Gayaustin-2-1-7709.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Gayaustin-2-1-7709.Pdf ' . GAY AUSTIN is the monthly publication of Gay Community Services of Austin. The pa­ per does not, or usually does not, make money. All work done on it is volunteer. Efforts are made to include a community­ wide perspective in the paper. If some­ times the effort fails, next month al­ ways looms ahead, and the paper can be improved--especially with reader dona­ tions with regard to short stories, arti­ cles, satire, and poetry. GAY AUSTIN is our newspaper. We hope that all of us within the gay community or on its fringes contribute with printable ma­ terial of general, theoretical, or enter­ tainment interest. Contributors to th l ~ month's issue were: ll an Puckett "Ana," the Argentinian lesbian WF JB Carl t the poet A world-famous astrologer Other personages, dead and alive Contributions may be mailed or sent to the Gay Community Services in the University "Y, " Room 7, 2330 Guadalupe. Or they may be mailed to: THE EDITOR 1516 Aggie Lane Austin, Tx. 78757 2 3 -- Being gang-raped in a prison cell ...caught in the middle of Watts as it burns ... pummelled by a I hurricane ... stomped by a New York City street gang .the Ramones were play­ ing at the Armadillo. Bastille Day, 1977, and it rapes. None of the songs one agreed as to the one­ the place was only three­ run more than three minutes; word description--"assault." quarters full. The crowd most last about two; but sev­ Yeah, ASSAULT. That's the was made up partially of eral are performed in a row, key, the essence of late­ dedicated punk-rockers, but without any break. The sonic seventies punk-rock: vio­ mostly of old-line rock rape goes on without pause. lence, aggression, and sex. fans. We stood on our feet The lyrics are about sex, Punk is only one facet of throughout the Ramones set-­ dope, ultra-violence, sex, the New Wave in rock music, they sat. and death. The group's pose which is currently sweeping The Ramones (in case accents the menace of the Great Britian and New York, you haven't heard) play songs--Joey, the singer, but it's the violent part, LOUD, HARD, AND FAST. Ever with his fish-like deadpan the sensational part, the since their debut album, stare, wrapped around his part you read about in Time Ramones, came out last microphone like a leather­ and Newsweek. year, they've been up­ jacketed praying mantis; Dee It's obvious that the setting/exciting rockers Dee, the bassist, looking "Establishment"--including all over the world. And like an escapee from juvenile the r<?Ck critics of Rolling they did it all over again, detention, counting down songs Sto~e and the Austin-American­ this time in Austin. like a drill sargeant; Johnny Statesman--don 't understand Could the place which the guitarist, apparently in the new music. It has its gave birth to "progre:;sive" the initial stage of psychotic own esthetic and its own country and adored Bruce rage, stalking to the edge of objectives--it is music as Springsteen accept the New the stage; Tommy the drummer, catharsis. It takes the anger York punk go:;pel? bashing away at a primitive and alienation of life today, Apparently not. The Ra­ kit, oblivious to the fucking distills it into music, and audience. mones played two short sets, allays it, even if only tem­ anrl an encore, and we left Look at the song titles: porarily. the hall feeling beaten and GIMME GIMME SHOCK TREATMEr."l' The Ramones (and New Wave mugged. We loved it; most the NOW I WANNA SNIFF SOME GLUE groups generally) are attrac­ rest of the crowd didn't. YOU'RE GONNA KILL THAT GIRL ting a large gay audience. The sound mix buried the BEAT ON THE BHAT Some bands got their start in vocals during the first set, CHAIN SAW gay S~~ bars. The music ar­ so that only the punk-fans 53rd & 3rd ticulates the rage and frus­ had any idea as to the con­ tration of out-groups gener­ tent of the songs. Hell, The last is about a psycho ally, whether they' re gays they even repeated four hustler who uses n razor blade or unemployed toughts, and songs (the new single, on his client--not exactly what screws it. you hear on KNOW or those other "Sheena Is a Punk Rocker," The Ramones are of ten crummy rock stations. "California Sun," "Blitz­ compared with the Beatles, krieg Bop" and "Pinhead"), We stumbled out the Armadillo a group which catalyzed a and most of the stoned-out feeling assaulted. Talking to new way of approaching pop­ hippies didn't notice. people after the concert, every- ular music. Only time will The music, with its high tell whether they are a amplification and minimal passing phase or a perma­ variation, does not seduce-- nent feature defacing/making our new landscape, But surely their fans in Australia will re~ember them: after having told they were to be banned, the Ramones stripped naked on the stage and assaulted their audience with their beating selves. The audience, needless to say, loved them • .. ·.