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101+ Great Ideas for Libraries and Friends
101+ Great Ideas for Libraries and Friends Sally Gardner Reed Beth Nawalinski Alex Peterson of Friends of Libraries U.S.A. Neal-Schuman Publishers, Inc. New York London Published by Neal-Schuman Publishers, Inc. 100 William Street, Suite 2004 New York, NY 10038 Copyright © 2004 by Friends of Libraries U.S.A. All rights reserved. Reproduction of this book, in whole or part, without written permission of the publisher, is prohibited. Printed and bound in the United States of America. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. Cataloging-in-Publication Data for this book is available from the Library of Congress, record number 2004042573. Dedication Sally Reed For Sandy Dolnick, founder of Friends of Libraries U.S.A. in 1979 and executive director until 2002. She has been a good friend and mentor to me and thousands of Friends across the country. Beth Nawalinski For my mother, who taught me the value of libraries, literacy, and the power of volunteers. She encouraged me to read anything and every- thing—and let me read under the covers after bedtime with a flashlight! Alex Peterson For the most inspiring person I have ever known: my mother. iii Contents List of Figures . ix Preface . xiii Chapter One—Raising Money for Your Library: The Book Sale and Beyond . 1 1-1 Secondhand Prose Used Bookshop . 2 1-2 Online Book Sales. 4 1-3 Kids’ Book Sale . 5 1-4 Silent Auction Book Sale . -
Ellie Smith 1St Assistant Director
ELLIE SMITH 1ST ASSISTANT DIRECTOR TELEVISION A LEAGUE OF THEIR OWN (Pilot) Sony/Amazon Prod: Abbi Jacobson, Will Graham, Michael Cedar Dir: Jamie Babbit THE STRANGER (Limited series) Fox 21 TV/Quibi Prod: Veena Sud, Jeffrey Katzenberg Dir: Veena Sud LIGHT AS A FEATHER (Season 2) Hulu/Awesomeness TV Prod: Brin Lukens, Dylan Vox Dir: Alexis Ostrander PEARSON (Season 1) UCP/USA Prod: Daniel Arkin, David Bartis, Aaron Korsh, Dir: Anton Cropper Doug Liman, Gina Torres LESS THAN ZERO (Pilot) Fox 21/Hulu Prod: Craig Wright, Rebecca Sinclair, Bob Williams Dir: Brett Morgen FOURSOME (Season 4) Awesomeness TV/ Prod: Lance Lanfear, Dan Suhart Dir: Various YouTube Red THE CHI (Season 1) Fox 21 TV/Showtime Prod: Elwood Reid, Lena Waithe, Common, Aaron Kaplan Dir: Various *Nominated – Television – Peabody Awards, 2019 IDIOTSITTER (Season 2) Comedy Central Prod: Jillian Bell, Charlotte Newhouse, Dan Kuba Dir: Various GRAVES (Promo) Lionsgate TV/EPIX Prod: Joshua Michael Stern Dir: Larry Charles THE CATCH (Season 1) (2nd Unit) ABC Studios/ABC Prod: Shonda Rhimes, Kevin Dowling Dir: Various DOPE GIRLS (Pilot) MTV Prod: Harry Elfont, Deborah Kaplan, Ken Ornstein Dir: Michael Blieden SIRENS (Seasons 1 & 2) Fox 21 TV/USA Prod: Denis Leary, Jim Serpico, Tom Sellitti Dir: Various CHICAGO FIRE (Season 1) (2nd AD) Universal TV/NBC Prod: Dick Wolf, Joe Chappelle, John L. Roman Dir: Various NCIS-LA (Seasons 1 & 2) CBS TV/CBS Prod: Shane Brennan Dir: Various HEROES (Seasons 1 & 2) (2nd AD) Universal TV/NBC Prod: Tim Kring Dir: Various LAST MYSTERIES OF TITANIC -
BILLY GREENFIELD Unit Production Manager DGA UPM Socal QL
BILLY GREENFIELD Unit Production Manager DGA UPM SoCal QL Feature Films & Television (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. OUR KIND OF PEOPLE Various Fox / Lee Daniels Entertainment season 1 LP: Michael Gray / EP: Lee Daniels, Montrel McKay NEVER HAVE I EVER Various Netflix / Universal Television season 2 LP: Barbara Stoll / EP: Mindy Kaling, Lang Fisher FATAL AFFAIR Peter Sullivan Netflix / Hybrid LP: Brian Nolan GET SHORTY Various Epix / MGM Television season 3 – L.A. Unit Prod: Brian Leslie Parker DOLLFACE Various Hulu / ABC Studios season 1 LP: Melanie Elin, Michael Gray WARNINGS Demetrius Navarro Three Branches Entertainment