DOCSLIB.ORG

Jim Papoulis: Sounds of a Better World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CONTENTS Hal Leonard......................................................................................................................... 4 Andrea Ramsey Choral Series ............................................................................... 4 Rollo Dilworth Choral Series ................................................................................. 5 Judith Clurman Choral Series ............................................................................... 5 Judith Clurman Rejoice: Honoring the Jewish Spirit.......................................... 6 Craig Hella Johnson Choral Series ........................................................................ 6 Voices Rising – Concert Pop .................................................................................. 7 The King Singer’s 50 Gold ..................................................................................... 8 Hal Leonard Concert .............................................................................................. 8 Winter/Christmas .................................................................................................... 9 Eric Whitacre ........................................................................................................ 10 Francisco Nuñez .................................................................................................... 10 Mark Foster Joni Jensen Choral Series ..................................................................................... 11 Jonathan Palant Choral Series ............................................................................. 11 Eugene Rogers Choral Series ............................................................................... 12 René Clausen ......................................................................................................... 12 Mark Foster Concert ............................................................................................ 13 Boosey & Hawkes Shawn Kirchner .................................................................................................... 15 Choral Music Experience ..................................................................................... 15 Major Works ......................................................................................................... 18 Jim Papoulis: Sounds of a Better World ............................................................. 18 Yale Glee Club New Classic Choral Series ......................................................... 19 Secular Choral ....................................................................................................... 19 G. Schirmer, Inc. Dale Warland Series ............................................................................................. 20 Kirk Mechem ......................................................................................................... 20 Matthew Harris ..................................................................................................... 20 Pavane Publishing ............................................................................................................. 21 Hinshaw Music .................................................................................................................. 24 Choral Resources .............................................................................................................. 25 Index................................................................................................................................... 27 We hope you find plenty of new music to inspire your teaching and your students this year. Visit www.halleonard.com to order all of these titles and thousands more from your favorite choral music retailer. Price, contents, and availability subject to change without notice. Welcome to the 2018 Choral Artistry. We invite you to enjoy exploring a wide selection of new choral releases, including outstanding concert works for every level choir, folk song arrangements, scholarly editions and music from new composers. There are three ways to access recordings for the music in this catalog: Visit www.choralspectrum.com on your computer, phone or other digital device and click on the cover of the catalog. Then click on the OPEN PLAYLIST icon to see all the sections of this catalog. Choose PLAY ALL to listen to streaming excerpts of all the tracks, just like you would on a CD, or skip to the section or specific titles that interest you the most. You can also DOWNLOAD audio excerpts in a Zip file to your computer or digital device and burn to a CD. Visit www.halleonard.com/choral and click on the SCOREPLAY CHORAL icon. This will guide you to our Hal Leonard Choral YouTube channel where you can view full scores while listening to the full recording of most titles. Audio Download Tracks Many of our titles have associated audio products including ShowTrax, VoiceTrax and ChoirTrax CDs. In addition to these CDs, we are pleased to announce our new AUDIO DOWNLOAD tracks. These are the same recordings as are available on the ShowTrax, VoiceTrax and ChoirTrax CDs, but are now available for immediate download. To download these tracks, visit www.choralmusicdirect.com and search by title. You’ll be able to selectChoral just the tracks you want: full performance, accompaniment only, and part-predominantiSession when available. In addition, we now offer PIANO ONLY audio downloads for many titles without associated CD products, making audio downloads a great rehearsal tool for teachers and students! AudioYou can also look for the “audio download” icon for available titles on Accesswww.halleonard.com. Just click on the icon and it will take you to Choral Music Included DirectWORKSHOPS for easy digital purchasing. Audio Download Experience the Music LIVE! There’s nothing better than experiencing the music LIVE through the 2018 Joy of Singing workshops. See page 4 for details. HAL LEONARD HAL LEONARD Andrea Let Us Sing Henry Purcell Ramsey arr. Melissa Malvar-Keylock/Jill Friedersdorf Choral Series Composed originally for solo soprano and figured bass, this new ar- rangement offers a counter melody to the second verse. All voices join together for a strong, unison final verse. 00258018 SA ����������������������������������������������������������������������������������������� $2�10 Nisi Dominus Andrea Ramsey Baldassare Galuppi edited by Kevin T. Padworski But a Flint Holds Fire Although primarily known as an opera composer – more than 100 Andrea Ramsey – Baldassare Galuppi always maintained a steady output of sacred music. In this edition, the editor maintains accuracy of pitches and G. Schirmer, Inc. durations seen in the original manuscript. Clefs are updated to modern Jointly commissioned by a consortium of choruses usage in all parts. And the original figured bass has been fully real- to benefit the programs and services of Chorus ized. Singers will enjoy singing this polyphony and developing their America. This “socially conscious” work merges vocal independence. a Christina Rossetti text with words from choir students in Flint, Michigan. This was the personal 00244305 SATB ��������������������������������������������������������������������������������� $2�50 00253455 Score and String Quartet ���������������������������������������$30�00 revelation for the composer that there was some- thing she could do to affect in a positive way the Oft, in the Stilly Night tragedy of the Flint Water Crisis. This is also a vehicle for you and Kevin T. Padworski your students to positively affect this tragedy as half of the profits This poignant text by famed Irish poet Thomas Moore is filled with from the sale will go directly to Flint Rising, a coalition of community nostalgia and inherent melody. The poet, lost in thought in the middle organizations and allies. There is a QR code in the music for the audi- of the night, wrestles with past memories of boyhood while contem- ence to make a donation. plating his journey to the present – friendships and loneliness, smiles 50600826 SA ��������������������������������������������������������������������������������������� $2�50 and tears. Even as the poet grapples with sadness of former days gone 50601022 SATB����������������������������������������������������������������������������������� $2�50 by, the feeling of hope remains when voices unite in song, reminding us that we are never alone on our journey. Die Junge Nonne 00239830 TBB ������������������������������������������������������������������������������������ $2�50 Franz Schubert/arr. Brandon Williams Nineteenth century composer Franz Schubert To Madame Curie (1797-1828) wrote more than 600 “lieder” or Misty L. Dupuis “songs” – vocal songs accompanied by piano. The strength of women and the importance of women with power sets He raised this to an art form by equalizing the the stage for this exciting work by Misty Dupuis. Setting the poem importance of the music and poetry and ex- by Alice Moore Dunbar Nelson, one of the first women and African panding the role of the piano accompaniment. American women poets, the composer establishes strength by layering In this composition, take special notice of the and building voices and shaping dynamics to build to multiple high text painting depicted by harmonic shifts and Brandon Williams points. Finally ending as the music began, in the whispered repeating descriptive music. of the heroine Madame Curie. 00244918 SSA ���������������������������������������������$2�75 00258019 SSA ��������������������������������������������������������������������������������������$2�25
Recommended publications
  • Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968

    Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968

    VISIT US ON THE WEB AT www.phillipian.net Volume CXXVIII, Number 24 Phillips Academy, Andover, Massachusetts January 6, 2006 SMOYERʼS $1M INTERNET SAFETY DONATION TO FIX CONCERNS PROMPT ATHLETIC FIELDS E-MAIL WARNING By EMMA WOOD By STEVE BLACKMAN The Andover Athletic and ALEXA REID Department received a generous In light of recent events, Phillips “Christmas present” of $1 million Academy issued a warning to parents from Stanley Smoyer. and students about the danger of Mr. Smoyer requested that using popular networking websites his donation go directly towards like MySpace.com. renovating the drainage system In an e-mail message to parents of the Boys Varsity Soccer fi eld, and faculty sent on December 12, which fl oods often. Dean of Students and Residential “For years, now, the water Life Marlys Edwards clarifi ed school problems have interfered with policy on non-academic computer practices and forced us to cancel use, warning students about the games. The varsity teams deserve dangers inherent in posting personal to have a fi eld they can be proud information on public webpages. of, so we couldn’t be more pleased She wrote, “The safety concerns about this extraordinary gift,” said arising from use of these Internet sites Athletic Director Martha Fenton, are numerous, and they include the according to Director of Public real fear that young people are making Information Steve Porter. themselves vulnerable to predators.” Instructor in Math and Boys’ “[Sites like MySpace] are not Varsity Soccer Coach Bill Scott a bad thing, not at all, but there said to Mr. Porter, “It is our goal is incredible potential for [their] and dream to create the best natural misuse,” said Ms.
  • Download Futuro Anteriore

    Download Futuro Anteriore

    Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza.
  • Department Historyrevised Copy

    Department Historyrevised Copy

    The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards
  • MTO 16.3: Takehana, Review of the Social And

    MTO 16.3: Takehana, Review of the Social And

    Volume 16, Number 3, August 2010 Copyright © 2010 Society for Music Theory Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009) Elise O. Takehana KEYWORDS: Nicola Dibben, Björk, Iceland, nationalism, globalism, technology, nature, popular music Received November 2009 [1] Björk Guðmundsdóttir’s works have consistently posed a challenge to pop and art music as well as to those critics who have explored her music. The broad diversity of her approach to media and genre has made her oeuvre particularly enigmatic. Nicola Dibben premises this key trait of Björk’s work, calling her a whole artist who “communicates her ideas through the integrated use of all media at her disposal” ( Dibben 2009 , 23). To uphold such an interpretation of Björk’s work and artistic position, Dibben veers from many previous texts on the pop artist that presuppose a chronological biography as its organizing structure. Instead she adopts a thematic approach to all her artistic projects regardless of genre or release date. She investigates Björk’s critical reception, dividing the book into themes surrounding many of the basic binaries the artist bridges, particularly her understanding of pop/avant-garde, nationalism/globalism, and nature/technology. By providing a concerted and accessible analysis of the artist’s music, Dibben adds a formalist dimension to past critiques of Björk’s work. Dibben’s book provides an in-depth academic treatment of the artist as both a cultural and musical figure of great importance. Björk offers an intriguing case study of the artist and adds to a continued conversation about the role of music in the face of digital utopianism and globalization that will assuredly be a standard for any subsequent study on Björk.
  • 2. Case Study: Anime Music Videos

