler 2009). -
LINEN SALE the Cominenoeiiient Exercises of Tlie Tuesday Evenings, June 19Aud 20, Com Adilttllvii
i0ianta VOL. XLVII. MASON, MICH.. THURSDAY, JUNE 15, 1905. NO. 24. ;,'!J': GRADUATING EXERCISES Senior Oratoricals, WILL BE RE-ELECTED. The class of 1005, Mason High fl GIFT Will 1)0 Ilolil nt Uiiyiinr Opurit II»UN«! School, will give iheir ora'toricals at Krln II. OikNtnrllii IN WIUIIIIIK: » I'liiuv TliiirNdiiy KVUIIIIIK', JIIIIU S2, the high school room on Monday und uf I'roiuliiuiive ia Iltlcli. (JOIIUKO THAT IS HARD LINEN SALE The cominenoeiiient exercises of tlie Tuesday evenings, June 19aud 20, com Adilttllvii. TO BEAT. classes of 1905,-Mason High school and mencing at eight o'clock. Following Wc want every careful and judicious buj'cr to visit oijr Ingham County Normal school will is the program; From llie Alma Journal. Linen Department duringf this sale. In Table Linens, Towels, i)e held at Rayner opera house Thurs MONDAY reVBNlNCl,.TUNKll),lfl05, Couspiclous among those who have Crashes, Napkins. Lunch Cloths and Pillow Shams, we are day evening, June 22, at 8 o'clock. rnvocftHoii, won a nume for themselves In Alma a K©02\K showing positive bargains in quality, worth and price that you Seven young men and six young ladies Music-"Evening Slnoiber" , college la Erie H. Casterliu, '07, Alma's will graduate from the High school .' UIKII ;-ieboal Orcliealra athletic director iu the Michigan Inter cannot fail to appreciate. Essay—•'Jlodurn OboiiUHlry" „.. FROM and nine young ladies will receive , Allen Donald Uowo collegiate Athletic assoclaliou. Mr. Li your own interests come and secure some of these Linen (liploinas from the normal school. Essay—"Tlie liilliionoe of Lllerauiro'' Casterliu came to Alma from Mason $1.00 TO $35.00 JSlliol V. -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Poetry, Place, and Spiritual Practices by Katharine Bubel BA, Trinity
Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Katharine Bubel, 2018 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 Supervisory Committee Dr. Nicholas Bradley, Department of English Supervisor Dr. Magdalena Kay, Department of English Departmental Member Dr. Iain Higgins, Department of English Departmental Member Dr. Tim Lilburn, Department of Writing Outside Member iii Abstract "Edge Effects: Poetry, Place, and Spiritual Practices” focusses on the intersection of the environmental and religious imaginations in the work of five West Coast poets: Robinson Jeffers, Theodore Roethke, Robert Hass, Denise Levertov, and Jan Zwicky. My research examines the selected poems for their reimagination of the sacred perceived through attachments to particular places. For these writers, poetry is a constitutive practice, part of a way of life that includes desire for wise participation in the more-than-human community. Taking into account the poets’ critical reflections and historical-cultural contexts, along with a range of critical and philosophical sources, the poetry is examined as a discursive spiritual exercise. It is seen as conjoined with other focal practices of place, notably meditative walking and attentive looking and listening under the influence of ecospiritual eros. -
The ESSE Messenger
The ESSE Messenger A Publication of ESSE (The European Society for the Study of English Vol. 26-2 Winter 2017 ISSN 2518-3567 All material published in the ESSE Messenger is © Copyright of ESSE and of individual contributors, unless otherwise stated. Requests for permissions to reproduce such material should be addressed to the Editor. Editor: Dr. Adrian Radu Babes-Bolyai University, Cluj-Napoca, Romania Faculty of Letters Department of English Str. Horea nr. 31 400202 Cluj-Napoca Romania Email address: [email protected] Cover illustration: Jane Austen’s Reading Nook at Chawton House Picture credit: Alexandru Paul Margau Contents Jane Austen Ours 5 Bringing the Young Ladies Out Carmen María Fernández Rodríguez 5 Understanding Jane Austen Miguel Ángel Jordán Enamorado 18 A Historical Reflection on Jane Austen’s Popularity in Spain Isis Herrero López 27 Authorial Realism or how I Learned that Jane Was a Person Alexandru Paul Mărgău 40 Adaptations, Sequels and Success Anette Svensson 46 Reviews 59 Herrero, Dolores and Sonia Baelo-Allue (eds.), The Splintered Glass: Facets of Trauma in the Post-Colony and Beyond. Cross Cultures 136. (Amsterdam and New York: Rodopi, 2011). Irene Visser 59 Nancy Ellen Batty, The Ring of Recollection: Transgenerational Haunting in the Novels of Shashi Deshpande (New York: Amsterdam, 2010). Rabindra Kumar Verma 63 Konstantina Georganta, Conversing Identities: Encounters between British, Irish and Greek Poetry, 1922-1952 (Amsterdam and New York: Rodopi, 2012). Aidan O’Malley 64 George Z. Gasyna, Polish, Hybrid, and Otherwise: Exilic Discourse in Joseph Conrad and Witold Gombrowicz (London: Continuum, 2011). Noelia Malla García 66 David Tucker, Samuel Beckett and Arnold Geulincx: Tracing a literary fantasia. -
