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Macassan History and Heritage Journeys, Encounters and Influences
Macassan History and Heritage Journeys, Encounters and Influences Edited by Marshall Clark and Sally K. May Macassan History and Heritage Journeys, Encounters and Influences Edited by Marshall Clark and Sally K. May Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Clark, Marshall Alexander, author. Title: Macassan history and heritage : journeys, encounters and influences / Marshall Clark and Sally K. May. ISBN: 9781922144966 (paperback) 9781922144973 (ebook) Notes: Includes bibliographical references. Subjects: Makasar (Indonesian people)--Australia. Northern--History. Fishers--Indonesia--History Aboriginal Australians--Australia, Northern--Foreign influences. Aboriginal Australians--History. Australia--Discovery and exploration. Other Authors/Contributors: May, Sally K., author. Dewey Number: 303.482 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Fishing praus and cured trepang in the Spermonde Archipelago, South Sulawesi. Source: Marshall Clark. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2013 ANU E Press Contents 1. Understanding the Macassans: A regional approach .........1 Marshall Clark and Sally K. May 2. Studying trepangers. 19 Campbell Macknight 3. Crossing the great divide: Australia and eastern Indonesia ... 41 Anthony Reid 4. Histories with traction: Macassan contact in the framework of Muslim Australian history ....................... 55 Regina Ganter 5. Interpreting the Macassans: Language exchange in historical encounters .................................. -
“The Colonisation of Australia Prior to European Settlement” Thesis
“The Colonisation of Australia prior to European Settlement” Thesis submitted for the Degree of Master of Science University of Adelaide Phyllis Turner October 2006 The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. Shakespeare: The Tempest IV, i, 148. P. Turner ACKNOWLEDGEMENTS I thank my primary supervisor Professor Maciej Henneberg of the University of Adelaide and my external supervisor Professor Colin Groves of ANU for their persistent and unsparing encouragement, support, advice, knowledge, expertise and guidance throughout my candidature. If I have done one small thing it is because I have sat at the feet of Colossi - Diogenes I am indebted to staff of the following institutions for their collaborative support: The British Museum, The London Museum, The Berndt Museum, The Kroeber Museum of the University of California (Berkeley) and to Professor Dr Joseph Glinka of Airlangga University in Surabaya. I thank members of staff of the University of Adelaide in particular the Department of Anatomical Science, staff of Student Support, staff of the Barr-Smith Library, especially Dr Michael Draper my research Librarian, and my typist Mary Jones. I dedicate this thesis to the memory of my daughter the late Dr Elizabeth Imrie-Dines, and offer my thanks to my daughter Anne who was my proficient proof reader and to all my children, all of whom supported and assisted me in my study endeavours. PM Turner Jan 2006 Thesis p. 2 P. Turner CONTENTS Abstract Introduction Over time, Australia was populated by a succession of arrivals. -
Holocene Archaeology and Ngarrindjeri Ruwe/Ruwar (Land, Body, Spirit): a Critical Indigenous Approach to Understanding the Lower Murray River, South Australia
Holocene Archaeology and Ngarrindjeri Ruwe/Ruwar (Land, Body, Spirit): A Critical Indigenous Approach to Understanding the Lower Murray River, South Australia Christopher John Wilson, B.A. (Hons) Thesis submitted for the degree of Doctor of Philosophy in the Department of Archaeology, School of Humanities, Faculty of Education, Humanities and Law at Flinders University, Adelaide April 2017 “For all Ngarrindjeri people… … past, present and future” This thesis is dedicated to my daughters Mikayla and Rylee In memory of a dear friend and colleague Naomi (Jane) Anderson-Sibsado & for Ngarrindjeri Elders who have passed during candidature i Inset Page (From left to right): Mikayla Durkin-Wilson and Rylee Durkin-Wilson on the mosaic tail of Kondoli (whale) at Victor Harbor, 2012 (Picture taken by Chris Wilson) ii TABLE OF CONTENTS TABLE OF CONTENTS ........................................................................................................................................... III LIST OF FIGURES ................................................................................................................................................ VII LIST OF TABLES .................................................................................................................................................... X ABSTRACT ............................................................................................................................................................ XI CANDIDATE DECLARATION ............................................................................................................................ -
