Die Fledermaus (The Bat)

Total Page:16

File Type:pdf, Size:1020Kb

Die Fledermaus (The Bat) December 26, 2016 – January 1, 2017 23rd Season, 67th Mainstage Production BRIDGET McDONOUGH RUDY HOGENMILLER General Manager Artistic Director presents DIE FLEDERMAUS (THE BAT) Music by Johann Strauss, Jr. Libretto by Carl Haffner and Richard Genée English adaptation by Quade Winter Conductor Roger L. Bingaman Scenic Designer Costume Designer Lighting Designer Adam Veness Jana Anderson Andrew H. Meyers Sound Designer Stage Manager Production Manager Aaron Quick Shannon Rourke Katie Beeks Director RUDY HOGENMILLER ABOUT LIGHT OPERA WORKS LIGHT OPERA WORKS is a resident professional not-for-profit music theater, founded in 1980. The company’s mission is to produce and present musical theater from a variety of world traditions. Such works include American and Continental operettas, classic American musical theater, as well as contemporary fare. Since its inaugural season in 1981, LIGHT OPERA WORKS continues to be a leader in the United States for the presentation of these historically important and theatrically delightful works of art in productions similar in size and scope to their originals, in modern productions with professional artists and full orchestra. Other programs include musical theater workshops for young performers ages 8 to 18, and small concert performances throughout the Chicago area. LIGHT OPERA WORKS is a member of the Illinois Arts Alliance, League of Chicago Theatres, National Alliance for Musical Theatre, the Evanston and Wilmette Chambers of Commerce and Chicago’s North Shore Convention and Visitors Bureau. For more about LIGHT OPERA WORKS, including background on DIE FLEDERMAUS and information on repertoire and past productions, visit our website at www.LightOperaWorks.com. LIGHT OPERA WORKS will become MUSIC THEATER WORKS in 2017. Save the date! Our Annual Spring Benefit will be held Saturday, April 1, 2017 at the Sunset Ridge Country Club. Special thanks to the Light Opera Works Board of Directors for sponsoring the DIE FLEDERMAUS opening night reception. Found Kitchen and Social House, Maggiano’s Little Italy, Oceanique, Prairie Moon, and Trattoria Demi are the preferred restaurants of Light Opera Works. Whole Foods Market Green Bay Road is sponsor of the Light Opera Works Youth Company. The Light Opera Works Rehearsal Center, Box Office and Administrative Office are located at 516 4th Street, Wilmette, Illinois 60091. The Box Office phone number is (847) 920-5360, and Box Office fax line is (847) 920-5358. The Rehearsal Center is an ideal venue for a variety of events, from rehearsals and dance classes to meetings and celebrations. For rental information, call (847) 920-5360. 2 Light Opera Works A FEW WORDS FROM THE ARTISTIC DIRECTOR Happy Holidays, and welcome as we ring in the New Year with one of the great masterworks of another time, Strauss’s immortal DIE FLEDERMAUS. As we count down to 2017, we look forward to the changes that time will bring. There will be new challenges, new hopes--and for Light Opera Works, a new name: Music Theater Works! I can’t think of a better way to celebrate this change than by putting one of the world’s great operettas on our stage, as a fitting and festive end to the Light Opera Works era. As we move forward, be assured that our new name was chosen to embrace even more of the musical theater repertoire we all love, and to reflect the evolution that has has already taken place in the company since its founding in 1981. Tradition has always been important at Light Opera Works, and will continue to be at Music Theater Works. We have always been committed to giving you a great experience, presenting great performances of great works. Our name is changing, but that commitment will not. I’ve been with the company over 10 years now, I’ve had the pleasure to get to know many of you. I continue to be humbled and grateful by your support. My thanks to all of you. Happy New Year! Rudy Hogenmiller Artistic Director DIE FLEDERMAUS is the third of Strauss’ 16 extant stage works, and premiered in Vienna at the Theater an der Wien on April 5, 1874. This is LIGHT OPERA WORKS’ fourth production of DIE FLEDERMAUS. The first, directed by Peter Amster and conducted by Alan Heatherington, opened December 30, 1986. The second opened December 27, 1995, and was directed by Philip A. Kraus and conducted by Peter Lipari. Lara Teeter and Michael Kotze directed the third production, which opened December 27, 2003; Peter Lipari was again the conductor. Die Fledermaus 3 CAST (IN ORDER OF APPEARANCE) Alfred ........................................................................................................................................Tobias Wright Adele ....................................................................................................................................................Kelly Britt Rosalinda ............................................................................................................................... Alicia Berneche Eisenstein ............................................................................................................................ Michael Cavalieri Dr. Blind .................................................................................................................................Dennis M. Kalup Dr. Falke ..................................................................................................................................William Roberts Frank ..............................................................................................................................................Russell Hoke Ida ......................................................................................................................................Alexis Armstrong Prince Orlofsky ........................................................................................................................ William Dwyer Ivan ..........................................................................................................................................Ryan Van Stan Frosch .....................................................................................................................................Tim Kazurinsky* ENSEMBLE Emily Barnash, Stephen Boyer, Caitlin Cavannaugh, Nicole Cooper, Gabriel Di Gennaro, Erik Dohner, Chris Furrer, Sydney Gabbard, Caitlyn Glennon, Brian Healy, Stephen Hobe, Patrick Lynch, John Marshall Jr., Laura Martino, Johanna Moffitt, Michael Pine, Rebekah Rawhouser, Trevor Vanderzee UNDERSTUDIES Emily Barnash (Rosalinda), Johanna Moffitt (Adele), Chris Furrer (Eisenstein), Stephen Boyer (Alfred), Trevor Vanderzee (Falke), Stephen Hobe (Frank), Michael Pine (Blind) *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. LighT Music opera TheaTer Works Works will become in 2017 4 Light Opera Works ORCHESTRA (Musicians are members of Chicago Federation of Musicians, Local 10-208) Flute ...........................................................................................................Jean Bishop, Scott D. Metlicka Oboe .................................................................................................................................Debra R. Freedland Clarinet I ........................................................................................................................................ David Tuttle Clarinet II............................................................................................................................... Rose Sperrazza Bassoon ......................................................................................................................................Lynette Pralle Horn .............................................................................................. Kelly Langenberg, Sandra J. Swanson Trumpet .....................................................................................................John Burson, Charles K. Finton Trombone ................................................................................................................................John McAllister Percussion .................................................................................................................................. Tina Laughlin Timpani ................................................................................................................................. Jon D. Johnson Harp .............................................................................................................................Michael Manganuco Violin I ..............................................John F. Ling (Concertmaster), Nina Saito, Elizabeth M. Brown, Vitaly Briskin, Pamela Lutter, Corinne K. Brodick Violin II ........................Diana J. Brodick, Martin Hackl, William Kronenberg, Amanda R. Grimm Viola ........................................................................................Kjell S. Sleipness, Nora Williams, Jay Pike; Cello ........................................................................................................Richard Yeo, Elizabeth Anderson Bass ..........................................................................................................................................Joseph Krzysiak Orchestration edition by Anthony Barrese PRODUCTION STAFF Stage Director ................................................................................................................ Rudy Hogenmiller Conductor .....................................................................................................................Roger
Recommended publications
  • Diszkográfia Az Első Kötethez
    © Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus
    [Show full text]
  • Various London Digital Mp3, Flac, Wma