TX Craft Beer Week—The Puckish Nick Lowe—Side Ef
Vol. 4 JUNE 2012 JUNE — issue 6 issue Also inside: When Asia Isn’t Exactly Asia—Plaza Implosion Postmortem— TX Craft Beer Week—The Puckish Nick Lowe—Side Effects—LOUD! FEST In Pickchures—12 Summer Reads—Todd On Film—Concert Calendar Asia Not Asia Every year I allot precious column inches to crapping all over College Station’s Starlight Music Series, a set of five or six concerts held over the summer at Wolf Pen Creek Amphitheater. My general complaint is that, aside from 979Represent is a local magazine booking Rosie Flores and Cowboy Mouth, most of the head- lining acts have been crumby tribute bands or some other for the discerning dirtbag. bullshit. My point of view has been that I believe the City of College Station has a completely different take on what the Starlight Series should be than me. Okay, so be it. The Editorial bored attraction is getting families to camp out and enjoy music in the park, not about bringing awesome music to College Kelly Minnis—Kevin Still Station. I’m cool with that. What I wish they’d do is instead of paying thousands to bring cover bands to town that they Art Splendidness should instead pay those thousands of dollars to local cover bands and keep the money here and promote local artists. Wonko The Sane—Katie Killer Make the locals the feature artists instead of letting them open for the touring version of the locals. But that is what it is, and I let it be. Folks That Do Other Shit For Us Until I noticed a couple of months back that Starlight had Tom Callins, Jack A. -
Panel About Philip K. Dick
Science Fiction Book Club Interview with Andrew M. Butler and David Hyde July 2018 Andrew M. Butler is a British academic who teaches film, media and cultural studies at Canterbury Christ Church University. His thesis paper for his PhD was titled “Ontology and ethics in the writings of Philip K. Dick.” He has also published “The Pocket essential Philip K. Dick”. He is a former editor of Vector, the Critical Journal of the British Science Fiction Association and was membership secretary of the Science Fiction Foundation. He is a former Arthur C. Clarke Award judge and is now a member of the Serendip Foundation which administers the award. David Hyde, a.k.a. Lord Running Clam, joined the Philip K. Dick Society in 1985 and contributed to its newsletter. When the PKDS was discontinued, he created For Dickheads Only in 1993, a zine that was active until 1997. Since then, his activities include many contributions to and editorial work for the fanzine PKD OTAKU. His book, PINK BEAM: A Philip K. Dick Companion, is a detailed publication history of PKD's novels and short stories. In 2010, David organized the 21st century's first Philip K. Dick Festival in Black Hawk, Colorado. Recently, in partnership with Henri Wintz at Wide Books, he has published two full-color bibliographies of the novels and short stories of Philip K. Dick. In early 2019 Wide Books will publish the French bibliography. On the 35th anniversary of Phil’s passing in 2017 David held a memorial celebration for PKD fans in Ft. Morgan, Colorado, the final resting place of Phil and his twin sister Jane. -
Science Fiction Review 19 Geis 1976-11
SCIENCE FICTION REVIEW 19 $1.25 SFR INTERVIEWS Philip K. Dick • keiiy fi*eas ALIEN THOUGHTS SFR-type zine is a special interest item with inherently limited sales BY THE EDITOR potential (except in the growing number of science fiction and fantasy bookstores who sell quite a few). Sometimes I think I should have The following 'diary' format for started a zine called EROTIC VIEW¬ SFR is a change I've been tinkering POINTS: pics, letters, opinion, fic¬ with in the back of my head (far away tion. I'd be rich. from Alter's lair) for about a year. A combination of the usual "Alien • Thoughts" elements in dated form, in 8-3-76 Boxed and Jiffy-bagged all extensia and extremis. How much of the bookstore orders and got them it can