    2. Case Study: Anime Music Videos

    2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose.
  • Lili Boulanger (1893–1918) and World War I France: Mobilizing Motherhood and the Good Suffering

    Lili Boulanger (1893–1918) and World War I France: Mobilizing Motherhood and the Good Suffering

    Lili Boulanger (1893–1918) and World War I France: Mobilizing Motherhood and the Good Suffering By Anya B. Holland-Barry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 08/24/2012 This dissertation is approved by the following members of the Final Oral Committee: Susan C. Cook, Professor, Music Charles Dill, Professor, Music Lawrence Earp, Professor, Music Nan Enstad, Professor, History Pamela Potter, Professor, Music i Dedication This dissertation is dedicated to my best creations—my son, Owen Frederick and my unborn daughter, Clara Grace. I hope this dissertation and my musicological career inspires them to always pursue their education and maintain a love for music. ii Acknowledgements This dissertation grew out of a seminar I took with Susan C. Cook during my first semester at the University of Wisconsin. Her enthusiasm for music written during the First World War and her passion for research on gender and music were contagious and inspired me to continue in a similar direction. I thank my dissertation advisor, Susan C. Cook, for her endless inspiration, encouragement, editing, patience, and humor throughout my graduate career and the dissertation process. In addition, I thank my dissertation committee—Charles Dill, Lawrence Earp, Nan Enstad, and Pamela Potter—for their guidance, editing, and conversations that also helped produce this dissertation over the years. My undergraduate advisor, Susan Pickett, originally inspired me to pursue research on women composers and if it were not for her, I would not have continued on to my PhD in musicology.
  • “Quiet Please, It's a Bloody Opera”!

    “Quiet Please, It's a Bloody Opera”!

    UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun.
  • 2017年8.9月号(No.377)

    2017年8.9月号(No.377)

    目 次 シューマン、ユーゲントアルバム op. 68：自筆譜ファクシミリ版 ……………………………………………………………………………… 1 ロンベルク、チェロ協奏曲第２番、第３番…………………………………………………………………………………………………………… 2 映画音楽100選、ピアノ・ソロ編曲 …………………………………………………………………………………………………………………… 4 オネゲル、雌山羊の踊り………………………………………………………………………………………………………………………………… 8 サイ、アルト・サクソフォーンとピアノのための組曲 op. 55 …………………………………………………………………………………… 9 スヴォボダ/ロト、トロンボーン演奏の技法 ……………………………………………………………………………………………………… 11 ビョーク、34のスコア、ピアノ、オルガン、ハープシコード、チェレスタのための ……………………………………………………… 12 ドヴォルザーク、歌曲集第２巻……………………………………………………………………………………………………………………… 12 バッハ、フーガの技法（H.E.デントラー校訂） …………………………………………………………………………………………………… 15 ブラームス、管弦楽伴奏付き合唱曲集……………………………………………………………………………………………………………… 18 ラモー、オペラ・バレ「優雅なインドの国々」からのサンフォニー（器楽曲）……………………………………………………………… 18 ラヴェル、高雅で感傷的なワルツ…………………………………………………………………………………………………………………… 19 国際音楽人名録 クラシック篇、ポピュラー篇（2017） ……………………………………………………………………………………… 20 メンデルスゾーン書簡全集 完結…………………………………………………………………………………………………………………… 21 音楽療法関連書籍 多種入荷！…………………………………………………………………………………………………………………… 23,24 ヘンレ出版社広告 J. S. バッハ、フランス組曲 BWV 812-817 …………………………………………………………………………… 24 ベルリオーズ、幻想交響曲：自筆譜ファクシミリ………………………………………………………………………………………………… 25 新ブルックナー全集………………………………………………………………………………………………………………………………… 26,27 ベーレンライター出版社広告 アントニーン・ドヴォルザーク、ヴァイオリン協奏曲イ短調 ……………………………………………… 28 http://www.academia-music.com/ 新入荷楽譜 ……………………………………………………………… ……………………………………………………………… ……………………………………………………………… 新入荷楽譜 * 印のものは特に入荷部数の少ない楽譜です。 ……………………………………………………………… 作品名の次の括弧内の人名は校訂者または ……………………………………………………………… 編曲者です。 表示価格は本体価格（税別）です。 作曲家全集 Bernhard Heinrich Romberg, zehn Konzerte fur Violoncello und Orchester (Noetzel) Jean-Baptiste
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • A Global Context for the Weapons of Storytelling