· GENE SAXON: THE MAN BEHINJ) AUSTIN BAT.IS Austin's Club Baths is doing quite well, says Gene People with membership Saxon, baths manager and cards come from such places part owner. as Boston, Chicago, New What prompted Gene to York, Washington .•• you open a Club Baths in Aus­ name it. So the people you tin? meet are not all "sister3" "I did it for selfish from hometown. New faces reasons, actually," he an­ add a certain charm and swers. One notes the trace allure at Austin's baths. of humor in his eyes. "I MISCONGEPTIONS fell in love with Don, my Gene points out that lover, and then fell in love a gay bath is not what some with this city when I came people fear it to be: name­ to visit him. Austin is so ly, a place where persons beautiful and exciting! molest you the moment you There's so much to do here." step inside the door. Sex­ The tall, courteous ual molestation is purely a baths manager came origin­ personal-interpersonal pero­ ally from New York. He gative, and no one has yet operated a Club Baths in to rip off clothes and Phoenix and Houston before wallets. opening the Austin location. Gene characterizes the Gene told me that bar pa­ baths as a social setting trons in Phoenix told him where people can carry on a Club Baths would never go conversation even if they over in that city--because are shy. Where people have the state is overwhelmingly actually encoJntered their Mormon .••not enough cus­ future lovers in a mutually tomers would patronize the satisfying embrace. baths to keep the place in No matter what your body business. Besides, so the build, whether tall, short, reasoning went, Arizona skinny, muscular, whatever •. never had a gay baths and • • , there will be at least certainly the state would one person, even a roo~full never allow the Club Baths of persons who are into your to last ••• person. Little did they know. The baths did fine in Phoe­ C().IMUNITY SERVICE nix and then a Club Baths Gene sees the baths as a was opened in Tuscon, as service to the community. It well. sponsors a free VD health check from 8 to 10 pm. each ON TO AUSTIN ... third Friday of the momth. Austin's Club Baths You need not pay an entrance opened in January, 1977, fee to enjoy this necessary after Gene had moved here service, Fun and health in October, 1976. In July should, Gene feels, be mutual the baths doubled their concerns of gay people in floorspace and added an Austin. outdoor patio for nude sunbathing. 4 A New Game One Saturday morning it was raining hard. " \\7e cannot play in the garden," said Boy Red. " \Ve must play in the house today," said Boy \Yhite. " I k now a new game, " said Boy Red. 68 1~~7 5 THE GAY REVOLUTION IS UNDERWAY! TO MOST PEOPLE, IT'S A BIG JOKE ... BUT IS IT, REALLY? "111E GREEK l.EllCR LAMBDA, THE GAY MILi- • TANIS SAY. SYM80t.IZES UNITY IN 111E FACE • OF OPl'RfSSION. FOR THIS CAUSE GOD GAVE THEM UP UNTO VILE AFFECTIONS, FOR EVEN THEIR WOMEN DID EXCHANGE THE NATURAL USE FOR THAT WHICH IS OUT OF SATANS SHADOWY WORLD OF HOMOSEXUALITY IN A DISPLAY OF DEFIANCE AGAINST AGAINST NATURE; SOCIETY, THEY COME FORTH - THOSE WHO SUFFER THE AGONY OF REJECTION. THE DESPAIR Romc..-ns I 26, Scofield Of UNSATISFIED LONGING - DESIRING - ENDLESS LUSTING AND REMORSE CRYING THAT GAY IS GOOD - THEIR TRAGIC LIVES PROVE THAT THERE ISN T ANYTHING GAY ABOUT BEING GAY I • e 'THERE IS AN ESTIMATED NUMBER OF U.S HOMOSEXUALS THAT RANGES FROM 2 TO 20 MILLION THEIR POWER STRUCTURE IS WIDESPREAD- THEY YOU MUST OCCUPY ALL KINDS OF UNDERSTAND JOBS. THAT l'M SICK­ THEIR IDENTITY FOR THE AND Yt¥/ MOST PART IS CAREFULLY SHOULD HAVE HIDDEN. COMPASSION 'SOME HAVE BEEN REPORTED ON ME! TO BE VERY ACTIVE IN WOMEN'S LIB ORGANIZATIONS IT'S LIKE A DEMONIC POWER THAT CON. AND EVEN HINTED TO BE IN TROLS THEM - ONLY CHRIST CAN HIGH GOVERNMENT POSITIONS. OVERCOME IT, IF THEY'LL RECTIVE HIM HAS SUCH A CONDITION EVER AS PERSONAL SAVIOR EXISTED BEFORE?- LETS SEE- ·uF£. o.c_ 31 , 1971 •ufl, Dec 31 . 1971 THE BIBLE IS CLEAR IN REVEALING GODS FEELING TOWARDS HOMOSEXUALITY . LET'S LOOK AT THE CITY Of SODOM • !FROM WHENCE COMES THE WORD, 'SODOMY '} " .
