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L'oeuvre NARRATIVE DE JACQUES FERRON VUE DANS UNE PERSPECTIVE JUNGIENNE Par Christl Verduyn
L'OEUVRE NARRATIVE DE JACQUES FERRON VUE DANS UNE PERSPECTIVE JUNGIENNE par Christl Verduyn Thèse présentée à l'Ecole des études supérieures en vue de l'obtention de la maîtrise es arts en littérature française OtLAc tu Ottawa LlBKArtltS ,» rSity o* Université d'Ottawa Ottawa, Canada, 1976 Q\ C. Verduyn, Ottawa, Canada, 1976 UMI Number: EC55230 INFORMATION TO USERS The quality of this reproduction is dépendent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complète manuscript and there are missing pages, thèse will be noted. AIso, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55230 Copyright 2011 by ProQuest LLC Ail rights reserved. This microform édition is protected against unauthorized copying underTitle 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 RECONNAISSANCE Cette thèse a été préparée sous la direction de monsieur Réjean Robidoux, professeur au département des Lettres françaises de l'Université d'Ottawa. CURRICULUM VITAE Née à Amsterdam, Hollande, élevée en Ontario, Christl Verduyn est titulaire d'un baccalauréat spécialisé es arts de l'Université de Trent à Peterborough. TABLE DES MATIERES CHAPITRES PAGES Introduction v I) Le symbole, le rêve et l'inconscient 10 II) L'ombre 17 III) Masques de l'ombre 26 IV) Les archétypes 42 V) Les mythes, les fables et les contes de fée 49 VI) L'animus et l'anima 57 VII) Le héros et son guide tutélaire 70 VIII) Le Soi 78 IX) Symbolique du cheminement 87 X) Au bout du chemin 10 3 CONCLUSION 111 Bibliographie 115 RESUME 120 INTRODUCTION La présente étude de l'oeuvre narrative de Jacques Ferron prend comme point de départ la définition du symbole proposée par Cari G. -
Devonian Plant Fossils a Window Into the Past
EPPC 2018 Sponsors Academic Partners PROGRAM & ABSTRACTS ACKNOWLEDGMENTS Scientific Committee: Zhe-kun Zhou Angelica Feurdean Jenny McElwain, Chair Tao Su Walter Finsinger Fraser Mitchell Lutz Kunzmann Graciela Gil Romera Paddy Orr Lisa Boucher Lyudmila Shumilovskikh Geoffrey Clayton Elizabeth Wheeler Walter Finsinger Matthew Parkes Evelyn Kustatscher Eniko Magyari Colin Kelleher Niall W. Paterson Konstantinos Panagiotopoulos Benjamin Bomfleur Benjamin Dietre Convenors: Matthew Pound Fabienne Marret-Davies Marco Vecoli Ulrich Salzmann Havandanda Ombashi Charles Wellman Wolfram M. Kürschner Jiri Kvacek Reed Wicander Heather Pardoe Ruth Stockey Hartmut Jäger Christopher Cleal Dieter Uhl Ellen Stolle Jiri Kvacek Maria Barbacka José Bienvenido Diez Ferrer Borja Cascales-Miñana Hans Kerp Friðgeir Grímsson José B. Diez Patricia Ryberg Christa-Charlotte Hofmann Xin Wang Dimitrios Velitzelos Reinhard Zetter Charilaos Yiotis Peta Hayes Jean Nicolas Haas Joseph D. White Fraser Mitchell Benjamin Dietre Jennifer C. McElwain Jenny McElwain Marie-José Gaillard Paul Kenrick Furong Li Christine Strullu-Derrien Graphic and Website Design: Ralph Fyfe Chris Berry Peter Lang Irina Delusina Margaret E. Collinson Tiiu Koff Andrew C. Scott Linnean Society Award Selection Panel: Elena Severova Barry Lomax Wuu Kuang Soh Carla J. Harper Phillip Jardine Eamon haughey Michael Krings Daniela Festi Amanda Porter Gar Rothwell Keith Bennett Kamila Kwasniewska Cindy V. Looy William Fletcher Claire M. Belcher Alistair Seddon Conference Organization: Jonathan P. Wilson -
