Convention Program, 2018 Spring Erating the Required Sound Output with Minimum 4Th Order Bandpass Enclosure Design for a Subwoofer to Size, Weight, Cost, and Energy

Total Page:16

File Type:pdf, Size:1020Kb

Convention Program, 2018 Spring Erating the Required Sound Output with Minimum 4Th Order Bandpass Enclosure Design for a Subwoofer to Size, Weight, Cost, and Energy AES 144TH CONVENTION OCT PROGRAM MAY 23–MAY 26, 2017 NH HOTEL MILANO, CONGRESS CENTRE, MILAN The Winner of the 144th AES Convention To be presented on Thursday, May 24 Best Peer-Reviewed Paper Award is: in Session 10—Audio Coding, Analysis, and Synthesis * * * * * Real-Time Conversion of Sensor Array Signals into Spherical Harmonic Signals with Applications to Spatially Localized Sub-Band Sound-Field Technical Comittee Meeting Analysis—Leo McCormack,1 Symeon Delikaris- Wednesday, May 23, 09:00 – 10:00 Room Brera 1 Manias,1 Angelo Farina,2 Daniel Pinardi,2 Ville Pulkki1 1 Aalto University, Espoo, Finland Technical Committee Meeting on Recording Technology 2 Università di Parma, Parma, Italy and Practices Convention Paper 9939 Tutorial 1 Wednesday, May 23 09:15 – 10:15 Scala 2 To be presented on Thursday, May 24 in Session 7—Spatial Audio—Part 1 CRASH COURSE IN 3D AUDIO * * * * * The AES has launched an opportunity to recognize student mem- Presenter: Nuno Fonseca, Polytechnic Institute of Leiria, bers who author technical papers. The Student Paper Award Com- Leiria, Portugal; Sound Particles petition is based on the preprint manuscripts accepted for the AES convention. A little confused with all the new 3D formats out there? Although A number of student-authored papers were nominated. The ex- most 3D audio concepts already exist for decades, the interest in cellent quality of the submissions has made the selection process 3D audio has increased in recent years, with the new immersive both challenging and exhilarating. formats for cinema or the rebirth of Virtual Reality (VR). This The award-winning student paper will be honored during the tutorial will present the most common 3D audio concepts, formats, Convention, and the student-authored manuscript will be consid- and technologies allowing you to finally understand buzzwords ered for publication in a timely manner for the Journal of the Audio like Ambisonics/HOA, Binaural, HRTF/HRIR, channel-based audio, Engineering Society. object-based audio, Dolby Atmos, among others. Nominees for the Student Paper Award were required to meet the following qualifications: Workshop 1 Wednesday, May 23 (a) The paper was accepted for presentation at the AES 144th 09:15 – 10:15 Scala 3 Convention. (b) The first author was a student when the work was conducted CANCELED and the manuscript prepared. (c) The student author’s affiliation listed in the manuscript is an Session P1 Wednesday, May 23 accredited educational institution. 09:30 – 12:30 Scala 4 (d) The student will deliver the lecture or poster presentation at the Convention. * * * * * LOUDSPEAKERS—PART 1 The Winner of the 144th AES Convention Chair: Angelo Farina, University of Parma, Parma, Italy Student Paper Award is: 09:30 Bandwidth Extension Method Based on Generative Adversarial Nets for Audio Compression— P1-1 Maximizing Efficiency in Active Loudspeaker Systems— Qingbo Huang, Xihong Wu, Tianshu Qu, Wolfgang Klippel, Klippel GmbH, Dresden, Germany Peking University, Beijing, China Increasing the efficiency of the electro-acoustical Convention Paper 9954 conversion is the key to modern audio devices gen- 1 Audio Engineering Society 144th Convention Program, 2018 Spring erating the required sound output with minimum 4th order bandpass enclosure design for a subwoofer to size, weight, cost, and energy. There is unused po- achieve a high peak in the passband and increase voltage tential for increasing the efficiency of the electro- sensitivity is investigated. The response is corrected with dynamical transducer by using a nonlinear motor topol- DSP to ensure a flat response in the passband. The results ogy, a soft suspension, and cultivating the modal reso- proved that this approach can increase the voltage sensi- nances in the mechanical and acoustical system. How- tivity dramatically, reaching an average sensitivity of over ever, transducers optimized for maximum efficiency are 100 dB in the passband from 45 Hz to 90 Hz. It also showed more prone to nonlinear and unstable behavior. Nonlinear that the design is sensitive to construction errors. Precise adaptive control can compensate for the undesired signal assembling is required to achieve satisfactory