    Various London Digital mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: London Digital Country: Canada Released: 1980 Style: Classical MP3 version RAR size: 1708 mb FLAC version RAR size: 1132 mb WMA version RAR size: 1160 mb Rating: 4.3 Votes: 387 Other Formats: AA MMF VOC AUD FLAC AAC AIFF Tracklist Hide Credits Pizzicato Polka A1 –Johann Strauss Jr., Josef Strauß Conductor – Willi BoskovskyOrchestra – Wiener 2:51 Philharmoniker The Hebrides ("Fingal's Cave) - Overture Op. 26 A2 –Felix Mendelssohn-Bartholdy Conductor – Christoph von DohnányiOrchestra – 10:05 Wiener Philharmoniker Symphony No. 9 "From The New World" - Largo A3 –Antonín Dvořák Conductor – Kiril KondrashinOrchestra – Wiener 11:04 Philharmoniker Radetsky March A4 –Johann Strauss Sr. Conductor – Willi BoskovskyOrchestra – Wiener 3:23 Philharmoniker Fidelio - Prisoners' Chorus B1 –Ludwig van Beethoven Conductor – Philip Kraus , Robert Johnson 8:16 Orchestra – The Chicago Symphony Orchestra Swan Lake Suite - Waltz B2 –Pyotr Ilyich Tchaikovsky Conductor – Zubin MehtaOrchestra – Israel 6:52 Philharmonic Orchestra –Giacomo Puccini, Guelfo Civinini, B3 Ch'ella Mi Creda ("La Fanciulla del West" 2:03 Carlo Zangarini Piano Concerto No. 5 "Emperor" - 3rd mvt. B4 –Ludwig van Beethoven Conductor – Radu LupuOrchestra – Israel 10:26 Philharmonic Orchestra Companies, etc. Mastered At – Decca Recording Studios Phonographic Copyright (p) – The Decca Record Company Limited Manufactured By – PolyGram Records, Inc. Other versions Category Artist Title (Format) Label Category
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • Curriculum Vitae 1744 Ridgewood Dr
    Scene Designer/Educator KIRK A. DOMER Curriculum Vitae 1744 Ridgewood Dr. East Lansing, MI 48823 517.256.0912 [email protected] www.kirkdomer.com E DUCATION University of Wisconsin-Madison (Madison, WI) Master of Fine Arts in Theatre: Scenic Design | 2002 Ashland University (Ashland, OH) Bachelor of Arts in Theatre with a Concentration in Scenic Design, Magna Cum Laude | 1999 Minor in Music with a Concentration in Vocal Performance A CADEMIC E XPERIENCE Michigan State University, Department of Theatre (East Lansing, MI) Professor of Scene Design | 2017 – PRESENT Associate Professor of Scene Design | 2010 – 2017 Assistant Professor of Scene Design | 2006 – 2010 Visiting Assistant Professor of Scene Design | 2002 – 2006 Instructor, MSU Evening College | 2006, 2007, 2008, 2012 Brush Up and Brunch Series: “The Creation of a Play,” “Cutting Edge Classics,” “Eye of the Beholder,” and “Creativity Wow” Hannah Community Center, Prime Time Seniors’ Program (East Lansing, MI) Guest Instructor – Friends of Theatre Scripts Class | 2014 – 2019 BoarsHead Professional Theater (Lansing, MI) Guest Instructor – Summer Design Conservatory | JULY 2004 University of Wisconsin-Madison, Department of Theatre & Drama (Madison, WI) Graduate Teaching Assistant | 1999 – 2002 Richland Academy for the Arts (Mansfield, OH) Guest Instructor | 1997 – 1998 A DMINISTRATIVE E XPERIENCE Michigan State University (East Lansing, MI) Chairperson of Department of Theatre | 2011 – 2020 Collaborated in Creating: o College of Arts & Letters Graduate Certificate in College Teaching
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists.
    [Show full text]
  • La Traviata Stagione D’Opera 2013 / 2014 Giuseppe Verdi La Traviata
    G L a i 1 u t r s a e v p i p a e t a V e r d i S t a g i o n e d ’ O p e r a LaGiutsrepapevVeiradi ta 2 0 1 3 / 2 0 1 4 Stagione d’Opera 2013 / 2014 La traviata Melodramma in tre atti Libretto di Francesco Maria Piave Musica di Giuseppe Verdi Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Sabato 7 dicembre 2013, ore 18 REPLICHE dicembre Giovedì 12 Ore 20 - Turno D Domenica 15 Ore 20 - Turno B Mercoledì 18 Ore 20 - Turno A Domenica 22 Ore 15 - Turno C Sabato 28 Ore 20 - Turno E Martedì 31 Ore 18 - Fuori abbonamento gennaio Venerdì 3 Ore 20 - Turno N Anteprima dedicata ai Giovani LaScalaUNDER30 Mercoledì 4 dicembre 2013, ore 18 In copertina: La traviata di Giuseppe Verdi. Regia e scene di Dmitri Tcherniakov, costumi di Yelena Zaytseva, luci di Gleb Filshtinsky. Allestimento realizzato per l'inaugurazione della stagione scaligera 2013-14, rendering di una delle scene ideate da Dmitri Tcherniakov. SOMMARIO 5 La traviata. Il libretto 34 Il soggetto Emilio Sala Argument – Synopsis – Die Handlung ––࠶ࡽࡍࡌ Сюжет 46 L’opera in breve Emilio Sala 48 ...la musica Claudio Toscani 53 Splendeurs et misères des courtisanes in terra italina Antonio Rostagno 71 Fisiologia della Traviata Emilio Sala 93 Eros e charitas nella Traviata Paolo Gallarati 131 Un mondo a parte Benedetta Craveri 147 Nota sull’edizione della Traviata Daniele Gatti 149 “Di quell’amor...” (Note di regia) Dmitri Tcherniakov 154 La traviata alla Scala dal 1859 al 2008 Andrea Vitalini 203 Daniele Gatti 205 Dmitri Tcherniakov 206 Gleb Filshtinsky 207 Yelena Zaytseva 208 La traviata.
