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Course of Study for the Teaching of Music in the Junior High Schools of Lethbridge, Alberta, Canada
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1967 Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada Mary Helene Wadden The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Wadden, Mary Helene, "Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada" (1967). Graduate Student Theses, Dissertations, & Professional Papers. 1926. https://scholarworks.umt.edu/etd/1926 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A COURSE OF STUDY FOR THE TEACHING OF MUSIC IN THE JUNIOR HIGH SCHOOLS OF LETHBRIDGE, ALBERTA, CANADA by Sister Mary Helene Wadden B. Mus. Manhattanville College of the Sacred Heart, 19^0 B. Ed, University of Alberta, 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music UNIVERSITY OF MONTANA 1967 Approved by: A -{ILCaAJI/I( (P A —— Chairman, Board of Examiners De^, Graduate School m1 9 Date UMI Number: EP34854 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Profiling Gsociety's CEO, Paul Yates
Business Profile GSociety Media Venture Unifies and Markets Gay Life (Feature starts on the Backpage) And things have taken off. In the past A short time into the new venture, Martin year, GayWired.com’s page views have risen decided he needed someone to lead the 300 percent and its membership 160 percent. company in a new direction, to be more LesbiaNation’s page views have increased cutting edge and take more chances, he says. by 1,400 percent and its membership has That resulted in the hiring of Yates, who has grown by 211 percent. What started as a small 30 years of experience in television, radio operation in one office in Miami today has and marketing. matured into a company of about 70 people “I needed a visionary, someone who had with 3,000-square-feet of office space in done this before,” Martin said. “He told me Miami and 11,000-square-feet of office and that we needed to go in a different direction production space in Hollywood. and be a media company.” Not bad for a three-year-old company GSociety scored a major coup with in the age of piles of ruined dot-com Viacom, the parent company of Showtime, companies. which produces the hit show “Queer as Folk”. Martin previously was in the financial Viacom, which calls the show its most field before starting GSociety. Though he has successful series ever, has ordered 18 new Dan Dawson. try to be all things to all people.” been out to his parents and close friends for episodes of the American version of the “I have done a lot of promos in the past Hence the different channels: 12 years, the Arkansas native made a splash British creation. -
BET Networks Delivers More African Americans Each Week Than Any Other Cable Network
BET Networks Delivers More African Americans Each Week Than Any Other Cable Network BET.com is a Multi-Platform Mega Star, Setting Trends Worldwide with over 6 Billion Multi-Screen Fan Impressions BET Networks Announces More Hours of Original Programming Than Ever Before Centric, the First Network Designed for Black Women, is One of the Fastest Growing Ad - Supported Cable Networks among Women NEW YORK--(BUSINESS WIRE)-- BET Networks announced its upcoming programming schedule for BET and Centric at its annual Upfront presentation. BET Networks' 2015 slate features more original programming hours than ever before in the history of the network, anchored by high quality scripted and reality shows, star studded tentpoles and original movies that reflect and celebrate the lives of African American adults. BET Networks is not just the #1 network for African Americans, it's an experience across every screen, delivering more African Americans each week than any other cable network. African American viewers continue to seek BET first and it consistently ranks as a top 20 network among total audiences. "Black consumers experience BET Networks differently than any other network because of our 35 years of history, tremendous experience and insights. We continue to give our viewers what they want - high quality content that respects, reflects and elevates them." said Debra Lee, Chairman and CEO, BET Networks. "With more hours of original programming than ever before, our new shows coupled with our returning hits like "Being Mary Jane" and "Nellyville" make our original slate stronger than ever." "Our brand has always been a trailblazer with our content trending, influencing and leading the culture. -
