Think When You Buy Fabric Finishes

Total Page:16

File Type:pdf, Size:1020Kb

Think When You Buy Fabric Finishes South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Fact Sheets SDSU Extension 1963 Think When You Buy Fabric Finishes Anna D. Walker Follow this and additional works at: https://openprairie.sdstate.edu/extension_fact Recommended Citation Walker, Anna D., "Think When You Buy Fabric Finishes" (1963). SDSU Extension Fact Sheets. 1248. https://openprairie.sdstate.edu/extension_fact/1248 This Fact Sheet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Fact Sheets by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. Historic, archived doculllent Do not assume content reflects current scientific knowledge, policies, or practices. SDSU ® Extension For current policies and practices, contact SDSU Extension Website: extension.sdstate.edu Phone: 605-688-4 792 Email: [email protected] SDSU Extension is an equal opportunity provider and employer in accordance with the nondiscrimination policies of South Dakota State University, the South Dakota Board of Regents and the United States Department of Agriculture. -n ,, ~ !ft OJ ::r ~ 0-.., ::,-· vJ ~ F=abricF=inishes n-· ~ ._ By Anna D. Walker, Extension Clothing Specialist ::r TI (D Fabric finishes play an important role in the fab­ :, ::J J ric world today. Finishes affect the properties -· and/or appearance of fabrics. Many of the satisfac­ en-· '< tions we receive from the fabric we buy can be at­ 0 :r C: f tributed to the kind of finish which has been given Cl) to it. en CT i' Finishing includes all of the processes applied C to the fabric after it leaves the loom or the knitting '< ~ machine. In some cases finishes are applied to the fi­ ber before weaving. Finishes add certain qualities that the fiber lacks or counteract undesirable qual­ i· ities. Finishes may be classified as nondurable or re­ newable, durable, or permanent. Non-durable or renewable finisheslast only until erence. Finishes help determine how to use the fab­ the first washing or dry cleaning. ric, how it performs, and how to care for it. Durable finishes last through several washings Buying unlabeled merchandise is risky since you or dry cleanings, with a progressive loss of effective­ cannot know how a fabric will perform unless ness of the finish. some information accompanies it. The description Permanent finishes are effective for the life of on the label helps you to: the fabric. 1. know what to expect of the fabric in use. Some finishes are visible to the eye; some affect 2. know what care is needed. the way the fabric feels. Others cannot be seen or 3. know how much the fabric will shrink or stretch. felt. 4. judge the price in relation to the quality. '-- Finishes are identified by trade names on labels, 5. choose fabric with finishes suited to your needs. hang tags, or on the end of the bolt. Manufacturer's It is not economical to buy fabrics having finishes claims for the finish are generally included. Since which are not necessary for the fabric's end use. finishes may not always perform according to manu­ For example, all fabrics do not need an absorbent facturer 's claims, the consumer will have to select finish but towels and diapers would profit by it. fabric finishes on the basis of the reputation of the The following chart may be helpful in identify­ manufacturer and on previous experience. ing finishes. It tells how each finish works and It is important for you, the shopper, to study which one to look for when buying certain articles these labels when buying and to save them for ref- for your family. -·--- --- Some trade-mark* How the finish works Especially suited for Finish names on the market (Manufacturer's claim) these garments Absorbent Nylonized, Fabril­ Permits more rapid evaporation Diapers ized, Textralized so article dries more quickly Sportswear on nylon synthetics Said to make fabric capable of Towels Sorbex-T elezorbant absorbing more moisture Underwear on cotton and rayon Antiseptic Eversan Said to make fabric bacteria re­ Coat linings Pacifate sistant Crib sheets Permicide Some claim to be mildew re­ Diapers Sanitized sistant Foundation garments Vita-fresh To prevent decay and damage Infant's wear from perspiration Shoe linings To help prevent bacterial action Socks and anklets odors Sportswear Some trade-mark* How the finish works Especially suited for Finish names on the market (Manufacturer's claim) these garments Anti-static Astorized To render fabric static free Applied at home, generally Negastat To prevent fabrics from cling­ added to rinse water Niotex ing (slips) Non-durable, must be re­ Zelece Dx newed with each washing Atmospheric fading Airfast Treatment used on acetates; Bedspreads resistant, especially Anti-fume some durable, others not Drapery fabrics blues and related B. Neufume