DOCSLIB.ORG

2003-03 Forever Plaid.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2003-03 Forever Plaid.Pdf 1 '-;J , I.") '-,I c. ' WEST VALLEY LIGHT OPERA PRESENTS Our 38th Season:2002-2003 Performing at the SARATOGA CIVIC THEATER 13777 FRUITVALE AVE. in SARATOGA March-April 2003 PRESIDENT'S MESSAGE We/come to the second production ofWVLOA's 38th season, "Forever Plaid". We hope that you will enjoy this wonderful nostalgic journey back to the music of the 1950's. Our final production of this season will be a delightful and patriotic produc- tion of "George M!", with a rousing score by George M. Cohen. You're Invited! Whether you are already one of our 1,500+ subscribers or here in the Saratoga Civic Theater for the first time, we invite you to join us this coming November for West Valley Light Opera's 39th season. It will open with Jerry Herman's "Hello, Dolly!", the musical comedy based on Thorton Wilder's "The Matchmaker"; followed by ''A Chorus Line", the musical celebration of the unsung heroes of the theater, the chorus dancers; and will close with "Seven Brides for Seven Brothers", a tale of an Oregon pioneer family and the rustic romances of seven wild backwoodsmen. Look at Our Centerfold! Included in this program is a special blue insert which we invite you to use to subscribe to WVLOA's 39th musical season. Subscribe NOW to ensure good seats and substantial saving over the cost of indi- vidual tickets. Current subscribers may also use this form to renew for next sea- son. All subscriptions and individual ticket orders will be processed according to the date on which they are received, but actual tickets will not be mailed until after this season's last production has concluded in August. Let me close by stating that you, the audience members who share your sup- port and enthusiasm for WVLO's endeavors, make it a truly gratifYing experience for all of us involved, both on the stage and behind the scenes. And we extend our special gratitude to those subscribers who have donated additional funds to en- sure the excellent quality of sets and costumes that we strive to bring to this stage. We hope that you have a marvelous time at this musical and that you will join us for our future productions. Edward Hand, President West Valley Light Opera Association •••••••••••••••••• WEST VALLEY LIGHT OPERA ANNOUNCES NEXT SEASON: 2003-2004 We invite you to become a subscriber to WVLO's New Season. Please use the insert in this program! Subscribe NOW to assure good seats and substantial savings! Current subscribers may use this form to renew for next season. •_.• 'West 'TJa[[eyLigfit Opera ~Ss&latIcl\-.r-;» Presents Starring (in alphabetical order) Michael Amaral, Robin Melnick, Tim Reynolds, Nick Spangler Director/Choreographer: Brad Handshy Music Director: Steve Shapiro Assistant Director/Vocal Director: Diane Milo Producer: Kristine Dudley • •••• •• • •• •• ••• • •••• •• ••• •• ••• ••• •• •••• • •• : GALA OPENING: Saturday, March 15, 2003 .. 8:00 PM : : Fridays: March 21,28, April 4, 11 8:00 PM : : Saturdays: March 22, 29, AprilS, 12 8:00 PM : .: .Sunday.....Matinees......:.March.....16,...23,..30,...April...6.....2:30...PM....: "Forever Plaid" is presented through special arrangement with and all authorized performance materials are supplied by Music Theatre International, 420 W 54th St., New York, NY 10019 Visit our web site: www.wvlo.org e-rnail: [email protected] Playwrights Notes When most of us think of the 1950's, we think of rock en' roll, greasers, hot rods, Elvis, Annette, Fabian, D.A. haircuts and teenage rebel- lion. But there was a flip side to this era: the side of harmony, innocence and the sincerity of dreams. It is the side that's been lost in the shuffle of progress. It was a time when most parents and kids listened and danced to the same music; when families partook of the ritual of gathering in front of the TV to watch their favor- ite variety shows, like The Ed Sullivan Show or The Perry Como Show. It was a time when every family worked hard to fulfill the American Dream. It was a period when four-part guy groups harmonized their way across the airwaves, jukeboxes and hi-fis of the country. Throughout the land they would stand at a quartet of microphones, crooning a multitude of chaperoned prom- goers into dreamy romance. They wore dinner jackets and bow ties (or perhaps cardigans and white bucks). Each move was drilled to precision. Each vocal arrangement soared to stratospheric heights of harmony. This sound crested right before rock en' roll stole the heart- beat of music across the globe. During this time, guys across the country banded together to sing in the basement for fun. If things worked out they might be hired to sing at weddings, conventions, proms