DOCSLIB.ORG

788T High Resolution Digital Audio Recorder with Time Code User Guide and Technical Information for 788T and 788T-SSD Recorders Version 3.02

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
788T High Resolution Digital Audio Recorder with Time Code User Guide and Technical Information for 788T and 788T-SSD Recorders Version 3.02 788T High Resolution Digital Audio Recorder with Time Code User Guide and Technical Information for 788T and 788T-SSD Recorders Version 3.02 SATA 2.5" UDMA Sound Devices, LLC E7556 State Rd. 23 and 33 • Reedsburg, WI • USA +1 (608) 524-0625 • fax: +1 (608) 524-0655 Toll-Free: (800) 505-0625 USB www.sounddevices.com 2.0 [email protected] 788T/788T-SSD User Guide and Technical Information Chapter 1: Quick Start Guide Chapter 2: Panel and LCD Descriptions Front Panel Descriptions . 8 Track Setup Window . 18 Panel Lock . 11 Track Level Meters View . 19 Left Panel Connectors and Controls . 11 Track Routing View . 20 Right Panel Connectors and Controls . 12 Track-to-Media View . 20 Rear Panel Descriptions . 13 Master Gain Levels View . 21 LCD Display Descriptions . 14 Take List Descriptions . 22 Input Settings Window Descriptions . 17 Drive Directory (File Viewer) Descriptions . 24 Root Directory . 25 Chapter 3: Inputs and Outputs Input Setup and Control . 26 Outputs – Analog and Digital . 32 Input Trim and Input Faders . 26 Output Routing . 32 Input Settings Window . 27 Output Types . 33 Analog Inputs . 30 Output Delay . 33 Input Linking (Stereo or MS Decoding) . 30 Digital Inputs . 31 AES42 Digital Microphones . 31 Input Delay . 31 Deactivate Inputs . 32 Chapter 4: Routing and Mixing Introduction Input to Track Routing . 34 Mix Assist™ . 38 of Contents Table Pre-Fade vs. Post Fade . 34 Noise Adaptive Threshold . 38 Routing Using the Input Settings Window . 35 Number of Open Microphone Attenuation . 38 Routing Using the Setup Menu . 36 Last Mic Lock-On . 39 Routing Using The Track Setup Window . 37 One Mic Per Sound Source . 39 Routing Using the CL-8 . 38 Using Mix Assist . 39 Routing Using the CL-9 . 38 Chapter 5: Recording and Playback Pre-Record Buffer . 40 Sampling Rate and Bit Depth . 44 Media Select . 40 Sampling Rate . 45 Failure During Recording . 41 Bit Depth . 46 Record Timer . 41 Audio File Formats . 47 Track Arming . 41 .WAV . 47 Track Enabling Using the CL-9 . 42 File Type . 47 Track Status Indication . 42 Track-to-Media Routing . 42 Master Gain Levels . 43 Track Limiters . 44 Master Gain Levels Using the CL-9 . 44 i 788T/788T-SSD User Guide and Technical Information Take Management . 47 Take List . 54 Scene Name/Numbering . 48 Take Edit Menu . 55 Scene Name Incrementing/Decrementing . 49 Wave Agent Metadata Entry and Editing . 59 Take Numbers . 51 CL-WiFi Metering and Display . 59 Take Number Incrementing/Decrementing . 51 CSV Sound Reports . 59 False Take Control . 52 Sound Report Setup . 59 Emptying the False Take Folders . 52 Generating Sound Reports . 61 Track Naming . 53 Sound Report Best Practices . 61 Metadata Implementation . 53 Playback . 62 AutoPlay . 62 Chapter 6: Synchronization and Timecode Synchronization . 63 Time Code . 65 Clock Master . 63 Frame Rate . 65 Word Out . 63 F Sampling Rate Modes . 66 AES Digital Outputs . 63 Time Code Modes . 67 Clock Slave . 63 Time Code Hold Off . 69 Internal . 