Scholars at War
SCHOLARS AT WAR AUSTRALASIAN SOCIAL SCIENTISTS, 1939-1945 SCHOLARS AT WAR AUSTRALASIAN SOCIAL SCIENTISTS, 1939-1945 Edited by Geoffrey Gray, Doug Munro and Christine Winter Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Scholars at war : Australasian social scientists, 1939-1945 / edited by Geoffrey Gray, Doug Munro and Christine Winter. ISBN: 9781921862496 (pbk.) 9781921862502 (ebook) Subjects: Anthropologists--Australia--Biography. Anthropologists--New Zealand--Biography. Historians--Australia--Biography. Historians--New Zealand--Biography. World War, 1939-1945--Science. Social sciences--Australia. Social sciences--New Zealand. Other Authors/Contributors: Gray, Geoffrey G. Munro, Doug. Winter, Christine. Dewey Number: 301.0922 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Cover image: Canberra, ACT, 1945-05-29, Members of the Instructional Staff of the Land HQ School of Civil Affairs at Duntroon Military College. Australian War Memorial ID 108449. Printed by Griffin Press This edition © 2012 ANU E Press Contents Preface . .vii Contributors . ix Acknowledgments . xi Abbreviations and Acronyms . xiii Introduction . 1 Geoffrey Gray, Doug Munro and Christine Winter Part I: The Australians 29 Geoffrey Gray and Christine Winter 1 . A . P . Elkin: Public morale and propaganda . 35 John Pomeroy 2 . Conlon’s Remarkable Circus . 55 Cassandra Pybus 3. -
German Ethnography in Australia
GERMAN ETHNOGRAPHY IN AUSTRALIA GERMAN ETHNOGRAPHY IN AUSTRALIA EDITED BY NICOLAS PETERSON AND ANNA KENNY MONOGRAPHS IN ANTHROPOLOGY SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: German ethnography in Australia / editors: Nicolas Peterson, Anna Kenny. ISBN: 9781760461317 (paperback) 9781760461324 (ebook) Series: Monographs in Anthropology. Subjects: Ethnology--Australia. Germans--Australia--History. Ethnology--Germany. Australia--Ethnic relations. Other Creators/Contributors: Peterson, Nicolas, 1941- editor. Kenny, Anna, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover image: Aranda Lutherans and a group of visiting Luritja people at Hermannsburg Mission, 1910s. Source: Strehlow Research Centre, Alice Springs, SRC 06192. This edition © 2017 ANU Press Contents Abbreviations . vii Figures and tables . ix Maps . xi Plates . xiii Preface and acknowledgements . xvii Orthography . xix Contributors . xxi Introduction 1 . The German-language tradition of ethnography in Australia . 3 Nicolas Peterson and Anna Kenny 2 . German-language anthropology traditions around 1900: Their methodological relevance for ethnographers in Australia and beyond . 29 André Gingrich Part I: First encounters 3 . Clamor Schürmann’s contribution to the ethnographic record for Eyre Peninsula, South Australia . 57 Kim McCaul 4 . Pulcaracuranie: Losing and finding a cosmic centre with the help of J . G . Reuther and others . 79 Rod Lucas and Deane Fergie 5 . -
A New Art History of Australian Aboriginal Art
International Journal of Art and Art History June 2020, Vol. 8, No. 1, pp. 48-57 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v8n1p4 URL: https://doi.org/10.15640/ijaah.v8n1p4 A New Art History of Australian Aboriginal Art Dr Vanessa Russ1 Abstract This paper aims to contribute to the debate around a New Art History and advocate for further research on Australian Aboriginal art through the Ronald M. and Catherine H. Berndt Collection at The University of Western Australia. The gaps in research and the location of Australia as a colony within this discourse, includes the ongoing problem of inclusion of Aboriginal art within an Australian, and by extension, European art history. Even after extensive study, exhibitions and anthologies on the topic, Aboriginal art remains a parallel history, with the discourse around its inclusion unresolved. The intention behind placing Aboriginal and Asian art in focus seeks new ideas through a control such as a single collection. The fact that the Berndt Collection includes both Aboriginal and Asian art, as well as a detailed social anthropological study of the colonial impact including acculturation and assimilation on Indigenous societies across Australia and Asia, makes this a significant study that offers an opportunity to rewrite art history and expand the discourse. Keywords: globalization, rewriting, art history, inclusion/exclusion, colonisation, Aboriginal This paper explores the value of research on art and art history from outside a known position, into the unknown. It advocates for research on Australian Aboriginal and Asian art as a hypothesis for discovering new theory and thus contributing to the discourse. -