and country club socials. Inspired by the success of the re- cording stars, they made plans to zoom into careers of fame and fortune. But the musical taste of the U.S.A. was changing, and the country would not stop to listen to their dreams. This is the story of such a group: Forever Plaid Once upon a time, there were four guys (Sparky, Smudge, Jinx and Frankie) who loved to sing. They all met in high school, when they joined the audiovisual club (1956). Discovering they shared an affection for music and entertaining, they got together and dreamed of becoming like their idols: The Four Aces, The Four Lads, The Four Freshmen, The Hi-Lo's and The Crew Cuts. They rehearsed in the basement of Smudge's family's plumbing supply company. It was here they became Forever Plaid: a name that connects the continuation of traditional values of family, home and harmony. Although rock en' roll was racing down the fast lane like a candy apple '''Vette,'' they believed in their music. As their sound devel- oped, they sang at family gatherings, fundraisers, and eventually graduated to supermarket openings and proms. They had little time for romance or leisure for 2 they supported their fantasy by holding down day jobs: Frankie was in dental supplies, Jinx was into auto parts, Smudge was in bathroom fixtures, Sparky was in better dresses. They devoted themselves to their singing at nights and on week- ends. Then, finally, they landed their first big gig at the Airport Hilton cocktail bar: the Fusel Lounge. Feb. 9, 1964: En route to pick up their custom-made plaid tuxedos, they were slammed broadside by a school bus filled with eager Catholic teens. The teens were on their way to witness the Beatles make their U.S. television debut on The Ed Sullivan Show and miraculously escaped uninjured. The members of Forever Plaid were killed instantly. It is at that moment, when their careers and lives ended, that the story of Forever Plaid begins. Through the Power of Harmony and the Expanding Holes in the Ozone Layer, in conjunction with the positions of the planets and all that astro-technical stuff, they are allowed to come back to perform the show they never got to do in life. And, having completed their Mission of Harmony, our men in plaid must return to the cosmos. Although they may be gone, through this production their dreams live on forever. OUR CAST . Sparky NIck Spangler Frankie Tim Reynolds Jinx Michael Amaral Smudge Robin Melnick Announcer Ted Kopolous OUR MUSICIANS Piano Steve Shapiro Bass Rick Silvestri & Chris Rudy FOREVER PLAID is dedicated to the good guys: • To the guys who wheeled the projector • To the guys who sang around the piano carts for the audiovisual club. in the family room just for the love of it. • To the guys who carried an extra white • To the guys who never wen t beyond first handkerchief in the back pocket of their base (and if by some miracle they did, chinos. they didn't tell anyone). • To the guyus who saved their allowances to give their parents an extra-special *WE SALUTE YOU! * night on the town for the anniversary 3 MUSICAL NUMBERS (in alphabetical order) ANNIVERSARY SONG by Al Jolson & Saul Chaplin. © MCMXLVI Mood Music Co., Ine. New York, NY. Copyright renewed, Worldwide Copyright Administrator: Shapiro, Bernstein & Co., Ine. Used by permission. CATCH A FALLING STAR by Paul Vance & Lee Pockriss. Used by permission of Emily Music Corp. CHAIN GANG by Sam Cooke. Published by Abkco Music Inc. Used by permission CRAZY 'BOUT YA BABY by Pat Barrett & Rudi Maugeri. Used by permission of Wanessa Music Production Co. CRY by Churchill Kohlman. © MCMLI Shapiro, Bernstein & Co., Inc. New York NY. Copyright renewed. Used by permission. DAY-O by Erik Darling, Bob Carey & Alan Arkin Used by permission of Cherry Lane Music Publishing Co., Inc. DREAM ALONG WITH ME by Carl Sigman. Used by permission of Major Songs Co. GOTTA BE THIS OR THAT by Sunny Skylar. Used by permission of Music Sales Corp. (ASCAP), copyright owner HEART AND SOUL by Hoagy Carmichael & Frank Loesser. Used by permission of Famous Music Corp. HOT DIGGITY by Al Hoffman & Dick Manning. © 1956 by Roncom Music Co. JAMAICA FAREWELL by Lord Burgess. Used by permission of Cherry Lane Music Publishing Co., Inc. KINGSTON MARKET by Irving Burgie. Used by permission of Cherry Lane Music Publishing Co., Inc. LADY OF SPAIN by Robert Hargreaves, Tolchard Evans, Stanley J. Damerell & Henry Tilsley. Used by permission of Sam Fox Publishing Co., Inc. LOVE IS A MANY SPLENDORED THING by Paul Francis Webster & Sammy Fain. Used by permission of EMI Miller Catalog, Ine. MAGIC MOMENTS by Burt Bacharach & Hal David. Used by permission of Famous Music Corp. MATILDA by Harry Thomas Used by permission of MCA Publishing, a division of MCA, Inc.