64 Jam Menu . 70 Word Clock Input User Bits . 64 . 71 Table of Contents Table Video Sync . 64 NTSC Standard Def Video Production . 71 Digital Inputs 1-2, 3-4, 5-6, 7-8 . 64 Chapter 7: Monitoring and Metering Headphone Output . 72 Metering and Display . 77 Selecting Headphone Sources . 72 Output Meter . 77 Setting Headphone Source Options . 72 Meter Scale . 77 Headphone Source as Outputs . 74 Digital Meter View . 79 Input Solo (PFL) . 74 Meter Ballistics . 79 MS Stereo Monitoring . 75 Peak Hold Time . 80 SoundField B-Format Surround Monitoring . 75 Input Activity Ring LEDs . 80 Rotary Switch Behavior . 76 Headphone Peak LED . 80 Headphone Favorite Selection . 76 Tone Oscillator . 81 Headphone Playback Mode . 76 LCD Contrast & LED Brightness . 81 Headphone Warning Tones . 76 LCD Backlight . 81 Headphone Power Up Gain . 76 CL-2 Metering and Display . 82 CL-9 Headphone Monitoring . 76 CL-8 Metering and Display . 82 CL-9 Metering and Display . 82 Wave Agent Metering and Display . 83 CL-WiFi Metering and Display . 83 Chapter 8: File Management and Storage Automatic File Splitting . 84 File Time and Date . 84 Folder Actions . 84 ii v. 3.02 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation. 788T/788T-SSD User Guide and Technical Information The Drive Directory (File Viewer) . 85 Storage Medium – Removable CompactFlash . 92 Navigation . 86 When to Use CF . 92 Selecting Files for Playback . 87 Formatting . 92 Folder Options Menu . 87 Qualified CF Cards . 93 File Options Menu . 88 Storage Medium – External FireWire Drives . 93 Drive Directory Options Menu . 88 When to Use External FireWire Drives . 93 Storage Media – Internal Drive . 91 Formatting . 93 788T Drive Type . ..
Load more

Recommended publications
  • Steve Jobs and Steve Wozniak: Geek Heroes Who Put the Personal in Computers Pdf
    FREE STEVE JOBS AND STEVE WOZNIAK: GEEK HEROES WHO PUT THE PERSONAL IN COMPUTERS PDF Mike Venezia | 32 pages | 01 Sep 2010 | Hachette Children's Group | 9780531223512 | English | London, United Kingdom Steve Jobs and Steve Wozniak: Geek Heroes Who Put the Personal in Computers - Google Livres Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Get A Copy. Hardcover32 pages. Published March 1st by Scholastic first published More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please Steve Jobs and Steve Wozniak: Geek Heroes Who Put the Personal in Computers up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Dec 24, Shelli rated it it was amazing Shelves: historynon-fictionmy-favoritespicture-booksscience. I have read several of the Getting to Know… book series by Mike Venezia and have enjoyed them all. This series on the inventors and scientists make science fun for young readers with its humorous cartoons and interesting easy to follow facts. Elementary schools and libraries would be remiss in not purchasing the entire collection. Nov 28, Tracy Holland rated it really liked it. Biographical timeline of the combination of the brains behind the Apple computer and its inception. Audience: agestechies, science kids, inventor kids Appeal: the print is bigger, which helps, and the cartoons are funny in an understandable way which makes this book great for a younger age group; there's also a glossary in the back for bolded terms which will help with vocabulary.
