Audio Engineering Society Standards Committee
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Transition to Digital Digital Handbook
TRANSITION TO DIGITAL DIGITAL HANDBOOK Audio's video issues tion within one audio sample, the channels of audio over a fiber-optic in- There can be advantages to locking preambles present a unique sequence terface. This has since been superseded the audio and video clocks, such as for (which violate the Biphase Markby AES 10 (or MADI, Multichannel editing, especially when the audio and Code) but nonetheless are DC -freeAudio Digital Interface), which sup- video programs are related. Althoughand provide clock recovery. ports serial digital transmission of 28, digital audio equipment may provide 56, or 64 channels over coaxial cable or an analog video input, it is usually bet- Like AES3, but not fiber-optic lines, with sampling rates ter to synchronize both the audio and A consumer version of AES3 -of up to 96kHz and resolution of up to the video to a single higher -frequencycalled S/PDIF, for Sony/Philips Digi-24 bits per channel. The link to the IT source, such as a 10MHz master refer-tal Interface Format (more formallyworld has also been established with ence. This is because the former solu- known as IEC 958 type II, part of IEC- AES47, which specifies a method for tion requires a synchronization circuit60958) - is also widely used. Essen- packing AES3 streams over Asynchro- that will introduce some jitter into thetially identical to AES3 at the protocol nous Transfer Mode (ATM) networks. signal, especially because the video it- level, the interface uses consumer - It's also worth mentioning Musical self may already have some jitter. To ac- friendly RCA jacks and coaxial cable.Instrument Digital Interface (MIDI) for broadcast operations. -
Asi6614, Asi6618 Multistream Pci-Express Sound Card
09 DECEMBER 07 ASI6614, ASI6618 MULTISTREAM PCI-EXPRESS SOUND CARD DESCRIPTION FEATURES The ASI6614 and ASI6618 are professional PCI-Express sound cards • 4 or 12 mono/stereo streams of playback into 4 stereo outputs designed for use in radio broadcast automation. (ASI6614) Providing up to 16 play streams that are mixed to 4 (ASI6614) or 8 • 8 or 16 mono/stereo streams of playback into 8 stereo outputs (ASI6618) stereo outputs and up to 2 record streams fed from one (ASI6618) stereo input, the ASI6614 and ASI6518 feature AudioScience’s unique “anything to anywhere” mixing and routing. • 1 or 2 mono/stereo streams of record from 1 stereo input The ASI6614 and ASI6618 provide both balanced analog and AES/EBU • Formats include PCM, MPEG layer 2 and MP3 with sample rates to inputs and outputs. The maximum analog input and output level is 96kHz +24dBu. • MRX™ technology supports digital mixing of multiple stream A choice of uncompressed PCM, MPEG layer 2 and MP3 is available for formats and sample rates both recording and playback. All compression is handled by an on- board floating point DSP, allowing the host computer to focus on other • TSX™ time scaling allows compression/expansion of play streams tasks. by up to +/-20% with no pitch shift ASI6614 and ASI6618 functionality includes MRX™ multi-rate mixing • SSX™ mode for multichannel playback and mixing technology that allows streams of different sample-rates and formats to be mixed digitally. TSX™ time scaling allows compression/expansion of • Balanced stereo analog inputs and outputs with levels to +24dBu any or all playback streams in real time with no change in pitch. -
Application Note
AN5073 Application note Receiving S/PDIF audio stream with the STM32F4/F7/H7 Series Introduction The Sony/Philips Digital Interface Format (S/PDIF) is a point-to-point protocol for serial and uni-directional transmission of digital audio through a single transmission line for consumer and professional applications. The transmission of data can be done in several ways, by electrical or optical means. The S/PDIFRX peripheral embedded in STM32 devices is designed to receive an S/PDIF flow compliant with IEC-60958 and IEC-61937, which define the physical implementation requirements as well as the coding and the protocol. These standards support simple stereo streams up to high sample rates, and compressed multi-channel surround sound, such as those defined by Dolby or DTS. This application note describes electrical interfaces, to properly connect the S/PDIF stream generated by an external device to an STM32 device embedding the S/PDIFRX interface peripheral, since the voltage level of the S/PDIF line is not the same as that used in STM32 devices. AN5073 - Rev 2.0 - June 2018 www.st.com For further information contact your local STMicroelectronics sales office. AN5073 S/PDIF Interface 1 S/PDIF Interface This document applies to Arm®-based devices. Note: Arm is a registered trademark of Arm Limited (or its subsidiaries) in the US and/or elsewhere. 1.1 S/PDIF background S/PDIF is an audio interface for transmission of digital audio data over reasonably short distances between modules of systems such as home theaters or hi-fi. S/PDIF is a single-wire serial uni-directional, self-clocking interface. -
Sd/Hd Mpeg 2 and Mpeg 4 Ird