Load more

Recommended publications
  • Course of Study for the Teaching of Music in the Junior High Schools of Lethbridge, Alberta, Canada
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1967 Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada Mary Helene Wadden The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Wadden, Mary Helene, "Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada" (1967). Graduate Student Theses, Dissertations, & Professional Papers. 1926. https://scholarworks.umt.edu/etd/1926 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A COURSE OF STUDY FOR THE TEACHING OF MUSIC IN THE JUNIOR HIGH SCHOOLS OF LETHBRIDGE, ALBERTA, CANADA by Sister Mary Helene Wadden B. Mus. Manhattanville College of the Sacred Heart, 19^0 B. Ed, University of Alberta, 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music UNIVERSITY OF MONTANA 1967 Approved by: A -{ILCaAJI/I( (P A —— Chairman, Board of Examiners De^, Graduate School m1 9 Date UMI Number: EP34854 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Media Ownership Chart
    In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No.
    [Show full text]
  • Burt Stein Executive Vice-President/General Manager Lin Brown Administrative Coordinator Bennett Kaufman National Promotion EAST COAST OFFICE 2 West 45 St
    WHO S WHO AT GOLD MOONTAIN HtbUHUb WEST COAST OFFICE 1416 N. LaBrea Hollywood, CA 90028 (213)469-2411 Danny Goldberg President Burt Stein Executive Vice-President/General Manager Lin Brown Administrative Coordinator Bennett Kaufman National Promotion EAST COAST OFFICE 2 West 45 St. Suite 1102 New York, NY 10036 (212)840-6011 Carey Goldberg General Manager, East Coast Elliot .Sears A&R, East Coast Burt Stein DANNY GOLDBERG - President Danny grew up in the suburbs of N.Y.C. and began working in the chart department of Billboard at age 18. He then went on to write reviews for them, before moving over to be the music editor of Record World, and then editor of Circus, freelance writer for The Rolling Stone, The Village Voice and other music related publications. Danny then moved into the publicity end of the business for the now defunct Famous Music-Paramount group of record labels, including such acts as Commander Cody, Melanie, Billy Joel, etc. Goldberg next headed the rock department of Solters & Roskin, with such clients as Stigwood, Moody Blues, Paul McCartney and Led Zeppelin. In 1974 Led Zeppelin hired Danny as Vice President of their new Swan Song label. He ran the U.S. operation until 1976, during which time the group, Bad Company, was also broken. In176 Danny started his own PR and management company called Danny Goldberg Inc. His P.R. clients included ELO, Kiss, 10CC, Marvel Comics, and some TV work for Norman Lear and Bearsville Records. In approximately 1977, Paul Fishkin, who was then at Bearsville, introduced Danny to Stevie Nicks to develop a film based on the hit song "Rhiannon".
    [Show full text]
  • Filing Under Rule 425 Under the Securities Act of 1933, As Amended Subject Company: Viacom Inc
    Filing under Rule 425 under the Securities Act of 1933, as amended Subject Company: Viacom Inc. Subject Company's Commission File No.: 001-09553 TO: All Viacom Employees FROM: Sumner Redstone DATE: June 14, 2005 We have some very exciting and important news to share with you. Today, the Viacom Board of Directors approved the creation of two separate publicly traded companies from Viacom's businesses through a spin-off to Viacom shareholders. Even for a company with a history of industry-leading milestones and significant successes, this is a landmark announcement. This decision was the result of careful and thorough deliberation by the Viacom Board of Directors, who, working with me and with the Viacom management team, considered a number of strategic options that we felt could maximize the future growth of our businesses and unlock the value of our assets. Viacom's businesses are vibrant and we believe that the creation of two separate companies will not only enhance our strength, but also improve our strategic, operational and financial flexibility. In many ways, today's decision is a natural extension of the path we laid out in creating Viacom. We are retaining the significant advantages we captured in the Paramount and CBS mergers and, at the same time, recognizing the need to adapt to a changing competitive environment. We are proud of what we have created here at Viacom, and want to ensure we can efficiently capitalize on our skills and our innovative ideas, as well as all the business opportunities that arise -- while recognizing the significant untapped business and investment potential of our brands.