the readers want? IMs seems off. Took two days. Every issue I to be the ultimate domination of the pick up two or three new bookstores, zine by the editor and will probably and drop two or three. quiet those who continually cry for 'more Geis'. ************************************ The advantages are obvious: I THE HADONIST don't have to buy as much outside FLIGHT TO OPAR material and I can indulge myself By Philip Jose Farmer shamelessly. Hie disadvantages are 7-30-76 Made my Friday self-impos¬ DAW UW1238, $1.50 the rigors of reading and reviewing ed deadline and got the subscription- a great deal more, and the danger complimentary- trade copies to the Reviewed by REG and the likelihood of making a damn post office in labeled sacks, all in Book two in the saga of Hadon of fool of myself---more exposure, more order, nice, nice, for the second Opar, the hero of the savage, Olympic risk. -
Banville and Lacan: the Matter of Emotions in the Infinities Banville E Lacan: a Questão Das Emoções Em the Infinities
ABEI Journal — The Brazilian Journal of Irish Studies, v.22, n.1, 2020, p. 147-158 Banville and Lacan: The Matter of Emotions in The Infinities Banville e Lacan: A Questão das Emoções em The Infinities Hedwig Schwall Abstract: Both Banville and Lacan are Freudian interpreters of the postmodern world. Both replace the classic physical-metaphysical dichotomy with a focus on the materiality of communication in an emophysical world. Both chart the ways in which libidinal streams combine parts of the self and link the self with other people and objects. These interactions take place in three bandwidths of perception, which are re-arranged by the uncanny object a. This ‘object’ reawakens the affects of the unconscious which infuse the identity formations with new energy. In this article we look briefly at how the object a is realised in The Book of Evidence, Ghosts and Eclipse to focus on how it works in The Infinities, especially in the relations between Adam Godley junior and senior, Helen and Hermes. Keywords: Banville and Lacan; emotions; The Infinities; Object a; Scopic drive; the libidinal Real Resumo: Banville e Lacan são intérpretes freudianos do mundo pós-moderno. Ambos substituem a dicotomia físico-metafísica clássica pelo foco na materialidade da comunicação em um mundo emofísico. Ambos traçam a diferentes maneiras pelas quais os fluxos libidinais combinam partes do eu e vinculam o eu a outras pessoas e objetos. Essas interações ocorrem em três larguras de banda da percepção, que são reorganizadas pelo objeto misterioso a. Esse “objeto” desperta os afetos do inconsciente que infundem as formações identitárias com nova energia. -
Desired Ground Zeroes: Nuclear Imagination and the Death Drive Calum Lister Matheson a Dissertation Submitted to the Faculty At
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Desired Ground Zeroes: Nuclear Imagination and the Death Drive Calum Lister Matheson A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication Studies. Chapel Hill 2015 Approved by: Carole Blair Ken Hillis Chris Lundberg Todd Ochoa Sarah Sharma © 2015 Calum Lister Matheson ALL RIGHTS RESERVED ii ABSTRACT Calum Lister Matheson: Desired Ground Zeroes: Nuclear Imagination and the Death Drive (Under the direction of Chris Lundberg and Sarah Sharma) A wide variety of cultural artefacts related to nuclear warfare are examined to highlight continuity in the sublime’s mix of horror and fascination. Schemes to use nuclear explosions for peaceful purposes embody the godlike structural positions of the Bomb for Americans in the early Cold War. Efforts to mediate the Real of the Bomb include nuclear simulations used in wargames and their civilian offshoots in videogames and other media. Control over absence is examined through the spatial distribution of populations that would be sacrificed in a nuclear war and appeals to overarching rationality to justify urban inequality. Control over presence manifests in survivalism, from Cold War shelter construction to contemporary “doomsday prepping” and survivalist novels. The longstanding cultural ambivalence towards nuclear war, coupled with the manifest desire to experience the Real, has implications for nuclear activist strategies that rely on democratically-engaged publics to resist nuclear violence once the “truth” is made clear. -
Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next. -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction.