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Auckland at 7.00Pm
Wagner Society of New Zealand Patron: Sir Donald McIntyre NEWSLETTER Vol. 13 No. 4 April 2017 President’s Report for 2016 AGM - 21 May 2017 Formal Notice The Wagner Society of New Zealand AGM is to be held on Sunday 21 May 2017 in St Heliers Community Centre, 100 St Heliers Bay Road, Auckland at 7.00pm. So far, Committee and Office-Bearer nominations have been received as follows: President ................. Chris Brodrick Vice President ............ Ken Tomkins Secretary ....................... Peter Rowe Treasurer ................. Jeanette Miller PR/Liaison ..................Gloria Streat Bob O’Hara Committee . John Davidson, Lesley Kendall, Juliet Rowe Bob O’Hara as Uberto (La Serva Padrona.) Michael Sinclair If you wish to make a nomination: In this, the 22nd President’s report to opera trips including both Adelaide Phone: Peter at 09-520 4690 or the Wagner Society of New Zealand, I Rings, the 2013 Melbourne Ring and he Email: [email protected]. would like, among all the thank yous, to has plans to attend the San Francisco to be sent a form. Nominations can focus some attention on two members. Ring next year. also be made from the floor at the One has been with us from 1995 and Bob and other WSNZ members’ ability meeting. after many years of service has recently to attend these overseas productions stepped down from the committee. The is enabled by the wonderful work of Membership renewals other, who may not have been with us Michael Sinclair, as the organising force Included with this newsletter is a from the start, has nonetheless made a behind our overseas trips. -
San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera. -
'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018
'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018 12.30pm: DVD: 'Das Liebesverbot', Act 2 2.00pm: Presentation by Suzanne Chaundy DVD: Das Liebesverbot Act 2 Wagner's rarely performed early comic opera (1836), based on Shakespeare's Measure for Measure, enjoys its Spanish debut in a new production by director Kaspar Holten. The lively score boasts clear Italian, French and Weberian influences that predate the composer's mature voice, yet the music continually delights with the unmistakable emergence of Wagner's precocious genius. His adaptation of the Bard's play reflects the rebellious mood of a revolutionary Germany, vindicating sensual love and attacking the fanatical repression of sexuality by a puritanical and hypocritical authority. Ivor Bolton conducts a vibrant cast with the chorus and orchestra from the Theatro Real, Madrid (2016). 'Wagner on a Shoestring' by Suzanne Chaundy Suzanne Chaundy is a highly regarded director of opera, drama, outdoor spectacle and special events, and will speak about her Wagner productions for Melbourne Opera. Miki Oikowa and Suzanne Chaundy She began directing as an undergraduate at the University of Melbourne and was subsequently fast-tracked into the NIDA Directing Course. Best known as an opera director, she began on this path as a trainee director with the Victorian State Opera. Her 2012 production of Cosi Fan Tutte for Melbourne Opera at Melbourne’s Athenaeum Theatre (nominated for Best Director – Green Room Awards) resulted in her becoming something of a regular for the company directing new productions of Der Freischütz and Maria Stuarda in 2015,The Abduction from the Seraglio, Tannhäuser and Anna Bolena in 2016, Lohengrin in 2017 and Tristan und Isolde in 2018. -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Curriculum Vitae 1744 Ridgewood Dr
Scene Designer/Educator KIRK A. DOMER Curriculum Vitae 1744 Ridgewood Dr. East Lansing, MI 48823 517.256.0912 [email protected] www.kirkdomer.com E DUCATION University of Wisconsin-Madison (Madison, WI) Master of Fine Arts in Theatre: Scenic Design | 2002 Ashland University (Ashland, OH) Bachelor of Arts in Theatre with a Concentration in Scenic Design, Magna Cum Laude | 1999 Minor in Music with a Concentration in Vocal Performance A CADEMIC E XPERIENCE Michigan State University, Department of Theatre (East Lansing, MI) Professor of Scene Design | 2017 – PRESENT Associate Professor of Scene Design | 2010 – 2017 Assistant Professor of Scene Design | 2006 – 2010 Visiting Assistant Professor of Scene Design | 2002 – 2006 Instructor, MSU Evening College | 2006, 2007, 2008, 2012 Brush Up and Brunch Series: “The Creation of a Play,” “Cutting Edge Classics,” “Eye of the Beholder,” and “Creativity Wow” Hannah Community Center, Prime Time Seniors’ Program (East Lansing, MI) Guest Instructor – Friends of Theatre Scripts Class | 2014 – 2019 BoarsHead Professional Theater (Lansing, MI) Guest Instructor – Summer Design Conservatory | JULY 2004 University of Wisconsin-Madison, Department of Theatre & Drama (Madison, WI) Graduate Teaching Assistant | 1999 – 2002 Richland Academy for the Arts (Mansfield, OH) Guest Instructor | 1997 – 1998 A DMINISTRATIVE E XPERIENCE Michigan State University (East Lansing, MI) Chairperson of Department of Theatre | 2011 – 2020 Collaborated in Creating: o College of Arts & Letters Graduate Certificate in College Teaching -
Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ................................................................................................................................................... -
Don Giovanni
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Spring 2012 www.ncos.ca Printemps 2012 P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 Unlucky Valentines by Shelagh Williams The February offerings of Toronto’s Canadian Opera concept allowed events to unfold naturally, although the Company (COC) featured stories of thwarted love com- second act could have been more tense and scary: this posed a century apart: Puccini’s Tosca (1900) and Kaija Scarpia did not seem as evil and lecherous as some I’ve Saariaho’s Love From Afar (2000)! seen, nor were Cavaradossi’s screams under torture as It is a pleasure to report that the Tosca was an loud and spine-chilling as they could have been. Veteran opulent production, setting forth the story in a clear, straight Canadian bass-baritone Peter Strummer knew just how forward manner, and featuring an excellent cast - a rare to evoke the humour of the Sacristan, although at times he set of claims for many operas these days! It was a re- seemed a bit too broad and irreligious in his actions. We mount of the COC’s own lovely 2008 production (which have seen American baritone Mark Delavan, here debut- I did not see) by the creative team of Scottish director ing at the COC as Scarpia, in his early days at Paul Curran, set and costume de- Glimmerglass Opera, and it is pleas- signer Kevin Knight and lighting de- Tosca ing to find that he has developed so signer David Martin Jacques. -
San Francisco Ring 2011 Text: John L. Digaetani
Text: John L. DiGaetani San Francisco Ring 2011 / San Francisco Opera Weaver Kuva: Cory I was very happy to be at the second of the three Ring cycles which the San Francisco opera performed during June of 2011. The star of the whole cycle became Nina Stem- me, a Brünnhilde who reminded many of us of Birgit Nilsson and her singing of that role. Stemme, another Swedish soprano, sang the role gloriously with a large, gorgeo- us voice which could easily be heard over the orchestra. Her top was secure, her mid- dle was very good, and her low notes usually projected well. She can even sing with por- tamento — the shaping and connecting of notes — something Birgit Nilsson could also so. But Stemme is a better actress and can move around the stage with dramatic intent. One wished that her German diction were better, but this was a minor flaw. Certainly drama and acting were real fortes in this Ring, thanks to Francesca Zambello’s forceful direction so that the sympathetic throughout this Ring, making Katy Tucker added tremendous meaning singers’ acting became consistently involved him a wonderful foil to Wotan’s attempts at and visual variety during the musical inter- and motivated. Donald Runnicles provided legality and love. ludes between the scenes, emphasizing natu- excitement from the orchestra thanks to his The production mixed visual styles, with re and its destruction by human greed and conducting an orchestra with a solid and ac- most of the singers appearing in contempo- corporate industry. The theme of industria- curate brass, though one sometimes wished rary dress, but the updating usually made lism and its destruction of nature, while re- for a lovelier tone from the strings. -
Melbourne Symphony Orchestra Chorus 50Th Anniversary