ZEROVILLE* James Franco Rabbit Bandini Productions GUIDANCE** Various YouTube / Awesomeness TV season 3 LP: Melanie Kirk BEYOND THE TREK Ian Truitner Screen Media Films SISTER CODE*** Corey Grant AIR Media * Associate Producer ** UPM + 1st AD *** Line Producer DGA 1st Assistant Director DGA: 2007 – Present | Non-Union: 1998 - 2007 DGA 1st Assistant Director working in Features, Episodic Television, Commercials, Music Videos, Industrials and New Media. Responsible for scheduling, planning and execution of the shooting schedule. Skilled at solving complex scheduling problems and maximizing shooting time for Directors as well as efficient budgeting of background actors, additional labor and special equipment. Priorities: Safety, Teamwork, Flexibility, Grace Under Pressure and a Positive Work Environment. Non-Union 2nd Assistant Director, Production Coordinator & Production Assistant 1995 - 2007 Worked on a variety of projects, in multiple formats (film/digital) and budget levels from low-budget features to large scale Episodic Shows and Features as an Office and Set Production Assistant. At the same time, worked as a non-union 2nd Assistant Director on Low-Budget features and commercials. -
Dean's Guidelines for Department Chairs
Dean’s Guidelines for Department Chairs 2018-2019 This edition replaces all previous manuals 1 Dean’s Guidelines for Department Chairs Table of Contents I. PLANNING CALENDAR FOR THE 2018-2019 ACADEMIC YEAR 3 II. DEPARTMENTAL LEADERSHIP 5 III. FACULTY RECRUITMENT 6 A. EQUAL OPPORTUNITY AND AFFIRMATIVE ACTION B. HIRING PROCESS, INCLUDING AFFIRMATIVE ACTION POLICY PROCE7DUR1ES C. ADJUNCT HIRING D. LEAVE REPLACEMENT HIRING IV. ALLOCATIONS 13 V. FACULTY PERSONNEL PROCEDURES 15 A. REAPPOINTMENT, TENURE, AND PROMOTION B. PROMOTION TO ASSISTANT PROFESSOR: COMPLETION OF PH.D. REQUIREMENTS VI. ANNUAL DEPARTMENT REPORTS 16 A. FACULTY ANNUAL REVIEW PROCESS B. DEPARTMENTAL ANNUAL REVIEW VII. BUDGET PROCEDURES 18 A. PREPARATION B. BUDGET ADMINISTRATION C. SUPPLEMENTARY REQUESTS VIII. FACULTY LEAVES AND COURSE RELEASES/CREDITS 19 A. POLICIES B. APPLICATIONS FOR FACULTY LEAVES C. MATERNITY, ADOPTION, AND PARENTAL LEAVE D. COURSE RELEASES AND SENIOR THESIS TEACHING CREDIT IX. FUNDS FOR PROFESSIONAL ACTIVITIES 21 A. TRAVEL AND RESEARCH B. FUNDS FOR INDIVIDUAL FACULTY GRANT PROPOSALS X. COLLEGE SPEAKER FUNDS 23 A. PURPOSE B. REQUESTING FUNDING C. REIMBURSEMENT XI. LIBRARY & INFORMATION TECHNOLOGY SERVICES (LITS) 25 A. RESEARCH AND INSTRUCTIONAL DESIGN SUPPORT B. BUILDING THE LIBRARY’S COLLECTIONS XII. VEHICLE RESERVATION AND USE: POLICIES AND PROCEDURES 26 APPENDICES A. AFFIRMATIVE ACTION CATEGORIES 28 B. FACULTY RECRUITMENT CHECKLIST 29 C. REQUEST FOR AUTHORIZATION TO OPEN A SEARCH 31 D. HAMILTON COLLEGE ONLINE FINANCE TOOLS 32 E. CALENDAR OF DATES FOR -
Collection: Office of the Chief of Staff Files Series: Hamilton Jordan's Confidential Files Folder: Reorganization – WH/EOP, 1
Collection: Office of the Chief of Staff Files Series: Hamilton Jordan's Confidential Files Folder: Reorganization – WH/EOP, 1977 [1] Container: 37 Folder Citation: Office of the Chief of Staff Files, Hamilton Jordan's Confidential Files, Reorganization – WH/EOP, 1977 [1], Container 37 ·'~"'.·."":-"\/f>.· :-.... ' ..) <, ~) t, I ;r ~-t:~~{ THE WHITE HOUSE ~ /4kt:,t~ ~ WASHINGTON ;-7/ L:"/ / ~ ;:r,,/ /~ .r:.~/~~Q" March 31, 1977 k A /d/ A//;·y{~.-.,P ~ ~~/P ~4-c-;f'/' ~ &:,//~ /;If~~~ ~k... _ .~ .rMY . f/c.x/.ra:..;;Lo tIJUA. 7~AJIC~ MEMORANDUM FOR THE PRESIDENT /4 ?~/;;:""6 4,.tP'C ~ 4 8t}-f - ~.:~ ~..c.o" FROM: ROBERT LIPSHUTZ (V ~&,..~ er :>:t:.,; P /'J'k . 