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Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
BRAND NAME PRODUCTS Branded Male Marketing to Men.Pdf
Branded Male hb aw:Branded Male 15/1/08 10:10 Page 1 BRANDED MALE Mark Tungate is the “Tungate dissects the social trends that have been shaping the male consumer across a Men are not what they were. In article after author of the variety of sectors in recent years… Provides insights on how brands can tackle the article we’re told a new type of man is bestselling Fashion business of engaging men in a relevant way – and the influential role that the women in abroad – he’s more interested in looking Brands, as well as the their lives play.” good and he’s a lot keener on shopping. highly acclaimed Carisa Bianchi, President, TBWA / Chiat / Day, Los Angeles Adland: A Global Branded Male sets out to discover what History of Advertising, “Finally a book that uses humour, examples and clever storytelling to shed a new light on makes men tick as consumers and how both published by male trends. Helps us approach male consumers as human beings and not simply as products and services are effectively Kogan Page. Based in marketing targets.” branded for the male market. Using a day Photography: Philippe Lemaire Paris, he is a journalist in the life of a fictional “branded male”, specializing in media, marketing and Roberto Passariello, Marketing Director, Eurosport International Mark Tungate looks at communication. Mark has a weekly column BRANDED male-orientated brands and their in the French media magazine Stratégies, “Ideas, advice and insights that will help anyone aiming to get messages across marketing strategies in areas as diverse as: and writes regularly about advertising, style to men.” and popular culture for the trends David Wilkins, Special Projects Officer, Men’s Health Forum • grooming and skincare; intelligence service WGSN and the • clothes; magazine Campaign. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
That Was a T-Shirt!!! We Need Tops! While Cotton Tops Are Easy to Make, Knit Tops Are the Most Versatile Due to the Forgiving Stretch
That was a t-shirt!!! We need tops! While cotton tops are easy to make, knit tops are the most versatile due to the forgiving stretch. Because of the challenges in working with knit fabric, updating a t-shirt is the perfect compromise. Our goal is to have someone look at our top and say “that was a t-shirt?!” All hemlines need to be removed and restyled and the neckline needs to be either ruffled (size small and some medium) or trimmed. Here are some guidelines that we are looking for. Simply sewing a decorative stitch or zigzag over the existing hemline (sleeves and bottom hem) does not make visual changes to the t-shirt. Please cut off the existing hemline and if you like, you can make it shorter. If you have a serger, you can finish the edge prior to hemming but because the knit does not ravel it is not necessary. You also do not need to turn over the edge prior to hemming. Sleeves Match the sleeves and cut off both hems at the same time. You can cut straight or at an angle and make it a cap sleeve Use a decorative stitch for the hemming, variegated thread looks great! Use either white or black thread in the bottom as variegated thread is expensive. Remember to sew on the right side with your finger on the bottom feeling for the fabric edge. Watch for those sales and coupons!! Sulky blendables, 30 weight, 100% cotton is very nice to use. If you hem with a straight stitch, make it a little longer perhaps 3.0 and add some elastic to make it gathered at the hem edge. -
LOOKING for a NEW SEWING PROJECT? You Can Find What You Want in “Inspiration”, Our Sewing Magazine
BERNINA 475 QE LOOKING FOR A NEW SEWING PROJECT? You can find what you want in “inspiration”, our sewing magazine. Thanks to great sewing patterns and detailed sewing instructions, every project succeeds right away. Inspiration magazine is available in German, English, French and Dutch * Not available in all countries. Welcome Dear BERNINA customer Congratulations! You have decided on BERNINA and therefore on a product which will delight you for years. For more than 100 years our family company has attached greatest importance to satisfied customers. As for me, it is a matter of personal concern to offer you Swiss development and precision at the height of perfection, future-orientated sewing technology and a comprehensive customer service. The BERNINA 4-series consists of several ultramodern machines, whose development not only focused the highest demands on technique and the ease of use but also considered the design of the product. After all we sell our