Some won't fade because color Dresses colors Chromefast is locked in solution before Sunsuits fiber is made ( dope-dyed) Swimsuits Chlorine resistant Ori-smooth with To make resin treated fabrics Prints with white back­ XCL (cottons) and blends capable ground if you expect to use of being bleached with chlo­ chlorine bleach in the wash rine bleaches without yellow­ White blouses mg White shirts White uniforms Crease and wrinkle Ceyona Superset To make fabric resistant to Cotton dresses resistant Ori-Smooth wrinkling and to speed recov­ Curtains Everglaze ery from wrinkling Garments to be packed m Fresh-Tex Sometimes combined with a suitcases Perma-Smooth water repellent finish to resist Plav clothes Tebalized water-borne stains or soil Rayons to be made into gar­ Unidure ments W rinkl-shed Slip covers Zeset Sport clothes Crisp finish Fresh-Tex To make sheer cottons, nylon Warm weather sheer dresses sheers, rayons stay crisp dur­ mg wear, laundering, dry cleanjng To help keep edges from rolling Dress collars of sheer fabric Crush resistant To make pile fabrics such as Velvets velvet crush less and recover quickly from crushing Flame resistant Blaze X To prevent the fabric from sup­ Children's play wear Erifon porting a flame Fleecy or napped fabrics Perma-proof Thin, sheer fabrics Pyroset Curtains and draperies if used near fire Insulated or reflec­ Milium To keep body heat in in cold Coat linings tive finish Resilium weather and heat out in warm .Draperies Temp-Resisto weather by selective radiation Thermarline ( use of metallic particles Thero-0-Ray bonded to the fabric) Mildew resistant Don Dew To prevent the growth of mil­ If mildew is a problem due to Fen dew and molds moist, humid conditions Formoset look for this one when buy­ Fresh-Tex ing table linen or other ar­ Prevental ticles made of cotton, linen Repel-0-Tex or rayon Some trade-mark* How the finish works Especially suited for Finish names on the market (Manufacturer's claim) these garments Minimum care Disciplined To make fabric resistant to rot, Washable garments of cotton Wash and wear Dri-Don creasing, wrinkling, perspira­ and rayon Drip dry Everglaze tion spotting No-iron Fuller Fabrics Dimensionally stable sometimes Minicare Used on cotton, wool and rayon Perma-glaze Perma-Pressed Perma-Smooth Regulated Sanforized-Plus Super K wik-Kare ------~-- Moth resistant Amuno To make treated fabric resistant Blankets Berlou Mothspray to moth and carpet beetle at­ V.,Tool garments Erustomoth tacks Ev lon Boronize Larvex Mitin Moth Snub Neva Moth Woolgard Odorless and per­ Applied to mask unpleasant fumed odors of some finishing mate­ rials or to give glamour fra­ grance to some fabrics Shrink resistant Lanaset To make woolen fabrics capable Any garment or blanket you (chemical) ResloomM75 of being w a s h e d without wish to wash and have it Sanforlan shrinking if washed accord­ keep its shape ing to recommended instruc­ tions NRCS Treatment for cotton fiber Shirts, blouses Avisco To make rayons and cottons Any garment you wish to Cyara shrinkage highly resistant to shrinkage wash and keep its shape control and size Permanize Permel plus Sanforset Shrink resistant Rigmel To render cottons shrink resist­ Any garment you wish to (mechanical) Sanforized ant, shrinkage reduced to less wash without shrinkage than 1% Slip resistant finish To keep seams from slipping Coat linings and fraying (used extensively Slips on fabrics of manmade fibers) Stain and spot Hydro-Pru£ To make the fabric resistant to Children's play garments resistant Scotchgard both water- and oil-borne Slip covers stains Sport clothes and play wear Sylmer Resistant to water-borne stains Work clothes Unisec Some trade-mark* How the finish works Especially suited for Finish names on the market (Manufacturer's claim) these garments Textured Bellmanize To give beautiful and interest­ Any fabric for use in gar­ Everglaze ing textures ments where a firm, crisp Herbelein To make fabric crisp so it hand is desirable Resloom doesn't need starch Dark cottons To make some cottons crisp and soil resistant To make organdy permanently cnsp Water repellent Cravenette To make fabric resistant to wet­ Rainwear Hydro-Pru£ ting but not water proof Some work clothes Sylmer Non-durable Zelon Must be renewed by dry cleaner after cleaning -------------------------------------- - -- -- -- Water proof Reevair ( a new mic­ To make fabric water proof by Baby pants roporous finish) closing the pores Rainwear Fabric is coated with rubber, Shoe fabrics lacquer, oil compounds or syn­ thetic resins *In order that this information may be understood more easily, some trade names are used. The information given herein is supplied with the understanding that no discrimination is intended and no endorsement by the South Dakota Cooperative Extension Service is implied.
