D-BOX Catalogue 7-17-2015
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Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
Star Channels, Jan. 13-19
JANUARY 13 - 19, 2019 staradvertiser.com END OF DAYS Federal agent Brad Wolgast (Mark-Paul Gosselaar) and the most important girl in the world (Saniyya Sidney) are on the run in an epic tale of survival in a world on the brink of total destruction. The end is near when an experiment with a deadly virus goes off the rails in The Passage. Premiering Monday, Jan. 14, on Fox. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | THE PASSAGE Most wanted A fugitive pair run for their incredibly high and that things might get a bit Horror Story: Roanoke”) is deemed to be the lives in ‘The Passage’ apocalyptic. perfect candidate and is selected to be a test Like all good tales of science gone bad, the subject. Project Noah scientists, comprised of lead Federal agent Brad Wolgast (Mark-Paul By Francis Babin scientist Dr. Major Nichole Sykes (Caroline Gosselaar, “Franklin & Bash”) is chosen to TV Media Chikezie, “The Shannara Chronicles”), Dr. Jonas protect the young girl and escort her to the re- Lear (Henry Ian Cusick, “The 100”) and other mote facility, but things soon get complicated he new year is officially upon us, which geniuses are in desperate need of human test when the two form a very close bond. Over the means New Year’s resolutions are in full subjects. course of their trip to the secret medical facil- vogue once again. -
Cold War II: Hollywood's Renewed Obsession with Russia
H-USA Edited Collection: Cold War II: Hollywood’s Renewed Obsession with Russia Discussion published by Tatiana Konrad on Monday, August 13, 2018 Date: October 1, 2018 The Cold War, with its bald confrontation between the United States and the Soviet Union, has been widely depicted in film. Starting even before the conflict actually began with Ernst Lubitsch’s portrayals of communism in Ninotschka (1939), and ranging from Stanley Kubrick’s openly “Cold War” Dr. Strangelove (1963) to Fred Schepisi’s The Russia House (1990), Hollywood’s obsession with the Cold War, the Soviets/Russians, communism, and the political and ideological differences between the U.S. and Russia were pronounced. This obsession has persisted even after the fall of the Berlin Wall and the breakup of the Soviet Union. Cold War tropes continue to be (ab)used, as can be seen in multiple representations of evil Russians on screen, including Wolfgang Petersen’s Air Force One (1997), Jon Favreau’s Iron Man 2 (2010), Phillip Noyce’s Salt (2010), Brad Bird’s Mission: Impossible – Ghost Protocol (2011), John Moore’s A Good Day to Die Hard (2013), and Antoine Fuqua’s The Equalizer (2014), to name just a few. All these films portray Russians in a rather similar manner: as members of the mafia or as plain criminals. Yet recently Hollywood cinema has made a striking turn regarding its portrayals of Russians, returning to the images of the Cold War. This turn and the films that resulted from it are what the collection proposes to examine. The sanctions imposed on Russia during the Ukrainian crisis in 2014 by several Western countries, including the United States, along with Trump’s admiration for Putin, Russian attempts to influence the 2016 American election, the fatal poisoning in the UK, etc., have led to a tense relationship between Russia and the Western world. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Brick-Mansions-Dossier-De-Presse
2 EUROPACORP PRESENTE Durée : 1h38 DISTRIBUTION PRESSE EuropaCorp Distribution Etienne Lerbret / Anaïs Lelong La Cité du Cinéma - 20, rue Ampère 36, rue de Ponthieu - 75008 Paris 93413 Saint-Denis Cedex Tél. : 01 53 75 17 07 Tél. : 01 55 99 50 00 [email protected] www.europacorp.com [email protected] 3 ’ai eu l’honneur et le plaisir de travailler avec Paul JWalker pendant plusieurs semaines sur mon film Brick Mansions, et cette aventure ensemble restera pour moi inoubliable . Paul était un homme avec un grand cœur et vraiment très sympathique. Un homme dont le charme et le charisme se faisaient sentir dés qu’il arrivait sur le plateau et dont le visage resplendissait à chaque fois sur l’écran. Son talent d’acteur était tellement intense, sensible, drôle et puissant, que cela a été magique de travailler avec lui. Je suis très fier et heureux d’avoir pu le connaître. Camille Delamarre 4 ar ce court texte, je souhaite rendre un dernier hommage Pà Paul Walker, qui nous a brusquement quitté le 30 novembre dernier dans des conditions tragiques alors qu’il œuvrait pour venir en aide aux victimes du typhon Haiyan qui venait de frapper les Philippines. La nouvelle de sa disparition a évidemment été un grand choc pour moi, et je compatis sincèrement à la peine de ses proches. J’ai rencontré Paul l’été dernier sur le tournage de Brick Mansions. Nous nous sommes très vite entendus, malgré la barrière de la langue, et le film doit beaucoup à cette complicité spontanée qui s’est immédiatement établie entre nous. -