Brook + Wilder + Taylor + Kovalev
BROOK + WILDER + TAYLOR + KOVALEV MARCH 1 2018 Every week THE AWARD-WINNING WORLD’S BEST FIGHT MAGAZINE EST. 1909 T WWW.BOXINGNEWSONLINE.NE NEVER FORGET Scott Westgarth 1986-2018 9 NO. 74 VOL. £3.49 Est. 1909 WHERE DOES YOUR FAVOURITE BRITISH BOXER RANK? Order today at www.boxingnewsonline.net/shop quoting GBB17 Also available at local newsagents or via the Boxing News app Retail price £7.99 ContMarchen 1, 2018 ts R.I.P SCOTT WESTGARTH 38 Tragedy strikes in a British ring, as 31-year-old loses his life Photos: ACTION IMAGES/ADAM HOLT & ED MULHOLLAND/HBO DON’T MISS HIGHLIGHTS >> 10 BROOK IS BACK >> 4 EDITOR’S LETTER An exclusive interview with Kell, as well This must serve as a wake-up call as a preview of the Rabchenko clash >> 5 GUEST COLUMN >> 16 POWER SURGE A comment from the BBBofC Who will win the world heavyweight title clash between Wilder and Ortiz? >> 26 THE OBSESSION Catching up with Jazza Dickens – >> 20 KEEP ON KRUSHIN’ a man who is addicted to boxing Looking ahead to Kovalev’s collision with his fellow Russian, Mikhalkin >> 30 FIGHT OF THE YEAR! A ringside report from the sensational >> 22 SCOTTISH SUPPORT Srisaket-Estrada super-fly spectacle Taylor prepares to face a late 30 substitute in front of his home fans >> 32 FITTING FINALE Smith sets up a mouth-watering WBSS final with Groves – injury-permitting DOWNLOAD OUR APP TODAY >> 42 AMATEURS For more details visit The Lionhearts head to Liverpool WWW.BOXINGNEWSONLINE.NET/SUBSCRIPTIONS >> 46 60-SECOND INTERVIEW ‘AS I REALLY DEVELOPED IN THE SPORT, I ALWAYS LOOKED UP TO BERNARD -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
The Arts in Higher Adult Education, a Second Review of Frogcams
REPORT RESUMES ED 010 867 AC 000 042 THE ARTS IN HIGHER ADULT EDUCATION, A SECOND REVIEW OF FROGCAMS. BY- GOLDMAN, FREDA H. CENTER FOR THE STUDY OF LIBERAL EDUC. FOR ADULTS PUB DATE 66 EDRS PRICEMF-$0.18HC-$3.36 84F. DESCRIPTORS- *ART EDUCATION, *ADULT EDUCATION PROGRAMS, *PROGRAM DESCRIPTIONS, *UNIVERSITY EXTENSION, SOCIOCULTURAL PATTERNS, EDUCATIONAL TRENDS, BOSTON A GENERAL DESCRIPTION OF THE ARTS IN THE CONTEMPORARY UNIVERSITY PRECEDES DESCRIPTIONS OF SPECIFIC ADL'T PROGRAM PROTOTYPES. THE CURRENT PLACE OF THE ARTS OUTSIDE THE UNIVERSITY INCLUDES RECENT TRENDS IN ART INSTITUTIONS, GOVERNMENT, BUSINESS, FOUNDATIONS, ARTS COUNCILS, PUBLICATIONS, AND EDUCATIONAL TELEVISION. ISSUES AND PROBLEMS CONCERNING THE ROLE OF THE ARTS IN SOCIETY ARE DISCUSSED IN RELATION TO THE EDUCATION OF THE ADULT AUDIENCE. THIS DOCUMENT IS ALSO AVAILABLE FROM THE CENTER FOR THE STUDY OF LIBERAL EDUCATION FOR ADULTS AT BOSTON UNIVERSITY, 138 MONTFCRT ST., BROOKLINE, MASSACHUSETTS 02146, FOR $1.75. (JA) d CENTER for the STUDY OF LIBERAL EDUCATION FOR ADULTS PUBLICATIONS ROBERT F. CtiMPBELL, Clark University ADVISORY JAMES T. CAREY,. University of California COMMITTEE JOHN P. DYER, Tulane Un:versity CYRIL 0. HOULE, University of Chicago H. LICHTENSTEIN, Hofstra JACK LONDON, University of California ERNEST E. McMAHort, Rutgers University RUSSELL F. W. Swim, New York University ALAN M. THOMAS, Canadian Association for Adult Education CLIFFORD L. WINTERS, Syracuse University CENT2R Center publications on education of adults include the PUBLICATIONS Notes and Essays series examining purposes and philos- ophy, Reports on methods and practices in the field, Research Reports, and Occasional Papers. For a complete list and prices write: CENTER FOR THE STUDY OF LIBERAL EDUCATION FOR ADULTSAT BOSTON UNIVERSITY 138 Mountfort St. -