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Rhino Reissues the Ramones' First Four Albums
    2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2.
    [Show full text]
  • Crystal Reports Activex Designer
    Quiz List—Reading Practice Page 1 Printed Wednesday, March 18, 2009 2:36:33PM School: Churchland Academy Elementary School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 9318 EN Ice Is...Whee! Greene, Carol LG 0.3 0.5 59 F 9340 EN Snow Joe Greene, Carol LG 0.3 0.5 59 F 36573 EN Big Egg Coxe, Molly LG 0.4 0.5 99 F 9306 EN Bugs! McKissack, Patricia C. LG 0.4 0.5 69 F 86010 EN Cat Traps Coxe, Molly LG 0.4 0.5 95 F 9329 EN Oh No, Otis! Frankel, Julie LG 0.4 0.5 97 F 9333 EN Pet for Pat, A Snow, Pegeen LG 0.4 0.5 71 F 9334 EN Please, Wind? Greene, Carol LG 0.4 0.5 55 F 9336 EN Rain! Rain! Greene, Carol LG 0.4 0.5 63 F 9338 EN Shine, Sun! Greene, Carol LG 0.4 0.5 66 F 9353 EN Birthday Car, The Hillert, Margaret LG 0.5 0.5 171 F 9305 EN Bonk! Goes the Ball Stevens, Philippa LG 0.5 0.5 100 F 7255 EN Can You Play? Ziefert, Harriet LG 0.5 0.5 144 F 9314 EN Hi, Clouds Greene, Carol LG 0.5 0.5 58 F 9382 EN Little Runaway, The Hillert, Margaret LG 0.5 0.5 196 F 7282 EN Lucky Bear Phillips, Joan LG 0.5 0.5 150 F 31542 EN Mine's the Best Bonsall, Crosby LG 0.5 0.5 106 F 901618 EN Night Watch (SF Edition) Fear, Sharon LG 0.5 0.5 51 F 9349 EN Whisper Is Quiet, A Lunn, Carolyn LG 0.5 0.5 63 NF 74854 EN Cooking with the Cat Worth, Bonnie LG 0.6 0.5 135 F 42150 EN Don't Cut My Hair! Wilhelm, Hans LG 0.6 0.5 74 F 9018 EN Foot Book, The Seuss, Dr.
    [Show full text]
  • Pg0140 Layout 1
    New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover.