products to creative people like you, who do not only appreciate high quality but also form and design. Enjoy the creative sewing on your new BERNINA 475 QE and keep informed about the various accessories at www.bernina.com. On our homepage you will also find a lot of inspiring sewing instructions, to be downloaded for free. Our highly trained BERNINA dealers will provide you with more information on service and maintenance offers. I wish you lots of pleasure and many creative hours with your new BERNINA. H.P. Ueltschi Owner BERNINA International AG CH-8266 Steckborn 3 Edition notice Edition notice Graphics www.sculpt.ch Text, Setting and Layout BERNINA International AG Photos Patrice Heilmann, Winterthur Part number 2018/02 en 1031755.0.04 1st Edition Copyright 2018 BERNINA International AG All rights reserved: For technical reasons and for the purpose of product improvements, changes concerning the features of the machine can be made at any time and without advance notice. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Impoved Family Manual.Pdf
FORM 7129 . July 7, 1891. Supersedes Form 7006 . DIRECTIONS FOR USING THE 1MPKO),7r,D IAPXIL~q SIXGER st.-AWING ACHINE1 THE SINGER MANUFACTURING GO., NEW YORK. 1891 . DIRECTIONS FOR USING ~ ~- ~ ~~- -~~ e~ == " ~~ ~ . ce ca ~ ~ c . ~~-- ' -- m_--' B . ..................... ~ a 8 w ~ ~ ~ ~ ~ ~ " THE IMPROVED FAMILY SINGER . FIG. 2. ~1E4 __._Stop Motion _.,.Right Lag IMPROVED FAMILY MACHINE, WITH STAND. DIRECTIONS FOR USING FIG. 3. OILING PLACES SHOWN BY ARROWS . AILING PLACES SHOWN BY ARROWS. DIRECTIONS FOR USENG THE 11112er Y rr+peoved Parr,Iiy t4achile. To Oil the Machine. Be sure that every part is clean before you commence to sew. If the machine runs hard at any time, IT IS CERTAIN that someplace has not been oiled. Oil holes will be found for all bearings which cannot be reached without them. Each place requiring oil is indicated by an arrow head in the cuts on the opposite page. The shuttle should be oiled sparingly, but often, if the machine is in constant use ; always be careful to use no more oil than is needed, a single drop being sufficient at any point. If the machine runs hard after standing idle for some time, use a little kero- sene oil or benzine on the wearing points, run rapidly, zvi~e clean, and then oil with the BEST slerni oil, which should always be used. To make sure of getting good oil, buy it at at any of the Company's offices or from its authorized representatives. The genuine oil is put up in bottles which have The Singer Manufacturing Company's " trade-mark " blown in their panel, and bear the Company's label. -
Notions: Fabrics: Sewing with Cuddle™
Fabrics: Sewing with Cuddle™ Notions: 1/2 yard Daisy Bouquet Coral from These patterns are very easy to put Sewing machine Crazy for Daisies by ADORNit (dress) together and sew. Cuddle™ fabric Basic sewing supplies: 1/2 yard Mini Zag Aqua/Red/Breeze works best when you take care to pin Thread from Nested Owls by ADORNit each seam before sewing. You Ballpoint needle (sleeve and ruffle for pants) should be able to complete this Pins 3/4 yard Cuddle™ Dimple Teal (pants) project in under 3 hours! Scissors 1/4” elastic and 3/4” elastic 1 Cuddle™ Bouquet Peasant Dress and Ruffle Pants Below you will find a guide to tape your PDF printed pages together. When you print, make sure to select “actual size” so that your pattern does not print at the wrong scale. Check the 1 inch test box before cutting out your fabric to make sure everything is the right size! Read through each step before beginning your project! If there are any questions please contact me at [email protected] and I will be happy to help you! I drafted these patterns off of my daughter’s measurements. She wears a 24m/2T in ready to wear clothes. The dress is meant to be worn with the ruffle pants. If you prefer to have the dress worn alone, add 3-4 inches to the length. To print only the pattern pieces for the dress, print pages 12-15 To print only the pattern pieces for the pants, print pages 16-18 LEVEL—Beginner Terms of Use: Items made from this pattern may be used to sell in limited quantities. -
…Unruffled…Unruffled
