On Matter: Schelling's Anti-Platonic Reading of the Timaeus Tyler Tritten
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Aristotle on Thinking ( Noêsis )
Aristotle on Thinking ( Noêsis ) The Perception Model DA III.4-5. Aristotle gives an account of thinking (or intellect—noêsis ) that is modeled on his account of perception in Book II. Just as in perception, “that which perceives” ( to aisthêtikon ) takes on sensible form (without matter), so in thinking “that which thinks” ( to noêtikon ) takes on intelligible form (without matter). Similarly, just as in perception, the perceiver has the quality of the object potentially, but not actually, so, too, in understanding, the intellect is potentially (although not actually) each of its objects. Problem This leaves us with a problem analogous to the one we considered in the case of perception. There we wondered how the perceiver of a red tomato could be potentially (but not actually) red (prior to perceiving it), and yet become red (be actually red) in the process of perceiving it. Here the question is how the intellect that thinks about a tomato (or a horse) is potentially a tomato (or a horse), and then becomes a tomato (or a horse) in the process of thinking about it. The problem about thinking seems more severe: for although there is a sense in which the perceiver becomes red (the sense organ becomes colored red), there does not seem to be a comparable sense in which the intellect becomes a tomato (or a horse). (1) there is no organ involved, and (2) there does not seem to be room in there for a tomato (let alone a horse). The Differences from Perception As we will see, there are important differences between perceiving and understanding, beyond the fact the one involves taking on perceptible form and the other intelligible form. -
Plotinus and the Artistic Imagination John S
Roger Williams University DOCS@RWU School of Architecture, Art, and Historic School of Architecture, Art, and Historic Preservation Faculty Publications Preservation 2015 Plotinus and the Artistic Imagination John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/saahp_fp Part of the Architecture Commons Recommended Citation Hendrix, John S., "Plotinus and the Artistic Imagination" (2015). School of Architecture, Art, and Historic Preservation Faculty Publications. Paper 31. http://docs.rwu.edu/saahp_fp/31 This Article is brought to you for free and open access by the School of Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in School of Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Plotinus and the Artistic Imagination John Hendrix In the thought of Plotinus, the imagination is responsible for the apprehen- sion of the activity of Intellect. If creativity in the arts involves an exercise of the imagination, the image-making power that links sense perception to noet- ic thought and the nous poietikos , the poetic or creative intellect, then the arts exercise the apprehension of intellectual activity and unconscious thought. According to John Dillon in “Plotinus and the Transcendental Imag- ination,” 1 Plotinus’ conception of the imagination led to the formulation of the imagination as a basis of artistic creativity. In Plotinus, imagination operates on several different levels: it produces images in sense perception, it synthesizes images in dianoetic thought, and it produces images in correspondence with the articulation through logos of noetic thought. -
Intellect and the Structuring of Reality in Plotinus and Averroes John S
Roger Williams University DOCS@RWU School of Architecture, Art, and Historic School of Architecture, Art, and Historic Preservation Faculty Publications Preservation 2012 Intellect and the Structuring of Reality in Plotinus and Averroes John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/saahp_fp Part of the Classics Commons Recommended Citation Hendrix, John S., "Intellect and the Structuring of Reality in Plotinus and Averroes" (2012). School of Architecture, Art, and Historic Preservation Faculty Publications. Paper 29. http://docs.rwu.edu/saahp_fp/29 This Article is brought to you for free and open access by the School of Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in School of Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Intellect and the Structuring of Reality in Plotinus and Averroes John Hendrix Though Averroes is not generally considered to be sympathetic to Neoplatonic thinking, there are definite parallels between the philoso- phies of intellect of Averroes and Plotinus. Both can be considered to be “Idealists” in that intelligible form precedes sensible form in per- ception, and that the material intellect of Averroes or Reason Principle of Plotinus, nous hylikos or pathetikos , depends in its functioning on the agent intellect of Averroes or Intellectual Principle of Plotinus, nous poietikos . The formation of the image in the oculus mentis is co- incident with the formation of a thought, and the sensible form is a transient residue of the permanent intelligible form, as if it is reflected in a mirror and projected on a surface. -