results distortion, protect the transducer against overload, stabi- while small errors can ruin the purpose of the design. lize the voice coil position, and cope with time varying Convention Paper 9911 properties of the suspension. The paper discusses the de- sign of modern active systems that combine the new op- 11:30 portunities provided by software algorithms with the op- timization of the hardware components in the transducer P1-5 Parameterization of Micro Speakers Used in Cell and power amplifier. Phones and Earbuds—Jason McIntosh, SAATI SPA, Convention Paper 9908 Appiano Gentile (C0), Italy Loudspeaker parameterizations based on measuring a 10:00 transfer matrix is presented. This approach produces nine P1-2 How Do We Make an Electrostatic Loudspeaker with complex frequency dependent functions. While Thiele- Constant Directivity?—Tim Mellow, Mellow Acoustics Small parameters only capture the first piston mode of Ltd., Farnham, Surrey, UK a moving coil speaker, the transfer matrix approach cap- tures all the linear behavior of the speaker, including the The idea of broadening the directivity pattern of a push- diaphragm modes and internal geometry. Predictions of pull electrostatic loudspeaker by partitioning the stators baffled response of two speakers are presented with the into concentric annular rings, which are connected to transfer matrix parameters producing better results than tappings along a delay line, isn’t new. However, the delay the Thiele-Small parameters, especially at high frequen- line has traditionally been attenuated to avoid response cies. The SAATI “Ares” acoustic simulator uses the trans- irregularities due to the finite size of the membrane. An fer matrix parameters for effective simulation of complete alternative approach is presented here whereby a con- devices, including proper porting geometry and dampen- stant-impedance delay line is configured to imitate an ing acoustic meshes for better audio tuning. oscillating sphere, which is an ideal constant-directivity Convention Paper 9912 dipole source that needs no attenuation. Walker’s equa- tion for the on-axis pressure does not account for the ef- 12:00 fect of the delay line without taking the vector sum of the currents though all the rings, so a simple alternative that P1-6 A Fast And Efficient Model for Transmission Line does is presented here. Loudspeakers—James Hipperson,1,2 Jamie Angus,1,3 Convention Paper 9909 Jonathan Hargreaves1 1University of Salford, Salford, UK 2 10:30 16 Longhurst House, Horsham, UK 3 JASA Consultancy, York, UK P1-3 Analysis of Front Loaded Low Frequency Horn Loud- speakers—Bjørn Kolbrek, Celestion International Ltd., Transmission Line loudspeakers use a tube behind the Ipswich, UK driver that is lined, or filled, with absorber to remove the rear radiation. They also use the resonances of the The low frequency horn design procedures described by pipe to support the radiation of the driver and reduce Keele and Leach are extended and generalized to cases displacement at low frequencies. While lumped element where the horn is already specified, or where maximum models are used for modeling sealed and vented box output or the smoothest response is desired. The impact enclosures, they cannot be used for transmission line of finite-length horns is analyzed. A more detailed analysis loudspeakers because they cannot be accurately mod- of the high frequency range is given, where it is shown eled as a lumped element. Finite Element and Boundary how the voice coil inductance can be taken into account Element models can be used but they are complex and to create a third order low pass filter of specified shape. computationally expensive. A cascaded two port method A new analysis of reactance annulling is presented that has been developed that can model varying tube area and significantly improves the performance above cutoff for absorption. It has been evaluated against acoustic mea- a certain class of horns. Large signal behavior is touched surements and shown to provide accurate predictions. upon, and finally, an analysis of the sensitivity of driver Convention Paper 9913 and system parameters is given. Convention Paper 9910 Tutorial 2 Wednesday, May 23 09:30 – 11:00 Scala 1 11:00 P1-4 Design and Implementation of a High Efficiency REUSING AND PROTOTYPING TO ACCELERATE Subwoofer—Sebastian Tengvall, Niels Elkjær Iversen, INNOVATION IN AUDIO SIGNAL PROCESSING Arnold Knott, Technical University of Denmark, Kgs. Lyngby, Denmark Presenters: Gabriele Bunkheila, MathWorks, Cambridge, UK The demand for battery driven