7f~ F~4 I With reference to your memorandum of earlier .J)~';7' today regarding the newspaper articles concerning .9 the White House staff, I am a·ttaching an up-to- ~ date analysis of both the permanent staff and // ~~~~ temporary employees, along with two memorandums ~~ ~~ which I requested Richard Harden and Hugh Carter ~~~ to prepare independently. ~ ~~NtIft~. Arter you have had an opportunity to review these ~ documents, I would like to meet with you personally at your convenience to discuss the matter. ~ /F .,.., .' ~ ~/l4""~~ ~ iJ·iiI: ~ ,.::...... " Attachments ~ ~ .r~.t'~ ~hf/~/I"AI'J" .,ffj.~hA r .r~ ~"'" u/;£b ~.7c./. A ~~d,f~ rl'/,·/k ~ k ~e-d~~ ~ ~ ~_ ~f~, ~ .1// ~~/A.~_ ~C'• ~!lJ Press 66 48 r)0 First Lady 26 29 V Public Liaison 22 19 6 Personnel 19 18 0 Congressional Liaison 25 26 9 N. S. C. 1 3 2 Appointm.ents and Scheduling and Advance 34 22 0 Domestic Affairs, Policy, Cabinet &: Intergovernm.ental 30 22 3 Politic.al &: Staff Secretary 16 13 3 Budget &: Administration 1 4 0 Energy 0 2 0 Drug Program 0 1 0 Special Projects 0 2 0 Miscellaneous 6 1 1 Totals 259 221 ~ This proposed allocation would result in a reduction of 38 persons, which is lOpe rcent. -
Gabriel Mann Composer & Songwriter
GABRIEL MANN COMPOSER & SONGWRITER AWARDS GUILD OF MUSIC SUPERVISOR AWARDS A MILLION LITTLE THINGS NOMINATION (2020) Best Song / Recording Created for Television GUILD OF MUSIC SUPERVISOR AWARDS ROSEWOOD NOMINATION (2017) Best Song / Recording Created for Television ASCAP FILM AND TELEVISION MUSIC AWARD MODERN FAMILY WINNER (2013) Top Television Series CREDITS BETTER NATE THAN EVER Tim Federle, dir. Disney THE J TEAM MicHael Lembeck, dir. Awesomeness Films A MILLION LITTLE THINGS D.J. NasH, created by ABC MODERN FAMILY Steven Levitan, ABC ChristopHer Lloyd, created by HIGH SCHOOL MUSICAL: THE MUSICAL – THE SERIES Tim Federle, created by Disney THE UNICORN Grady Cooper, CBS Bill Martin, Mike ScHiff, created by iCARLY REVIVAL Ali ScHouten, prod. Paramount+ MADAGASCAR: A LITTLE WILD (Theme Music) Dana Starfield, created DreamWorks Animation by 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Mann Page 1 of 6 GABRIEL MANN COMPOSER & SONGWRITER CREDITS (continued) CLEOPATRA IN SPACE (Main Title Theme By) Judge Plummer, prod. Peacock SIDE HUSTLE (Theme Song) David Malkoff, created Nickelodeon by CAROL’S SECOND ACT Emily Halpern, SaraH CBS Haskins, created by DELILAH James Griffiths, dir. HBO Max MERRY HAPPY WHATEVER Tucker Cawley, created Netflix by PRINCE OF PEORIA Devin Bunje, Nick Netflix Stanton, created by FAM Corinne Kingsbury, CBS created by ARRESTED DEVELOPMENT (Songs By) MitcHell Hurwitz, Fox created by SCREECHERS WILD! Todd Resnick, dir. AlpHa Group LEGEND OF THREE CABALLEROS Matt Danner, Douglas Disney Television Animation Lovelace, Greg Franklin, dirs. HUMOR ME Sam Hoffman, dir. Shout! Factory NELLA THE PRINCESS KNIGHT (Theme Song, Songs By) Christine Ricci, created Nickelodeon by 3349 Cahuenga Blvd. -
The US Film Industry
Jono Polansky, Onbeyond LLC August 2020 _____________________________________________________________________________________________ This SFM guide to who owns what in the US screen entertainment industry — movies, broadcast, cable and streaming — has been updated to reflect developments in tobacco content and changes in corporate ownership. We put this map together so public health experts, parents, young people and policy makers can identify who decides if smoking shows up in entertainment accessible to kids. The US film industry MAJOR STUDIOS | The US feature film industry is dominated by five “major studio” distributors. In 2019, their top-grossing films accounted for 81 percent of all youth-rated tobacco impressions delivered to domestic theater audiences. The studios develop, finance, and market film projects domestically and worldwide. Almost all films with production budgets greater than $50 million are major studio films. Studios may not break even on theatrical showings of a film, but a film’s box office, split roughly 