Rethinking Plato's Theory of Art: Aesthetics and the Timaeus
Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus Omid Tofighian Introduction The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the ‘Demiurge’, who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This paper will discuss Plato’s cosmological treatise and certain consequences that can be drawn, that is, how the methods used to analyse the origins and structure of the universe reveal a more existential attitude towards aesthetics. In the Timaeus Plato explores the complexities of mimesis and entertains the possibility that imitation could actually exhibit ideal qualities. These considerations have repercussions for the status of the material world in Plato’s cosmology, but they may also be extended to rethink his theory of art. I wish to analyse a number of salient themes in the Timaeus such as ontology, mythic symbols and the use of rhetoric. I will demonstrate how Plato’s view towards these themes in the Timaeus can be extrapolated to reassess his aesthetics. My critical analysis will provoke the question – ‘What evaluation of art would Plato have offered in accordance with the positions explicated in the Timaeus?’ Upon investigating a number of dialogues, searching specifically for references to art or representation, I realised that certain views I had thought to be exclusive to the Timaeus, or other late dialogues, also featured in works as early as the Ion. -
Whence Intelligibility?
Cultural Heritage and Contemporary Change Series I. Culture and Values, Volume 43 General Editor George F. McLean Whence Intelligibility? Edited by Louis Perron The Council for Research in Values and Philosophy Copyright © 2014 by The Council for Research in Values and Philosophy Box 261 Cardinal Station Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Whence intelligibility? / edited by Louis Perron. -- first [edition]. pages cm. -- (Cultural heritage and contemporary change. Series I, Culture and values ; Volume 43) Includes bibliographical references and index. 1. Comprehension (Theory of knowledge) 2. Philosophy. 3. Thought and thinking. 4. Reason I. Perron, Louis, 1963- BD181.5.W44 2013 2013036848 121--dc23 CIP ISBN 978-1-56518-290-5 (pbk.) TABLE OF CONTENTS Introduction 1 Louis Perron Part I: Theoretical Reason Chapter I. Wittgenstein, Form, and the Criterion of Understanding 13 Robbie Moser Chapter II. Explanation, Principle, & the Idea of God 31 Leslie Armour Chapter III. Intelligibility, Metaphor, and Conceptual Transfiguration 47 Elizabeth Trott Part II: Practical Reason Chapter IV. Maritain, Aquinas, and the Intelligibility of the 61 Natural Law David J. Klassen Chapter V. Moral Intelligibility and the Social Imaginary 81 Sheila Mason Part III: Modern Reason and Its Challenges Chapter VI. Intelligibility versus Proof: Philosophical Method 95 in Pascal and Descartes Louis Groarke Chapter VII. Modernity and Intelligibility: A Comparison of the 115 Interpretations of René Guénon and Jacques Maritain David Lea Part IV: Specific Areas of Intelligibility: Knowing God and the Human Person Chapter VIII. Maritain and Intellectual Mysticism 131 David C. -
Theophrastus and the Intellect As Mixture Myrna Gabbe University of Dayton, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Dayton University of Dayton eCommons Philosophy Faculty Publications Department of Philosophy 2008 Theophrastus and the Intellect as Mixture Myrna Gabbe University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/phl_fac_pub Part of the Philosophy Commons eCommons Citation Gabbe, Myrna, "Theophrastus and the Intellect as Mixture" (2008). Philosophy Faculty Publications. 106. https://ecommons.udayton.edu/phl_fac_pub/106 This Article is brought to you for free and open access by the Department of Philosophy at eCommons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. THEOPHRASTUS AND THE INTELLECT AS MIXTURE By Myrna Gabbe, University of Dayton De Anima III 5 introduces one of Aristotle’s most perplexing doctrines. In this short and obscure chapter, Aristotle distinguishes between an intellect that becomes all things, the so-called potential intellect, and an intellect that makes all things, the so-called productive intellect (430a14-15). It is generally held that the intellect that becomes all things is described in De Anima III 4, since Aristotle there tells us that the intellect knows by becoming its objects (429a15-18). This intellect has acquired the title “potential intellect” since it must be potentially the objects of thought in order to become and think the objects of thought (429a18-24). But scholars do not agree on what these intellects are, what they do or how they relate to each other. -