loudspeakers is increasing Jonas Rutstrom, MathWorks, Sollentuna, Sweden but the challenge of efficient low frequency reproduction remains. An alternative approach to the conventional Voice assistants are shifting consumer expectations on perfor- 2 Audio Engineering Society 144th Convention Program, 2018 Spring mance and capabilities of audio devices and human-machine inter- Session P2 Wednesday, May 23 faces. As new products are driven to deliver increasingly complex 10:30 – 12:30 Scala 2 features, successful manufacturers and IP providers need to reuse more design assets, deliver original innovation more efficiently, AUDIO QUALITY—PART 1 and prototype more quickly than ever before. In this session you will learn about different techniques to integrate existing code and
Recommended publications
  • Sound Masking Done Right: Simple Solutions for Complex Problems
    SOUND MASKING DONE RIGHT: SIMPLE SOLUTIONS FOR COMPLEX PROBLEMS Robert Chanaud, Ph.D. Magnum Publishing L.L.C. i Copyright 2008, Robert Chanaud, All Rights Reserved Published with permission by Magnum Publishing, LLC No part of this book may be reproduced, stored in a retrieval system, or transmitted in any other form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the publishers. While every effort has been made to ensure that the contents of this document are accurate and reliable, Magnum Publishing LLC, Robert Chanaud, or Atlas Sound L.P. cannot assume liability for any damages caused by inaccuracies in the data or documentation, or as a result of the failure of the data, documentation, software, or products described herein to function in a particular manner. The authors and publishers make no warranty, expressed or implied, nor does the fact of distribution constitute a warranty. International Standard Book Number: 978-0-9818166-0-9 Printed in the United States of America ii - Sound Masking Done Right: Simple Solutions for Complex Problems - About Bob Chanaud Dr. Robert C. Chanaud received his BS from the US Coast Guard Academy, his MS from the University of California and his PhD from Purdue University. Active in the field of acoustics since 1958, he taught at Purdue University and the University of Colorado and, in 1975, founded Dynasound, Inc. He has developed software programs to facilitate the design and equalization of masking systems. Acknowledgements The following companies have graciously supplied products for evaluation: Atlas Sound Cambridge Sound Management Dynasound Soft dB Sound Advance Notation Square brackets [ ] are references contained at the end of the manual.
    [Show full text]
  • Making Musical Magic Live
    Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording.
    [Show full text]
  • MARK Serv Grap GLOB 2013 EUROCOM Catalog EN V8 2013
    EUROCOM The New Standard for Installed Systems Summer 2013 EUROCOM The EUROCOM Story Innovative Tools Discover EUROCOM, the new for Modern standard for installed systems: Systems Integrators New ideas, breathtaking technologies, a unique design aesthetic, fl exibility – and tremendous value! I’m often asked why BEHRINGER customers love our made them tick. I quickly realized that companies were Over the past two decades we have with a diff erent sales and distribution Longtime BEHRINGER observers will products so much. The answer is simple… it’s because charging US$1000 or more for a piece of equipment, heard from many customers who model, terms of sale, marketing and recognize our EUROLIVE, EURODESK we are so passionate about everything we do. while the components inside were only worth US$100! have used our products in installed support requirements. We recognized and EUROPOWER product family Our customers tell us what they want, and we design sound systems. After all, system early on that the nature of project-driven names. The origin of these names So I immediately grabbed my soldering iron and went to and build products that sound great and provide integrators and contractors are always sales diff ers considerably from that of stems from our roots as a small work on my fi rst signal processor. Word spread quickly amazing feature sets—at extremely aff ordable prices! looking for products that deliver a retail sales and that our organization startup in Germany, hence the among friends that my products sounded really good. would need to adapt in name—EURO. So, of course when It all started 29 years ago when I was studying classical More importantly, I found out that my friends were very order to fully and properly it came time to name the family piano and sound engineering.
