Philosophical and Religious Origins of the Private Inner Self”; Anindita N
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The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 21 Article 34 Issue 1 April 2017 4-1-2017 How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected] Recommended Citation Kwiatkowski, Fryderyk (2017) "How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998)," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 34. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/34 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Abstract In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003). In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of Sophia. -
On Matter: Schelling's Anti-Platonic Reading of the Timaeus Tyler Tritten
93 The Official Journal of the North American Schelling Society Volume 1 (2018) On Matter: Schelling’s Anti-Platonic Reading of the Timaeus Tyler Tritten This essay1 contrasts the so-called emanationism of Neoplatonism, particularly Proclus’s, with the naturephilosophy2 of F.W.J. Schelling. The contention is that Schelling’s thought is Neo-Platonist because thoroughly Platonist (albeit not at all Platonic, that is, dualistic), except that his project stands Neoplatonism on its head by inverting the order of procession. Schelling agrees with Neoplatonism that matter is the lowest and most inferior of the hypostases—not even constituting a proper hypostasis itself, because incapable of self-reversion—but he differs in viewing matter as cosmologically prior to intellect, soul, the demiurge and so forth. The question concerns not the hierarchical but the ontological ordering of matter. For Schelling, procession is not a descent into being (and eventually non-being) from a one beyond being, but an elevation (Steigerung) and intensification of being, which precludes the need for return (έπιστροφή [epistrophē]). This is the trademark of Schelling’s late distinction between positive and negative philosophy. Positive philosophy is progressive, beginning with the inferior as the most original in order to ascend 1 This article is a slightly revised and shortened version of chapter three of my The Contingency of Necessity: Reason and God as Matters of Fact (Edinburgh: Edinburgh University Press, 2017). 2 In Philosophies of Nature After Schelling (London: Continuum, 2008) Ian Hamilton Grant speaks of Schelling not as a practitioner of the philosophy of nature, but as a naturephilosopher. -
Expressions of Mind/Body Dualism in Thinspiration
MIND OVER MATTER: EXPRESSIONS OF MIND/BODY DUALISM IN THINSPIRATION Annamarie O’Brien A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2013 Committee: Dr. Marilyn Motz, Advisor Dr. Rebecca Kinney Dr. Jeremy Wallach © 2013 Annamarie O’Brien All Rights Reserved iii ABSTRACT Dr. Marilyn Motz, Advisor Thinspiration images, meant to inspire weight-loss, proliferate online through platforms that encourage the circulation of user-generated content. Despite numerous alarmist critiques in mass media about thinspiration and various academic studies investigating ‘pro-anorexia’ sites, surprisingly little attention has been given to the processes of creation and the symbolic potential of thinspiration. This thesis analyzes the formal hybridity of thinspiration, and its use as an expressive medium. The particularities of thinspiration (including its visual characteristics, creative processes, and exhibition) may be considered carefully constructed instances of self- representation, hinging on the expression of beliefs regarding the mind and body. While these beliefs are deeply entrenched in popular body management discourse, they also tend to rely on traditional dualist ideologies. Rather than simply emphasizing slenderness or reiterating standard assumptions about beauty, thinspiration often evokes pain and sadness, and employs truisms about the transcendence of flesh and rebellion against social constraints. By harnessing individualist discourse and the values of mind/body dualism, thinspiration becomes a space in which people struggling with disordered eating and body image issues may cast themselves as active agents—contrary to the image of eating disorders proffered by popular and medical discourse. iv ACKNOWLEDGMENTS First, I would like to thank my thesis committee chair, Dr. -
Aristotle on Thinking ( Noêsis )
