The Frats Are at It Again SMC Activities for Next Week
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Lou Donaldson the Natural Soul Mp3, Flac, Wma
Lou Donaldson The Natural Soul mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Natural Soul Country: US Released: 1986 Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1767 mb FLAC version RAR size: 1621 mb WMA version RAR size: 1543 mb Rating: 4.2 Votes: 259 Other Formats: MP3 VOC WMA MP4 DTS DXD AA Tracklist Hide Credits Funky Mama A1 9:05 Written-By – John Patton Love Walked In A2 5:10 Written-By – George & Ira Gershwin Spaceman Twist A3 5:35 Written-By – Lou Donaldson Sow Belly Blues B1 10:11 Written-By – Lou Donaldson That's All B2 5:33 Written-By – Alan Brandt, Bob Haymes Nice 'N Greasy B3 5:24 Written-By – Johnny Acea Companies, etc. Copyright (c) – Manhattan Records Phonographic Copyright (p) – Manhattan Records Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Alto Saxophone – Lou Donaldson Design [Cover] – Reid Miles Drums – Ben Dixon Guitar – Grant Green Liner Notes – Del Shields Organ – John Patton Photography By [Cover Photo] – Ronnie Brathwaite Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Trumpet – Tommy Turrentine Notes Recorded on May 9, 1962. 1986 Manhattan Records, a division of Capitol Records, Inc. Other versions Category Artist Title (Format) Label Category Country Year The Natural Soul (LP, BLP 4108 Lou Donaldson Blue Note BLP 4108 US 1963 Album, Mono) The Natural Soul (CD, CDP 7 84108 2 Lou Donaldson Blue Note CDP 7 84108 2 US 1989 Album, RE) TOCJ-7176, The Natural Soul (CD, Blue Note, TOCJ-7176, Lou Donaldson Japan 2008 BST-84108 Album, RE) Blue Note BST-84108 The Natural Soul 4BN 84108 Lou Donaldson Blue Note 4BN 84108 US 1986 (Cass, Album, RM) The Natural Soul (LP, BST-84108 Lou Donaldson Blue Note BST-84108 US 1973 Album, RE) Related Music albums to The Natural Soul by Lou Donaldson Lou Donaldson - Mr. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
ALL the PRETTY HORSES.Hwp
ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. -
Bob Dylan – the Original Mono Recordings
Bob Dylan – The Original Mono Recordings by Roger Ford The eight albums in this box are of course the foundation of a sound that was still integrated but with added presence Bob Dylan’s career and legend, the records that made him and depth. famous. But more specifically, these are the records that made him famous – not the albums as they sound on the But technology marched on, and the mono versions of standard CDs today, not the earlier generation of CDs from Dylan’s LPs were discontinued in 1968 in the US, a year later the late ’80s, not even the stereo LPs that came out as each in the UK, and as far as I know had disappeared from all other record was made. It was the mono LPs (and the singles taken parts of the world by the mid -’70s. For the last quarter of the from them) that people heard on the radio, round at friends’ 20 th century they were completely unavailable, and once houses, in record shops. These were the sounds that were people realised what had been lost, good condition original engraved into the memory of anyone who listened to Dylan copies became increasingly sought after. in the sixties. The mono albums were eventually reissued by the US specialist reissue label Sundazed between 2001 and 2004, though only in vinyl format. They were remastered by Sundazed owner Bob Irwin, a well-respected audio engineer in his own right. Irwin put a lot of work into finding the right master tapes as well as into the remastering process itself, but nonetheless these editions evoked a somewhat mixed response, with some albums better received than others. -
V Nocus Calks
VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University. -
Ben Keith, Neil Young's Ste
