Domestic Brick Architecture in Early Colonial Virginia

Total Page:16

File Type:pdf, Size:1020Kb

Domestic Brick Architecture in Early Colonial Virginia W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2002 Domestic Brick Architecture in Early Colonial Virginia Douglas E. Ross College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Architecture Commons, History of Art, Architecture, and Archaeology Commons, and the Social and Cultural Anthropology Commons Recommended Citation Ross, Douglas E., "Domestic Brick Architecture in Early Colonial Virginia" (2002). Dissertations, Theses, and Masters Projects. Paper 1539626356. https://dx.doi.org/doi:10.21220/s2-695y-5722 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. DOMESTIC BRICK ARCHITECTURE IN EARLY COLONIAL VIRGINIA A Thesis Presented to The Faculty of the Department of Anthropology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Douglas E. Ross 2002 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts uthor Approved, April 2002 r / I Norman F. Barka Marley R. Brown HI Martin D. Gallivan TABLE OF CONTENTS Page ACKNOWLEDGEMENTS v LIST OF TABLES vi LIST OF FIGURES vii ABSTRACT ix INTRODUCTION 2 CHAPTER I. A LITTLE HISTORY, WITH PARTICULAR REFERENCE TO BRICK DOMESTIC ARCHITECTURE 6 CHAPTER E. THE HISTORY AND ARCHAEOLOGY OF TURKEY 40 ISLAND HISTORY 40 ARCHITECTURE 44 ARCHAEOLOGY 48 CHAPTER HI. TRENDS IN VIRGINIA’S BRICK DOMESTIC ARCHITECTURE 54 THE SEVENTEENTH CENTURY 58 THE EIGHTEENTH CENTURY 68 INTERNAL COMPARISONS 79 EXTERNAL COMPARISONS 90 THE INFLUENCE OF GEOGRAPHY 98 CHAPTER IV. INTERPRETATIONS AND CONCLUSIONS 112 DISCUSSION: BRICK ARCHITECTURE IN VIRGINIA 112 VARIATION AND THE CONCEPT OF STYLE 128 iii TURKEY ISLAND 136 CONCLUSIONS 150 APPENDIX. DATABASE OF EARLY EIGHTEENTH CENTURY BRICK HOUSES 153 REFERENCES CITED 177 iv ACKNOWLEDGEMENTS This thesis is dedicated to my parents, Kenneth and Sharon Ross, who have never questioned my career path or balked at its apparently never-ending series of stages and persistent financial requirements. The work included herein, particularly the results of the fieldwork at Turkey Island that inspired the entire project, would not exist without the encouragement and advice of Martin Gallivan, who constantly reassured me that it was possible despite its detractors, and the unwavering friendship of Courtney Birkett, who spent nearly as many weekends in the field as I did. Also integral to the realization of this project were the goodwill of the landowner, Mr. George Little, and the logistical support and encouragement of Dennis Blanton, who arranged for the pro bono use of equipment and transportation. Additional recognition must be granted to Jeremy Nienow, for taking time away from his thesis to volunteer his services in the field, and to David Brown, for his perpetual enthusiasm even at times when I was ready to throw in the towel, and for graciously sharing data on Fairfield. My two other committee members Marley Brown and chair Norm Barka provided valuable comments on the work in progress, and Willie Graham, Mark Wenger and Camille Wells shared with me some of the mystical knowledge from the realm of architectural history. Dan Mouer and Doug Sanford were kind enough to share details of their excavations at Curies and Germanna respectively. Finally, this research might have dragged on indefinitely had I not received the following words of wisdom one night in a Chinese restaurant: ‘You should evaluate the progress of a long-term project’. v LIST OF TABLES Table Page 1. 17th century brick houses 59 2. Entry, Chimneys, Ground Floor Rooms (17th century) 60 3. 18th century brick houses 69 4. Entry, Chimneys, Ground Floor Rooms (18th century) 70 5. Roof, Elevation, Depth (18th century) 70 6. 18th century brickwork 77 7. 18th century glazed headers 77 8. 18th century fa9ades 77 9. 17th and 18th century house area and volume 84 10. 17th and 18th century house area (sq. ft.) 85 a L 11. 17 century house volume (cu. ft.) 85 12. 18th century house volume (cu. ft.) 85 13. Average house size, 1646-1720 (Upton 1980) 93 14. Average house size (brick data) 93 15. Distribution of 17th century brick houses across naval districts 105 16. Distribution of 18th century brick houses across naval districts 105 17. Coefficients of variation for 17th and 18th century volume data 133 vi LIST OF FIGURES Figure Page 1. Cross passage and lobby entry plans 17 2. Excavated foundations of Corotoman 21 3. Adam Thoroughgood House, Virginia Beach 25 4. Turkey Island, plan of excavations 1999-2001 51 ^1* 5. 17 and 18 century porch towers 64 6. 17th and 18th century direct entries 64 7. 17th and 18th century lobby entries 64 8. 17th and 18th century end chimneys 65 9. 17 til and 18th century interior chimneys 65 10. 17th century one- to two-room houses 66 11. 17 tli century three- to four-room houses 66 12. 17th century five- to six+-room houses 66 13. 