OBITUARY: OODGEROO of the TRIBE NOONUCCAL John Collins
OBITUARY: OODGEROO OF THE TRIBE NOONUCCAL John Collins Oodgeroo of the tribe Noonuccal, Custodian of the Land Minjerribah (formerly known by her Anglicised name of Kath Walker), died on 16 September 1993. Minjerribah is the Noonuccal word for the great sand island which fringes Moreton Bay opposite the city of Brisbane. The Noonuccal-Nughie tribes occupied both North and South Stradbroke islands and fished the waters of the bay, which was known to them as Quandamooka. Visitors from many countries sailed into the bay in the early days, and when Kathleen Jane Mary Ruska was born on 3 November 1920 there was plenty of variety in her blood line. Her father was the caretaker of the local aged and infirm asylum on the island but he also maintained traditional ways. The young Kathie (one of seven children) knew the bay, its beach and forested dunes: Children of nature we were then No clocks hurrying crowds to toil.1 Schooling at the local primary school had to be endured rather than enjoyed but, at 13, like so many other Aboriginal girls of her age, she was drafted into domestic service in Brisbane. This meant that she had to live in a white world; that she had to obey the orders of the women and to keep clear of the men. She managed to do this until the Second World War, when she joined the Women's Army. She became a telephonist and was on the way to accumulating skills that would see her move out of the cramped 'no highway' that was the lot of her people, until illness forced her back into domestic service. -
The Astronomy and Songline Connections of the Saltwater Aboriginal Peoples of the New South Wales Coast
The astronomy and songline connections of the saltwater Aboriginal peoples of the New South Wales coast Robert S. Fuller A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities and Languages Faculty of Arts and Social Sciences August 2020 Thesis/Dissertation Sheet Surname/Family Name : Fuller Given Name/s : Robert Stevens Abbreviation for degree as given in the University calendar : PhD Faculty : Arts and Social Sciences School : Humanities and Languages The astronomy and songline connections of the saltwater Aboriginal peoples Thesis Title : of the New South Wales coast Australian Aboriginal peoples, who arrived in what is now the Australian continent approximately 65,000 years ago, are now accepted as the modern peoples with the longest continuous culture on Earth. Their culture, which includes observational astronomy, has a strong connection to the night sky, which is represented in Aboriginal stories and traditional knowledge. The Aboriginal belief in ‘Country’, their connection to the land they have lived upon, extends to the songlines that crisscross Australia, and these songlines may be a means to encode memory of stories and resource management. Recent evidence points to the remarkable accuracy in such stories describing sea level rise from over 7000 years ago. In this study I examined the stories and knowledge of the Aboriginal peoples of the New South Wales coast (‘Saltwater’ peoples) through a historical archival study of available literature, and through ethnographic fieldwork with knowledge holders from over 20 communities. The resulting database included more than 200 literature and 300 ethnographic items, including stories, vocabulary and cultural knowledge. -
Aboriginal Australia, Cultural Access, and Archival Obligation
Language Documentation & Conservation Special Publication No. 18 Archival returns: Central Australia and beyond ed. by Linda Barwick, Jennifer Green & Petronella Vaarzon-Morel, pp. 173–191 http://nflrc.hawaii.edu/ldc/sp18 9 http://hdl.handle.net/10125/24883 “For the children …”: Aboriginal Australia, cultural access, and archival obligation Brenda L Croft Australian National University Sandy Toussaint The University of Western Australia Felicity Meakins The University of Queensland Patrick McConvell Australian National University Abstract For whom are archival documents created and conserved? Who is obliged to care for them and provide access to their content, and for how long? The state, libraries, museums and galleries, researchers, interlocutors, genealogists, family heritage organisations? Or does material collected long ago and then archived belong personally, socially, emotionally, culturally, and intellectually to the people from whom the original material was collected and, eventually, to their descendants? In a colonised nation, additional ethical and epistemological questions arise: Are archives protected and accessed for the colonised or the colonisers, or both? How are differences regarding archival creation, protection, and access distinguished, and in whose interest? Is it for future generations? What happens when archives are accessed and read by family members and/or researchers, and what happens when they are not? A focus on two interrelated stories – firstly an experiential account narrated by Brenda L Croft about constructive -