50-50 with the theaters, strongly predicts the revenue the studio keeps to itself when the film is later released on DVD and licensed to on-demand, cable, and broadcast services. Most studio revenue comes from those “long tail” after-markets. In addition, 70 percent of US studios’ theatrical revenue now comes from outside the United States, which helps explain why easy-to-sell “franchise” films are prized by major studios. The major studios are represented by a trade group, the Motion Picture Association (MPA), dominate its board of directors. The MPA owns and administers the movie ratings (G/PG/PG-13/R,NC-17), with a nod to the National Association of Theatre Owners (NATO), which plays a role in enforcing age restrictions. -
Mplc Studio Liste 2020
MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production -
Cfax022714.Pdf
www.cablefax.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 45 Pages Today CableFAX DailyTM Thursday — February 27, 2014 What the Industry Reads First Volume 25 / No. 039 Beat the Street: Cablevision Posts Some Good Numbers For months, Jim Dolan & Co have touted their new strategic plan for Cablevision. With 4Q results, we may have glimpsed the results, with sub losses (-18K) and AOCF (+7.5% to $456.6mln) better than expected. Shares of CVC closed up nearly 4% Wed. The MSO has held tight since Aug to its plan not to offer additional promos to subs who’ve been on long-running promotions. Optimum Services pres Kristin Dolan said that internally mgmt refers to it as the “no soup for you strategy,” but she added that a “significant majority of those customers are still with us 5 and 6 months after they’ve called us for an extension beyond 36 months or even less than that. We’re pleasantly surprised.” CEO Jim Dolan promised that pricing discipline would continue. Mgmt also stuck to its guns about making the call only about financials—offering not even the tiniest bit of color on cable consolidation. That doesn’t stop the speculation. “Simply be- ing small doesn’t make [Cablevision] a target,” concluded MoffettNathanson analysts, who doubt any Charter interest in CVC. “The Comcast/TWC deal robs them of one acquirer. And the divestitures that Comcast has agreed to make in order to stay below an erstwhile 30% subscriber cap robs them of another.” Cablevision also faces growth challenges given its industry leading penetration in all services. -
November 2019 Volume X Issue 4
November 2019 Volume X Issue 4 The mission of the GFWC-Mississippi Federation of Women’s Clubs, Inc. is an organization of women whose goal is personal enrichment leading to volunteer service that benefits the community, state, nation and world. Founded on May 25, 1989 and a member of the General Federation of Women’s Clubs Since 1904. Page 2 GFWC-MFWC Headquarters & Elected Officers GFWC-MFWC Headquarters 2407 North State Street Jackson, Mississippi 39216 2018-2020 Elected Officers Becky C. Wright Theresa Buntyn President Vice President and Dean of Chairmen GFWC-MFWC Fine Arts Club of Bruce GFWC-MFWC Decatur Woman’s Progressive Northern District Club Central District Sherri E. Reid President-elect, Frances H. Brown Advisor to District Presidents Secretary and State Membership Chairman GFWC-MFWC Twentieth Century Club of Cosmopolitan Club Bruce Southern District Northern District Diane Rouse Treasurer GFWC-MFWC Florentine Evening Club Central District Page 3 In This Issue GFWC-MFWC Headquarters & Elected Officers 2 Exploring Our Heritage 4 A Message from Your State President 5 Tips for Achieving Heart Healthy Balance over the Holidays 7 Home For The Holidays 10 GFWC-MFWC Volunteers In Actions 12 Announcements and Upcoming Events 18 Thanksgiving Scattergories 19 General Federation of Women’s Club Latest News GFWC News 21 GFWC News & Notes 22 Support GFWC 23 The GFWC-MFWC Newsletter “The Heartbeat” is published by the GFWC-MFWC. All submissions are welcome. Photographs are encouraged. Mail articles and/or photographs to Lisa A. Harris, 822 SCR 115 S, Raleigh, MS 39153 or email to [email protected]. Questions or comments, contact Lisa at (601) 940-1519. -