    [Show full text]
  • Alog 01 Rsonal
    1 I A IRELEASED FOR p _______L!:::....!I..:....L ___+-_-1 I OLUME l.,-=r-~ALL 1986 The I alog 01 MK4096 (or eq uiv) .... "!> "'= ",Il! RAM 14 -'lI S A'!/-A5 II A lB rsonal pulers I------<~ I N OTES: (continued from sheet 1 /3) L---------~;>CAI4 N 7. UNIT. AS SUPPLIED. IN­ ~ I CLUDES A 6502 MICRO­ '-------<CAIZ P PROCESSOR, AND SOLDER 14 JUMPERS AT BOTH POINTS L-------<;>~AII/5 MARKED " 6502", AND HAS ~R OMITTED ALL COMPON­ L-________<~. 15 ENTS SHOWN WITHIN THE L---------------~ .A8/Z S DOTTED BOX. IF A 6800 IS SUBSTITUTED FOR THE c L---------------~;>~A7/1 16 6502 IT IS NECESSARY TO L-_______~~ T INSTALL ALL COMPON­ ENTS SHOWN. AND TO ~ I BREAK BOTH SOLDER L---------<3:: ~ BRIDGES NOTED "6502". 8. UNIT IS SUPPLIED WITH: ~ v Y Jumpe red to CSF '--------------<AI 19 Z Jumpe red to eso L------------<~A_ W W Jumpercd to CSI and X Jumper-ed to esg. 614 '-------------$<VMA C II~ cs R, S. and T, ARE USER '-------------------------~~BA 6 SELECTABLE CHIP 613 DO 14 R Z SELECTS. (4K BLOCKS) ~C S 01 Z :r : ~ Z 3 ~ 2 9. KYBD & DSP ARE INTER­ 612 I------------~-t--s_<--<.O:A I~ RUPT OUTPUTS FROM PIA. ~~I.L- -~ R POINTS LABELED "IRQtI, SEE '.-- ~ Z 3 "NMI" ARE INTERRUPT 6 11 NOTE ~~I-L-- -~ 8 S·.•• _ INPUTS FROM MICRO­ PROCESSOR. FOR NOR­ T .....----<.......-T L MAL OPERATION NO CL h~--------_<>0~ M JUMPERS ARE REQU IRED. IS) r--------------------<~~ ~ 10. KEYBOARD SOCKET. (B4) . PIN 15, (BIT 8). SHOULD I--- r---------~;>RDY BE JUMPERED TO Vee .1.
    [Show full text]
  • Transition to Digital Digital Handbook
    TRANSITION TO DIGITAL DIGITAL HANDBOOK Audio's video issues tion within one audio sample, the channels of audio over a fiber-optic in- There can be advantages to locking preambles present a unique sequence terface. This has since been superseded the audio and video clocks, such as for (which violate the Biphase Markby AES 10 (or MADI, Multichannel editing, especially when the audio and Code) but nonetheless are DC -freeAudio Digital Interface), which sup- video programs are related. Althoughand provide clock recovery. ports serial digital transmission of 28, digital audio equipment may provide 56, or 64 channels over coaxial cable or an analog video input, it is usually bet- Like AES3, but not fiber-optic lines, with sampling rates ter to synchronize both the audio and A consumer version of AES3 -of up to 96kHz and resolution of up to the video to a single higher -frequencycalled S/PDIF, for Sony/Philips Digi-24 bits per channel. The link to the IT source, such as a 10MHz master refer-tal Interface Format (more formallyworld has also been established with ence. This is because the former solu- known as IEC 958 type II, part of IEC- AES47, which specifies a method for tion requires a synchronization circuit60958) - is also widely used. Essen- packing AES3 streams over Asynchro- that will introduce some jitter into thetially identical to AES3 at the protocol nous Transfer Mode (ATM) networks. signal, especially because the video it- level, the interface uses consumer - It's also worth mentioning Musical self may already have some jitter. To ac- friendly RCA jacks and coaxial cable.Instrument Digital Interface (MIDI) for broadcast operations.
    [Show full text]
  • Asi6614, Asi6618 Multistream Pci-Express Sound Card
    09 DECEMBER 07 ASI6614, ASI6618 MULTISTREAM PCI-EXPRESS SOUND CARD DESCRIPTION FEATURES The ASI6614 and ASI6618 are professional PCI-Express sound cards • 4 or 12 mono/stereo streams of playback into 4 stereo outputs designed for use in radio broadcast automation. (ASI6614) Providing up to 16 play streams that are mixed to 4 (ASI6614) or 8 • 8 or 16 mono/stereo streams of playback into 8 stereo outputs (ASI6618) stereo outputs and up to 2 record streams fed from one (ASI6618) stereo input, the ASI6614 and ASI6518 feature AudioScience’s unique “anything to anywhere” mixing and routing. • 1 or 2 mono/stereo streams of record from 1 stereo input The ASI6614 and ASI6618 provide both balanced analog and AES/EBU • Formats include PCM, MPEG layer 2 and MP3 with sample rates to inputs and outputs. The maximum analog input and output level is 96kHz +24dBu. • MRX™ technology supports digital mixing of multiple stream A choice of uncompressed PCM, MPEG layer 2 and MP3 is available for formats and sample rates both recording and playback. All compression is handled by an on- board floating point DSP, allowing the host computer to focus on other • TSX™ time scaling allows compression/expansion of play streams tasks. by up to +/-20% with no pitch shift ASI6614 and ASI6618 functionality includes MRX™ multi-rate mixing • SSX™ mode for multichannel playback and mixing technology that allows streams of different sample-rates and formats to be mixed digitally. TSX™ time scaling allows compression/expansion of • Balanced stereo analog inputs and outputs with levels to +24dBu any or all playback streams in real time with no change in pitch.