18th century entry type 73 14. 18th century ground floor rooms 73 15. 17th and 18th century house area (sq. ft.) 86 16. 17th and 18th century house volume (cu. ft.) 87 17. Naval districts 102 18. Brick houses in the early 17th century 103 19. Brick houses in the late 17th century 104 20. Distribution of brick houses in the 1st quarter of the 18th century 108 21. Distribution of brick houses in the 2nd quarter of the 18th century 109 vii 22. Germanna, plan of excavated foundations 126 23. Richness for data on entry, chimneys, ground floor rooms 132 24. Evenness for data on entry, chimneys, ground floor rooms 132 25. Tuckahoe, ground floor plan 140 26. Tazewell Hall, ground floor plan 142 27. Battersea, ground floor plan 142 28. Brandon, ground floor plan 143 29. Brick Kitchen at Curies Plantation 146 viii ABSTRACT The purpose of my research was to clarify the social and economic significance of brick domestic architecture in early eighteenth century Virginia, a period for which few if any well-dated examples are known from prior to c. 1720, and to use the findings to reevaluate the significance of brick for the entire first century and a half of English settlement in Virginia. An associated goal was to use this understanding to aid in interpreting the results of my excavations at Turkey Island, a seventeenth to nineteenth century tobacco plantation in Henrico County owned by the Randolph family. Structural data on all known brick houses built before 1750 were collected to develop an interpretive context for colonial brick architecture. These data were compared with existing studies of contemporary houses constructed partially or entirely of wood to determine the degree of similarity or difference in their developmental trends over time. Results indicated differences in such features as size and entry type between brick and earthfast structures across the first century and a half of English settlement in Virginia. Seventeenth century earthfast houses demonstrate characteristics related to the adaptation to an agricultural lifestyle in a new environment, whereas brick houses appear to be influenced more by architectural fashions in England. However, following a severe economic depression in the late seventeenth and early eighteenth centuries, which forced even the wealthiest colonists to build smaller houses, changing global economic conditions resulted in a convergence in the form of houses built of brick and of wood. It is at this time that size became more of a discriminating factor of wealth and status. Chronological data obtained from the database of brick houses suggest that the mansion at Turkey Island was not constructed until after 1750, and that the predecessor it was mistaken for was probably a much smaller house with no more than two rooms on the ground floor, having been built during the depression. One possible candidate for this earlier house was excavated at neighbouring Curies Plantation also owned by the Randolph family. DOMESTIC BRICK ARCHITECTURE IN EARLY COLONIAL VIRGINIA INTRODUCTION The study of Virginia’s early domestic architecture, like other aspects of its colonial past, has experienced a number of transformations since the late nineteenth century when interest in architectural history began to develop into a formalized discipline in its own right. These shifts in focus and methodology are readily apparent in the literature on the subject, as well as the intellectual background of the individuals producing it, and have been examined at length in review articles by Upton (1988) and Wells (1998). Initially, the focus was on exceptional houses, particularly eighteenth century brick dwellings once owned by the colony’s wealthiest inhabitants. These studies primarily examined issues of structure and design, and attempted to link individual homes to specific European precedents and local or imported builders. This type of scholarship has continued to the present, but was overshadowed beginning in the 1970s by a change in emphasis within the social sciences towards the social context of human behaviour (including the built environment), and towards the study of individuals poorly represented in traditional histories. In the realm of architectural history it meant increased attention to what came to be known as vernacular architecture, particularly post-built structures, as well as a concern with landscapes and how house design reflected and also helped to alter or maintain the social status quo. There was also an increased emphasis on variation and change over time between these two interrelated aspects of human behaviour. Concurrent with these developments was a broadening in the range of 2 3 disciplines that tackled the study of colonial architecture in Virginia, expanding from preservationists and professional architectural historians to include folklorists, cultural anthropologists and archaeologists.