    [Show full text]
  • Books About Music
    J & J LUBRANO MUSIC ANTIQUARIANS BOOKS ABOUT MUSIC Biographies & Critical Studies of Composers & Musicians Music History & Criticism Musical Instruments Opera & Dance Reference Works, Bibliographies, Catalogues, &c. 6 Waterford Way, Syosset, NY 11791 USA [email protected] Telephone 516-922-2192 www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website at www.lubranomusic.com by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to ensure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. New York State sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Memoirs of an Ex-Prom Queen
    Memoirs of an Ex-Prom Queen Alix Kates Shulman is the author of fourteen books, including her debut novel Memoirs of an Ex-Prom Queen, which established her as a primary figure in feminism’s second wave. Born in Cleveland, Ohio, Shulman studied philosophy at Columbia University and received an MA at New York University. She became a political activist, joining the Congress of Racial Equality in 1961 and the Women’s Liberation Movement in 1967. Shulman lives in Manhattan and continues to speak on issues such as feminism and reproductive choice. Memoirs of an ex Prom Queen.indd 1 20/03/2019 12:11 Memoirs of an Ex-Prom Queen Alix Kates Shulman with a new introduction by the author Memoirs of an ex Prom Queen.indd 3 20/03/2019 12:11 This edition published in Great Britain in 2019 by Serpent’s Tail, an imprint of Profile Books Ltd 3 Holford Yard Bevin Way London wc1x 9hd www.serpentstail.com Copyright © 1969, 1971, 1972, 1985, 2019 by Alix Kates Shulman Introduction copyright © 2019 by Alix Kates Shulman Originally published in 1972 by Alfred A. Knopf, Inc. Acknowledgement is extended to the following for permission to reprint copyrighted material: Chappel & Co., Inc.: Lines from Where or When by Lorenz Hart and Richard Rodgers. Copyright 1937 by Chappel & Co. Inc. Copyright renewed. Famous Music Publishing Companies: Lines from Lotus Blossom (Marahuana). Copyright 1934 by Famous Music Corporation. Copyright renewed 1961 by Famous Music Corporation. Harcourt Brace Jovanovich, Inc.: Excerpts from “The Love Song of J. Alfred Prufrock” by T.S.
    [Show full text]
  • Melissa Bear Named Vice President, Business & Legal
    Contacts: Jennifer Zaldivar Vanessa Reyes TV Land TV Land 212/846-8964 310/752-8081 [email protected] [email protected] MELISSA BEAR NAMED VICE PRESIDENT, BUSINESS & LEGAL AFFAIRS FOR TV LAND New York, NY, July 30, 2007 – Melissa Bear has been named Vice President, Business & Legal Affairs for TV Land, it was jointly announced today by Larry W. Jones, President, TV Land and George Cheeks, Executive Vice President and Co- Chief Deputy General Counsel, MTV Networks. In her new position, Bear will oversee contract negotiations for all original programming, acquired programming and new business ventures for TV Land. Additionally, she will serve on Jones’ management team, which provides strategic leadership and direction for the channel and its multiplatform operations. Bear, who most recently served as Vice President, Business & Legal Affairs for VH1 -- TV Land’s sibling in MTV Networks, a division of Viacom – where she was instrumental in providing business and legal counsel for a variety of contract and legal matters including the high-profile original shows Celebrity Fit Club, Strip Search, Surviving Nugent and the Emmy-nominated documentary DMC: My Adoption Journey, among others. “Melissa’s impressive credentials and strong industry connections are a powerful testimonial to her business acumen and top-shelf negotiation skills,” explains Jones. “Melissa’s expertise will surely be put to use as we super serve our baby boomer audience and grow the TV Land brand in new directions while continuing to make our network a prized asset in the MTV Networks family.” Upon graduating from the Whittier College School of Law in 1993, Bear began work as a litigation associate at Sherman & Sherman in Los Angeles, focusing on business and commercial litigation.