    [Show full text]
  • Application Note
    AN5073 Application note Receiving S/PDIF audio stream with the STM32F4/F7/H7 Series Introduction The Sony/Philips Digital Interface Format (S/PDIF) is a point-to-point protocol for serial and uni-directional transmission of digital audio through a single transmission line for consumer and professional applications. The transmission of data can be done in several ways, by electrical or optical means. The S/PDIFRX peripheral embedded in STM32 devices is designed to receive an S/PDIF flow compliant with IEC-60958 and IEC-61937, which define the physical implementation requirements as well as the coding and the protocol. These standards support simple stereo streams up to high sample rates, and compressed multi-channel surround sound, such as those defined by Dolby or DTS. This application note describes electrical interfaces, to properly connect the S/PDIF stream generated by an external device to an STM32 device embedding the S/PDIFRX interface peripheral, since the voltage level of the S/PDIF line is not the same as that used in STM32 devices. AN5073 - Rev 2.0 - June 2018 www.st.com For further information contact your local STMicroelectronics sales office. AN5073 S/PDIF Interface 1 S/PDIF Interface This document applies to Arm®-based devices. Note: Arm is a registered trademark of Arm Limited (or its subsidiaries) in the US and/or elsewhere. 1.1 S/PDIF background S/PDIF is an audio interface for transmission of digital audio data over reasonably short distances between modules of systems such as home theaters or hi-fi. S/PDIF is a single-wire serial uni-directional, self-clocking interface.
    [Show full text]
  • Sd/Hd Mpeg 2 and Mpeg 4 Ird
    MODEL RD-RD-3030 SD/HD MPEG 2 AND MPEG 4 IRD www.amt.com RD-30 SD/HD MPEG 2 and MPEG 4 IRD Video Decoder Profiles: * VBI / VANC PROCESSING MPEG 2 SD/HD Profile : ISO 13818-2 MP@ML and MP@HL SDI Ancillary support for: MPEG 4 SD/HD Profile: ISO/IEC 14496-10 MP@L3 [email protected] Closed Captioning (CEA-708), AFD (SMPTE 2016), Supported Resolutions: OP-47 (SMPTE RDD-08), SMPTE RDD-11, 480i59.94, 576i50, 720p50/59.94/60, SCTE 127 (SMPTE 2031), EN301775 (SMPTE 2031), 1080i50/59.94/60, 1080p23.97/24/25/29.97/30 Time Code (SMPTE 12M-2), SCTE 35 to SCTE 104 Conversion Inputs CVBS/SDI VBI waveform support: Sync Input: Auto-detects Bi-Level and Tri-level sync for Genlock Connector: 1x BNC (75 Ohm) Line 21 captions (CEA-608), TVG2x, AMOL-48/96 (SCTE 127), DVB-ASI Teletext/WSS/VPS (EN 301775) Interface: ASI (EN 50083-9 250 kb/s to 200 Mb/s) Connector: 1x BNC (75 Ohm) IP DVB-S/S2 Hardware Option (RD30-01-LB) - Optional* Standard: UDP, RTP and SMPTE 2022-1 2007 FEC DVB-CI per EN 50221 Supports 1 to 7 TS packets per IP packet Interface: 2x DVB-CI CAM slots IGMP v1, v2 and v3 support Use: De-scrambles decoded service only without Input TS Rate: 250 kb/s to 150 Mb/s purchase of RD30-CAM-KEY. RD30-CAM-KEY Connection speed: GigE (10/100/1000 Auto-Negotiate) Receiver capability: 2 simultaneous MPEG over IP transport streams provides up to maximum amount of decryptable Connector: 2x RJ45 services supported by CAM module.