Melbourne Symphony Orchestra Chorus 50th Anniversary Concert Wednesday 7 October at 8pm Elisabeth Murdoch Hall, Melbourne Recital Centre WHAT’S ON OCTOBER – DECEMBER 2015 AN AMERICAN IN PARIS TCHAIKOVSKY AND GRIEG SIBELIUS’ FINLANDIA Friday 30 October Friday 13 November Thursday 19 November Saturday 14 November Friday 20 November Gershwin’s An American in Paris evokes a journey through the Asher Fisch conducts three Yan Pascal Tortelier celebrates the bustling streets of the French masterworks that defined the 150th anniversary of two Nordic capital, punctuated by taxi horns Romantic era. Tchaikovsky’s masters. Sibelius’ majestic Finlandia and a bluesy trumpet solo. Also stirring Romeo and Juliet is followed is balanced against Nielsen’s spirited featured in this program is by Grieg’s poignant Piano Concerto Violin Concerto. Also featured in this Ravel’s Piano Concerto in G and and the high-voltage intensity program is Sibelius’ Symphony No.5 Saint-Saëns’ Symphony No.3 Organ. of Tchaikovsky’s Fourth Symphony. and tone poem The Swan of Tuonela. BRAHMS AND TCHAIKOVSKY MESSIAH CHRISTMAS CAROLS Thursday 26 November Saturday 5 December Saturday 12 December Friday 27 November Sunday 6 December Sunday 13 December Saturday 28 November Join conductor Bramwell Tovey, Bramwell Tovey joins the MSO Divertimento, Bartók’s dark take the MSO Chorus and renowned as conductor, pianist and host on the Baroque, kick-starts this international soloists for one of in this celebration of the great night of European festivities. the MSO’s most beloved Christmas musical traditions of Christmas, Brahms’ Violin Concerto delivers traditions, Handel’s Messiah. from famous orchestral works and a fiery, gypsy-inspired rondo and favourite Christmas songs to the Tchaikovsky’s Serenade for Strings most beloved of Yuletide carols. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2002 -- Issue 64 When but a maid of fifteen year, Unsought -- unplighted-- Short-petticoated -- and, I fear, Still shorter--sighted My, that sounds ominous! It isn't meant to be, any more than the use of plain return address labels, instead of the usual M GS heading. (I just w ound up with a stack of them, and hated to let them go to waste. We'll probably have another mailing with them: there's still a big stack!) No, it just means that seventeen years ago, when the Midwestern Gilbert and Sullivan Society started, I didn't realize putting together a newsletter could take so long. (It also means that about twelve years of yard work and house repair are catching up with me: thank you, as always, for your patience! And does anyone know any quick and effective way to clean a wooden deck that doesn't require renting a pressure sprayer? I shou ldn't be sorry to learn it!) Let me know if you're interested: I'll be glad to write you a Christmas letter about what all's been going on (a Christmas-in-July letter, maybe). And if you aren't, I don't blame you. But before we go further, have we (or more accurately, The American Concert Band / Detroit Concert Band) got something for you (if you have a record player)! Several months ago, Mary Lou Hornberger of the Concert Band sent the MGS a boxful of LP recordings of their album Through the Years with Sousa, Volume 10 of their series of recordings of all the marches of John Philip Sousa. -
For Immediate Release September 18, 2009
PITTBURGHOPERA page 1 For Immediate Release September 18, 2009 Contact: Kesha M. Pate, Public Relations Manager Office: (412) 281-0912 ext 248 Mobile: (412) 979-0912 [email protected] Pittsburgh Opera Presents Verdi’s Falstaff All the world’s a jest! What: Verdi’s opera Falstaff Where: Benedum Center for the Performing Arts 7th Street and Penn Avenue, Downtown Pittsburgh Discover Yourself When: Saturday, October 24, 8:00 PM Tuesday, October 27, 7:00 PM 2009-2010 Friday, October 30, 8:00 PM Sunday, November 1, 2:00 PM Season Run Time: 2 hours, 45 minutes, including 2 intermissions Language: Sung in Italian with English texts projected above the stage Tickets: Start at $10. Call 412-456-6666 for more information or visit www.pittsburghopera.org Pittsburgh, PA… Pittsburgh Opera presents Giuseppe Verdi’s final masterpiece Falstaff at the Benedum Center for the Performing Arts October 24 – November 1, 2009. This masterful comedy takes the audience on a delightful journey as the amorous pursuits of the bumbling old knight Sir John Falstaff are thwarted not once, but twice when he takes on the Merry Wives of Windsor in this Shakespearean classic. The production stars American baritone Mark Delavan, who is widely acclaimed as the quintessential Sir John Falstaff, Chilean soprano Veronica Villarroel, American baritone Stephen Powell, native Pittsburgher Kevin Glavin and a troupe worthy of any Elizabethan England theatre. Maestro Antony Walker will conduct. (more) 2425 Liberty Avenue Pittsburgh, PA 15222 www.pittsburghopera.org PITTBURGHOPERA page 2 Facts About The Opera and Composer Falstaff is an operatic commedia lyrica in three acts by Giuseppe Verdi, adapted by Arrigo Boito from Shakespeare's plays The Merry Wives of Windsor and scenes from Henry IV.