GOOD NEWS LETTER Inspiration Point Fine Arts Colony May, 2018 16311 Highway 62 West Don Dagenais, Editor Eureka Springs, Arkansas 72632 Two Comedies Opera in the Ozarks Archives Featured are Dedicated at the in OIO’s University of Arkansas The Opera in the Ozarks Archives at the University of Arkansas were formally 68th Season dedicated on February 28 and March 1, 2018, at several special events held at Opera in the Ozarks will open its 68th the University of Arkansas. The archives consist of correspondence, scrapbooks, year of performances on Friday, June 20 season programs, over 6,900 photographs and other image formats, over 400 audiovisual recordings, and other materials that document the stories and with Johann Strauss Jr.’s classic comic performances of the thousands of young artists and staff members who have operetta Die Fledermaus (The Bat). been a part of Opera in the Ozarks throughout the previous 67 years of its history. The season will continue on Saturday, The Archives were compiled thanks to the University of Arkansas Libraries June 21 with the opening of Il Barbieri Special Collections Department. The librarian and archivist who spearheaded the di Siviglia (The Barber of Seville). The project, Janet Parsch, remarked that the majority of her opera viewing has been third production of the season, Douglas during the Opera in the Ozarks summer seasons in Moore’s historic drama The Ballad of Eureka Springs. Further informa- Baby Doe, opens in Tuesday, June 26. “Processing the Opera in the Ozarks collection, tion about the The three operas are performed in serving as its repository, and making it available to the general public, to me, is a wonderful example Opera in the repertory concluding on Friday, July 20. of the University’s commitment to outreach, to the Ozarks Archives at All performances begin at 7:30 arts, and to the preservation of Arkansas’s cultural the University of p.m. at Inspiration Fine Arts Colony, heritage for students, researchers, and the general Arkansas appears except for the Sunday matinees which public,” said Parsch. “Personally, processing this are at 3:00 p.m. at the Art Center of particular collection has been quite enjoyable, on page 6 inside. the Ozarks, 214 South Main Street in Springdale, Arkansas. given the operatic There are also several special one- content of the time performances during the season. collection and the inspiration that On Tuesday, July 10 the OIO singers will opera as an art perform a Broadway Cabaret concert. form provides.” On Monday, July 16 the members of the The dedica- orchestra will be featured in a special tion events includ- evening of chamber music. Also, an ed a master voice Opera Scenes performance will take class led by Dr. place on Tuesday, July 17, and a Taste Joel Burcham, an of Opera will be presented on July 18 at OIO alumnus who the Crescent Hotel. is an associate professor of voice Tickets are available at (479) 253- at the University 8595, or visit www.opera.org to order of Oklahoma; online. Specially priced tickets for an opportunity the opening nights are available for OIO Governing Board chair Carole Langley, Danna for participants residents of Carroll, Benton, Washington to explore the Hearn and OIO Treasurer Duane Langley enjoyed review- archives at the and Madison counties. There are also ing some of the OIO historical materials while attending discount tickets available for children the dedication ceremonies of the archives at the University (continued on and students under 18 and for purchases of Arkansas a few weeks ago. page 4) of all three shows. Page 2 Inspiration Point Fine Arts Colony From the General Director While it seems that On June 5, we are opening our Cinderella Opera in the Ozarks is season at the Botanical Garden of the Ozarks News of only an eight week sea- summer concert series. Our Sunday matinees son, so much happens will be held at the Arts Center of the Ozarks Our Alumni in the off season! Tom in Springdale this season, a new venue for us The Metropolitan Opera Cockrell travels the that promises to be intimate and welcoming, Guild gave soprano Hei- United States conduct- with even a concession stand! We continue to Kung Hong (OIO 1978) ing auditions, while pursue other opportunities to partner with other one of its 2017 Opera Yvonne Creanga handles all the applications, organizations. Awards this spring for money, and schedules. Tom also has the respon- Do you want to be part of the action at sibility of finding and hiring the orchestra and Opera in the Ozarks? You can be a star even if artistic staff. Carole Langley has done yeoman you can’t sing or play an instrument! A modest work in raising money for the season. financial