MODEL RD-RD-3030 SD/HD MPEG 2 AND MPEG 4 IRD www.amt.com RD-30 SD/HD MPEG 2 and MPEG 4 IRD Video Decoder Profiles: * VBI / VANC PROCESSING MPEG 2 SD/HD Profile : ISO 13818-2 MP@ML and MP@HL SDI Ancillary support for: MPEG 4 SD/HD Profile: ISO/IEC 14496-10 MP@L3 [email protected] Closed Captioning (CEA-708), AFD (SMPTE 2016), Supported Resolutions: OP-47 (SMPTE RDD-08), SMPTE RDD-11, 480i59.94, 576i50, 720p50/59.94/60, SCTE 127 (SMPTE 2031), EN301775 (SMPTE 2031), 1080i50/59.94/60, 1080p23.97/24/25/29.97/30 Time Code (SMPTE 12M-2), SCTE 35 to SCTE 104 Conversion Inputs CVBS/SDI VBI waveform support: Sync Input: Auto-detects Bi-Level and Tri-level sync for Genlock Connector: 1x BNC (75 Ohm) Line 21 captions (CEA-608), TVG2x, AMOL-48/96 (SCTE 127), DVB-ASI Teletext/WSS/VPS (EN 301775) Interface: ASI (EN 50083-9 250 kb/s to 200 Mb/s) Connector: 1x BNC (75 Ohm) IP DVB-S/S2 Hardware Option (RD30-01-LB) - Optional* Standard: UDP, RTP and SMPTE 2022-1 2007 FEC DVB-CI per EN 50221 Supports 1 to 7 TS packets per IP packet Interface: 2x DVB-CI CAM slots IGMP v1, v2 and v3 support Use: De-scrambles decoded service only without Input TS Rate: 250 kb/s to 150 Mb/s purchase of RD30-CAM-KEY. RD30-CAM-KEY Connection speed: GigE (10/100/1000 Auto-Negotiate) Receiver capability: 2 simultaneous MPEG over IP transport streams provides up to maximum amount of decryptable Connector: 2x RJ45 services supported by CAM module. -
Calrec Network Primer V2
CALREC NETWORK PRIMER V2 Introduction to professional audio networks - 2017 edition Putting Sound in the Picture calrec.com NETWORK PRIMER V2 CONTENTS Forward 5 Introduction 7 Chapter One: The benefits of networking 11 Chapter Two: Some technical background 19 Chapter Three: Routes to interoperability 23 Chapter Four: Control, sync and metadata over IP 27 The established policy of Calrec Audio Ltd. is to seek improvements to the design, specifications and manufacture of all products. It is not always possible to provide notice outside the company of the alterations that take place continually. No part of this manual may be reproduced or transmitted in any form or by any means, Despite considerable effort to produce up to electronic or mechanical, including photocopying date information, no literature published by and scanning, for any purpose, without the prior the company nor any other material that may written consent of Calrec Audio Ltd. be provided should be regarded as an infallible Calrec Audio Ltd guide to the specifications available nor does Nutclough Mill Whilst the Company ensures that all details in this it constitute an offer for sale of any particular Hebden Bridge document are correct at the time of publication, product. West Yorkshire we reserve the right to alter specifications and England UK equipment without notice. Any changes we make Apollo, Artemis, Summa, Brio, Hydra Audio HX7 8EZ will be reflected in subsequent issues of this Networking, RP1 and Bluefin High Density Signal document. The latest version will be available Processing are registered trade marks of Calrec Tel: +44 (0)1422 842159 upon request. -
Developments in Audio Networking Protocols By: Mel Lambert
TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage. -
Downloadable Preview
AES47-2006 (r2011) AES standard for digital audio — Digital input-output interfacing — Transmission of digital audio over asynchronous transfer mode (ATM) networks Published by Audio Engineering Society, Inc. Copyright ©2005 by the Audio Engineering Society Preview only Abstract This document specifies the method of carrying multiple channels of audio in linear PCM or AES3 format in calls across an asynchronous transfer mode (ATM) network to ensure interoperability. The specification includes the method of conveying information concerning the format and sampling frequency of the digital audio signal when setting up the calls. An AES standard implies a consensus of those directly and materially affected by its scope and provisions and is intended as a guide to aid the manufacturer, the consumer, and the general public. The existence of an AES standard does not in any respect preclude anyone, whether or not he or she has approved the document, from manufacturing, marketing, purchasing, or using products, processes, or procedures not in agreement with the standard. Prior to approval, all parties were provided opportunities to comment or object to any provision. Attention is drawn to the possibility that some of the elements of this AES standard or information document may be the subject of patent rights. AES shall not be held responsible for identifying any or all such patents. Approval does not assume any liability to any patent owner, nor does it assumewww.aes.org/standards any obligation whatever to parties adopting the standards document. This document is subject to periodic review and users are cautioned to obtain the latest printing. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. -
DPP Technical Delivery Standards