Media Ownership Rules
05-Sadler.qxd 2/3/2005 12:47 PM Page 101 5 MEDIA OWNERSHIP RULES It is the purpose of this Act, among other things, to maintain control of the United States over all the channels of interstate and foreign radio transmission, and to provide for the use of such channels, but not the ownership thereof, by persons for limited periods of time, under licenses granted by Federal author- ity, and no such license shall be construed to create any right, beyond the terms, conditions, and periods of the license. —Section 301, Communications Act of 1934 he Communications Act of 1934 reestablished the point that the public airwaves were “scarce.” They were considered a limited and precious resource and T therefore would be subject to government rules and regulations. As the Supreme Court would state in 1943,“The radio spectrum simply is not large enough to accommodate everybody. There is a fixed natural limitation upon the number of stations that can operate without interfering with one another.”1 In reality, the airwaves are infinite, but the govern- ment has made a limited number of positions available for use. In the 1930s, the broadcast industry grew steadily, and the FCC had to grapple with the issue of broadcast station ownership. The FCC felt that a diversity of viewpoints on the airwaves served the public interest and was best achieved through diversity in station ownership. Therefore, to prevent individuals or companies from controlling too many broadcast stations in one area or across the country, the FCC eventually instituted ownership rules. These rules limit how many broadcast stations a person can own in a single market or nationwide. -
Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology. -
In Re Viacom Inc Stockholders Litigation
IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE IN RE VIACOM INC. ) CONSOLIDATED STOCKHOLDERS LITIGATION ) C.A. No. 2019-0948-JRS MEMORANDUM OPINION Date Submitted: September 15, 2020 Date Decided: December 29, 2020 Corrected: December 30, 2020 Gregory V. Varallo, Esquire of Bernstein Litowitz Berger & Grossmann LLP, Wilmington, Delaware; Jeroen van Kwawegen, Esquire, Edward G. Timlin, Esquire, Andrew E. Blumberg, Esquire and Daniel E. Meyer, Esquire of Bernstein Litowitz Berger & Grossmann LLP, New York, New York, Attorneys for Lead Plaintiff California Public Employees’ Retirement System. Chad Johnson, Esquire, Noam Mandel, Esquire and Desiree Cummings, Esquire of Robbins Geller Rudman & Dowd LLP, New York, New York; Christopher H. Lyons, Esquire of Robbins Geller Rudman & Dowd LLP, Nashville, Tennessee, Attorneys for Additional Plaintiff Park Employees’ and Retirement Board Employees’ Annuity and Benefit Fund of Chicago. Francis A. Bottini, Jr., Esquire and Anne B. Beste, Esquire of Bottini & Bottini, Inc., La Jolla, California, Attorneys for Additional Plaintiff Louis M. Wilen. Matthew E. Fischer, Esquire, Michael A. Pittenger, Esquire, Christopher N. Kelly, Esquire, J. Matthew Belger, Esquire, Jacqueline A. Rogers, Esquire and Callan R. Jackson, Esquire of Potter Anderson & Corroon LLP, Wilmington, Delaware and Victor L. Hou, Esquire, Rahul Mukhi, Esquire and Mark E. McDonald, Esquire of Cleary Gottlieb Steen & Hamilton LLP, New York, New York, Attorneys for Defendants National Amusements, Inc., NAI Entertainment Holdings LLC, and Shari E. Redstone. Gregory P. Williams, Esquire, Blake Rohrbacher, Esquire and Kevin M. Regan, Esquire of Richards, Layton & Finger, P.A., Wilmington, Delaware and Robert H. Baron, Esquire, Gary A. Bornstein, Esquire and Rory A. -
Burt Stein Executive Vice-President/General Manager Lin Brown Administrative Coordinator Bennett Kaufman National Promotion EAST COAST OFFICE 2 West 45 St