    [Show full text]
  • Audio Engineering Society Standards Committee
    Audio Engineering Society Standards Committee Notice and DRAFT agenda for the meeting of the SC-02-02 Working Group on digital input/output interfacing of the SC-02 Subcommittee on Digital Audio To be held in conjunction with the upcoming AES 149th Convention. The meeting is scheduled to take place online, 2020-10. Please check the latest schedule at: http://www.aes.org/standards/ 1. Formal notice on patent policy 2. Introduction to working group and attendees 3. Amendments to and approval of agenda Note that projects where there is no current proposal for revision or amendment, and where there is at least 12 months before any formal review is due, are listed in an annex to this agenda. Please let the chair know if you propose to discuss any projects in this annex. 4. Approval of report of previous meeting, held online, 2020-05. 5. Open Projects NOTE: One or more of these projects may be in the process of a formal Call for Comment (CFC), as indicated by the project status. In these cases only, due process requires that any comments be published. AES10-R Review of AES10-2008 (r2019): AES Recommended Practice for Digital Audio SC-02-02 Engineering - Serial Multichannel Audio Digital Interface (MADI) scope: This standard describes the data organization and electrical characteristics for a multichannel audio digital interface (MADI). It includes a bit-level description, features in common with the two-channel format of the AES3, AES Recommended Practice for Digital Audio Engineering - Serial Transmission Format for Linearly Represented Digital Audio Data, and the data rates required for its utilization.
    [Show full text]
  • Downloadable Preview
    AES47-2006 (r2011) AES standard for digital audio — Digital input-output interfacing — Transmission of digital audio over asynchronous transfer mode (ATM) networks Published by Audio Engineering Society, Inc. Copyright ©2005 by the Audio Engineering Society Preview only Abstract This document specifies the method of carrying multiple channels of audio in linear PCM or AES3 format in calls across an asynchronous transfer mode (ATM) network to ensure interoperability. The specification includes the method of conveying information concerning the format and sampling frequency of the digital audio signal when setting up the calls. An AES standard implies a consensus of those directly and materially affected by its scope and provisions and is intended as a guide to aid the manufacturer, the consumer, and the general public. The existence of an AES standard does not in any respect preclude anyone, whether or not he or she has approved the document, from manufacturing, marketing, purchasing, or using products, processes, or procedures not in agreement with the standard. Prior to approval, all parties were provided opportunities to comment or object to any provision. Attention is drawn to the possibility that some of the elements of this AES standard or information document may be the subject of patent rights. AES shall not be held responsible for identifying any or all such patents. Approval does not assume any liability to any patent owner, nor does it assumewww.aes.org/standards any obligation whatever to parties adopting the standards document. This document is subject to periodic review and users are cautioned to obtain the latest printing. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation.
    [Show full text]
  • DPP Technical Delivery Standards
    TECHNICAL STANDARDS FOR DELIVERY OF TELEVISION PROGRAMMES TO This document is a complete guide to the common technical standards agreed by the BBC, BTSport, Channel 4, Channel 5, ITV, Sky, S4C and TG4. The first three pages of this document outline parts of the specification that are unique to TG4. The main body of the document outlines the main DPP specification as adopted by all members. The Standards include: Technical Specifications, i.e. the technical production methods which must be used, and the parameters which all material must meet to be acceptable by the broadcasters. Picture and Sound Quality requirements, which also form a binding obligation on producers of material. Assessment of quality is by nature subjective, and is highly dependent on the nature of the programme. Some of the Quality Requirements are expressed in relative terms (“reasonable”, “not excessive” etc), and it will be necessary to make a judgement as to whether the quality expectations of the intended audience will be fulfilled, and whether the broadcaster will feel that value for money has been achieved. Delivery Requirements, which specify the form and layout of the programme material. Every programme submitted for transmission must satisfy a Quality Control process specified by the Broadcaster. Any programme failing the QC process on tape or file may be rejected and returned to the supplier for repair. Please ensure you are using the current version of this document, available at: http://www.tg4.ie/en/production/guidelines.html Technical Responsibility and Contacts TG4 is required to ensure that for all broadcast programmes technical quality is maintained to a satisfactory standard.