Recommended publications
  • Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
    Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights.
    [Show full text]
  • Brick-Mansions-Dossier-De-Presse
    2 EUROPACORP PRESENTE Durée : 1h38 DISTRIBUTION PRESSE EuropaCorp Distribution Etienne Lerbret / Anaïs Lelong La Cité du Cinéma - 20, rue Ampère 36, rue de Ponthieu - 75008 Paris 93413 Saint-Denis Cedex Tél. : 01 53 75 17 07 Tél. : 01 55 99 50 00 [email protected] www.europacorp.com [email protected] 3 ’ai eu l’honneur et le plaisir de travailler avec Paul JWalker pendant plusieurs semaines sur mon film Brick Mansions, et cette aventure ensemble restera pour moi inoubliable . Paul était un homme avec un grand cœur et vraiment très sympathique. Un homme dont le charme et le charisme se faisaient sentir dés qu’il arrivait sur le plateau et dont le visage resplendissait à chaque fois sur l’écran. Son talent d’acteur était tellement intense, sensible, drôle et puissant, que cela a été magique de travailler avec lui. Je suis très fier et heureux d’avoir pu le connaître. Camille Delamarre 4 ar ce court texte, je souhaite rendre un dernier hommage Pà Paul Walker, qui nous a brusquement quitté le 30 novembre dernier dans des conditions tragiques alors qu’il œuvrait pour venir en aide aux victimes du typhon Haiyan qui venait de frapper les Philippines. La nouvelle de sa disparition a évidemment été un grand choc pour moi, et je compatis sincèrement à la peine de ses proches. J’ai rencontré Paul l’été dernier sur le tournage de Brick Mansions. Nous nous sommes très vite entendus, malgré la barrière de la langue, et le film doit beaucoup à cette complicité spontanée qui s’est immédiatement établie entre nous.
    [Show full text]
  • Jamestown Long Range Interpretive Plan (LRIP)
    Jamestown Colonial National Historical Park Long Range Interpretive Plan Update July 2009 Prepared for the National Park Service by Ron Thomson, Compass Table of Contents Part 1: Foundation Introduction 4 Background 6 Park in 2009 12 Purpose & Significance 19 Interpretive Themes 22 Audiences 29 Audience Experiences 32 Issues & Initiatives 35 Part 2: Taking Action Introduction 38 Projects from 2000 Plan 38 Current Area of Focus 40 Enhance Existing Resources 40 Anniversaries/Events 43 Linking Research, Interpretation & Sales 44 Education Programs 45 Technology for Interpretation 46 Evaluation & Professional Standards 47 Staffing & Training 47 Library, Collection & Research Needs 48 Implementation Charts 52 Participants 59 Appendices 1. Other Planning Documents 60 2. Partner Mission Statements 64 3. Second Century Goals 66 4. Interpretation & Education Renaissance Action Plan 69 5. Children in Nature 71 2 Part 1 The Foundation 3 Introduction The Long Range Interpretive Plan A Long Range Interpretive Plan (LRIP) provides a 5+ year vision for a park’s interpretive program. A facilitator skilled in interpretive planning works with park staff, partners, and outside consultants to prepare a plan that is consistent with other current planning documents. Part 1 of the LRIP establishes criteria against which existing and proposed personal services and media can be measured. It identifies themes, audiences, audience experiences, and issues. Part 2 describes the mix of services and facilities that are necessary to achieve management goals and interpretive mission. It includes implementation charts that plot a course of action, assign responsibilities, and offer a schedule of activity. When appropriate, Appendices provide more detailed discussions of specific topics. The completed LRIP forms a critical part of the more inclusive Comprehensive Interpretive Plan (CIP).