Ben Keith, Neil Young's steel guitarist: 1937-2010 | Pop & Hiss | Los Angeles Times July 27, 2010 | 1:25 pm Ben Keith, the veteran steel guitarist who played on Patsy Cline’s 1961 hit “I Fall to Pieces” before befriending Neil Young and going on to play on more than a dozen of the Canadian rocker's albums, has died. He was 73. He died of a heart attack, director Jonathan Demme said Tuesday. Demme, who directed Young’s concert films “Neil Young Trunk Show” from earlier this year and 2006’s “Heart of Gold,” said Keith had been staying at Young’s ranch in Northern California, working on new projects with his longtime collaborator. Keith was featured prominently in both. In “Neil Young Trunk Show,” shot in Pennsylvania at a stop on Young’s 2007-2008 concert tour, Young said a key reason he chose to tour with Keith, bassist Rick Rosas and Crazy Horse drummer Ralph Molina, rather than convening the full, hard-rocking Crazy Horse trio, was that “I can do more variety this way, because Ben plays so many instruments.” Demme called Keith “an elegant, beautiful dude, and obviously a genius. He could play every instrument. He was literally the bandleader on any of that stuff… Neil has all the confidence in the world, but with Ben on board, there were no limits. Neil has a fair measure of the greatness of his music, but he knew he was even better when Ben was there.” Most recently, Keith had been touring with Young’s wife, Pegi, in support of her second solo album, “Foul Deeds,” for a handful of West Coast performances in June. -
Neil Young & Crazy Horse Live in New York 1969 Mp3, Flac
Neil Young & Crazy Horse Live In New York 1969 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live In New York 1969 Country: Italy Released: 1991 Style: Country Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1420 mb Rating: 4.3 Votes: 214 Other Formats: APE AUD AAC MP1 MOD MPC VQF Tracklist A1 Cinnamon Girl A2 Cowgirl In The Sand A3 Winterlong A4 Downtown B1 Down By The River B2 Everybody Knows This Is Nowhere B3 Wondering Credits Bass – Billy Talbot Drums – Ralph Molina Electric Guitar – Danny Whitten Lead Vocals, Electric Guitar – Neil Young Other versions Category Artist Title (Format) Label Category Country Year Neil Young & Sunset Cowboy (CD, Living Legend LLRCD 042 LLRCD 042 Italy 1989 Crazy Horse Unofficial) Records Neil Young & Live In New York 1969 Armando Curcio DIR - 07 DIR - 07 Italy 1991 Crazy Horse (CD, RM, Unofficial) Editore Neil Young And Blankness (CD, TGP-CD-127 The Genuine Pig TGP-CD-127 Italy 1990 Crazy Horse* Unofficial) Neil Young & Blankness (CD, Black Panther BP-081 BP-081 Japan 1993 Crazy Horse Unofficial) Records Related Music albums to Live In New York 1969 by Neil Young & Crazy Horse 1. Neil Young & Crazy Horse - The Violent Side 2. Neil Young With Crazy Horse - Neil Young With Crazy Horse 3. Neil Young & Crazy Horse - Year Of The Horse Radio Press Kit 4. Neil Young & Crazy Horse - LIVE DURING USA TOUR NOVEMBER 1956 5. Neil Young & Crazy Horse - Afternoon Radio 6. Neil Young & Crazy Horse - Touch The Night - Santa Cruz 1984 7. -
Gay Era (Lancaster, PA)
LGBT History Project of the LGBT Center of Central PA Located at Dickinson College Archives & Special Collections http://archives.dickinson.edu/ Documents Online Title: Gay Era (Lancaster, PA) Date: March 1976 Location: LGBT-001 Joseph W. Burns Collection Periodicals Collection Contact: LGBT History Project Archives & Special Collections Waidner-Spahr Library Dickinson College P.O. Box 1773 Carlisle, PA 17013 717-245-1399 [email protected] “SNUFF” SNUFFED Philadelphia feminists, coordinated by I DYKETACTICS! - a radical feminist lesbian collective - shortened the run of the movie "Snuff’' from a scheduled three-week engagement to one and a half days. I "Snuff" is a commercialization of a type of underground pornographic film in which the actual murder and dismember ment of women takes place. According to straight press accounts which appeared in the New York Times last summer,the underground films were being made in Argentina and distributed in the U.S. for private showings at $200.00 each. The commercial venture was protested here because the film's advertising made it unclear whether actresses in the film are actually murdered. The ads are also racist, saying: "Filmed in South America where life is cheap !" When concerned women from the com munity in which the film was to be shown attempted to negotiate with the theatre's managemen they were refused a meet ing. DYKE a ACTICS! called their own meeting and twenty women attended. It was pointed out that when men at tempt to act out the violent fantasies this type of film inspires, lesbians become victims as do other women who are not escorted by men. -
BENNY GOLSON NEA Jazz Master (1996)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th. -
1 Commonwealth of Pennsylvania House Of