WHO S WHO AT GOLD MOONTAIN HtbUHUb WEST COAST OFFICE 1416 N. LaBrea Hollywood, CA 90028 (213)469-2411 Danny Goldberg President Burt Stein Executive Vice-President/General Manager Lin Brown Administrative Coordinator Bennett Kaufman National Promotion EAST COAST OFFICE 2 West 45 St. Suite 1102 New York, NY 10036 (212)840-6011 Carey Goldberg General Manager, East Coast Elliot .Sears A&R, East Coast Burt Stein DANNY GOLDBERG - President Danny grew up in the suburbs of N.Y.C. and began working in the chart department of Billboard at age 18. He then went on to write reviews for them, before moving over to be the music editor of Record World, and then editor of Circus, freelance writer for The Rolling Stone, The Village Voice and other music related publications. Danny then moved into the publicity end of the business for the now defunct Famous Music-Paramount group of record labels, including such acts as Commander Cody, Melanie, Billy Joel, etc. Goldberg next headed the rock department of Solters & Roskin, with such clients as Stigwood, Moody Blues, Paul McCartney and Led Zeppelin. In 1974 Led Zeppelin hired Danny as Vice President of their new Swan Song label. He ran the U.S. operation until 1976, during which time the group, Bad Company, was also broken. In176 Danny started his own PR and management company called Danny Goldberg Inc. His P.R. clients included ELO, Kiss, 10CC, Marvel Comics, and some TV work for Norman Lear and Bearsville Records. In approximately 1977, Paul Fishkin, who was then at Bearsville, introduced Danny to Stevie Nicks to develop a film based on the hit song "Rhiannon". -
TIM FISHER Chief Operating Officer
TIM FISHER Chief Operating Officer Chief Operating Officer Tim Fisher joined Cedar Fair in December 2017, bringing with him 40 years of experience in the U.S. and international theme park industry, dating back to his first job at Carowinds in Charlotte, North Carolina. As COO, Tim takes a hands-on and detail-oriented approach, ensuring that Cedar Fair’s long-range plan is executed upon with precision, and that the parks and resort properties perform to the company’s budgeted financial targets. Prior to Cedar Fair, Tim served as CEO for three different regions of Village Roadshow Theme Parks in succession, including the North America region from April 2007 to January 2009; the Australia region through March 2017; and the Asia region through November 2017. Under Tim’s leadership as CEO, the theme park group achieved records for attendance, revenues and EBITDA performance. Prior to Village Roadshow, Tim was executive vice president of Paramount Parks and Viacom Recreation USA, where he was responsible for the management, operational and financial performance of all theme parks domestic and international until August 2006. Tim was awarded a B.B.A. in Business/Marketing and an A.A. in Business Administration from American International University. He has served as director on a number of companies, including on the board of the Carlyle Group’s APEX Parks Group, and as an honorary board member for Adventures for Wish Kids (A Kid Again), a non-profit organization that serves families with children that are suffering from a life changing illnesses. Tim and his wife Shandelle sketched out a design concept for a remodeled kitchen in their Charlotte home, then hired a local construction company to bring their concept to life. -
CBS Corporation and Viacom Inc. Announce Expected Closing Date of Merger
ViacomCBS Inc. Logo CBS Corporation and Viacom Inc. Announce Expected Closing Date of Merger November 25, 2019 ViacomCBS Transaction Expected to Close on December 4 and Trading of ViacomCBS on Nasdaq Expected to Begin December 5 NEW YORK--(BUSINESS WIRE)--Nov. 25, 2019-- CBS Corporation (NYSE: CBS.A, CBS) and Viacom Inc. (Nasdaq: VIAB, VIA) today announced that their pending merger is currently expected to close after market hours on Wednesday, December 4th. Immediately following the closing, the combined company will be renamed “ViacomCBS Inc.” (“ViacomCBS”), and it is expected to begin trading on the Nasdaq Global Select Market (“Nasdaq”) on Thursday, December 5th under the new ticker symbols “VIACA” and “VIAC”. As part of the listing, ViacomCBS will also become eligible for future inclusion in the Nasdaq 100 index. About CBS CBS Corporation (NYSE: CBS.A and CBS) is a mass media company that creates and distributes industry-leading content across a variety of platforms to audiences around the world. The Company has businesses with origins that date back to the dawn of the broadcasting age as well as new ventures that operate on the leading edge of media. CBS owns the most-watched television network in the U.S. and one of the world’s largest libraries of entertainment content, making its brand –"the Eye” – one of the most-recognized in business. The Company’s operations span virtually every field of media and entertainment, including cable, publishing, local TV, film and interactive. CBS’ businesses include CBS Television Network, The CW (a joint venture between CBS Corporation and Warner Bros. -