    [Show full text]
  • Precious Nonsense
    Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2002 -- Issue 64 When but a maid of fifteen year, Unsought -- unplighted-- Short-petticoated -- and, I fear, Still shorter--sighted My, that sounds ominous! It isn't meant to be, any more than the use of plain return address labels, instead of the usual M GS heading. (I just w ound up with a stack of them, and hated to let them go to waste. We'll probably have another mailing with them: there's still a big stack!) No, it just means that seventeen years ago, when the Midwestern Gilbert and Sullivan Society started, I didn't realize putting together a newsletter could take so long. (It also means that about twelve years of yard work and house repair are catching up with me: thank you, as always, for your patience! And does anyone know any quick and effective way to clean a wooden deck that doesn't require renting a pressure sprayer? I shou ldn't be sorry to learn it!) Let me know if you're interested: I'll be glad to write you a Christmas letter about what all's been going on (a Christmas-in-July letter, maybe). And if you aren't, I don't blame you. But before we go further, have we (or more accurately, The American Concert Band / Detroit Concert Band) got something for you (if you have a record player)! Several months ago, Mary Lou Hornberger of the Concert Band sent the MGS a boxful of LP recordings of their album Through the Years with Sousa, Volume 10 of their series of recordings of all the marches of John Philip Sousa.
    [Show full text]
  • Repertoire and Performance History Virginia Opera Repertoire 1974-2020
    Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE
    [Show full text]
  • Curriculum Vitae
    Michelle Areyzaga —————————————————————————————————————————————————————————————————————————————— soprano OPERA EXPERIENCE L'ELISIR D'AMORE – Adina. DuPage Opera Theatre. Conducted by Kirk Muspratt. Directed by Michael LaTour. McAninch Arts Center, Glen Ellyn, IL. July 2009. MADAMA BUTTERFLY – Kate Pinkerton. The Ravinia Festival. Conducted by James Conlon. August 2007. LA BOHÈME – Mimí. DuPage Opera Theatre. Conducted by Kirk Muspratt. Directed by Michael LaTour. McAninch Arts Center, Glen Ellyn, IL. July 2007. THE MAGIC FLUTE – Pamina. • Silk Road Chicago. Conducted by Francesco Milioto. Directed by Farley Richmond. Chicago Cultural Center, Chicago, IL. August 2006. • Opera Theatre North. Conducted by Francesco Milioto. Directed by Jay Paul Skelton. Martin Theatre, The Ravinia Festival, Highland Park, IL. August 2004. • Opera Theatre Highland Park. Conducted by Francesco Milioto. Directed by Michael Kotze. North Shore Center for the Performing Arts, Skokie, IL. January-February 2004. DON GIOVANNI—Zerlina. • Opera Birmingham. Conducted by William Fred Scott. Alys Stephens Center, Birmingham, AL. April 2006. • American Opera Group. Conducted by Francesco Milioto. Directed by Paul Williams. Woodstock Opera House, Woodstock, IL. May 1999. DIDO AND AENEAS—Belinda. • City of Chicago Department of Cultural Affairs. Conducted by Francesco Milioto. Tour of Chicago and surrounding areas. November 2004. • Roosevelt University Opera Theatre. Conducted by Anne Heider. Directed by Peter Amster. Roosevelt University, Chicago, IL. 1995. LA SERVA PADRONA – Serpina. • Chicago Syntagma Musicum. Conducted by Luis Playford. Directed by Andrew Schultze. Opera In the Park, Chicago, IL. June 2004. • Ars Musica Chicago. Conducted by Luis Playford. Directed by Andrew Schultze. Chicago and Forest Park, IL. April-May 2000. • Ars Musica Chicago. Conducted by James MacDonald. Directed by Andrew Schultze.