    [Show full text]
  • Chesapeake Community Services Board Resource Directory
    Chesapeake Community Services Board Resource Directory 2005/2006 Edition EMERGENCY NUMBERS Ambulance and Fire – EMERGENCY ONLY . 911 Chesapeake Crime Line . 487-1234 Coast Guard . 483-8567 Crisis Center . 399-6393 Dominion Virginia Power . .1-888-667-3000 Navy Information and Referral . 444-NAVY Police Department –EMERGENCY ONLY . .911 Public Utilities (Waterworks)-EMERGENCY . 421-2146 Rescue-EMERGENCY ONLY. 911 Time. 622-9311 Virginia Natural Gas . .1-877-572-3342 Virginia State Police . .424-6820 Weather . 666-1212 Women-in-Crisis . .625-5570 ______________________________________________________________________ PREFACE The Chesapeake Community Services Resource Directory, 2005/2006 Edition, has been compiled for the citizens of Chesapeake by the Chesapeake Community Services Board. The directory is designed to assist in locating specific local and regional services available to Chesapeake citizens. Every attempt has been made to ensure accuracy and to provide a comprehensive, diverse directory of community services. If you know of services not listed, or identify changes that should be made to specific listings for future publications, please feel free to let us know by sending in the Directory Update Form located at the end of this document. The preparers have not made a complete evaluation of the services and programs contained in this directory and the listings therefore do not indicate endorsement. The Community Services Board would also like to thank the Department of Human Resources, who provided a student intern to help complete this directory. In addition, we would like to thank the City of Chesapeake Manager’s office and the City Council for providing the funding for the student internship program. Special Note: Unless otherwise indicated, telephone/fax/pager numbers listed in this directory are assumed to begin with the 757 area code prefix.
    [Show full text]
  • Trevor Morris
    TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles.
    [Show full text]
  • The Phenomenological Aesthetics of the French Action Film
    Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
    [Show full text]
  • DEGLI ANGELI, LA LAVERTY Paul 2012 UK/France/Belgium/Ital 2
    N. Titolo Regia Anno Nazione 1 "PARTE" DEGLI ANGELI, LA LAVERTY Paul 2012 UK/France/Belgium/Ital "SE TORNO" - ERNEST PIGNON- 2 COLLETTIVO SIKOZEL 2016 Italy/France ERNEST E LA FIGURA DI PASOLINI 3 ... E FUORI NEVICA SALEMME Vincenzo 2014 Italy 4 ... E FUORI NEVICA SALEMME Vincenzo 2014 Italy 5 ...E L'UOMO CREO' SATANA KRAMER, Stanley 1960 USA 6 ...E ORA PARLIAMO DI KEVIN RAMSAY, Lynne 2011 GB ¡VIVAN LAS ANTIPODAS! - VIVE LES Germany/Argentina/Net 7 KOSSAKOVSKY Victor 2011 ANTIPODES! (VIVA GLI ANTIPODI!) herlands/Chile ¡VIVAN LAS ANTIPODAS! - VIVE LES Germany/Argentina/Net 8 KOSSAKOVSKY Victor 2011 ANTIPODES! (VIVA GLI ANTIPODI!) herlands/Chile 007 - CASINO ROYALE - QUANTUM CAMPBELL, Martin - FORSTER, Marc - 9 2006-2012 USA / GB / Italy OF SOLACE - SKYFALL MENDES, Sam 10 007 - DALLA RUSSIA CON AMORE YOUNG, Terence 1963 USA 11 007 - GOLDENEYE CAMPBELL Martin 1995 UK/USA 12 007 - IL DOMANI NON MUORE MAI SPOTTISWOODE Roger 1997 UK/USA 13 007 - IL MONDO NON BASTA APTED, Michael 1999 USA 14 007 - IL MONDO NON BASTA APTED Michael 1999 UK/USA 15 007 - LA MORTE PUO' ATTENDERE TAMAHORI, Lee 2002 USA 16 007 - LICENZA DI UCCIDERE YOUNG, Terence 1962 USA 17 007 - MAI DIRE MAI KERSHNER, Irvin 1983 GB / USA / Germany 18 007 - MAI DIRE MAI KERSHNER Irvin 1983 UK/USA/West Germany 19 007 - MISSIONE GOLDFINGER HAMILTON, Guy 1964 USA 007 - MOONRAKER - OPERAZIONE 20 GILBERT, Lewis 1979 USA SPAZIO 21 007 - QUANTUM OF SOLACE FORSTER, Marc 2008 USA 22 007 - SOLO PER I TUOI OCCHI GLEN, John 1981 USA 007 - THUNDERBALL - OPERAZIONE 23 YOUNG, Terence 1965 USA TUONO