TheThe RufflerRuffler …Unruffled…Unruffled A Guide to Buying, Optimizing, and Using a Ruffler Attachment Downloaded by: H C - 9/13/2008 - DUPLICATION PROHIBITED - Downloaded at www.youcanmakethis.com Table of Contents Introduction 3 • Purchasing a Ruffler 4 • Ruffler Anatomy 5 Using Your Ruffler 6 • Pre-Ruffling Checklist 6 • Attaching the Ruffler 7 • Getting to Know Your Ruffler 10 Optimizing Your Ruffler 11 • Ruffling Factor 11 • Testing Your Ruffler 11 • Ruffling Calculations 16 • Ruffling Double Thicknesses 17 • Pleats 18 Attaching Ruffles 19 • “Wiggle Room” 20 • One-Step Gathering and Attachment 21 • One-Step Gathering and Attachment II 22 • Ruffles & Ribbons 23 • Embellishing with Ruffles 24 Other Materials 25 The Dedicated Ruffler 25 Troubleshooting 26 Tools 27 • Ruffler Optimization Worksheet 27 • Ruffler Optimization Gauge 28 • Pleating/Ruffling Ruler 29 You Can Make This! 30 The Ruffler…Unruffled. Copyright © 2007 by Carla Hegeman Crim. All rights reserved. This guide is complimentary, and may be shared freely as long as this copyright statement stays intact. No part of this guide may be resold or redistributed by sites other than http://youcanmakethis.com without permission from the author. I am not affiliated with any doll, pattern, or sewing machine company. Disclaimer: This guide offers instructions and suggestions for normal use of a ruffler. I am not responsible for any ruffler-related injuries or damage to equipment. http://www.dressydolly.com Downloaded by: H C - 9/13/2008 - DUPLICATION PROHIBITED - Downloaded at www.youcanmakethis.com Introduction Ruffles, ruffles everywhere! In both fashion and home décor, nothing adds femininity and flounce like a beautiful ruffle. The ruffle is an important element of custom boutique fashion. -
Halloween Ruffled Edged Apron
Halloween Ruffled Edged Apron Use the Baby Lock Verve sewing and embroidery machine to add a ruffled to the bottom edge of a purchased apron. The edges are finished off using the Overcast “G” foot and a glow in the dark thread. Baking Halloween treats will never be this much fun! Skill Level: Beginner Created by: Diane Kron, Software and Embroidery Project Manager Baby Lock Project: Halloween Ruffled edge Apron Page 1 of 3 Supplies: Baby Lock® Verve Sewing and Embroidery Machine Purchased Apron 1 Fat quarter (Halloween print) Madeira® Glow in the Dark thread Madeira black Cotona thread White bobbin thread Black rick-rack Instructions: 1. At the cutting table, cut (4) 4 ½” wide strips from the Halloween print fabric. These sections will be used for the ruffle. When deciding on how long the ruffle should be, measure the area where it will be placed. The length of the unruffled section should be 2 to 3 times the length of the area. This will give a nice full ruffle. If your apron is larger than the one used in the sample, more fabric may be needed. 2. Set the machine up for sewing: Thread the machine with the Glow in the Dark thread. Wind the bobbin with white bobbin thread and place in the bobbin case. Select the Overcasting stitch #118. Snap on the Overcasting “G” Foot. 3. With right sides together, piece together the 4 ½” wide Halloween print sections end to end. 4. Overcast each of the seams together. Press the seams in the same directions. 5. Overcast the top and bottom edges on the pieced section along with each of the ends. -
Condensed Data Are Available in VT 002 611. a Wide Variety Of
I N Arti M I r% I T II E S V 14r ED 023 796 VT 002 621 By -0 Donnell.Beatrice Descriptions of Home and Community Occupations Related to Home Economics:Descriptions ofSpecific Occupations Classified Into Suc Clusters. Index to Areas of Work and Worker Trait Groupsfor Individual Occupateons.Professional Education Series No.HE -8. Michigan State Univ., East Lansing.Educational Publication Services. Pub Date Jan 67 Note -204p. EDRS Price MI -SI 00 HC -51030 . Descriptors -.Home EconomicsSkills,*Occupational Clusters. Occupational Guidance, Occupational Home Economics. *Occupational Information. Occupations Identifiers -Dictionary of Occupational Titles This buletin is a relerence tool for the identification of homeeconomics-related occupations and requirements and methodsof entry into these occupations. A full description of 200 home econor,:s-related occupations as found inthe Dictionary of Occupational Titles. Volume I, and page references which will facilitate thelocation of descriptions of the "area of work" and "worker trait group" asindicated in Volume H of the Dictionary are presented. Occupations have been classified andalphabetically arranged into one of six clusters: (1) family relationships. (2) clothing andtextiles, (3) foods and nutrition, (4) housing and furnishings, (5) clothing maintenance,and (6) household maintenance and services. Home economics-related occupations were identified by independent analysisof thethirdedition of the Dictionary of Occupational Titles, Volume I. Lists were compared and organized intoclusters. Value judgments of 136 knowledgeable persons to the questions: (1)Is the occupation related to the duster in which it is dassified? (2) To what extent is home economics needed for job competence or lob training? and (3) What otherprofessional.business.