    [Show full text]
  • Curriculum Vitae
    Michelle Areyzaga —————————————————————————————————————————————————————————————————————————————— s o p r a n o OPERA EXPERIENCE ORPHEUS – Ismene. New York City Opera. Conducted by Gary Thor Wedow. Directed by Rebecca Taichman. El Museo del Barrio, NYC. May 2012. MADAMA BUTTERFLY – Cio-Cio-San. DuPage Opera Theatre. Conducted by Kirk Muspratt. Directed by Jonathon Field. McAninch Arts Center, Glen Ellyn, IL. January 2012. JANE AUSTEN'S PERSUASION—The Concert Singer. World Premier. Chamber Opera Chicago. Conducted by Nyela Basney. Directed by Nick Sandys. Atheneum Theatre, Chicago. Sept 2011. LE NOZZE DI FIGARO—Susanna. • Peninsula Music Festival. Conducted by Stephen Alltop. August 2010. • Opera Birmingham. Conducted by Lester Seigel. Directed by John Jones. March 2010. • Opera Theatre Highland Park. Conducted by Francesco Milioto. Directed by Jay Paul Skelton. North Shore Center for the Performing Arts, Skokie, IL. April 2003. • Conducted by Francesco Milioto. Directed by Nic Dimond (Act 1), Jay Paul Skelton (Act 2), Connor Kalista (Act 3), and Dado (Act 4). Chicago Cultural Center, Chicago, IL. August 2002. THE LEADER—Girl Admirer. World Premier. Latino Theatre Festival. Conducted by Philip Morehead. Directed by Henry Godinez. Goodman Theatre, Chicago. July 2010. MARIA LA O—Tula. Chamber Opera Chicago. Conducted by Alfredo Munar. Directed by Juan Pedro Somoza. Atheneum Theatre, Chicago. June 2010. REVOLUTION OF FORMS—Alina Porro. New York City Opera – VOX. Conducted by Steven Osgood. May 2010. WITH BLOOD, WITH INK— Sor Juana Inés. New York City Opera – VOX. Conducted by Julian Wachner. April 2010. L'ELISIR D'AMORE – Adina. DuPage Opera Theatre. Conducted by Kirk Muspratt. Directed by Michael LaTour. McAninch Arts Center, Glen Ellyn, IL.
    [Show full text]
  • La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo
    < Back to previous page Home > Arts & Entertainment > Theatre | Region: United States > Southern California La Traviata – World Renowned Cast LA Opera Season Opener Attended by Placido Domingo By Ester Molayeme Sep 17, 2006 Special to The Epoch Times LOS ANGELES—Opening the 2006/07 Season of the LA Opera is the special presentation of Giuseppe Verdi's La Traviata, visually stunning, with the world renowned cast of Renée Fleming, Rolando Villazόn, and Renato Bruson. La Traviata marks LA Opera's first filming of the stage performance for DVD release by Decca. The sold-out Opening Night Gala on Saturday, September 9, 2006, at the Dorothy Chandler Pavilion, was marked by spectacular elegance. Fashionably dressed celebrities walked on the Pavilion's red carpet under the bright, reflecting chandeliers. Receiving a warm welcome was the LA Opera's new music director, James Conlon, who was for over 25 years associated with the Metropolitan Opera, for 10 years as the Principal Conductor of the Paris Opera, and who appeared in many of the world's most important opera companies, such as La Scala, and the Royal Opera House Covent Garden, among others. La Traviata is one of Verdi's most performed operas for its extraordinary arias filled with beautiful coloratura. Early in the performance we see the American soprano Renée Fleming shining as the beautiful, charming, and very vulnerable Violetta Valéry, who bears her soul to her new admirer, Alfredo Germont. SOPRANO: Renée Fleming stars in La Traviata as Violetta. (Andrew Eccles/Decca) In "Un di' felice eterea" Alfredo declares his love for Violetta with touching sincerity.
    [Show full text]
  • Wagner September 2011.Indd
    Wagner Society in NSW Inc. Maximise your enjoyment and understanding of Wagner’s music Newsletter No. 122, August - September 2011 WAGNER 2013 BICENTENARY DONATION APPEAL see page 4 and inside back cover ADVANCE NOTICE: 25 March 2012 Richard Mills, Conductor, Melbourne Ring Cycle, and Ms Maureen Wheeler, donor to the Ring Cycle, to talk with the Wagner Society - see President’s Letter below. that she has agreed to become President’s Report our patron. Also since the last newsletter was Welcome to the third newsletter for 2011. the filming of the Metro-politan Much has been happening since the last newsletter. The first Opera Die Walküre at the Dendy, and most significant development is that the Society has a Orpheum and Verona cinemas. new patron. Simone Young has graciously agreed to accept The attendances on each occasion this position. Ms. Young, as most of you will know, is now were very high. It is not for me General Manager and Music to review the opera here. I had Director of the Hamburg already seen it in the flesh in New State Opera. Many of us were York, and had generally loved it. Lyndon Terracini: Artistic in Hamburg earlier this year My principal reservation related Director of Opera Australia when Ms Young conducted to the hazardous nature of the – talking to the Wagner Society at the 16 October an exciting Ring Cycle. Some sets. In the performance I saw, function – see President’s people had reservations Deborah Voigt, as Brünnhilde, Letter on page 3. about the production, but I think we all agreed that it PRESIDENT’S REPORT continued p.3 l was an orchestral triumph.
    [Show full text]