Aristotle on Thinking ( Noêsis ) The Perception Model DA III.4-5. Aristotle gives an account of thinking (or intellect—noêsis ) that is modeled on his account of perception in Book II. Just as in perception, “that which perceives” ( to aisthêtikon ) takes on sensible form (without matter), so in thinking “that which thinks” ( to noêtikon ) takes on intelligible form (without matter). Similarly, just as in perception, the perceiver has the quality of the object potentially, but not actually, so, too, in understanding, the intellect is potentially (although not actually) each of its objects. Problem This leaves us with a problem analogous to the one we considered in the case of perception. There we wondered how the perceiver of a red tomato could be potentially (but not actually) red (prior to perceiving it), and yet become red (be actually red) in the process of perceiving it. Here the question is how the intellect that thinks about a tomato (or a horse) is potentially a tomato (or a horse), and then becomes a tomato (or a horse) in the process of thinking about it. The problem about thinking seems more severe: for although there is a sense in which the perceiver becomes red (the sense organ becomes colored red), there does not seem to be a comparable sense in which the intellect becomes a tomato (or a horse). (1) there is no organ involved, and (2) there does not seem to be room in there for a tomato (let alone a horse). The Differences from Perception As we will see, there are important differences between perceiving and understanding, beyond the fact the one involves taking on perceptible form and the other intelligible form. -
Plotinus and the Artistic Imagination John S
Roger Williams University DOCS@RWU School of Architecture, Art, and Historic School of Architecture, Art, and Historic Preservation Faculty Publications Preservation 2015 Plotinus and the Artistic Imagination John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/saahp_fp Part of the Architecture Commons Recommended Citation Hendrix, John S., "Plotinus and the Artistic Imagination" (2015). School of Architecture, Art, and Historic Preservation Faculty Publications. Paper 31. http://docs.rwu.edu/saahp_fp/31 This Article is brought to you for free and open access by the School of Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in School of Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Plotinus and the Artistic Imagination John Hendrix In the thought of Plotinus, the imagination is responsible for the apprehen- sion of the activity of Intellect. If creativity in the arts involves an exercise of the imagination, the image-making power that links sense perception to noet- ic thought and the nous poietikos , the poetic or creative intellect, then the arts exercise the apprehension of intellectual activity and unconscious thought. According to John Dillon in “Plotinus and the Transcendental Imag- ination,” 1 Plotinus’ conception of the imagination led to the formulation of the imagination as a basis of artistic creativity. In Plotinus, imagination operates on several different levels: it produces images in sense perception, it synthesizes images in dianoetic thought, and it produces images in correspondence with the articulation through logos of noetic thought. -
University of Groningen Spinoza's Theory of the Human Mind
University of Groningen Spinoza’s Theory of the Human Mind: Consciousness, Memory, and Reason Marrama, Oberto IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2019 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Marrama, O. (2019). Spinoza’s Theory of the Human Mind: Consciousness, Memory, and Reason. University of Groningen. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 27-09-2021 SPINOZA’S THEORY OF THE HUMAN MIND: CONSCIOUSNESS, MEMORY, AND REASON 1A_BW_Marrama .job © Oberto Marrama, 2019. All rights reserved. ISBN 978-94-034-1568-0 (printed version) ISBN 978-94-034-1569-7 (electronic version) 1B_BW_Marrama .job Spinoza’s Theory of the Human Mind: Consciousness, Memory, and Reason PhD thesis to obtain the degree of PhD at the University of Groningen on the authority of the Rector Magnificus Prof. -
Is Plato a Perfect Idealist?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 3, Ver. V (Mar. 2014), PP 22-25 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Is Plato a Perfect Idealist? Dr. Shanjendu Nath M. A., M. Phil., Ph.D. Associate Professor Rabindrasadan Girls’ College, Karimganj, Assam, India. Abstract: Idealism is a philosophy that emphasizes on mind. According to this theory, mind is primary and objective world is nothing but an idea of our mind. Thus this theory believes that the primary thing that exists is spiritual and material world is secondary. This theory effectively begins with the thought of Greek philosopher Plato. But it is Gottfried Wilhelm Leibniz (1646–1716) who used the term ‘idealism’ when he referred Plato in his philosophy. Plato in his book ‘The Republic’ very clearly stated many aspects of thought and all these he discussed from the idealistic point of view. According to Plato, objective world is not a real world. It is the world of Ideas which is real. This world of Ideas is imperishable, immutable and eternal. These ideas do not exist in our mind or in the mind of God but exist by itself and independent of any mind. He also said that among the Ideas, the Idea of Good is the supreme Idea. These eternal ideas are not perceived by our sense organs but by our rational self. Thus Plato believes the existence of two worlds – material world and the world of Ideas. In this article I shall try to explore Plato’s idealism, its origin, locus etc. -
The Metaphysical Doctrine of Creation
The Metaphysical Doctrine of Creation THOMAS V. MORRIS The majestic introduction to the book of Genesis proclaims that1 In the beginning, God created the heavens and the earth. This is the key to a distinctively theistic perspective on reality. This one statement captures the heart of a theistic world-view: We live in a created universe. For centuries, theists have held that the most important truth about our world is that it is a created world. And it is no exaggeration to add that one of the most important truths about God is that He is the creator of this world. Aquinas once expressed the core of the doctrine of creation quite suc- cinctly with the single sentence: Anything that exists in any way must necessarily have its origin fromGod.2 The philosophical view which is here so crisply and simply conveyed, I shall refer to as the metaphysical doctrine of creation . I understand it as a thesis about the metaphysical or ontological dependence of all things distinct from God on God as their source of being, the ultimate cause of their existence. As a philosophical thesis, the metaphysical doctrine of creation is not to be thought of as necessarily allied to, or as in competition with, any particu- lar scientific theory of physical cosmology or biological development. A few years ago, many religious people enthusiastically welcomed and loudly en- dorsed what is popularly known as the Big Bang Theory of Physical Cosmol- ogy. The physical event which was postulated to have issued in an almost inconceivable, explosive origination of our current cosmos was widely bap- tized as a scientific acknowledgement of the act of divine creation. -
The Emergent, Self-Explaining Universe of Paul Davies – a Summary and Christian Response
S & CB (2012), 24, 33–53 0954–4194 PAUL HIMES The Emergent, Self-explaining Universe of Paul Davies – a Summary and christian Response Physicist Paul Davies has emerged as one of the most popular scientists of the twenty-first century, despite his critique of the scientific establishment and its perceived failure to account for the origins and rational nature of the universe. Davies argues that the scientific consensus on cosmology rests on faith, both in its failure to provide an ultimate explanation for the origin of the universe and in its blind acceptance of its rational laws. As an alternative, Davies postulates an ‘emergent’ universe which contains the cause of its own existence and which renders unnecessary any sort of a personal deity. Yet Davies’s alternative falls short of providing a satisfactory cosmic explanation. Davies himself cannot adequately account for the principle of backward causation which creates his universe, and thus his paradigm still relies on a transcendent principle that remains unexplained. Furthermore, Davies’s objections against a personal god can be answered on philosophical grounds. Thus Davies’s hypothesis does not provide a superior alternative to the Christian view of God. key words: Paul Davies, physics, universe, emergent, self-causation, quantum mechanics, cosmology, time, teleology, cosmological argument, fine-tuning introduction Douglas Adams’ classic Hitchhiker’s Guide to the Galaxy tells the story of an advanced civilisation that builds a magnificent supercomputer for the sole purpose of providing the ultimate answer to the meaning of ‘life, the universe, and everything’. After millions of years of calculation, the an- swer, much to the confusion and frustration of the advanced civilisation, turns out to be ‘42’.1 Physicist Paul C. -
Intellect and the Structuring of Reality in Plotinus and Averroes John S