    [Show full text]
  • Sound Masking in Patient Rooms
    Navigate to ... Navigate to ... SnoCQ eguraie: nRtuMedPin oait ontaimskgi s highprofile | May 19, 2014 | 0 Comments by Benjamin Davenny Noise levels in hospitals have become an increasing concern as more noise sources have been added to the hospital environment. These sources range from noisy medical instruments to the layout of patient rooms as they relate to the nurses’ station. Numerous studies have evaluated the impact of noise levels on the hospital environment, but few have considered the type of noise source. The sound of a fan is different from an alarm, even if they measure at the same sound levels. Without clear objectives on the type of noises studied, there is a false impression that a quieter environment is always a better one. Some of these noise sources are necessary in a modern working hospital. The trick is to take a different look at their sources and Ben Davenny develop more efficient methods to reduce disturbance to patients. The often-cited World Health Organization (WHO) and Environmental Protection Agency (EPA) guidelines for hospitals require low noise levels in patient rooms, precluding conversation in corridors with patient doors open. This requirement conflicts with nurses’ needs to see patients and discuss patient care. The WHO and EPA guidelines are also based mainly on transportation noise, whose character is quite distinctive and bothersome to building occupants. Introducing a constant noise source as background sound helps to reduce the impact of impulsive tonal noises such as speech. The typical background noise level can be considered a constant noise with full frequency content. These noise sources include air movement from the building’s HVAC system and cooling fans, as well as electronic sound masking systems.
    [Show full text]
  • Machine Learning Based Cyber Attack Targeting on Controlled Information
    Machine Learning Based Cyber Attacks Targeting on Controlled Information By Yuantian Miao A thesis submitted in fulfillment for the degree of Doctor of Philosophy Faculty of Science, Engineering and Technology (FSET) Swinburne University of Technology May 2021 Abstract Due to the fast development of machine learning (ML) techniques, cyber attacks utilize ML algorithms to achieve a high success rate and cause a lot of damage. Specifically, the attack against ML models, along with the increasing number of ML-based services, has become one of the most emerging cyber security threats in recent years. We review the ML-based stealing attack in terms of targeted controlled information, including controlled user activities, controlled ML model-related information, and controlled authentication information. An overall attack methodology is extracted and summarized from the recently published research. When the ML model is the target, the attacker can steal model information or mislead the model’s behaviours. The model information stealing attacks can steal the model’s structure information or model’s training set information. Targeting at Automated Speech Recognition (ASR) system, the membership inference method is studied to whether the model’s training set can be inferred at user-level, especially under the black-box access. Under the label-only black-box access, we analyse user’s statistical information to improve the user-level membership inference results. When even the label is not provided, google search results are collected instead, while fuzzy string matching techniques would be utilized to improve membership inference performance. Other than inferring training set information, understanding the model’s structure information can launch an effective adversarial ML attack.
    [Show full text]
  • Calrec Network Primer V2
    CALREC NETWORK PRIMER V2 Introduction to professional audio networks - 2017 edition Putting Sound in the Picture calrec.com NETWORK PRIMER V2 CONTENTS Forward 5 Introduction 7 Chapter One: The benefits of networking 11 Chapter Two: Some technical background 19 Chapter Three: Routes to interoperability 23 Chapter Four: Control, sync and metadata over IP 27 The established policy of Calrec Audio Ltd. is to seek improvements to the design, specifications and manufacture of all products. It is not always possible to provide notice outside the company of the alterations that take place continually. No part of this manual may be reproduced or transmitted in any form or by any means, Despite considerable effort to produce up to electronic or mechanical, including photocopying date information, no literature published by and scanning, for any purpose, without the prior the company nor any other material that may written consent of Calrec Audio Ltd. be provided should be regarded as an infallible Calrec Audio Ltd guide to the specifications available nor does Nutclough Mill Whilst the Company ensures that all details in this it constitute an offer for sale of any particular Hebden Bridge document are correct at the time of publication, product. West Yorkshire we reserve the right to alter specifications and England UK equipment without notice. Any changes we make Apollo, Artemis, Summa, Brio, Hydra Audio HX7 8EZ will be reflected in subsequent issues of this Networking, RP1 and Bluefin High Density Signal document. The latest version will be available Processing are registered trade marks of Calrec Tel: +44 (0)1422 842159 upon request.