Research Report 2009 Max Planck Institute for Molecular Genetics, Berlin Imprint | Research Report 2009
Research Report 2009 Max Planck Institute for Molecular Genetics, Berlin Imprint | Research Report 2009 Published by the Max Planck Institute for Molecular Genetics (MPIMG), Berlin, Germany, December 2009 Editorial Board: B.G. Herrmann, H. Lehrach, H.-H. Ropers, M. Vingron Conception & coordination: Patricia Marquardt Photography: Katrin Ullrich, MPIMG; David Ausserhofer Scientific Illustrations: MPIMG Production: Thomas Didier, Meta Data Contact: Max Planck Institute for Molecular Genetics Ihnestr. 63 – 73 14195 Berlin Germany Phone: +49 (0)30 8413-0 Fax: +49 (0)30 8413-1207 Email: [email protected] For further information about the MPIMG, please visit http://www.molgen.mpg.de MPI for Molecular Genetics Research Report 2009 Research Report 2009 1 Max Planck Institute for Molecular Genetics Berlin, December 2009 The Max Planck Institute for Molecular Genetics 2 MPI for Molecular Genetics Research Report 2009 Table of contents Organisational structure . 6 The Max Planck Institute for Molecular Genetics . 7 Mission . 7 Development of the Institute. 7 Research Concept . 8 Department of Developmental Genetics (Bernhard Herrmann) . 9 Transmission ratio distortion (H. Bauer) . 13 Regulatory Networks of Mesoderm Formation & Somitogenesis (B. Herrmann) . 17 Signal Transduction in Embryogenesis and Tumour Progression (M. Morkel) . 22 Organogenesis (H. Schrewe) . 26 General information about the whole Department . 29 Department of Vertebrate Genomics (Hans Lehrach) . 33 Molecular Embryology and Aging (J. Adjaye) . 40 Neuropsychiatric Genetics (L. Bertram) . 46 Automation (A. Dahl, W. Nietfeld, H. Seitz) . 49 Nucleic Acid-based Technologies (J. Glökler) . 55 Bioinformatics (R. Herwig) . 60 Comparative and Functional Genomics (H. Himmelbauer) . .65 Genetic Variation, Haplotypes & Genetics of Complex Diseases (M. Hoehe) . 69 3 in vitro Ligand Screening (Z. -
Eurocon at Trieste by Waldemar Kumming Eurocon I Had About 630 Members
No. 38/39 July/August 1972 Eurocon at Trieste by Waldemar Kumming Eurocon I had about 630 members. There were about 370 attending memberships, but judging by appearance less than that number of fans were actually at the convention. The fans were scattered in many hotels all over the town. The con activities also took place at various locations. Festival films were shown in the mornings, in a movie theater in the center of the town. Perhaps because of the scarcity of such films, the trend away from straight sf was even more pronounced than in previous years. Among the full-length films there was only one that could really be called an sf film: Silent Running, by the Stanley Kubrick disciple Douglas Trumbull. This won a much deserved award from the film jury. Unfortunately many fans who had come at the start of the convention missed it, since this film was shown during the first days of the film festival, which started much earlier