TECHNICAL STANDARDS FOR DELIVERY OF TELEVISION PROGRAMMES TO This document is a complete guide to the common technical standards agreed by the BBC, BTSport, Channel 4, Channel 5, ITV, Sky, S4C and TG4. The first three pages of this document outline parts of the specification that are unique to TG4. The main body of the document outlines the main DPP specification as adopted by all members. The Standards include: Technical Specifications, i.e. the technical production methods which must be used, and the parameters which all material must meet to be acceptable by the broadcasters. Picture and Sound Quality requirements, which also form a binding obligation on producers of material. Assessment of quality is by nature subjective, and is highly dependent on the nature of the programme. Some of the Quality Requirements are expressed in relative terms (“reasonable”, “not excessive” etc), and it will be necessary to make a judgement as to whether the quality expectations of the intended audience will be fulfilled, and whether the broadcaster will feel that value for money has been achieved. Delivery Requirements, which specify the form and layout of the programme material. Every programme submitted for transmission must satisfy a Quality Control process specified by the Broadcaster. Any programme failing the QC process on tape or file may be rejected and returned to the supplier for repair. Please ensure you are using the current version of this document, available at: http://www.tg4.ie/en/production/guidelines.html Technical Responsibility and Contacts TG4 is required to ensure that for all broadcast programmes technical quality is maintained to a satisfactory standard. -
Video and Imaging Solutions Guide 3Q 2008
2 Introduction and Table of Contents TI’s Solutions Cover the Entire Video Chain Table of Contents TI has been involved in the video Home Entertainment Solutions Digital TV . 3 market for more than 25 years. The Home Transcoder/HD Set-Top Box . 5 steps in the video chain span IP Set-Top Box . 6 everything from the creation of the Personal Video Recorder/Digital Media Center . 8 original content to the final viewing Network Projector Solutions experience. Network Projector . 9 Portable Device Solutions Customers can leverage TI’s vast Digital Camera . 11 expertise in video compression and Portable Media Player . 12 transcoding to launch differentiated Video Infrastructure Solutions products quickly and cost-effectively. Broadcast Encoder. 13 TI has a number of customized Decoder . 14 solutions for various market segments Transcoder . 16 that simplify development by providing Video Surveillance Solutions access to software, tools, third parties Digital Video Recorder/Digital Video Server. 18 and local support. For more IP Network Camera . 21 information on TI’s market expertise Video Analytics Server . 24 and solutions for the entire video chain, Video Telephony Solutions see www.ti.com/video. IP-Based Video Phone . 25 Video-Conferencing Terminal. 28 Video Chain Vision Solutions Automotive Vision. 30 Capture Acquisition Machine Vision . 31 of original video Selection Guides content, Digital Media Processors . 32 including A/D Digital Media Processors and Digital Signal Processors . 34 and sampling Video Data Converters and Encoders/Decoders . 36 AFE and Support Chips and Vertical Drivers . 37 Process Content is HDMI, Video Switches and Voiceband Codecs . 38 encoded, Video Amplifiers . 39 transcoded, Digital Audio Processors, 2VRMS Line Drivers and Audio Codecs . -
TS 102 154 V1.2.1 (2004-05) Technical Specification
ETSI TS 102 154 V1.2.1 (2004-05) Technical Specification Digital Video Broadcasting (DVB); Implementation guidelines for the use of Video and Audio Coding in Contribution and Primary Distribution Applications based on the MPEG-2 Transport Stream European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 ETSI TS 102 154 V1.2.1 (2004-05) Reference RTS/JTC-DVB-123 Keywords audio, broadcasting, contribution, data, digital, DVB, MPEG, TV, video ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, send your comment to: [email protected] Copyright Notification No part may be reproduced except as authorized by written permission. -
Recommendation ITU-R BT.2137-0 (12/2020)
Recommendation ITU-R BT.2137-0 (12/2020) Technologies applicable to Internet Protocol interfaces for programme production BT Series Broadcasting service (television) ii Rec. ITU-R BT.2137-0 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
633 Portable Production Mixer and Recorder User Guide and Technical Information Firmware Version 1.0
633 Portable Production Mixer and Recorder User Guide and Technical Information Firmware Version 1.0 Sound Devices, LLC E7556 State Highway 23 and 33 • Reedsburg, WI • USA • 53959 +1 (608) 524-0625 • fax: +1 (608) 524-0655 Toll-Free: (800) 505-0625 www.sounddevices.com UDMA [email protected] 633 User Guide and Technical Information Table of Contents Panel Descriptions 1 Front Panel ................................1 Right (Output) Panel ........................3 Left (Input) Panel ...........................3 Rear Panel ................................4 Quick Start Guide 5 Screen Overview 10 Primary Screen Elements ....................10 Input Settings Screen .......................11 Meter Views . .10 Routing Screens ...........................13 L, R, X1, X2, 1-6 . .10 LCD Daylight Mode .........................13 L, R, 1-3 . .10 L, R, 1-6 . .11 L, R, X1-X4, RTN . 11 Inputs 14 Input Types ...............................14 Phantom Power ...........................16 Input Routing .............................14 Digital Inputs .............................16 Pan Control ...............................15 High-pass Filter ...........................17 Trim and Fader Relationship .................15 Polarity ..................................17 Input/Trim (Analog) . .15 Input Linking .............................18 Input Trim (Digital) . .15 M/S Matrixing . 18 Input Fader . 16 Table of Contents Table Limiters 19 Limiter Knee ..............................19 Linking Limiters ...........................19 Metering 20 Meter Ballistics