gift will elevate you into our galaxy of As for me, I wrote grant applications stars. A Presenting Sponsorship of a complete during the winter and have recently finished opera production is only $2,500 and the Night writing about 55 contracts for orchestra and of Opera is a steal at $300. We will recognize staff. I also have booked twelve children’s your sponsorship in our program book and at opera venues and a raft of pre-season outreach the performance you choose with a pre-show performances. We have expanded into Missouri announcement. If you would rather fund a schol- with our children’s opera performances and arship, your singer recipient can thank you in will be performing in Cassville and will be person when you attend the opera. Most of our outstanding achievement performing in the children’s summer camp at singers need financial aid to attend our program, at the Metropolitan Opera. the Walton Life Fitness Center. I am especially so scholarship monies are always welcome. She was one of only five happy to have OIO included in the Walton Arts See you soon for a season of Bats, Barbers, people so honored. An Center’s signature festival, Artosphere, where and Babies! extensive article about we will be performing as part of the Crystal her in the April 2018 issue Bridges Garden Party on June 16. of Opera News stated that the Korean-born soprano became one of A Message From the President the early star sopranos of Asian descent, noting that When we think about Opera in the outstanding young singers at OIO who make “her exquisite singing, Ozarks we are happy, humbled, and thankful it all come alive. committed acting and to be a part of that wonderful summer music 2018 will be a season you simply can’t physical beauty breaking center. Through its 68- miss! With three outstanding operas, Rossini’s through all barriers.” year history, some of Il Barbieri Di Siviglia, Moore’s Ballad of She has sung at the the most talented young Baby Doe and Strauss’ Die Fledermaus (two Metropolitan Opera for musicians in our country of them sung in English) what more could over 30 years in over 350 have had life-changing anyone wish for? performances, in operas So thank you for your membership, your by Mozart, Handel, experiences at OIO. In Gounod, Verdi, Donizetti, these pages you’ll get contributions of all kinds and your special Offenbach and Wagner, to read about many of interest in OIO. I look forward to seeing you among others. those highlights plus the out on Rock Candy Mountain and hope you opening of our Archives too will enjoy a great experience there. Baritone Mark Delavan at the University of Thank you again as we continue to (OIO 1984) was praised Arkansas in Fayetteville, and the many ways work together for Opera in the Ozarks. Your in Opera News magazine you have been a part of this great educational dedication and generous spirit helps bring for his portrayal of program in the lists of donors from the Annual the very best for all who study or visit at “the Jochanaan in Richard Point,” a place where we can return again and Strauss’ Salome with Fund, Giving Tuesday and NWA Gives. the Florida Grand We’ve all had a big part in making OIO again, to share in the joy and power of truly Opera. “Mark Delavan successful, but we’re also thrilled to have great opera in a truly beautiful setting. received personal enrichment for ourselves Thank you so much, (continued on page 3) through the great art form of opera and the Inspiration Point Fine Arts Colony Page 3 A Message From the Artistic Director As you read this newsletter, forty- foundation of strong two talented, accomplished and eager singing that our News of young vocalists are preparing to travel to audiences hear on Inspiration Point to begin what will likely be our stage. Working Our Alumni a transformative step in their development as in our small (continued from artists. coaching rooms, page 2) Last week, in the Alumni of Opera in they sit behind the the Ozarks Facebook group, I asked recent piano eight hours was impressive in his alums of our program to share what they daily as a parade of intelligent interpretation… would be doing this summer and the good vocalists who are news quickly rolled in: the summer festivals “in process” come to them for a coaching. of Santa Fe, Des Moines, Chautauqua, Utah Our singers arrive at The Point with Festival Opera, Opera Saratoga, Central City, a wide spectrum of experience singing in to name a few. Opera in the Ozarks is clearly foreign languages, negotiating the challenges an important step for many aspiring artists. of maintaining a healthy vocal technique and Some familiar and new faces to look for performing their roles with style, clarity