1 COMMONWEALTH OF PENNSYLVANIA HOUSE OF REPRESENTATIVES House Appropriations Committee and House Judiciary Committee ---------------- -x PENNSYLVANIA PLAN FOR : PRIVACY AND SECURITY : OF CRIMINAL HISTORY RECORD INFORMATION : -------------- -x Majority Caucus Room House of Representatives Main Capitol Building Harrisburg, Pennsylvania Thursday, November 4, 19 76 Met, pursuant to notice at 10:10 a.m. BEFORE: For the Judiciary Committee: NORMAN BERSON, Chairman ROBERT O'DONNEL ANTHONY SCIRICA WILLIAM HUTCHINSON For the Appropriations Committee THOMAS FEE ROBERT GEISLER JAMES GOODMAN AMOS HUTCHINSON IVAN ITKIN JOEL JOHNSON JOSEPH KOLTER RUSSELL KOWALYSHYN WILLIAM SHANE FRED SHUPNIK RUDOLPH DININI GUY KISTLER CHARLES MEBUS L. EUGENE SMITH STAFF: For the Judiciary Committee SAM MC CLEA For the Appropriations Committee STEVE ROSSKOPF For the Speaker's office ROBERT KAGAN, Esq. -0- CONTENT_S_ SPEAKER PAGE ERNEST P. KLINE, Lieutenant Governor, 4 Commonwealth of Pennsylvania JOSEPH RIGGIONE, Director, Governor's 54 Task Force on Criminal Justice 19 7. Information Systems MICHAEL GARRITY, Deputy Attorney General, 135 Department of Justice, Commonwealth of Pennsylvania ALBERT F. KwIATEK, Pennsylvania State 149 Police LAWRENCE J. BEASER, Counsel to the Governor 177 -0- LE°_CEEDI_NGS_ CHAIRMAN BERSON: Would each committee member state his name and the committee that he belongs to it can be on the record. REPRESENTATIVE KISLLER: Guy Kisller, 'Cumberland, Appropriations. REPRESENTATIVE ITKIN: Representative Itkin, Allegheny, Appropriations. REPRESENTATIVE -
MUSICWEB INTERNATIONAL Recordings of the Year 2017
MUSICWEB INTERNATIONAL Recordings Of The Year 2017 This is the fourteenth year that Musicweb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2016-November 2017). The 136 selections have come from 27 members of the team and 68 different labels, the choices reflecting as usual, the great diversity of music and sources. Of the selections, seven have received two nominations: Iván Fischer’s Mahler 3 on Channel Classics Late works by Elliott Carter on Ondine Tommie Haglund’s Cello concerto on BIS Beatrice Rana’s Goldberg Variations on Warner Unreleased recordings by Wanda Luzzato on Rhine Classics Krystian Zimerman’s late Schubert sonatas on Deutsche Grammophon Vaughan Williams London Symphony on Hyperion Two labels – Deutsche Grammophon and Hyperion – gained the most nominations, nine apiece, considerably more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2700 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year. In some years, there have been significant anniversaries of composers or performers to help guide the selection, but not so in 2017. Johann Sebastian BACH Goldberg Variations - Beatrice Rana (piano) rec. 2016 WARNER CLASSICS 9029588018 In the end, it was the unanimity of the two reviewers who nominated Beatrice Rana’s Goldberg Variations – “easily my individual Record of the Year” and “how is it possible that she can be only 23” – that won the day. -
Career Advancement for Construction Executives
CCAARREEEERR AADDVVAANNCCEEMMEENNTT FFOORR CCOONNSSTTRRUUCCTTIIOONN EEXXEECCUUTTIIVVEESS PPART II —— FFOR THE EEXECUTIVE CCANDIDATE Frederick C. Hornberger, Jr. http://www.hmc.com http://www.constructionexecutive.com Copyright 2010 Hornberger Management Company – Construction Recruiter. All Rights Reserved. CAREER ADVANCEMENT FOR CONSTRUCTION EXECUTIVES Table of Contents Career Advancement for Construction Executives — Part I — For the Executive Candidate.......1 About Frederick C. Hornberger, Jr. .............................................................................................3 Creating Resumes That Sell ........................................................................................................5 You’ve Got To Dream It Before You Can Do It ........................................................................13 Talk To Those Who Are There; Draw A Map To Get There......................................................18 Zeroing In On Your Target........................................................................................................25 Personal Integrity — The Key Ingredient in Any Career ...........................................................30 If You’re Willing to Work, Be Willing to Learn How ...............................................................38 Building a Dependable Network of Relationships......................................................................53 Timely Career Moves................................................................................................................61