Recommended publications
  • Curtains and Draperies
    Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod­ T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat­ room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec­ to accent the character of furnishings tion. They must know about the archi­ in the room.
    [Show full text]
  • Work and Play Clothes : Extension Circular 4-17-2
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska 4-H Clubs: Historical Materials and Publications 4-H Youth Development 1949 Work and Play Clothes : Extension Circular 4-17-2 Wilkens Alegra Follow this and additional works at: https://digitalcommons.unl.edu/a4hhistory Part of the Service Learning Commons Alegra, Wilkens, "Work and Play Clothes : Extension Circular 4-17-2" (1949). Nebraska 4-H Clubs: Historical Materials and Publications. 137. https://digitalcommons.unl.edu/a4hhistory/137 This Article is brought to you for free and open access by the 4-H Youth Development at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska 4-H Clubs: Historical Materials and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DECEMBER 1949 E.G. 4-17-2 VV > -I i v<o; PREPARED FOR 4 H ClOTtilNG CLUB GIRLS COOPERATIVE EXTENSION WORK IN AGRICULTURE AND HOME ECONOMICS. UNIVERSITY OF NEBRASKA COLLEGE OF AGRICULTURE, AND THE UNITED STATES DEPARTMENT OF AGRICULTURE COOPERATING, H. G. GOULD, ASSOCIATE DIRECTOR, LINCOLN. THE k-E CLUB GIRL and her CLOTHES FOR WORK AND PLAY Allegra Wilkens PO LLY SUE Polly, Molly and Sue are back again. "It's such fun to be 4-H Club girls," said Polly. "Now that we have learned how to sew, let's make some real clothes." "I.'d- like to make a. play suit," replied Molly. "I'd like to make a work outfit or a.sport outfit or some camp clothes," piped up Sue, who was always practical. 'J•<•.v Polly and her 4-H pals know what they want, and they don't give up until they- find it.
    [Show full text]
  • Textile Printing
    TEXTILE PRINTING ® ® 1 Textile Printing 1.0 Introduction The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized continuous dyeing. In ancient times, people sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. 1.1 History of Printing The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. The early Egyptians also used ink-carved designs on the ends of wooden cylinders to print on fabrics as early as 400 AD.
    [Show full text]
  • Caring for Your Textile Heirlooms Marjorie M
    FSC2-707 Caring for Your Textile Heirlooms Marjorie M. Baker, Extension Associate for Clothing and Textiles eirlooms are treasured keepsakes of the past. They Types of Damage Hserve as records of family history, strengthen fam- Light, high temperature, high humidity, sealed environ- ily and cultural ties, and bring to mind special events. ments, abrasion, soil and dust, insects, and rodents are Heirlooms might be photographs, books, souvenirs, all harmful to textiles. mementos, or objects used by ancestors. Often these heirlooms include textile objects, either an art form such Light. The ultraviolet rays in all types of light cause textile as a woven or embroidered wall-hanging or an article of fibers to weaken and dyes to fade. Both direct and indi- clothing such as a christening gown or wedding dress. rect sunlight are harmful, as well as light from artificial lighting sources, such as indoor incandescent bulbs and Original cost is not the crucial factor determining fluorescent light tubes. Therefore, a dark storage spot is whether your item is an heirloom. Your textile may be best. Limit light exposure while objects are on display, an heirloom whether it is a common and avoid direct sunlight completely. household item or a more expensive article used only for special occasions. Serious damage to High temperature. High tempera- Many common, everyday objects tures cause brittleness of fibers and have a great deal of meaning and may textiles may be caused often are accompanied by excess dry- reflect more clearly the customs and by improper methods ness. Avoid any storage area where culture of a particular age than an ex- fluctuations of temperature occur, as pensive item used only once.