and this summer: elegance. Director David Ward, who last staged La Elaine Rinaldi is artistic director of Cenerentola, returns to direct Il Barbieri di Orchestra Miami and beginning last season Siviglia and the Studio Program’s Cinderella. brought her extensive experience with the His voice was well poised Conductor Stephen Dubberly, who last led a Florida Grand Opera and as a private coach and roared impressively,” madcap The Pirates of Penzance, will lead in New York. This year, we welcome back the review said. Die Fledermaus in Vern Sutton’s delightful to Inspiration Point Louis Menendez, an translation. Joining us this year as costumer accomplished coach and conductor who has The English National designer is Audrey Hamilton who has served on the faculties of the Curtis Institute Opera featured soprano designed for Opera Roanoke and is on the and the Academy of Vocal Arts. Latonia Moore (OIO faculty of Bethel University. She and her I am pleased to offer our young artists the 1999) in its season- opening production of three assistants will have a full task list with vast expertise, experience and inspiration that Aida this year. The title costuming our three double-cast productions! Elaine and Louis bring to our program. role has become an Our young artists grow so much over We will see you soon! international calling card the course of our nine-week season thanks for Moore. An Opera to the excellent guidance of our artistic staff. News review stated that Our two senior vocal coaches provide the “Moore was able to voice all of Verdi’s notes with sufficiency of power and variety of tones, as well Federation Days are July 17-21 as providing them with Federation Days will be held this summer from Wednesday, July 17 to Saturday, July 21. purposive expressive Federation Days includes the annual membership meeting of the Inspiration Point Fine Arts emphases; the result Colony, and will be held at the Best Western Inn of the Ozarks in Eureka Springs, Arkansas. The festivities will start on Wednesday evening at 5:00 p.m. with A Taste of Opera at the beautiful historic Crescent Hotel in Eureka Springs. After dinner, the van will pick you up (for a small charge) from the Crescent Hotel for Die Fledermaus (The Bat), the delightful comic operetta by Johann Strauss Jr. Thursday evening is the opera Il Barbieri di Siviglia (The Barber of Seville) and on Friday you will enjoy The Ballad of Baby Doe, an American opera by Douglas Moore. Meanwhile, during the daytime, we will enjoy luncheons hosted by our South Central Region states, with entertainment provided by the OIO artists. Thursday afternoon includes a performance of the newest family opera Cinderella. You won’t want to miss Friday evening’s banquet or Saturday’s Federation Day events. Federation Days is always chock full of activities, so please come and enjoy food, fellowship and opera. Room reservations are now available at was that hers was easily Inn of the Ozarks at (479) 253-9768. Be sure to mention IPFAC to receive the group rate. the most complete of If you have questions, please contact South Central Region Vice President, Lavonna Whitesell by e-mail at [email protected] or by telephone at (405) 715-1536. (continued on page 4) Page 4 Inspiration Point Fine Arts Colony Opera in the Ozarks Archives Dedicated News of (continued from page 1) Special Collections location in Mullins Library at the Our Alumni University of Arkansas in Fayetteville; and a concert (continued from performance of Schumann lieder and opera excerpts by page 3) Dr. Burcham and students of the University of Arkansas Opera Theatre at the University of Arkansas Faulkner the evening’s individual Performing Arts Center. performances.” In May David Malis is the director of the University of and June she will be Arkansas Opera Theatre program. Rocio Paulina Behler singing the same role at was the pianist for the performance. the famous Teatro Colon in The archives were officially opened Buenos Aires, Argentina. on March 1. Opera in the Ozarks general director Nancy Preis thanked the The Sarasota Opera’s University for compiling and housing the production of the unusual archives. Jim Swiggart, who for 25 years opera Tiefland by Eugen was the General Director of Opera in the d’Albert this spring starred Ozarks, gave a brief history of Opera in tenor Ben Gulley (OIO the Ozarks. 2007), whose performance Excerpts from Jim Swiggart’s of the role of Pedro was remarks appear on page 7 of this newsletter. At the conclusion of Swiggart’s talk, the crowd sang “Climb Every Mountain,” which is an OIO tradition, performed at the end of each season of operas at Eureka Springs. For more information, see page 6 of this issue.