CBS Corporation (Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 SCHEDULE 14A Proxy Statement Pursuant to Section 14(a) of the Securities Exchange Act of 1934 Filed by the Registrant ☒ Filed by a Party other than the Registrant ☐ Check the appropriate box: ☐ Preliminary Proxy Statement ☐ Confidential, for Use of the Commission Only (as permitted by Rule 14a-6(e)(2)) ☐ Definitive Proxy Statement ☒ Definitive Additional Materials ☐ Soliciting Material Pursuant to Section 240.14a-12 CBS Corporation (Name of Registrant as Specified In Its Charter) (Name of Person(s) Filing Proxy Statement, if other than the Registrant) Payment of Filing Fee (Check the appropriate box): ☒ No fee required. ☐ Fee computed on table below per Exchange Act Rules 14a-6(i)(1) and 0-11. (1) Title of each class of securities to which transaction applies: (2) Aggregate number of securities to which transaction applies: (3) Per unit price or other underlying value of transaction computed pursuant to Exchange Act Rule 0-11 (set forth the amount on which the filing fee is calculated and state how it was determined): (4) Proposed maximum aggregate value of transaction: (5) Total fee paid: ☐ Fee paid previously with preliminary materials. ☐ Check box if any part of the fee is offset as provided by Exchange Act Rule 0-11(a)(2) and identify the filing for which the offsetting fee was paid previously. Identify the previous filing by registration statement number, or the Form or Schedule and the date of its filing. (1) Amount Previously Paid: (2) Form, Schedule or Registration Statement No.: (3) Filing Party: (4) Date Filed: *** Exercise Your Right to Vote *** Important Notice Regarding the Availability of Proxy Materials for the Stockholder Meeting to Be Held on May 29, 2019. -
Kevin Beggs Biography
Kevin Beggs Biography Kevin Beggs is Chairman of the Lionsgate Television Group, overseeing development and production of all scripted and non-scripted programming for broadcast, cable, and digital platforms worldwide. He has spearheaded the strategic expansion of the company’s television production activities, and with Lionsgate’s acquisition of TV Guide Network and its partnership in the premium entertainment channel EPIX, he has become one of the key executives managing Lionsgate’s creative interests in both ventures. Under Beggs’ leadership, the television division has become a leading supplier of programming, with an impressive slate that includes the critically-acclaimed series NASHVILLE, which was recently renewed for a third season and has already generated two hit soundtracks; the multiple Emmy and Golden Globe-winning series MAD MEN, now in its seventh season on AMC; the Charlie Sheen comedy ANGER MANAGEMENT, which earned an unprecedented 90-episode order from FX after its initial 10-episode run; the acclaimed Showtime comedy NURSE JACKIE, which was recently renewed for a seventh season; and WEEDS creator Jenji Kohan’s breakout series ORANGE IS THE NEW BLACK, which Netflix recently picked up for a third season ahead of its second season premiere. Lionsgate’s TV roster also includes the recent NBC miniseries ROSEMARY’S BABY; the History miniseries HOUDINI starring Oscar winner Adrien Brody; the ABC Family series CHASING LIFE, which launches in June; the 10+90 sitcom PARTNERS starring Kelsey Grammer and Martin Lawrence, which premieres on FX in August; the drama series MANHATTAN, which debuts in July on WGN America; the comedy series DEADBEAT, which recently launched on Hulu and has been renewed for a second season; E!’s first original scripted series THE ROYALS; and the Syfy limited series ASCENSION.