    A Global Context for the Weapons of Storytelling

    130 Literary Journalism Studies, Vol. 9, No. 2, Fall 2017 BOOK REVIEWS 131 A Global Context for the Weapons of Storytelling Periodismo narrativo: cómo contar la realidad con las armas de la literatura by Roberto Herrscher. Providencia, Chile: Ediciones Universidad Finis Terrae, 2016. Paperback, 636 pp., $27.99. Reviewed by Isabel Soares, CAPP, ISCSP, Universidade de Lisboa, Portugal elling real stories. This is how Roberto Herrscher Tsummarizes literary journalism in his book Peri- odismo narrativo: cómo contar la realidad con las armas de la literatura (2016), literally meaning Narrative Journalism: How to Tell the Truth with the Weapons of Literature, a Chilean edition of a book he first pub- lished with the University of Barcelona in 2009. It is also through storytelling, his own personal life stories, that Herrscher, both a journalist and a journalism educator, starts positing a theory of literary journalism. His life stories, whether as a soldier during the Falklands War in 1982 or as a traveller crossing the border from his native Argentina to Chile with his fiancée, are examples of an “I” that writes about per- sonal experience as a way towards both self-discovery and the discovery of the “Oth- er” with whom the “I” engages. Such is also, according to Herrscher, the purpose of literary journalism, here called “narrative journalism,” the favored expression in the Spanish-speaking world. To Herrscher, literary journalism is the “theatre of reality” (48). It is the crossing of a threshold separating a source-only based journalism from a journalism of scenes and characters. As he writes: “To go from the sources to the char- acters and from the statements to the almost theatrical scenes where people tell things is to step into the world of literary journalism” (49).
  • Prof. Arkush Shows Talk on Humor Results of Miracle Bpi«S«&O"P

    Prof. Arkush Shows Talk on Humor Results of Miracle Bpi«S«&O"P

    THEmECHO VOL. XXV TAYLOR UNIVERSITY, UPLAND, INDIANA, SATURDAY. DECEMBER 18, 1937 NO. 7 Prof. Arkush Shows Talk on Humor "Messiah" Is Given B Results of Miracle pi«s«&o"P By Choral Society On Tuesday evening, December Musician, Composer 7, a large audience enjoyed the Prof. Kreiner Leads Gives Demonstration first lyceum number of the year. Dr. William Dern, noted humor­ Chorus in Rendition In Unusual Program ist of Cincinnati, Ohio, gave a lecture on "The Value of the Of Handel's Oratorio Professor Zadok Arkush, once Sense of Humor". His address The annual presentation by a world-renown musician and contained much good philosophy interspersed with jokes. the Taylor chorus of Handel's composer, now engaged in Christ­ Dr. Dern began his lecture by Messiah" will he tomorrow ian work, visited Taylor on Wed­ seeking for a definiton of humor. evening at 7:30 in Shreiner nesday, Dec. 8, appearing in two He said that it is not the sense of auditorium. The chorus of sixty programs, at the chapel hour and the ridiculous as Amos 'n' Andy, voices is under the direction of Prof. Kreiner and will be ac- again in the evening, giving Eddie Cantor, the comic sections of our newspapers, etc. "Humor 1 companied by Miss Dorothy humble testimony to the saving is the abilty to bend to the other Smith, organist. and marvelous healing power of fellow's peculiarities and still Soloists are Ruth Cooke, Christ, and demonstrating bv his keep one's own pet queernesses." soprano; Ann Leathers, con­ performance on the piano key­ In the serious things of life one tralto; Prof Kreiner, tenor; and board that he is truly a living will find humor, if he looks far Prof.
  • 2017 Dis Jpmonteiro.Pdf

    2017 Dis Jpmonteiro.Pdf

    UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE FORTALEZA 2017 JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho FORTALEZA 2017 ___________________________________________________________________________ ___________________________________________________________________________ JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Osmar Gonçalves dos Reis Filho (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Henrique Codato Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Thiago Soares Universidade Federal de Pernambuco (UFPE) A meus pais, Francisca e Júlio. Ao meu sim-fim de corações, minhas irmãs. Aos meus amigos. A cada adolescente estranho no mundo. AGRADECIMENTOS Obrigado aos meus amigos que estiveram comigo durante esta jornada tão complicada. Obrigado por morarem em mim. Eu não posso numerar todos. Sou bom com afetos, não com palavras. Obrigado aos meus pais. À minha mãe, matriarca forte que soube me dar carinho e força. À meu pai, para que eu nunca esqueça de quem ele é.