    [Show full text]
  • NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.
    [Show full text]
  • ADIM Showcasesponsorship1
    SHOWCASE In our DIFFERENCES Let us find DIVERSITY & UNITY We are putting together an event to showcase and celebrate the Beauty of DIFFERENCE in Music at The 2019 SXSW Festival in Austin, TX. Our goal is to unite all cultures and all religions through music. To unite all of our differences in one Truth, Love, Art and Creation. -------- We are diverse internationally renowned artists and Grammy winning producers, partnered with Independent Music Awards, seeking sponsors who align with our mission! OUR EVENT INCLUDES • Performances of internationally renowned musical artists and producers of different genres from 7 continents • Top Music Industry people • VR Music Painting presentation • Music conference SPONSORSHIP PACKAGE INCLUDES • Showcasing your brand/product at our event, including on our website, facebook header, in any social media, and on any promotional material handed out. • Promoting your brand's social channels during the event: we will send all guests an email at check-in featuring your social networking links • Increasing the positive image of your brand by being associated with the Artists involved, and with the SXSW Festival • Increase your brand's social value by being associated with our globally important message of PEACE through DIVERSITY and CREATIVITY • Have your logo appear on stage (among such partners as the INDEPENDENT MUSIC AWARDS) • Provide a special offer to all event guests during the event: this could include a coupon or small gift that is emailed or sent via text to guests during the event. Yes, we are DIFFERENT. We are women and men, black and white, straight and gay, conservatives and progressives.
    [Show full text]
  • Forever Plaid Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-8-2004 Forever Plaid Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Forever Plaid" (2004). Center for Performing Arts Memorabilia. Book 209. http://opus.govst.edu/cpa_memorabilia/209 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PEftfORMIHO flftTS Governors State University Presents Soap Box Productions' Forever Plaid May 8 & 9, 2004 2003/2004 Season sponsored in part by a generous grant from: :" When most of us think of the 1950's, we think of rock 'n' roll, greasers, hot rods, Elvis, Annette, Fabian, D.A. haircuts and teen-age rebellion. But there was a flip side to this era - the side of harmony, innocence and the sincerity of dreams. fOR PfftfORMinO flRTS It is the side that's been lost in the shuffle of progress. It was a time when most Governors State University parents and kids listened and danced to the same music; when families partook of the ritual of gathering in front of the TV to watch their favorite variety shows, like in association with Soap Box Productions the Ed Sullivan Show or the Perry Como Show. It was a time when every family worked hard to fulfill the American Dream.
    [Show full text]
  • 1914 the Ascap Story 1964 to Page 27
    FEBRUARY 29, 1964 SEVENTIETH YEAR 50 CENTS New Radio Study 7A^ I NEW YORK-Response Ratings, a new and unique continuing study measuring radio station and jockey effectiveness, will he 'r, launched in next week's issue. This comprehensive radio analysis- another exclusive Billboard feature-will he carried weekly. Three different markets will be profiled in each issue. It will kick off in the March 7 Billboard with a complete study of the New York, Nashville, and San Francisco markets. In subsequent weeks, the study will consider all key areas. This service has been hailed by broadcast The International Music -Record Newsweekly industry leaders as a major breakthrough in station and personality Radio -TV Programming Phono-Tape Merchandising Coin Machine Operating analysis. Beatles Business Booms But Blessings Mixed Beatles Bug BeatlesGross r z As They 17 Mil. Plus Paris Dealer, 31-4*- t 114 In 6 Months 150 Yrs. Old, Control Air NEW YORK - In the six By JACK MAHER six months prior to the peak of Keeps Pace NEW YORK - While a few their American success, Beatles manufacturers were congratu- records grossed $17,500,000 ac- Story on Page 51 lating the Beatles for infusing cording to EMI managing direc- new life and excitement into the tor John Wall. record business others were This figure, which does not quietly venting their spleen include the huge sales of Beatles against the British group. records ín the U. S., shows the At the nub of their blasphe- staggering impact the group has mies was the enormous amount had on the record industry t r 1.+ra.
    [Show full text]