Writing Dialogue & Advice from the Pros
Writing Dialogue & Advice from the Pros Writing great dialogue is considered an art form. Listening to real-life conversations, watching award- winning films, and learning from the masters will help you craft dialogue that shines on the page. The following writing thoughts and advice are excerpts from Karl Iglesias’ book, The 101 Habits of Highly Successful Screenwriters. Enjoy! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Writing Unrealistic and Boring Dialogue In real life, dialogue is mostly polite conversation. In film, polite conversation is considered bad dialogue, unless it’s witty, sarcastic, or has a unique voice. The reason is that polite chat lacks tension, and tension is the key to dramatic storytelling. As Alfred Hitchcock once said, “Drama is real life with all the boring parts cut out of it.” The key to good dialogue is to understand that it’s not conversation, it’s action. What characters say in a scene should be said to get what they want in the scene. And to determine whether or not your dialogue sounds realistic, read it out loud. Garrison Keillor once advised, “If you read your work out loud, it helps to know what’s bad.” Try it. It works. Dialogue always sounds better in your head. Better to be embarrassed in your room than on the set. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Read Your Dialogue Out Loud Writing authentic, well-crafted dialogue that sparkles, individualizes characters, and entertains the reader is the ultimate challenge for screenwriters, who otherwise may have solid script elements. It’s crucial to attracting talent, which can green-light your script. Writing great dialogue can also sell the writer, for those who excel in this area are highly sought after to the tune of six figures per week for dialogue rewrites. -
A Good Day to Die Hard, Limited to Onlyone Application Per Household
MEDIA PROMOTION COVERAGE Front Page Coverage Full Page Coverage Reader Offer HaveFREE TEA BAGS a Yippee drink Ki-Yay! on us! Make Mine a Builders tea is sold through *Morrisons, *Ocado and *Staples and selected *Asda and *Tesco stores *Packs cannot be redeemed through any of these retailers o celebrate the DigitalHD™, Blu-ray McClane, the heroic New York cop with a knack Terms and conditions and DVD release of Bruce Willis’s for being in the wrong place at the right time. Offer closing date: Sunday 30 June 2013. Applications His latest predicament takes him all the way received after this date will not be processed. Offer is strictly action movie A Good Day to Die Hard, limited to onlyone application per household. Multiple we’re giving away a FREE pack of to Russia to track down his estranged son, Jack applications from the same address will not be processed. TMake Mine a Builders tea – the thirst-quenching (Jai Courtney), who has been imprisoned in Offer availability is strictly subject to while stocks last. Offer Moscow and is awaiting a life sentence. But the item will be despatched after the closing date – please strong cuppa that’s built on flavour, not frills. allow up to a further 10 days for the item to be received. For Yippee Ki-Yay! John McClane is back, this mission takes a deadly turn as father and son full terms and conditions please visit www.promooffers. time with his son – and twice the excitement. must join forces to thwart a nuclear weapons co.uk/diehard5 and view ‘Terms and Conditions’. -
Taxis As Urban Transport