    [Show full text]
  • Documenting Women's Lives
    Documenting Women’s Lives A Users Guide to Manuscripts at the Virginia Historical Society A Acree, Sallie Ann, Scrapbook, 1868–1885. 1 volume. Mss5:7Ac764:1. Sallie Anne Acree (1837–1873) kept this scrapbook while living at Forest Home in Bedford County; it contains newspaper clippings on religion, female decorum, poetry, and a few Civil War stories. Adams Family Papers, 1672–1792. 222 items. Mss1Ad198a. Microfilm reel C321. This collection of consists primarily of correspondence, 1762–1788, of Thomas Adams (1730–1788), a merchant in Richmond, Va., and London, Eng., who served in the U.S. Continental Congress during the American Revolution and later settled in Augusta County. Letters chiefly concern politics and mercantile affairs, including one, 1788, from Martha Miller of Rockbridge County discussing horses and the payment Adams's debt to her (section 6). Additional information on the debt appears in a letter, 1787, from Miller to Adams (Mss2M6163a1). There is also an undated letter from the wife of Adams's brother, Elizabeth (Griffin) Adams (1736–1800) of Richmond, regarding Thomas Adams's marriage to the widow Elizabeth (Fauntleroy) Turner Cocke (1736–1792) of Bremo in Henrico County (section 6). Papers of Elizabeth Cocke Adams, include a letter, 1791, to her son, William Cocke (1758–1835), about finances; a personal account, 1789– 1790, with her husband's executor, Thomas Massie; and inventories, 1792, of her estate in Amherst and Cumberland counties (section 11). Other legal and economic papers that feature women appear scattered throughout the collection; they include the wills, 1743 and 1744, of Sarah (Adams) Atkinson of London (section 3) and Ann Adams of Westham, Eng.
    [Show full text]
  • Colonial Parkway) HAER No
    Colonial National Monument Parkway (Colonial Parkway) HAER No. VA-48 Running from Jamestown Island to Yorktown, via Williamsburg James City County, Williamsburg City, and York County Virginia WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Engineering Record National Park Service Department of the Interior Washington, DC 20013-7127 I ( HISTORIC AMERICAN ENGINEERING RECORD COLONIAL NATIONAL MONUMENT PARKWAY (Colonial Parkway) HAER No. VA-48 Location: The Colonial Parkway begins at Jamestown Island in James City County and journeys via Williamsburg City to its terminus at Yorktown in York County, Virginia. UTM: See Supplemental Information 1 (Page #9) Dates of Construction: Yorktown Cliffs to Hubbard's Lane, York County: June, 1931-0ctober, 1934. Hubbard's Lane to Governor's Palace, Williamsburg: September, 1935-June, 1937. Williamsburg Tunnel: March, 1940-May, 1949. Williamsburg Tunnel to Jamestown: January, 1954-July, 1957. Present Owner: Mid-Atlantic Region National Park Service U.S. Department of the Interior Customs House Second and Chestnut Streets Philadelphia, Pennsylvania 19106 Present Use: Vehicular roadway Significance: The establishment of the Colonial Parkway in the 1930s made the historic sites at Jamestown, Williamsburg, and Yorktown more accessible to the ever expanding motoring public. The parkway's designers, through the use of a curved three-lane road with an exposed aggregate surface, intended this highway to serve not only a means for visitors to enjoy the park but also to limit the speed and numbers of vehicles on the road itself. The parkway's bridges and tunnel, all relatively small and sparsely ornamented, reflect the desire of the planners for these structures to complement the natural environment of the Colonial National Historical Park.