    [Show full text]
  • Developments in Audio Networking Protocols By: Mel Lambert
    TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage.
    [Show full text]
  • SUB 12D Active Band-Pass Subwoofer 12”, 800W Peak Power
    Spec Sheet SUB 12D Active Band-pass Subwoofer 12”, 800W Peak Power PACK Applications This subwoofer is designed to work in both stereo and mono mode. It is also possible to - Music playback and sound reinforcement for small and mid-size venues change the frequency response (Flat or Boost) and switch the phase (0° or 180°). The output - Portable PA, clubs, ballrooms, live theatre signals can be linked or controlled by the - Houses of worship, retail, restaurants/bars, corporate events crossover. - Portable and installed audio-visual systems The SUB 12D uses DIGIPACK™ module, a in small size venues multichannel digital power amplifier of last generation. Features This highly efficient amplifier was specifically - Active 12” Bandpass Subwoofer developed for use in very compact and active - 800W Peak Power Class-D Digipack™ amp systems, based on the innovative technology - 24bit/48kHz DSP designed for our Digipro® power amps and used - Crossover freq. 100 Hz, 24 dB/Octave in our high-end DVA and DVX series products, - Flat and Boost system presets which set new standards of performance in such - Innovative H.E.T™ housing with black PVC a compact package. cover The Digipack™ power amp modules are - Standard Ø36mm pole mount plate rated more than 90% efficient, as only digital amplification can be. That means that they have Description no need for built-in fans and are extremely reliable and stable while operating. SUB 12D is the perfect complement to 8” or 10” speaker systems for users looking to set up The housing is designed with Hybrid small but assertive satellite systems that deliver Enclosure Technology (H.E.T™), developed by exceptional performance.
    [Show full text]
  • Claimed Studios Self Reliance Music 779
    I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN
    [Show full text]
  • Heathkit Catalog 1956
    world's finest electronic equipment in kit form ... H ••TH COMPANY ...IITON HARBOR, MICHIGAII G ~ of DaYBtrom.l~ KIT INDEX A.C. Vacuum Tube Linearity Pattern Voltmeter 13 Generator 16 Amateur Equipment 37 Multimeter 10 Amateur Transmitter (CW) 41 Oscilloscope (5" Color TV) 4 Amateur Transmitter Oscilloscope (5" Gen. (Phone-CW) 38 Purpose) 6 Amplifier (20 Watt) 50 Oscilloscope (3" Port.­ Amplifier (7 Watt) 50 Utility) 7 Amplifiers (Williamson Portable Tube Checker 27 Type) 47 Portable Tube Checker, CRT 17 Antennil Coupler 41 Power Supply (Regulated) 33 Antenna Impedance Meter 43 Preamplifier 46 Audio Analyzer 25 Probe (High Voltage) 9 Audio Frequency Meter 24 Probe (Low Capacity) 5 Audio Generators 20-21 Probe (Peak-to-Peak) 9 Audio Harmonic Probe (R .F.) 9 Distortion Meter 26 Probe (Scope Audio Oscillator 22 Demodulator) 5 Audio Wattmeter 24 "Q" Meter 32 Bar Generator 16 "Q " Multiplier 43 Battery Eliminator 34 Receiver (Broadcast) 44 Battery Tester 35 Receiver (Communications) 37 Binding Post Kit 36 Regulated Power Supply 33 Bridge (Impedance) 31 Resistance Su bstitution Broadcast Receiver 44 Box 33 Capacity Meter 29 Signal Generator (RF) 18 Cathode Ray Tube Checker 17 Signa I Tracer 28 Color TV Scope 4 Speakers 51 FIRST Speaker System 51 Communications Receiver 37 •In Condenser Checker 30 Square Wave Generator 23 Condenser Substitution Sweep Generator 14 quali9y Box 33 Timer, Enlarger 35 Decade Condenser Box 32 Transmitter (CW) 41 Decade Resistance Box 32 Transmitter (Phone-CW) 38 Electronic Switch 7 Tube Checker 27 Enlarger Timer 35 Tube Checker CRT 17 FM Tuner 42 Tube Test Adapter 27 Free Booklets 51 TV Sweep Generator 14 There would be no particular achievement in merely Frequency Meter (Audio) 24 Utility Speakers 51 cheapening a kit to bring the price down.