    [Show full text]
  • A History of the Personal Computer Index/11
    A History of the Personal Computer 6100 CPU. See Intersil Index 6501 and 6502 microprocessor. See MOS Legend: Chap.#/Page# of Chap. 6502 BASIC. See Microsoft/Prog. Languages -- Numerals -- 7000 copier. See Xerox/Misc. 3 E-Z Pieces software, 13/20 8000 microprocessors. See 3-Plus-1 software. See Intel/Microprocessors Commodore 8010 “Star” Information 3Com Corporation, 12/15, System. See Xerox/Comp. 12/27, 16/17, 17/18, 17/20 8080 and 8086 BASIC. See 3M company, 17/5, 17/22 Microsoft/Prog. Languages 3P+S board. See Processor 8514/A standard, 20/6 Technology 9700 laser printing system. 4K BASIC. See Microsoft/Prog. See Xerox/Misc. Languages 16032 and 32032 micro/p. See 4th Dimension. See ACI National Semiconductor 8/16 magazine, 18/5 65802 and 65816 micro/p. See 8/16-Central, 18/5 Western Design Center 8K BASIC. See Microsoft/Prog. 68000 series of micro/p. See Languages Motorola 20SC hard drive. See Apple 80000 series of micro/p. See Computer/Accessories Intel/Microprocessors 64 computer. See Commodore 88000 micro/p. See Motorola 80 Microcomputing magazine, 18/4 --A-- 80-103A modem. See Hayes A Programming lang. See APL 86-DOS. See Seattle Computer A+ magazine, 18/5 128EX/2 computer. See Video A.P.P.L.E. (Apple Pugetsound Technology Program Library Exchange) 386i personal computer. See user group, 18/4, 19/17 Sun Microsystems Call-A.P.P.L.E. magazine, 432 microprocessor. See 18/4 Intel/Microprocessors A2-Central newsletter, 18/5 603/4 Electronic Multiplier. Abacus magazine, 18/8 See IBM/Computer (mainframe) ABC (Atanasoff-Berry 660 computer.
    [Show full text]
  • Video and Imaging Solutions Guide 3Q 2008
    2 Introduction and Table of Contents TI’s Solutions Cover the Entire Video Chain Table of Contents TI has been involved in the video Home Entertainment Solutions Digital TV . 3 market for more than 25 years. The Home Transcoder/HD Set-Top Box . 5 steps in the video chain span IP Set-Top Box . 6 everything from the creation of the Personal Video Recorder/Digital Media Center . 8 original content to the final viewing Network Projector Solutions experience. Network Projector . 9 Portable Device Solutions Customers can leverage TI’s vast Digital Camera . 11 expertise in video compression and Portable Media Player . 12 transcoding to launch differentiated Video Infrastructure Solutions products quickly and cost-effectively. Broadcast Encoder. 13 TI has a number of customized Decoder . 14 solutions for various market segments Transcoder . 16 that simplify development by providing Video Surveillance Solutions access to software, tools, third parties Digital Video Recorder/Digital Video Server. 18 and local support. For more IP Network Camera . 21 information on TI’s market expertise Video Analytics Server . 24 and solutions for the entire video chain, Video Telephony Solutions see www.ti.com/video. IP-Based Video Phone . 25 Video-Conferencing Terminal. 28 Video Chain Vision Solutions Automotive Vision. 30 Capture Acquisition Machine Vision . 31 of original video Selection Guides content, Digital Media Processors . 32 including A/D Digital Media Processors and Digital Signal Processors . 34 and sampling Video Data Converters and Encoders/Decoders . 36 AFE and Support Chips and Vertical Drivers . 37 Process Content is HDMI, Video Switches and Voiceband Codecs . 38 encoded, Video Amplifiers . 39 transcoded, Digital Audio Processors, 2VRMS Line Drivers and Audio Codecs .
    [Show full text]
  • TS 102 154 V1.2.1 (2004-05) Technical Specification
    ETSI TS 102 154 V1.2.1 (2004-05) Technical Specification Digital Video Broadcasting (DVB); Implementation guidelines for the use of Video and Audio Coding in Contribution and Primary Distribution Applications based on the MPEG-2 Transport Stream European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 ETSI TS 102 154 V1.2.1 (2004-05) Reference RTS/JTC-DVB-123 Keywords audio, broadcasting, contribution, data, digital, DVB, MPEG, TV, video ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, send your comment to: [email protected] Copyright Notification No part may be reproduced except as authorized by written permission.
    [Show full text]