    [Show full text]
  • Accelerated Reader Book List Report by Reading Level
    Accelerated Reader Book List Report by Reading Level Test Book Reading Point Number Title Author Level Value -------------------------------------------------------------------------- 27212EN The Lion and the Mouse Beverley Randell 1.0 0.5 330EN Nate the Great Marjorie Sharmat 1.1 1.0 6648EN Sheep in a Jeep Nancy Shaw 1.1 0.5 9338EN Shine, Sun! Carol Greene 1.2 0.5 345EN Sunny-Side Up Patricia Reilly Gi 1.2 1.0 6059EN Clifford the Big Red Dog Norman Bridwell 1.3 0.5 9454EN Farm Noises Jane Miller 1.3 0.5 9314EN Hi, Clouds Carol Greene 1.3 0.5 9318EN Ice Is...Whee! Carol Greene 1.3 0.5 27205EN Mrs. Spider's Beautiful Web Beverley Randell 1.3 0.5 9464EN My Friends Taro Gomi 1.3 0.5 678EN Nate the Great and the Musical N Marjorie Sharmat 1.3 1.0 9467EN Watch Where You Go Sally Noll 1.3 0.5 9306EN Bugs! Patricia McKissack 1.4 0.5 6110EN Curious George and the Pizza Margret Rey 1.4 0.5 6116EN Frog and Toad Are Friends Arnold Lobel 1.4 0.5 9312EN Go-With Words Bonnie Dobkin 1.4 0.5 430EN Nate the Great and the Boring Be Marjorie Sharmat 1.4 1.0 6080EN Old Black Fly Jim Aylesworth 1.4 0.5 9042EN One Fish, Two Fish, Red Fish, Bl Dr. Seuss 1.4 0.5 6136EN Possum Come a-Knockin' Nancy VanLaan 1.4 0.5 6137EN Red Leaf, Yellow Leaf Lois Ehlert 1.4 0.5 9340EN Snow Joe Carol Greene 1.4 0.5 9342EN Spiders and Webs Carolyn Lunn 1.4 0.5 9564EN Best Friends Wear Pink Tutus Sheri Brownrigg 1.5 0.5 9305EN Bonk! Goes the Ball Philippa Stevens 1.5 0.5 408EN Cookies and Crutches Judy Delton 1.5 1.0 9310EN Eat Your Peas, Louise! Pegeen Snow 1.5 0.5 6114EN Fievel's Big Showdown Gail Herman 1.5 0.5 6119EN Henry and Mudge and the Happy Ca Cynthia Rylant 1.5 0.5 9477EN Henry and Mudge and the Wild Win Cynthia Rylant 1.5 0.5 9023EN Hop on Pop Dr.
    [Show full text]
  • Lester Bangs August 1979
    LESTER BANGS AUGUST 1979 One day someone I love said, “You hit me with your eyes.” When I hear David Byrne’s lyrics, I can imagine him feeling the same thing and saying it in language just oblique enough to turn the pain into percussively lapping waters. Are you afraid of air? Well, why not (if not)? David Byrne is. Do you think heaven is nowhere (is vacuum the obverse of oid’svoid)? David Byrne does. How about the animal kingdom: wouldn’t you say they’re a bunch of smug little disease carriers, setting a perfectly rotten example (them being, after all, our elders on that ole evolutionary totem pole) for us so-called human beings who might be a lot more at least interpersonally better off if we wised up and just told all them li’l critters to take a walk? If stuff like that maltomeals round your noggin, you’re in D. Byrne territory for sure, friends. And why not? These are mutant times, and Talking Heads are the most human of mutant groups (hopelessly perfect cross-fertilization); unlike Devo, they actually look good off TV, on a concert stage (in fact, up till now I’d always bemoaned my feeling that their records didn’t come near the excitement of their live sound). I may never forget the first time I saw them at CBGB’s: though they had gotten Jerry Harrison to swat keyboards by then, they were all still a little ragged (if such a word could ever be applied to such rarefied entities) around the edges.
    [Show full text]
  • Pure Rock Report, Dan KEVIN ALLISON Independent Bands in the U
    " a Letter fr m the Editor • • • updated. However, with the rapidly growing list of artists and limited space in the pUblication (and we can't get the type any smaller!) the listings February, may be limited to only recent and upcoming releases in future issues. And to ensure that you receive your paper in a timely manner, advertising will be Dear friend, to those who can plan ahead and meet ....<llUl<:"., so it will probably play a lesser role in Since our first issue 19 months ago, we have future. EDITORS continually reviewed our direction and restated our appreciate many letters we have TOM D. SlEPHENSON dedication to delight our subscribers. Our First r~ce1'~!I..I~nc:oulra,g1J1Lg We are always open to ANNE SlEPHENSON Anniversary CD was the highlight of 1990, and we would like to address will offer a second compilation cd to accompany our miniatry, please October issue. We expect to feature a greater written article for ASSOCIATE EDITOR variety of alternative artists (numerically, musically you who shared our LIONEL VARGAS and geographically) and we look forward to your extra with renewed SUbscription. this publication will We will devote a greater portion of. each issue we appreciate your CONTRIBUTING EDITORS to artist interviews, articles, and special features CHARLES GAlES like the dance listing in this issue. Our emphasis WIM BOLUYf will continue to be on providing objective and practical information that y~u can immediately use ' CS:~:rvice, FILM ARTS EDITOR as a blueprint for alternative ministries in your area. Our product listings will continue to be Editor - ACM Journal WES MAGRUDER THEATRE ARTS EDITOR PETER SENKBEIL COLUMNIST accepted a position with Frontline DAN KOENIG Music.