    [Show full text]
  • Best Dresses and Informal Party Frocks by HELEN COWGILL Assistant State Club Leader
    OREGON STATELIBRA $ iUL2 1938 Club Series L-5l 4-H Clubs QREQON CLOTHING CLUB PROJECT FOURTH YEAR CQLLECTON Best Dresses and Informal Party Frocks By HELEN COWGILL Assistant State Club Leader Oregon State Agricu1tura Extension Service Corvallis, Oregon Cooperative Extension Work in Agriculture and Home Economics Wm. A. Schoenfeld, Director Oregon State Agricultural College, United States Department of Agriculture, and State Department of Education, Cooperating Printed and distributed in furtherance of the Acts of Congress of May 8 and June 30, 1914 p TABLE OF CONTENTS Page The Well Dressed Girl ------------------------------------------------------------------------------------------ 3 Goals for Fourth-Year Clothing Club Members-------------------------------------------- 4 Fourth-Year Clothing Requirements------------------------------------------------------------- 5 Suggestions-------------------------------------------------------------------------------------------------------------- 6 SuggestedProgram ---------------------------------------------------------------------------------------------- 7 Inventory----------------------------------------------------------------------------------------------------------------- 7 ScrapBook -------------------------------------------------------------------------------------------------------------- 8 Demonstrations------------------------------------------------------------------------------------------------------- 8 Some Helps in Planning the Wardrobe ----------------------------------------------------------
    [Show full text]
  • Textile Glossary Astrakhan Fabric: Knitted Or Woven
    Textile Glossary Astrakhan fabric: knitted or woven fabric that imitates the looped surface of newborn karakul lambs Armscye: armhole Batiste: the softest of the lightweight opaque fabrics. It is made of cotton, wool, polyester, or a blend. Bertha collar: A wide, flat, round collar, often of lace or sheer fabric, worn with a low neckline in the Victorian era and resurrected in the 1940s Bishop sleeves: A long sleeve, fuller at the bottom than the top, and gathered into a cuff Box pleats: back-to-back knife pleats Brocade: richly decorative woven fabric often made with colored silk Broken twill weave: the diagonal weave of the twill is intentionally reversed at every two warp ends to form a random design Buckram: stiff loosely woven fabric Cambric: a fine thin white linen fabric Cap sleeves: A very short sleeve covering only the shoulder, not extending below armpit level. Cartridge pleat: formed by evenly gathering fabric using two or more lengths of basting stitches, and the top of each pleat is whipstitched onto the waistband or armscye. Chambray fabric: a lightweight clothing fabric with colored (often light blue) warp and white weft yarns Changeable fabric: warp and weft are different colors, when viewed from different angles looks more one color than the other Chemisette: an article of women's clothing worn to fill in the front and neckline of any garment Chiffon: lightweight, balanced plain-woven sheer fabric woven of alternate S- and Ztwist crepe (high-twist) yarns producing fabric with a little stretch and slightly rough texture
    [Show full text]
  • A- ABRASION RESISTANCE the Degree to Which a Textile Can Withstand Changes to Its Appearance Though Rubbing, Chafing, Or Other Surface Wear
    -A- ABRASION RESISTANCE The degree to which a textile can withstand changes to its appearance though rubbing, chafing, or other surface wear. Measured by the Martindale and Wyzenbeek tests. ACETATE A manufactured fiber formed by a cellulose compound composed of cotton linters and/or wood pulp that has been extruded through a spinneret and hardened. ACRYLIC A soft, wool-like manufactured fiber that is machine washable and dryable and has excellent color retention. ACRYLIC BACKING A finish, applied to the back of the fabric, which increases abrasion resistance. Range from light, SA-1 to heavy, LR3. ALPACA An animal-based natural fiber, specifically from the llama, used mostly for dresses and apparel. ANGORA The hair of the Angora goat or rabbit, also known as Angora Mohair. ANTI-BACTERIAL (ANTI-MICROBIAL) Resistant to, or inhibiting the growth of bacterial organisms. Can refer to a chemically treated fabric or a fiber created by incorporating the anti-bacterial chemical into the fiber formula. ANTI-STATIC Resistance (either natural or acquired through a finishing process) to the accumulation of an electric charge. APPLIQUE Material that is cut from its source and then sewn, embroidered, or fastened to a fabric. ANTIQUE SATIN A sateen or horizontal satin drapery fabric with horizontal (weft) slubs which imitate spun shantung silk. Most fabrics are one color from a selection of many. Occasionally the warp and weft yarns are dyed different colors to give an iridescent effect. Antique satin may also be printed. Generally used for drapery, but can also be quilted for bedding. -B- BACKING A polymer or resin treatment applied to the back of a fabric to provide enhanced performance characteristics, including stability, seam integrity, reduced fraying and curling, and better physical performance.