    [Show full text]
  • Florida Tech's International Diversity Develops Global
    FLORIDA TECH’S INTERNATIONAL DIVERSITY DEVELOPS GLOBAL CITIZENS ONE BIG QUESTION “IS MY SMART TV SPYING ON ME?" Florida Tech TODAY | 1 In This Issue SPRING 2017 • Volume 26, Issue 1 Departments Features President’s Message...........4 17 Is My Smart TV Spying on Me? On Campus...................5 Heather Crawford discusses the delicate balance between consumer privacy and A Closer Look.................10 technological progress. Etc. .13 Athletics .....................14 18 Cultural Charisma First Person.................38 Florida Tech’s international experience is ubiquitous—benefiting our international population and domestic students alike—through cross-cultural programs and events and that small-town, close-knit feel that means you can’t help but develop a shared sense of Panther pride. 24 Style and Substance A week in the luxurious world of Elizabeth Webbe Lunny ’93, vice president of style for The New York Times and publisher of T Magazine, may include everything from a fashion show in Milan to lunch with Ralph Lauren in New York City. GO GREEN, GET ONLINE! 27 Student Design Find expanded coverage, Showcasing the innovative designs and research insights of Florida Tech students. photos and videos at: today.fit.edu 2 OYSTER MATS Florida Tech’s Indian River Lagoon Research Institute invited community volunteers to make oyster mats on campus for an Earth Day project. The mats will be deployed in the Indian River Lagoon as part of the Living Docks program to promote the growth of filter-feeding organisms such as oysters, sponges, barnacles and tunicates along boat docks and sea walls. TODAY http://today.fit.edu Florida Institute of Technology PRESIDENT T.
    [Show full text]
  • Audio Engineering Society Standards Committee
    Audio Engineering Society Standards Committee Notice and DRAFT agenda for the meeting of the SC-02-02 Working Group on digital input/output interfacing of the SC-02 Subcommittee on Digital Audio To be held in conjunction with the upcoming AES 149th Convention. The meeting is scheduled to take place online, 2020-10. Please check the latest schedule at: http://www.aes.org/standards/ 1. Formal notice on patent policy 2. Introduction to working group and attendees 3. Amendments to and approval of agenda Note that projects where there is no current proposal for revision or amendment, and where there is at least 12 months before any formal review is due, are listed in an annex to this agenda. Please let the chair know if you propose to discuss any projects in this annex. 4. Approval of report of previous meeting, held online, 2020-05. 5. Open Projects NOTE: One or more of these projects may be in the process of a formal Call for Comment (CFC), as indicated by the project status. In these cases only, due process requires that any comments be published. AES10-R Review of AES10-2008 (r2019): AES Recommended Practice for Digital Audio SC-02-02 Engineering - Serial Multichannel Audio Digital Interface (MADI) scope: This standard describes the data organization and electrical characteristics for a multichannel audio digital interface (MADI). It includes a bit-level description, features in common with the two-channel format of the AES3, AES Recommended Practice for Digital Audio Engineering - Serial Transmission Format for Linearly Represented Digital Audio Data, and the data rates required for its utilization.
    [Show full text]