    [Show full text]
  • Die Ramones Als Helden Der Pop-Kultur
    Nutzungshinweis: Es ist erlaubt, dieses Dokument zu drucken und aus diesem Dokument zu zitieren. Wenn Sie aus diesem Dokument zitieren, machen Sie bitte vollständige Angaben zur Quelle (Name des Autors, Titel des Beitrags und Internet-Adresse). Jede weitere Verwendung dieses Dokuments bedarf der vorherigen schriftlichen Genehmigung des Autors. Quelle: http://www.mythos-magazin.de CHRISTIAN BÖHM Die Ramones als Helden der Pop-Kultur Inhalt 1. Einleitung 2. Punk und Pop 2.1 Punk und Punk Rock: Begriffsklärung und Geschichte 2.1.1 Musik und Themen 2.1.2 Kleidung 2.1.3 Selbstverständnis und Motivation 2.1.4 Regionale Besonderheiten 2.1.5 Punk heute 2.2 Exkurs: Pop-Musik und Pop-Kultur 2.3 Rekurs: Punk als Pop 3. Mythen, Helden und das Star-System 3.1 Der traditionelle Mythos- und Helden-Begriff 3.2 Der moderne Helden- bzw. Star-Begriff innerhalb des Star-Systems 4. Die Ramones 4.1 Einführung in das ‚ Wesen ’ Ramones 4.1.1 Kurze Biographie der Ramones 4.1.2 Musikalische Charakteristika 4.2 Analysen und Interpretationen 4.2.1 Analyse von Presseartikeln und Literatur 4.2.1.1 Zur Ästhetik der Ramones 4.2.1.1.1 Die Ramones als ‚ Familie ’ 4.2.1.1.2 Das Band-Logo 4.2.1.1.3 Minimalismus 4.2.1.2 Amerikanischer vs. britischer Punk: Vergleich von Ramones und Sex Pistols 4.2.1.3 Die Ramones als Helden 4.2.1.4 Eine typisch amerikanische Band? 4.2.2 Analyse von Ramones-Songtexten 4.2.2.1 Blitzkrieg Bop 4.2.2.2 Sheena Is A Punk Rocker 4.2.2.3 Häufig vorkommende Motive und Thematiken in Texten der Ramones 4.2.2.3.1 Individualismus 4.2.2.3.2 Motive aus dem Psychiatrie- Comic- und Horror-Kontext 4.2.2.3.3 Das Deutsche als Klischee 4.2.2.3.4 Spaß / Humor 4.3 Der Film Rock’n’Roll High School 4.3.1 Kurze Inhaltsangabe des Films 4.3.2 Analyse und Interpretation des Films 4.3.2.1 Die Protagonistin: Riff Randell [...] Is A Punk Rocker 4.3.2.2 Die Antagonistin: Ms.
    [Show full text]
  • 1 Below Is a Comprehensive List of All the Lines Hello Barbie Says As O
    Below is a comprehensive list of all the lines Hello Barbie says as of November 17, 2015. We are consistently updating and enhancing the product’s vocabulary and will update the lines on this site periodically to reflect any changes. OK, sooooo..... I love hanging out with you! (SIGH) Wow... there's so much we can talk about... I've got a question for you... Oh! I know what we can talk about... Oh, I know what we can do now... Speaking of things you want to be when you grow up... You know what I want to talk about? FRIENDS! So, let's talk friends! Ooh, why don't we talk about friends! Hey... let's talk about friends for a bit! I'm the most myself when I'm around my friends, just playing games and imagining what we'll be when we grow up! You know, I really appreciate my friends who have a completely unique sense of style... like you! You know, on those days where waking up for school is hard, I just think about how much fun it'll be to see my friends. ©2015 Mattel. All Rights Reserved. Version 2 1 You know, talking about all the fun things we do is making me think about who we could do them with ... friends! So we've been talking about family, let's talk about the other people in our lives that mean a lot to us ...like our friends! I bet someone who's a friend to animals knows a thing or two about being a friend to people.
    [Show full text]
  • Origins of Rock the Seventies
    from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7
    [Show full text]
  • Black & Brown Women of the Punk Underground
    Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70
    [Show full text]