Librarian Janet Parsch (top photograph) of the University of Arkansas, who spearheaded the OIO Archive project, spoke at the praised in Classical Voice dedication ceremonies at America, whose reviewer the University of Arkansas said that “Tenor Ben Gulley in Fayetteville. Also speak- produced a heroic tone ing at the ceremonies was as Pedro….” In one of the OIO General Director Nancy Sarasota Opera’s other Preis (bottom photograph productions, alum Jared above). Guest (OIO 2013) sang the role of Morales. This letter, written by OIO founder Henry Hobart Lindsay Amann, mezzo soprano (OIO 2007) sang to Charlotte Carrier of Tulsa the role of Orfeo in Gluck’s on April 17, 1953, is typi- Orfeo et Eurydice with cal of the sorts of records the Florida Grand Opera found in the OIO Archives. in March. In June she It invites her to give a piano sings as a soloist with the recital at the 1953 session Omaha Symphony in the of OIO, and reports that Beethoven Symphony No. over 100 students are lined 9. She can be seen on the up for the 1953 summer season. (continued on page 5) Inspiration Point Fine Arts Colony Page 5 Annual Fund Contributions Near $100,000 News of The annual fund drive of the Inspiration Point Fine Arts Colony has raised nearly $100,000. This is close to, but does not quite equal, our fund drive goal of $110,000. We are hoping that Our Alumni additional contributions received this winter and spring will push the 2017-18 annual fund (continued from drive over the $110,000 mark. page 4) This year the annual fund drive featured a series of challenge grants donated by Maria Putter, Glenn and Lorie Bear, Carolann Martin, Duane and Carole Langley, Alice Conway and Bill Yick. Appearing below is a list of this year’s contributors. Inspiration Point extends a hearty thank you to all of our donors for all you have done this year and in the past. Your support is crucial to our continued operations at Opera in the Ozarks. Thanks for inspiring us! $10,000 and Above $150 to $499 Ralph V. Turner Patrons Performers Leon and Lavonna Whitesell Glenn and Lorie Langley Bear Anita Blackmon Lisa Whitesell Carole and Duane Langley Wayne Clark Die Walküre DVD from Carolann Martin Linda Clark $50 to $149 the Metropolitan Opera’s Maria de Waal Putter Connie Craig Friends Ring Cycle and the DVD Mary Dolce Virginia Babb documentary Wagner’s $5,000 to $9,999 Rita Garcia Jane Betts Dream. Founders Ronn and Danna Hearn Carthage Music Club (Texas) Alice E. Conway Kathryn Hickman Carolyn Clark Theater Lübeck in Don F. Dagenais Steve D. Holifield Rich Dunham Germany is featuring Alice M. Martinson Peggy C. Jones Ruth Dyar soprano Emma McNairy Bill Yick Charles and Sue Kimberlin Tom and Dana Dykman (OIO 2008) in two operas Melba Maechtlen Carolyn Green this season, Rossini’s $2,500 to $4,999 Deborah and David Malone Cynthia Kresse Il Barbieri di Siviglia Composers Patricia Marx Michael and Eileen Lieber (The Barber of Seville) Richard A. Drapeau Mary Cox McKay Lorraine Long where she sings Rosina, Caroline French Morning Etude Music Club Dick and Susan Luehrs and Franz Schreker’s Stephen and Colleen Shogren (St. Louis) Cheryl Mathis Linda and Gene Vollen Ann Nicholson Marianne Szydlowski Frank Wicks Alan Orr Texarkana Wednesday Luke and Janet Parsch Music Club $1,000 to $2,499 Sara Peine Christine Vitt Fellows Judy Rownak Brooke and Linda West Ann Lacy Foundation Mary Shamberger Kathie White Lois Armor Kathy Spigarelli Kathleen Whitmer Marilyn Caldwell Gay and Gary Strakshus Carol Zientek Tim Danielson Barry and Linda Stuart Edwin and Catherine Henson Elaine Knight OIO will host its annual A Taste of Opera dinner Der Ferne Klang (The Jean Moffatt at the Crescent Hotel in Eureka Springs, Arkansas on Distant Sound), in which John and Jacqueline Schmidt Wednesday, July 18 at 5:00 p.m. The cost of A Taste of she sings the role of Opera is $65, of which $25 is tax deductible. Tickets can $500 to $999 Mary. In February she be purchased by calling the box office at (479) 253-8595 or portrayed Zerbinetta for Soloists visiting us online at www.opera.org. Anonymous the company in Ariadne A Taste of Opera will feature a reception, a dinner, and auf Naxos by Richard Annie’s Boutique entertainment from some of our outstanding young singers Sue M. Breuer Strauss. Last fall she from Opera in the Ozarks. It will whet your appetite for the was Dalinda in Handel’s Ben and Rebecca Bird Haley wonderful music to come in the three full-length operas Beth Harrison Ariodante at the same being presented by Opera in the Ozarks this summer. venue. Tom and Lynn McNew Be sure to purchase your tickets and join us for A Taste Lee Clements Meyer of Opera on July 18. Joan B. Wells (continued on page 6) Page 6 Inspiration Point Fine Arts Colony More Information About the News of OIO Archives ♫ You can obtain much more information about the Opera in the Ozarks Archives Our Alumni collection by visiting the University of Arkansas web site, at www.uark.edu. Under Academics (continued from click on Libraries, then click on Libraries and Collections, then choose Special Collections. page 5) From there you can choose the Opera in the Ozarks Collection from Recently Opened Manuscript Collections or from Browse Manuscripts A-Z. ♫ You can find