TØI report 1308/2014 Jørgen Aarhaug Taxis as urban transport TØI Report 1308/2014 Taxis as urban transport Jørgen Aarhaug This report is covered by the terms and conditions specified by the Norwegian Copyright Act. Contents of the report may be used for referencing or as a source of information. Quotations or references must be attributed to the Institute of Transport Economics (TØI) as the source with specific mention made to the author and report number. For other use, advance permission must be provided by TØI. ISSN 0808-1190 ISBN 978-82-480-1511-6 Electronic version Oslo, mars 2014 Title: Taxis as urban transport Tittel: Drosjer som del av bytransporttilbudet Author(s): Jørgen Aarhaug Forfattere: Jørgen Aarhaug Date: 04.2014 Dato: 04.2014 TØI report: 1308/2014 TØI rapport: 1308/2014 Pages 29 Sider 29 ISBN Electronic: 978-82-480-1511-6 ISBN Elektronisk: 978-82-480-1511-6 ISSN 0808-1190 ISSN 0808-1190 Financed by: Deutsche Gesellschaft für Internationale Finansieringskilde: Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH Zusammenarbeit (GIZ) GmbH Institute of Transport Economics Transportøkonomisk institutt Project: 3888 - Taxi module Prosjekt: 3888 - Taxi module Quality manager: Frode Longva Kvalitetsansvarlig: Frode Longva Key words: Regulation Emneord: Drosje Taxi Regulering Summary: Sammendrag: Taxis are an instantly recognizable form of transport, existing in Drosjer finnes i alle byer og de er umiddelbart gjenkjennelige. almost every city in the world. Still the roles that are filled by Likevel er det stor variasjon i hva som ligger i begrepet drosje, og taxis varies much from city to city. Regulation of the taxi hvilken rolle drosjene har i det lokale transportsystemet. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Download the PDF Version
START! STOP! CHANGE! BRAND RESOLUTIONS FOR INNOVATION (WITH A RETURN), LESS ANALYSIS PARALYSIS AND AGENCY MODEL REVIEWS + MARKETERS OF THE YEAR BMO CAMPBELL’S LEON’S PENNINGTONS JAN/FEB 2017 • $6.95 PEPSICO WRIGLEY CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. ST.coverJanFeb17.indd 1 2017-01-04 2:59 PM DIRECT MAIL PRE-ROLL DISPLAY EMAIL WHAT GETS PEOPLE TO BUY WHAT THEY BUY? To answer this question, Canada Post has recently completed extensive neuroscientific research. The results suggest an integrated marketing campaign that includes direct mail Ct is more effective in driving consumer action. In fact, campaigns including direct mail Connectivity can drive greater consumer attention, more emotional intensity, and higher brand recall Ph Da than single-media digital campaigns. Read the research that confirms, what we call, the Physicality Data connectivity effect. Download our whitepaper Connecting for Action at canadapost.ca/getconnected TM Trademarks of Canada Post Corporation. ST.27708.CanadaPostCorp.FP.indd 4 2016-10-14 3:31 PM JANUARY/FEBRUARY 2017 • VOLUME 28, ISSUE 1 Molson Coors' Christine Jakovcic, Weston's Andrea Hunt and strategy's Jeromy Lloyd at our marketer roundtable. 1015 32 Canada 150 Marketers of the Year Start! Stop! Change! Brands compete across categories to show For snacks, sofas and savings accounts, We went for dinner with a quintet of there’s maple syrup fl owing in their veins for these brand leaders won market share and marketing execs to talk data, demographics, the country's anniversary. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Title;Release Date;Status;Format;Lan Peanuts Movie
Title;Release date;Status;Format;Lan Peanuts Movie Creed;25‐11‐2015;COMING SOON;; Hunger Games Life Aquatic with Steve Zissou NASCAR 3D ‐ The IMAX Experience;1 Last Starfighter Towering Inferno Strange Days;13‐10‐1995;PREVIOUSL Escobar ‐ Paradise Lost;11‐10‐2014;P Starship Troopers 2 Running Man Abyss Rocketeer Capricorn One;02‐06‐1978;PREVIOUS Killers (2010);04‐06‐2010;PREVIOUSL Astro Boy;23‐10‐2009;PREVIOUSLY R Self Less;10‐07‐2015;PREVIOUSLY RE Airport;05‐03‐1970;PREVIOUSLY REL Who Framed Roger Rabbit Bonus;21‐ John Wick;24‐10‐2014;PREVIOUSLY R Dark City;27‐02‐1998;PREVIOUSLY RE Expendables 3 Rush Hour 2;03‐08‐2001;PREVIOUSLY L4yer Cake;01‐01‐2004;PREVIOUSLY Fun with Dick and Jane;21‐12‐2005;P Insurgent;20‐03‐2015;PREVIOUSLY R November Man Hunger Games Gunman Number 23 Bullitt;17‐10‐1968;PREVIOUSLY RELE Last of the Mohicans;26‐08‐1992;PRE Last Witch Hunter Ex Machina;24‐04‐2015;PREVIOUSLY Transporter Refueled Cars 2;24‐06‐2011;PREVIOUSLY RELE Sin City ‐ A Dame to Kill For;22‐08‐20 Rambo 4 (2008);23‐01‐2008;PREVIOU Dune;01‐12‐1984;PREVIOUSLY RELEA Hunger Games Kill Bill ‐ Volume 2;16‐04‐2004;PREVI Kill Bill ‐ Volume 1;10‐10‐2003;PREVI Expendables 2 Dredd;21‐09‐2012;PREVIOUSLY RELE Lord of the Rings (3) ‐ Return of the K Rush Hour 3;09‐08‐2007;PREVIOUSLY Transporter 3 From Paris with Love;05‐02‐2010;PRE Limitless;18‐03‐2011;PREVIOUSLY RE Golden Compass Shoot Em Up;26‐07‐2007;PREVIOUSL New World Expendables Pulp Fiction;14‐10‐1994;PREVIOUSLY Escape from Planet Earth;15‐02‐2013 Mask Divergent;21‐03‐2014;PREVIOUSLY R Pompeii;21‐02‐2014;PREVIOUSLY