Form Without Matter Empedocles and Aristotle on Color Perception
Form without Matter Empedocles and Aristotle on Color Perception Mark Eli Kalderon 2 i Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see. James Joyce, Ulysses “Quand nos yeux se touchent, fait-il jour ou fait-il nuit?” Jacques Derrida, Le toucher, Jean-Luc Nancy ii Contents 1 Empedocles 1 1.1 Dialectic .................................... 1 1.2 The Answer in the Style of Gorgias .................... 4 1.3 Empedocles’ Theory of Vision ....................... 7 1.4 Empedoclean Puzzlement .......................... 12 1.5 Definition ................................... 15 2 Perception at a Distance 17 2.1 The Sensible Qualities of Remote External Particulars ........ 19 2.1.1 External ................................ 20 2.1.2 Particular ............................... 26 2.1.3 Remote ................................ 30 2.2 Against the Empedoclean Principle .................... 31 2.3 The Generalized Form of Empedoclean Puzzlement .......... 39 3 Transparency 41 3.1 Motive and Method ............................. 41 3.2 Transparency in De Anima .......................... 42 3.3 Transparency in De Sensu ........................... 54 4 Color 65 4.1 Aristotle’s Explanatory Strategy ..................... -
Plotinian Henadology
CORE Metadata, citation and similar papers at core.ac.uk Provided by PhilPapers Edward P. Butler PLOTINIAN HENADOLOGY In his Life of Plotinus, Plotinus’ student Porphyry states that there were, in Plotinus’ time, “many Christians and others, and sectarians [αἱρετικοι] who had abandoned the old philosophy,” from whom came a profusion of “treatises” as well as “revelations” (ἀποκαλύψεις), that Porphyry says “deceived themselves and many others, alleging that Plato had not penetrated to the depths of intelligible substance,” and that Plotinus “often attacked their position in his lectures,” as well as in the entire treatise that Porphyry says “we have given the title ‘Against the Gnostics’” (Vita Plotini 16.1‑11). The project of refuting these sectarians was so important to Plotinus that not only was it a recurring focus of his own work, but Porphyry speaks of his fellow student Amelius and himself pursuing it in multiple works of theirs as well. In Plotinus’ day, so ‑called Gnostics and Christians were scarcely distinguishable, and it was surely difficult to imagine any one of this profusion of emerging sects achieving hegemonic status, much less that one of them, through seizing for itself the power of the imperial state, would be able to sweep away before it cults that had existed for thousands of years. Hence Plotinus writes against the new sectarians, not as a threat against the Pagan world, but as a threat to the correct interpretation of Platonism, because some of these sects had adopted elements of it and might, if not critiqued, succeed in positioning themselves as Plato’s legitimate interpreters. -
Truth and Falsehood in Plato's Sophist
University of Kentucky UKnowledge Theses and Dissertations--Philosophy Philosophy 2014 Truth and Falsehood in Plato's Sophist Michael Oliver Wiitala University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Wiitala, Michael Oliver, "Truth and Falsehood in Plato's Sophist" (2014). Theses and Dissertations-- Philosophy. 3. https://uknowledge.uky.edu/philosophy_etds/3 This Doctoral Dissertation is brought to you for free and open access by the Philosophy at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Philosophy by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. -
The Disciplines from the Greeks to Post-Modernity