than the convention. Doomwatch from England described strange happenings on a small island, which are finally traced to piles of radioactive waste. The French film Les soleils de Vile de Paques was a borderline case. While the theme of a meeting with extraterrestrials (in the form of fireballs, hence the suns in the title) is certainly sf, it is presented in a mystical and magical way. The central idea is also quite unbelievable: a constellation in the heavens, occurring only every 500 years, and somehow centering on Easter Island, enables the aliens to bridge the gulf to Earth. -
Avant-Garde Sinema Üzerine
SİNEMA KİTAPLIĞI AVANT-GARDE SİNEMA ÜZERİNE Bu eser http://genclikcephesi.blogspot.com tarafından yayınlanmaktadır. http://genclikcephesi.blogspot.com 1 İÇİNDEKİLER: Önsöz Jonas Mekas’ın Manifestosu Avant Garde Sinema İçin Bir Genelleme Çalışması Avant Garde Üzerine Önsözümsel Bir Deneme Sanat Sineması ve Avangarda Genel Bakış Avant Garde Sinemada Kübik Açı Avant Garde Sinemada Soyut Film Çalışmaları Avant Garde Sinemada Gerçeküstücü Göz Luis Bunuel ve Gerçeküstücü Sinema Düşler ve Sinema Bunuel Düşler ve Sinema 1929-1933 Arasında Luis Bunuel ve Gerçeküstücülük Un Chıen Andalou-Endülüs Köpeği Gerçeküstücülük ve Gerçeküstücüler L’Age D’or-Altın Çağ 1930’larda Avant Garde Sinemanın Durumu Avangard’da Yeni Dalga Avangard’da Psikodrama “Yeraltı” Üzerine Andy Warhol Sinemasına Kısa Bir Değini Avangard’ın Klasikleşmiş Yönetmenleri İçin Düşümler A.B.D Avant Garde Sineması Amerika’da Yeraltı ‘Öncü’leri ve ‘Canyon’ Grubu Son Değini Babında Ek I: Bazin'in Kurgunun Tarihsel Gelişimine Yönelik Görüleri ve Eisenstein'ın Kurgusuna Minimal bir değini http://genclikcephesi.blogspot.com 2 I. BÖLÜM AVANT-GARDE SİNEMA ÜZERİNE GENELLEME ÖNSÖZ DİYELİM Kİ SADECE GERÇEKLİĞİN SINIRLARINI DENİYORDUM. NELER OLACAĞINI MERAK ETTİM. HEPSİ BU: SADECE MERAK. JIM DOUGLAS MORRISON, 1969. Bir şekilde ‘sinema’ adını almış olan yaşam-tarzı [evet, bir sanatın çokça ötesinde] benim için hep ‘avant garde’ ön takısıyla beraberleşip; ‘avant garde sinema’ adına bürünmüştür, ya da ters bir anlamla ben, her sinema dediğimde ve ya ondan bahsettiğimde muhakkakki avant garde olandan yani -dahası- tek olan, aslolan sinemadan bahsetmişimdir. Deneysellik sadece sinema sanatının temel taşlarının mekanik sürecinde ve sonrasında; film çekimlerinde varolan -yaşayan- bir şey miydi, elbette ki değildi, varoluş; başladığı andan itibaren, öncesi ve ölümün getireceği sonralıkla ve yaşam sürüldüğü zaman dilimi boyunca, tamamı ile ve tüm anlamıyla bir deneysellik idi zaten. -
Fighter PILOTS 1939 - 1945 a UNIVERSAL PROMOTIONS E-BOOK Copyright © Universal Promotions Limited 2010
COMMEMORATIVE E-BOOK WORLD WAR II FIGHTER PILOTS 1939 - 1945 A UNIVERSAL PROMOTIONS E-BOOK Copyright © Universal Promotions Limited 2010 WWII Fighter Pilots Commemorative E-Book is published by ArtToFly.Org by agreement with Universal Promotions Ltd ArtToFly is a non-profit organisation sponsored by Universal Promotions, established to raise funds for the Douglas Bader Foundation’s Disabled Children’s Flying Days programme Copyright © Universal Promotions Limited Copyright © of the paintings jointly held by artist Darryl Legg and Universal Promotions Limited Pilots’ Memoirs first published by Universal Promotions in UK in 1982 Reprinted