    [Show full text]
  • Tue Text U 5Peqalt Y Gr0up 9 5T P Rim T
    TUE TEXT U 5PEQALT Y GR0UP 9 5T P RIM T Edited by Camille Myers Breeze Responsibility for the methods and/or materials described herein rests solely with the contributors and should not be considered official statements of the Textile Specialty Group or AIC. The Textile Specialty Group Postprints is a nonjuried publication. Submission of these papers to juried publications, such as the Journal of the American Instuitute for Conservation, is encouraged. Postprints are distributed to members of the Textile Specialty Group. Additional copies may be purchased from the American Institute for Conservation of Historic and Artistic Works, 1717 K Street, N.W., Washington, D.C. 20006. This volume has been printed on 60 lb. J. B. Offset paper with a 10 pt. UV-coated cover. All materials are acid-free. All rights reserved by the individual authors. Inside cover image: Hamilton Print Works, courtesy of the American Textile History Museum, Lowell, Massachusetts. Volume 8, Copyright © 1999 The Textile Specialty Group of the American Institute for Conservation of Historic and Artistic Works. ISSN 1524-3664 CONTENTS Preface V When Patching is Impractical: Nontraditional Compensation for Loss in a Quilt Susan R. Schmalz 1 Insect Infestation: A Large Tapestry's Fumigation and Stabilization for Storage Betsy Gould 9 Up on the Roof: Light Bleaching of Large Textiles, Two Case Joy Gardiner and Studies Joanne Hackett 15 Borohydride: An Alternative to Oxidative Bleaching of Cellulosic Textiles Susan Adler 27 Disaster Recovery: Teaching Textile Salvage Techniques
    [Show full text]
  • An Exploration of Caustic Soda Textile Design Effects on Cotton June Marie Bissell Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1980 An exploration of caustic soda textile design effects on cotton June Marie Bissell Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation Bissell, June Marie, "An exploration of caustic soda textile design effects on cotton " (1980). Retrospective Theses and Dissertations. 7962. https://lib.dr.iastate.edu/rtd/7962 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An exploration of caustic soda textile design effects on cotton $5/I ;9 ?"t:J 86'"~3 by C I June Marie Bissell A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Art and Design Major: Art and Design (traft Design} Signatures have been redacted for privacy Iowa State University Ames, Iowa 1980 Copyright@) June Marie Bissell 1 1980. All rights reserved. 1289546 ii TABLE OF CONTENTS Page GLOSSARY v INTRODUCTION 1 CONTEMPORARY TRE,NDS IN ART FA~RIC 4 HISTORY OF THE USES OF CAUSTIC SODA IN THE TEXTILE INDUSTRY 7 LABORATORY EXPERIMENTS 10 Preparation of Caustic Soda Solution
    [Show full text]
  • A HISTORY of the DEVORE TEXTILE 1880 to 1940. a Thesis
    FROM ECONOMY TO EXCLUSIVITY: A HISTORY OF THE DEVORE TEXTILE 1880 TO 1940. A Thesis submitted for the degree of Doctor of Philosophy By ANDREA ROBERTSON Volume 1 2D Design, Faculty of Design Buckinghamshire Chiltems University College BruneI University February, 2005. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author under the terms of the United Kingdom Copyright Acts. No quotation from this thesis and no information derived from it may be published without proper acknowledgement. BRITISH A~V~811 ::a m < ~ o ::a-I c: n- S -I m m C N Abstract This thesis creates a contextual historical analysis of the development of chemical and devore manufactured textiles, relating methods of construction and intended use to existing textile design and social histories. The initial investigation of devore practice, whether used in association with woven, knitted and stitched textiles, includes a comprehensive examination of the historical textile patent record from 1840 to 1940, which formed an extensive part of the historiography. The aim of the research was to establish a credible narrative of woven devore, through its design and its manufacture. The methodology is interdisciplinary. In the course of my research and material evaluation I have considered evidence that is normally considered to be chemical and fibre analysis, design and art history review, dress textile and interior textile analysis, social and economic history and object analysis. This study in particular focuses on the peculiar dichotomy of woven devore: that is its growth as a manufacturing method of affordable textiles for the mass market contrasted with its most common deployment, as an ornate decorative textile.