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1996 The Curriculum of Consciousness: The Disciplines from the Greeks to Post-Modernity Daniel Novak University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Novak, Daniel, "The Curriculum of Consciousness: The Disciplines from the Greeks to Post-Modernity" (1996). Open Access Master's Theses. Paper 1536. https://digitalcommons.uri.edu/theses/1536 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. {J/6,5 CL/11 llll13 THE CURRICULUM OF CONSCIOUSNESS: l 11t__ THE DISCIPLINES FROM THE GREEKS TO POST-MODERNITY BY DANIEL NOV AK A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ADULT EDUCATION UNIVERSITY OF RHODE ISLAND 1996 ABSTRACT "The Curriculumof Consciousness"can be seen as one way of demonstrating how the progression of consciousness creates history, how humankind 'comes to' or awakes to its own nature. It is the story of how consciousness determines history and, coordinately, how history determines consciousness. The focus of this historical-philosophicalstudy is how the 'disciplines'-the arts, sciences and cultural pursuits in the widest sense (ranging from religion to commerce, technology, medicine and politics) - have been configured according to distinct priorities in the different eras of Western Civilizationunder the aegis of certain particular enterprises, i.e. philosophy among the Greeks, theology in the Middle Ages, science and technology in the Modern World and the philosophies and yogas of consciousness and awareness in the late Twentieth Century. -
MPAT 10 1 85 118 Pdf.Pdf (162.7Kb)
Medieval Philosophy and Theology 10 (2001), 85–118. Printed in the United States of America. Copyright © 2001 Cambridge University Press 1057-0608 DOI: 10.1017.S1057060801010052 HOUSTON SMIT Aquinas’s Abstractionism HOUSTON SMIT AQU INAS’S ABSTRACTIONISM University of Arizona According to St. Thomas, the natures of material things are the proper objects of human understanding.1 And he holds that, at least in this life, humans cognize these natures, not through innate species or by perceiving the divine exemplars, but only by abstraction from phantasms (ST Ia, 84.7, 85.1).2 More precisely, the human intellect’s active component, the agent intellect, produces cognition of the natures of material things by abstracting intelligible forms from phantasms and informing them on its passive com- ponent, the possible intellect, to actualize the latter’s potency to under- stand.3 The aim of the present piece is to clarify Thomas’s account of this *I wish to thank Marilyn Adams, who introduced me to Aquinas’s thought in a marvelous graduate seminar at UCLA. But for the wealth of her insightful criticism, expert advice, and unstinting encouragement over the ensuing years, I am certain this article would never have come into existence. I am also indebted to Gavin Lawrence for many highly enjoyable and instructive discussions of Aquinas’s Com- mentary on the De Anima, and to Torin Alter for extensive written comments on an earlier draft. I would like to thank Eleonore Stump for her many generous com- ments and suggestions, and Robert Pasnau, not only for his helpful criticisms of the penultimate draft, but also for graciously providing me related chapters from his current work on St. -
Robert Grosseteste: Optics and Perception
Roger Williams University DOCS@RWU Architecture, Art, and Historic Preservation Faculty Publications Architecture, Art, and Historic Preservation 2019 Robert Grosseteste: Optics and Perception John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: https://docs.rwu.edu/saahp_fp Part of the Architectural History and Criticism Commons, and the Arts and Humanities Commons Recommended Citation Hendrix, John S., "Robert Grosseteste: Optics and Perception" (2019). Architecture, Art, and Historic Preservation Faculty Publications. 39. https://docs.rwu.edu/saahp_fp/39 This Article is brought to you for free and open access by the Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Robert Grosseteste: Optics and Perception John Shannon Hendrix In De Luce seu de inchoatione formarum, the treatise on light written be- tween 1225 and 1228, Grosseteste explains that light is the first corporeal form, the origin of matter. A point of light autodiffuses itself instantaneously into the form of a sphere of any size, the sphere being the geometrical form which encapsulates all structure of matter, from classical philosophy. Some scholars reported that Anaximander conceived the sphere as the form from which matter was generated, beginning with heat and cold; a sphere of flame surrounded the air which surrounds the earth with its water, incorporating the four elements. According to Pseudo-Plutarch in his Stromata, Anaximander “said that at the beginning of the world there separated itself out from the ex- ternal a something capable of producing heat and cold.