Roger Williams University DOCS@RWU School of Architecture, Art, and Historic School of Architecture, Art, and Historic Preservation Faculty Publications Preservation 2012 Intellect and the Structuring of Reality in Plotinus and Averroes John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/saahp_fp Part of the Classics Commons Recommended Citation Hendrix, John S., "Intellect and the Structuring of Reality in Plotinus and Averroes" (2012). School of Architecture, Art, and Historic Preservation Faculty Publications. Paper 29. http://docs.rwu.edu/saahp_fp/29 This Article is brought to you for free and open access by the School of Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in School of Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Intellect and the Structuring of Reality in Plotinus and Averroes John Hendrix Though Averroes is not generally considered to be sympathetic to Neoplatonic thinking, there are definite parallels between the philoso- phies of intellect of Averroes and Plotinus. Both can be considered to be “Idealists” in that intelligible form precedes sensible form in per- ception, and that the material intellect of Averroes or Reason Principle of Plotinus, nous hylikos or pathetikos , depends in its functioning on the agent intellect of Averroes or Intellectual Principle of Plotinus, nous poietikos . The formation of the image in the oculus mentis is co- incident with the formation of a thought, and the sensible form is a transient residue of the permanent intelligible form, as if it is reflected in a mirror and projected on a surface. -
Rethinking Plato's Theory of Art: Aesthetics and the Timaeus
Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus Omid Tofighian Introduction The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the ‘Demiurge’, who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This paper will discuss Plato’s cosmological treatise and certain consequences that can be drawn, that is, how the methods used to analyse the origins and structure of the universe reveal a more existential attitude towards aesthetics. In the Timaeus Plato explores the complexities of mimesis and entertains the possibility that imitation could actually exhibit ideal qualities. These considerations have repercussions for the status of the material world in Plato’s cosmology, but they may also be extended to rethink his theory of art. I wish to analyse a number of salient themes in the Timaeus such as ontology, mythic symbols and the use of rhetoric. I will demonstrate how Plato’s view towards these themes in the Timaeus can be extrapolated to reassess his aesthetics. My critical analysis will provoke the question – ‘What evaluation of art would Plato have offered in accordance with the positions explicated in the Timaeus?’ Upon investigating a number of dialogues, searching specifically for references to art or representation, I realised that certain views I had thought to be exclusive to the Timaeus, or other late dialogues, also featured in works as early as the Ion. -
Descartes and Spinoza
OUP UNCORRECTED PROOF – FIRSTPROOFS, Thu Dec 29 2016, NEWGEN 229 chapter nine Descartes and Spinoza Two Approaches to Embodiment Alison Peterman 1. Introduction Descartes1 (1596– 1650) and Spinoza (1632– 1677) each gave us interest- ing and infuential approaches to answering what I’ll call “embodiment question”: what is the relationship between a mind and its body— the one that it seems to inhabit, feel, control or otherwise be uniquely involved with?2 In Spinoza we fnd (at least) three diferent answers, the ingenuity of all of which is attested to by their long reception in the philosophical tradition. Descartes was an important infuence on Spinoza, but on many others, too, ushering in the era of the “mind- body 1 I am grateful to Colin Chamberlain, Michael Della Rocca, Keota Fields, Kristin Primus, and Alison Simmons for discussion, and also to the other contributors to this volume. 2 Tis question is broader than one than one about the constitutive or essential relationship between a mind and its body. 229 02_acprof-9780190490447_Ch7-11.indd 229 12/29/2016 2:13:15 AM OUP UNCORRECTED PROOF – FIRSTPROOFS, Thu Dec 29 2016, NEWGEN 230 230 Embodiment problem” in the form that many philosophers still grapple with. Here, I’ll by no means attempt a comprehensive treatment of their contribu- tions. Instead I will try to uncover an unnoticed similarity between the two, and apply it to understanding the coherence of Spinoza’s account of embodiment. I’ll argue that Descartes and Spinoza both approach the embodiment question in two diferent ways: one approach starts with some metaphysical commitments about the kinds of entities, properties, and interactions there are in the world, and the other starts by attending to the experience of an embodied subject.