December Communiqué 2017
COMMUNIQUÉ NORTHWOOD WOMAN’S CLUB NEWSLETTER DECEMBER 2017 THE PRESIDENT’S MESSAGE NEW YORK! NEW YORK! HERE WE COME! DECK THE HALLS WITH BOUGHS OF HOLLY! HO! HO! MISTLETOE FOR YOU AND ME! TIS THE SEASON TO BE JOLLY! IT’S THE MOST WONDERFUL TIME OF THE YEAR! Kay Dube Our November meeting was lively and interesting. Dine By Design Chairs Jenise Hurley and Jan Ledbetter kicked-off NWC’s 2018 Dine By Design theme by greeting us with sounds of New York! New York! sung by the old crooner himself at our monthly meeting held on November 16, 2017 at Lakewood Country Club. This was followed by the Stampede Dancers from J. J. Pearce High School who danced to the sounds of New York! New York! in a performance specially choreographed for NWC by Heather Barajas, the sponsor of the Stampede Dancers. Yes, ladies our Dine By Design theme is New York! New York! and all the sights and sounds of New York. Please contact Jenise and Jan to guarantee your reservation for a table at this year’s Dine By Design that will be held on February 27, 2018 at Bent Tree Country Club. BTW, one of the Stampede Dancers is the grandson of new member Doris Dunkerley. Doris, congratulations on having such a handsome and special grandson! In addition to the kick-off to Dine By Design, we heard from Brigadier General and 29-year veteran of the U. S. Air Force Patrick Mordenta, who is currently the Director of the George W. Bush Presidential Library. Brigadier General Patrick Mordenta shared highlights from his career that included Benghazi briefings in Senate Committee hearings, events that led up to his appointment as the Director of the George W. -
Search Committee Handbook
Search Committee Handbook Confidentiality Faculty Hiring Plan Non Faculty Hiring Plan Application Screening Form Faculty Application Screening Form General (can be modified by each committee) Sample Interview Questions Note Taking Do’s and Don’ts The Interview – Pitfills to Avoid Interview Evaluation Form (can be modified by each committee) Reference Checks Tips and Forms Sample Search Committee Recommendation Letter Closing the Search NeoGov Instructions CONFIDENTIALITY IN THE SEARCH COMMITTEE PROCESS Congratulations on your role as a member of the College search committee! One of the critical aspects of the search process is ensuring confidentiality to applicants as provided under the law. This memo is intended to assist in understanding your responsibility in maintaining confidentiality. Any questions about this issue should be directed to the search committee chair. 1. Complete confidentiality in the search process, in accordance with the law, is essential in order to attract qualified candidates who trust that their information will not be prematurely disclosed, and to ensure compliance with applicable laws. 2. Search committee members will have access to private personnel data, and each search committee member must take all necessary precautions to safeguard the information received. 3. The Minnesota Government Data Practices Act (MGDPA) governs “personnel data” collected, created, received, maintained or disseminated by a governmental entity such as MnSCU. Personnel data includes information on both applicants for positions and employees. Minnesota Statutes sections 13.03, 13.43. 4. Under the MGDPA, certain personnel data are private, other information is public. Determination of what is public data will be made by the Search Chair in coordination with college and system office officials.