    [Show full text]
  • The Abrasiveness of Sheer Overlay Fabrics Used in Textile Conservation
    University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2005 The Abrasiveness of Sheer Overlay Fabrics Used in Textile Conservation Donna Fulkerson LaVallee University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Fulkerson LaVallee, Donna, "The Abrasiveness of Sheer Overlay Fabrics Used in Textile Conservation" (2005). Open Access Master's Theses. Paper 668. https://digitalcommons.uri.edu/theses/668 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE ABRASIVENESS OF SHEER OVERLAY FABRICS USED JN TEXTILE CONSERVATION BY DONNA FULKERSON LAV ALLEE \. A THESIS SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN TEXTILES, FASHION MERCHANDISING, AND DESIGN UNIVERSITY OF RHODE ISLAND 2005 MASTERS OF SCIENCE THESIS \ OF DONNA F. LAV ALLEE APPROVED: Thesis Committee: Major Professor DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2005 ABSTRACT Fragile fabrics in textile collections are subject to deterioration due to use, exhibition, and improper storage conditions. Textile conservators often sew sheer fabrics as overlays directly over weakened fabrics to protect them from abrasion and to help maintain the integrity of the objects. Conservators rely on subjective opinions about fabric properties in choosing materials for their overlay treatments because '- objective data are not available. Textile properties, such as abrasiveness, of sheer overlay fabrics play a role in the success of conservation treatments over time.
    [Show full text]
  • From Theory to Practice: a Set of Garment-Related ESL Curriculum. INSTITUTION Chinatown Manpower Project, Inc., New York, NY
    DOCUMENT RESUME ED 367 200 FL 800 750 AUTHOR Chan, Ha Yin TITLE From Theory to Practice: A Set of Garment-Related ESL Curriculum. INSTITUTION Chinatown Manpower Project, Inc., New York, NY. PUB DATE 93 NOTE 213p. PUB TYPE Reports Descriptive (141) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFOI/PC09 Plus Postage. DESCRIPTORS *Curriculum Design; *English (Second Language); *Fashion Industry; Instructional Materials; *Literacy Education; Textbooks IDENTIFIERS Chinese Speaking; New York (New York); *Workplace Literacy ABSTRACT This document describes how a set of workplace literacy curricula was developed for Chinese garment workers in New York City. First, it discusses the goal of the workplace literacy program and the nature of the population served. Then, it proceeds to discuss rationale and research procedures of the how the curriculum being developed. At the end, a set of instructional curriculum materials, a list of resources, and a list of textbooks used in the program are attached. (Adjunct ERIC Clearinghouse on Literacy Education) (Author) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** , 1^, U.S. DEPARTMENT OF EDUCATION Office of Educahonat Research and Improvement EDUCATIONAL RESOURCES INFORMATION **PERMISSION TO REPRODUCE THIS CENTER (ERIC) MATERIAL HAS BEEN GRANTED BY his document has been reproduced as received from the person or organIzation onginating 0 Minor changes have been made to improve - reproductton guahty Points of vrew or opiruons stated in this docu- ment do not necessanly represent official ' OE RI posdon or pohcy TO THE EDUCATIONAL RESOURCES 7i INFORMATION CENTER (ERIC).- : . - -Submitted to ERIC 13.:;= 1ar913ent of Education for-dissemination , 44,', `'4--71; yAviurtigu .
    [Show full text]