a spreadsheet of all of the operas performed throughout the OIO history Clay Hilley (OIO 2004) by accessing the web site as described above, then clicking on Biographical Note. There sang the tenor role of is some text which contains within it a link to a PDF file containing a compilation by Janet Dmitrij in the opera Parsch of all of the performance information, along with information about OIO leadership by the same name by over the years of its existence. Antonín Dvořák with ♫ The archives represent a rich source of material for OIO alumni, and Jim Swiggart Summerscape last year, a is hopeful that they will use the archives and become reconnected with the organization after few months after singing their professional careers are underway. the title role of Mozart’s ♫ The archives are available as a research source. Those requesting assistance to Idomeneo in Salzburg. access the archives may e-mail [email protected] and describe their research topic, or call Other recent roles have (479) 575-8444. included The Flying ♫ Do you have additional items you would like to donate to the archives? To donate to Dutchman (Austin Lyric the collection, e-mail Janet Parsch at [email protected], or call (479) 575-6694. Opera) and I Pagliacci (Virginia Opera). Maxine Burkhard The Inspiration Point Fine Arts Can You Help Solve an OIO Mystery? Colony deeply regrets the recent loss of Former governing board member Alice Martinson recently did some exploring Maxine Burkhard, who along with her at the campus at Inspiration Point and made some interesting discoveries. She husband Ken, was reported as follows: a longtime member “Bryan and I went out to the Point this morning and inspected all the buildings. of the governing In the course of our excursions, we discovered five old practice cabins that I, for board of Inspiration one, never knew existed. Two are on the slope below the theater and men’s dorm. Point. They were built in 1958. One carries the name Michele and the other is Phyllis. Maxine was On the other side of the ravine below the faculty housing are three more. One is named Hully, built in 1956 and one is named Mark, built in 1955. The third one active in music her of that group doesn’t have a entire life. She sang name as far as we can tell. in a church choir While all five are of and with a group called the Choraliers. poured concrete, none of She occasionally played tuba with a them have roofs, some have Dixieland band. fallen trees on them and they Maxine was involved with the are reachable only by foot Kansas and National Federation of or 4-wheel drive down some Music Clubs, holding various officer significant slopes. Interesting as it was to positions. As a newspaper article upon find them, I don’t think they her death stated, “perhaps her most can possibly be made useful beloved work was with Inspiration The old falling-down cabin named Michele. for us now. The same goes Point Fine Arts Colony, now known for a wood-framed practice as Opera in the Ozarks, where she cabin to the left of the driveway out to the staff cabins and behind where we put and Ken served on the board for the work campers’ RVs. Its roof is caved in and I could probably push the whole many years. They also underwrote building over by myself.” several summer opera productions and If you have any further information about any of these old cabins, and established a scholarship fund there.” particularly about the identification names on them, please advise Carole Langley, our governing board president. She can be reached at carolelangley2@sbcglobal. Maxine will be deeply missed. net. She is survived by Ken and siblings, children and grandchildren. Inspiration Point Fine Arts Colony Page 7 Excerpts from Jim Swiggart Remarks The following are excerpts from an address given by Jim to Vivian Meenees Nelson, the governing board president, Swiggart at the dedication of the Opera in the Ozarks Archives was added and the girls moved into it. The men left the barn at the University of Arkansas Library Special Collections for Hobart Hall. Also, the present office has an interesting Department on March 1, 2018. Swiggart was the General history. It was built in honor of Constance Eberhart, an early Director of Opera in the Ozarks for 25 years. artistic director, so she could have a nice house to live in. It was named Shawneis Lodge, in honor of the opera Shawneis In 1929 Henry Hobart was in Chicago singing at Chicago written by Charles Wakefield Cadman, a family friend who Lyric Opera and then the stock market crashed. Suddenly the was her piano teacher at age six. arts could not produce a living wage. Life changed for him, In the early years singers were recommended by their so he made a move to teaching in Phillips University, a small private teacher or school directors, and on arrival they sang Disciples of Christ college in Enid, Oklahoma, and created a new musical path in education. Phillips had a good fine arts program and also owned some property near Eureka Springs, Arkansas which was used for church retreats. Around 1949-50 Phillips decided to sell the property because it wasn’t used very often. Dr. Hobart asked if he could use the facility to create a summer music camp for youth to experience performance