    [Show full text]
  • A Bibliography of Northeast Historical Archaeology, 1987–2006 David R
    Northeast Historical Archaeology Volume 35 Article 25 2006 A Bibliography of Northeast Historical Archaeology, 1987–2006 David R. Starbuck Follow this and additional works at: http://orb.binghamton.edu/neha Part of the Archaeological Anthropology Commons Recommended Citation Starbuck, David R. (2006) "A Bibliography of Northeast Historical Archaeology, 1987–2006," Northeast Historical Archaeology: Vol. 35 35, Article 25. https://doi.org/10.22191/neha/vol35/iss1/25 Available at: http://orb.binghamton.edu/neha/vol35/iss1/25 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Northeast Historical Archaeology by an authorized editor of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Northeast Historical Archaeology/Vol. 35, 2006 93 A Bibliography of Northeast Historical Archaeology, 1987– 2006 David R. Starbuck, Compiler Introduction many of whom are either retired or no longer with us. Now, of the older generation, only Twenty years have passed since the first Ivor Noël Hume continues to publish vast CNEHA bibliography (Starbuck 1986), which numbers of books and articles, seemingly inde- included nearly all historical archaeology liter- fatigable in his ability to inform and fascinate ature published within the area served by us. But 20 years ago, and continuing today, the CNEHA up through the fall of 1987. The orig- “baby boomers” and succeeding age sets have inal CNEHA bibliography consisted of 1,884 been prodigious in their publishing efforts. citations, reflecting at least 60 years of research The “faces,” the research topics, and even the in the 7 provinces, 13 states, and the District of institutions that conduct research continue to Columbia that are represented by CNEHA.
    [Show full text]
  • Hlocation of Legal Description
    Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Middleburg Plantation AND/OR COMMON Middleburg Plantation [LOCATION STREETS NUMBER Off State Route 511 _NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Hueer __ VICINITY OF STATE CODE COUNTY CODE Smith Carolina 45 Berkeley 015 QCLASSIFI CATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC XOCCUPIED —AGRICULTURE _ MUSEUM X_BUiLDiNG(S) ^PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH _ WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT __|N PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC _-BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _ NO —MILITARY —OTHER: QJOWNER OF PROPERTY NAME Mr. John Gibbjfs STREET & NUMBER Middleburg Plantation CITY. TOWN STATE Hi) ger . __ VICINITY OF South Carolina HLOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS, ETC. Clerk Of the Court's Office STREET & NUMBER P.O. Box 218 CITY. TOWN STATE Moncks Corner South Carolina 3REPRESENTATION IN EXISTING SURVEYS TITLE Historic American Buildings Survey DATE Drawings and photographs, 1940 X_FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Division of Prints and Photographs, Library of Congress CITY, TOWN STATE Washington D.C. DESCRIPTION CONDITION CHECK ONE CHECK ONE _EXCELLENT _DETERIORATED _UNALTERED X_ORIGINAL SITE ^CGOOD _RUINS ALTERED _MOVED DATE————— _FA|R _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Middleburg was built about 1699 by Benjamin Simons, a French Huguenot planter whose descendents have owned it ever since. The two-storey frame house is 64 feet long and 20 feet wide, or 39 feet wide if the porches extending the lengths of the house are included.
    [Show full text]
  • Download This
    Form No. 10-300 (Rev 10-74) THEME: Architecture UNITED STATES DEPARTMENT OK THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS NAME HISTORIC Parlange Plantation House AND/OR COMMON Parlange Plantation House [LOCATION STREET& NUMBER Junction of La Route 1 and 78 _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Mix _x_. VICINITY OF 6th STATE CODE COUNTY CODE Louisiana 22 Pointe Coupee 077 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT —PUBLIC -^OCCUPIED —AGRICULTURE —MUSEUM ^PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL -^PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION ^0 —MILITARY —OTHER. IOWNER OF PROPERTY NAME Mr. and Mrs. Walter C. Parlange Sr, STREETS NUMBER junction of La Route 1 and 78 CITY. TOWN STATE New Roads -2L VICINITY OF Louisiana [LOCATION OF LEGAL DESCRIPTION COURTHOUSE. Point Coupee Courthouse REGISTRY OF DEEDS,ETC STREET & NUMBER Main and Court Streets CITY. TOWN STATE New Roads Louisiana Gl REPRESENTATION IN EXISTING SURVEYS TITLE DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOW'N STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT _DETERIORATED —UNALTERED 2S.ORIGINALSITE -X.GOOD —RUINS .^ALTERED _MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Parlange exemplifies the style of the semitropic Louisiana river country house. The river front, with its two flanking pigeonniers is probably the most unchanged and interesting of its type remaining today. The original house remains nearly intact except for a few changes, including the front steps leading outward from the main gallery floor.
    [Show full text]