as an E-Book in 2010 Universal Promotions Limited asserts its rights to be identified as authors of this work in accordance with the Copyright, Designs, and Patents Act,1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system for onward transmission, in any form or by any means, electronic or mechanical, by photocopying, recording or otherwise, without prior permission in writing by the publisher and copyright holder. To remove any of the material in this e-book and offer it for sale in any way, whether processed or not, constitutes an infringement of copyright which will be strictly enforced by the publisher Editor: Pat Barnard Artist: Darryl Legg Art Editor: Zahid Al-Gafoor Technical Editor: Rhys Thomas Production: Image Centre, Bath Typesetting: Arun Weston Proofreader: Amy Barnard For more information about the Douglas Bader Foundation’s Disabled Children’s Flying Days programme please visit: www.arttofly.org WORLD WAR II FIGHTER PILOTS Commemorative E-Book God send me to see suche a company together agayne when need is. -
L'histoire Du Soldat Qui Emprunte Au Mythe De Faust Et Où, Comme Dans La Légende D'orphée1, La Musique a Droit De Vie Ou De Mort.… Les Origines Du Conte
Cahier pédagogique L’Histoire du soldat Charles-Ferdinand Ramuz, Igor Stravinsky // Jean-Michel d’Hoop Théâtre de Liège Salle de la Grande Main 07/01>10/01/2014 Sommaire L’argument 3 Les origines du conte 3 Le début du théâtre musical 4 Adaptation du conte par Igor Stravinsky 5 L’histoire du soldat, en bref 7 Igor Stravinsky, un compositeur caméléon 8 Période de jeunesse 8 Période russe 8 Période suisse 9 Période parisienne 9 Période américaine 9 Igor Stravinsky, en bref 11 Charles-Ferdinand Ramuz 12 Jean-Michel d’Hoop 14 L’intrigue vue par le metteur en scène 14 La dramaturgie 15 La scénographie 16 Les marionnettes 17 Conception de la marionnette, Xooang Choi 18 L’ensemble Quartz 18 ANNEXES 19 Extrait 19 Stravinsky et Picasso 20 Le mythe de Faust 21 Faust ou la damnation médiévale 22 Un simple charlatan 22 L’orthodoxie du savoir et les sciences défendues 22 Le héros de la quête du savoir 22 La légende 23 De Marlowe à Goethe 23 Mythe et variations aux 19e et 20e siècles 25 Liste d'œuvres inspirées par le mythe de Faust 27 Infos pratiques 31 Théâtre de Liège - Service pédagogique Bernadette Riga - [email protected] Sophie Piret - [email protected] Page 2 L’argument Un soldat de retour de guerre marche d'un bon pas et se distrait en jouant du violon. Il se repose au bord d'un ruisseau et est réveillé par un vieillard. Celui-ci lui propose d'échanger son violon contre un livre. Le soldat refuse dans un premier temps mais le vieillard lui indique que ce livre a le pouvoir de rendre riche celui qui le possède. -
Cappelli Fabien Vol.2.Pdf
÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷÷÷÷ ÷ ÷÷ ÷÷÷÷÷÷ ÷÷÷÷ ÷÷ ÷÷÷÷÷÷÷ ······ ········ ÷÷÷»÷÷»÷ ÷ð »÷»÷»»÷÷ ÷ðíí »»» æ »÷÷»÷ »÷ »÷÷÷÷»÷÷÷ æ÷»÷÷æ æ ÷÷÷÷÷÷÷ ÷÷ »÷÷æ÷÷ »æ÷æ÷»æ÷÷÷ »÷ æ÷÷÷æ÷÷÷ » æ÷÷÷æ÷»÷÷÷÷ ÷÷»÷÷÷÷÷÷ »÷ ÷÷æ÷÷÷ ÷÷ »÷÷»÷÷÷÷ ÷÷÷»÷ » ÷÷÷æ÷÷ »» »÷»»»» » »»÷÷÷»÷÷ »÷ ÷÷÷»÷»÷ »÷÷» í »í»»í ÷÷í í÷íí ÷÷»÷÷÷ ÷÷÷÷»÷÷ ÷»÷÷÷»÷÷÷÷ »÷ í÷»÷÷÷»÷÷í »÷÷» í »í»»í ÷÷í í÷íí÷ »÷÷÷÷ ÷÷ ÷÷÷÷÷÷ ÷÷÷÷æ÷÷÷÷÷÷ »»÷÷÷÷÷í ÷÷÷÷÷÷÷÷÷÷ ÷÷÷÷÷ »÷÷÷÷ ÷÷÷÷÷÷÷÷ ÷ ÷÷÷»÷÷ ÷÷÷÷÷÷»÷ ÷÷÷÷æ÷÷÷÷÷÷ »»÷÷÷÷÷í ÷÷÷÷÷÷÷÷÷÷ »÷ ÷÷»÷í»÷æ÷÷÷ ÷÷÷æ÷÷÷÷÷ ÷»÷÷÷ ÷÷÷÷÷÷÷ ÷÷÷÷æ÷÷÷÷÷÷ »»÷÷÷÷÷í ÷÷÷÷÷÷÷÷÷÷ »÷ ÷÷÷÷÷÷÷÷ ÷ ÷÷ ÷÷÷÷÷÷÷ ÷÷÷÷÷÷ »÷÷ ÷÷÷÷æ÷÷÷÷÷÷í ÷÷÷÷÷÷÷÷÷÷ »÷ ÷÷÷÷÷÷÷÷÷ Annexes 211 Annexe A Exemplier Mouvement fictif Exemples mixtes (88) Toutes ces années de football, de coups francs, de prolongations qui ont habité nos dimanches. Il y a des mots qui se sont incrustés dans les murs de la maison. On ne peut plus les détacher du grain de la chaux, ni de la forme des meubles, ni de l’odeur de la soupe, ni des petits défauts qui courent sur les miroirs et s’agglutinent en minuscules taches noires. Ils se logent même dans les assiettes ébréchées, dans un pull qui se feutre, dans le manche d’une casserole qui ne tient plus vraiment, ou dans le bois d’une porte qui s’est enflée d’humidité. On vit a#ec, mais on #oit que ça cloche. Le mot prolongation est inscrit dans ces dimanches-l(. Il faut in#enter une nouvelle couleur pour lui, disons jaune foncé. On a fait semblant de croire qu’il était #rai, on a essayé. Il a tenu pendant des années. *n jour, il est tombé. On a compris qu’il était truqué. 1 (89) ,lors, je raconte l’enfance, la métaphysique des adolescences inquiètes pleines de chagrins et de crépuscules, et la Princesse parle ( son tour, si correcte et si fine, et si nette ( la fois. Je la regarde en silence, a#ec respect. -
Militärische Luftfahrt/ Luftwaffe/ Flugzeuge Der Marine/ Luftschutz, Auswirkung Von Bombenangriffen
Militärische Luftfahrt/ Luftwaffe/ Flugzeuge der Marine/ Luftschutz, Auswirkung von Bombenangriffen Bitte beachten Sie, dass zu den ab Seite 93 genannten Filmtiteln im Bundesarchiv kein benutzbares Material vorliegt. Gern können Sie unter [email protected] erfragen, ob eine Nutzung mittlerweile möglich ist. Kinematographische Nachrichten aus dem italienisch-türkischen Krieg (Italien/1911) Serie 6 und 8/9 PR: Cines, Rom ZT: deutsch Ausschiffung der italienischen Kavallerie und der Bagagewagen in Gargaresh; Ankunft des Kommandeurs des Italien. Expeditionskorps, General Caneva, in Tripolis; italienisches Feldlager bei Tripolis; erbeutete Karawane mit Lebensmitteln; Pferdeschwemme in der Rhede von Tripolis; Zug mit Lebensmitteln und Munition auf dem Weg zu den Vorposten; Feldmesse am Ehrenmal für die gefallenen Italiener; Abflug von Hptm. Moizo v. Hangar vom Flugplatz Gargaresh; Ltn. Gavotti kehrt vom Feindflug zurück; 8. und 12. Kompanie des 84. Inf.-R. mit den am 26.10.1911 eroberten osmanischen Fahnen. - Kriegsbilder 1914-1918 (ca. 1914) ...Flugzeuge mit der Aufschrift „US ARMY“ starten auf einem Feldflugplatz. Feindliche Flak beschießt Flugzeuge. Landen auf einem Feldflugplatz. Tiefflug. - Kriegsaufnahmen (1914/18) ...Startender Doppeldecker auf einem Feldflugplatz (aus: Kino-Kriegsschau 1/1914). ... Aufnahmen des am 28.10.1916 tödlich verunglückten Fliegers Hptm. Oswald Boelke. Boelke in Uniform und in Fliegerkombination, im Gespräch mit einem Offizier und im Jagdflugzeug (aus: Messter-Woche). ...Deutscher Flugplatz in der Sinai-Wüste. Start eines Doppeldeckers (aus: Messter-Woche). ...Besuch von Oberst Friedrich Frhr. Kreß v. Kressenstein, Kommandeur der deutschen Fliegertruppen in der Türkei, bei der Fliegerabteilung. Landung im Flugzeug und Begrüßung (aus: Messter-Woche) - Bilder aus dem 1. Weltkrieg (1915) ...Start eines Albatros B 1 - Der Krieg im Westen (1915) ...erste Flugzeuge auf dem Flugplatz von Pont Faverger.