on stage singing opera and operettas. He made a call to Eureka Springs and got Mrs. Gertrude Stockard, the local music teacher, involved. He located twelve talented young singers who spent a month at the Point learning Hansel and Gretel. By 1955 there were 115 students on the mountain, producing twelve operas in six weeks, with two accompanied by the symphony orchestra, others with piano. All of this took Past OIO General Director Jim Swiggart (left) led the place in a rustic facility. The girls’ dorm was a renovated crowd in a rendition of “Climb Every Mountain” at the con- barn over the set shop with a dirt floor and large doors for the clusion of the dedication ceremonies for the OIO Archives. horses to enter. The men’s’ dorm was a small stucco house with a screened-in porch housing army bunks (one toilet, one a selection for casting purposes for the staff. The staff shower, one lavatory). Meals were served on a screened-in then assigned the roles and began five weeks of intensive platform extending into the valley behind the “castle.” memorization, rehearsals and staging, leading to one The original name for the opera program was Sweet performance in the Eureka Springs Auditorium. This pattern Sixteen. By 1953 Professor Hobart had changed the title to served talented junior high and senior high students, and the Inspiration Point Fine Arts Colony. handful of college singers who sang the more advanced roles. Rehearsals took place for five weeks and then each opera Later, the maturity continued to rise and by 1970 it had become was performed once in the Eureka Springs Auditorium. The a training center for college singers. Contact was made with orchestra also had a concert during Festival Week. colleges who had strong opera departments and the reputation The wooden practice cabins were replaced with cement grew even more. block cabins that were financed by underwriters whose names When Vernon Sutton became the artistic director in 1999 now appear on the cabins. Professor Hobart and the governing the program began national auditions and accepted only board worked tirelessly to improve the living conditions, and singers who sang at live auditions or sent recordings for an a new cement block dormitory was built around 1962 and was audition. We have had this format ever since. named the Henry Hobart Hall. The girls moved into it and the We look forward to growing our support base and with boys left the screened-in porch and occupied the barn. this opening of our archives our former staff members and Soon a large metal building dedicated to the memory of performers will be able to revisit the remarkable experiences Dr. Isaac Van Grove was constructed for a dining hall which shared here. They will continue making a difference in the also featured two rehearsal rooms, two practice rooms and a lives of those who are entering the incredible world of opera. kitchen. The pavilion was remodeled and had a cement floor On behalf of our governing board and thousands of poured for the audience seating, a side-saddle orchestra pit alumni, we thank the University of Arkansas and Special was added, and the stage was extended out to provide enough Collection Librarian Janet Parsch for making this event space for staging. Another cement block dorm, dedicated possible. NON-PROFIT ORGANIZATION U.S. POSTAGE PAID MailWorks Kansas City, Mo. Inspiration Point Fine Arts Colony 16311 Highway 62 West Eureka Springs, Arkansas 72632

GOOD NEWS LETTER

OPERA IN THE OZARKS at INSPIRATION POINT MEMBERSHIP FORM

My tax deductible membership Inspiration Point participated in both the Day of and/or contribution of $______is Giving on the Tuesday after Thanksgiving and NWA enclosed. Gives, an online giving program adopted in Northwest Check the Appropriate Box Arkansas this year to take the place of the now expired □ $500 Patron ArkansasGives program. □ $100 Sustaining We would like to thank the generous donors who gave at one or both of these □ $50 Contributing events. Sixty-six contributors gave a total of over $17,000 at these two events, □ $25 Active which we deeply appreciate. The names and combined totals appear below: □ $1,000 Life/Endowment Please make checks payable to $2,500 to $4,999 $150 to $499 Janet Burgess Janie Keys IPFAC and mail to: Alice Martinson Herta Gemaehlich Carolyn Copeland Kenneth Leonard Duane Langley, IPFAC Treasurer Morning Etude Marilyn Curtis Thomas O’Neal 1203 Whispering Pines $1,000 to $2,499 Music Club Tim Danielson Alan Orr St. Louis, MO 63146 Ann Lacy (St. Louis) Deborah Doerr Luke and Janet Foundation Lois Armor Mary Dolce Parsch N a m e : ______Alice Conway Richard A. Drapeau Mark Flippin Patricia Retzlaff Address: ______Don Dagenais Marcia Edwards Fort Worth John Seeligson ______Carole and Duane Carla Jean and Phil Euterpean Club Christine Vitt ______Langley Johnson Ed Garrison Gene and Linda City State Zip Jean Moffatt Barbara Rondelli Zack Hangauer Vollen Phone: (____) ______Perry Ronn and Danna Joan Wells E-Mail: ______$500 to $999 Julie Watson Hearn Lisa Whitesell @______Ben and Rebecca Nancy Herring Your membership or gift is Bird Haley $50 to $149 Kathryn Hickman important to IPFAC Thank you so Carolann Martin Aaron Bleidt Pamela Jones much! Sue Breuer Peggy Jones