Westerly 65.1 9 | Catherine Noske One for Sorrow Felicity Is a Poet and Critic
New Writing from In this Issue 65.1 Western Australia Felicity Plunkett Fiction Nardi Simpson Creative Non-Fiction Nicholas Jose Poetry Tracy Ryan Essays Kevin Brophy ‘Angel Buddha Temple’ It is never just an ordinary day. Brigid Lowry It is a never-before and never-again moment, a day of particles moving through space, arranging and rearranging themselves in ways mysterious, terrifying and miraculous. Westerly Volume 65 Number 1, 2020 New Writing from 65.1 Western Australia Notice of Intention Publisher Fiction Westerly has converted the full backfile of Westerly Centre, The University of Western Australia, Australia Creative Non-Fiction Westerly (1956–) to electronic text, available General Editor to readers and researchers on the Westerly Poetry Catherine Noske website, www.westerlymag.com.au. This Essays work has been supported by a grant from Associate Editor the Cultural Fund of the Copyright Agency Josephine Taylor Limited. Editorial Advisors All creative works, articles and reviews Susan Midalia (prose) converted to electronic format will be correctly Paul Munden (poetry) attributed and will appear as published. Elfie Shiosaki (Indigenous writing) Copyright will remain with the authors, and the Editorial Consultants material cannot be further republished without Delys Bird (The University of Western Australia) authorial permission. Westerly will honour any Barbara Bynder requests to withdraw material from electronic Westerly Caterina Colomba (Università del Salento) publication. If any author does not wish their Tanya Dalziell (The University of Western Australia) work to appear in this format, please contact Paul Genoni (Curtin University) Westerly immediately and your material will Dennis Haskell (The University of Western Australia) be withdrawn. -
Aboriginal History Journal: Volume 18
Aboriginal History Volume eighteen 1994 ABORIGINAL HISTORY INCORPORATED The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Secretary), Peter Grimshaw (Treasurer/Public Officer), Isabel McBryde, Luise Hercus, Ewan Morris, Elspeth Young, Ian Clark, Richard Baker, Robyne Bancroft, Neil Andrews, Valerie Chapman, Niel Gunson, Bill Jonas, Diane Smith, Harold Koch, Ricky Mullett, Brian Egloff. ABORIGINAL HISTORY 1994 Editors: Peter Read, Ewan Morris. Review Editor: Luise Hercus. CORRESPONDENTS Jeremy Beckett, Ann Curthoys, Eve Fesl, Fay Gale, Ronald Lampert, Campbell Macknight, John Mulvaney, Andrew Markus, Boh Reece, Henry Reynolds, Shirley Roser, Lyndall Ryan, Bruce Shaw, Tom Stannage, Robert Tonkinson, James Urry. Aboriginal History aims to present articles and information in the field of Australian ethnohistory, particularly in the post-contact history of the Aborigines and Torres Strait Islanders. Historical studies based on anthropological, archaeological, linguistic and sociological research, including comparative studies of other ethnic groups such as Pacific Islanders in Australia, will be welcomed. Future issues will include recorded oral traditions and biographies, narratives in local languages with translations, previously unpublished manuscript accounts, resumes of current events, archival and bibliographical articles, and book reviews. Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material in the journal. Views and opinions expressed by the authors of signed articles and reviews are not necessarily shared by Board members. The editors invite contributions for consideration; reviews will be commissioned by the review editor. All editorial correspondence should be addressed to The Editors, Aboriginal History, Department of History, The Faculties, Australian National University, Canberra 0200, Australia. Subscriptions and related inquiries should be sent to Box 2837, GPO Canberra 2601, ACT Australia. -
Australian Dictionary of Biography Volume 19
AUSTRALIAN DICTIONARY OF BIOGRAPHY AUSTRALIAN DICTIONARY OF BIOGRAPHY VOLUME 19: 1991–1995 A–Z GENERAL EDITOR Melanie Nolan MANAGING EDITOR Malcolm Allbrook Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464127 ISBN (online): 9781760464134 WorldCat (print): 1232019838 WorldCat (online): 1232019992 DOI: 10.22459/ADB19 This title is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover artwork: Dora Chapman, Australia, 1911–1995, Self portrait, c.1940, Adelaide, oil on canvas, 74.0 x 62.5 cm (sight), Bequest of the artist 1995, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia, 957P71 This edition © 2021 ANU Press PREFACE: REFITTING THE ADB 1 This volume of the Australian Dictionary of Biography (ADB), the largest and most successful cooperative research enterprise in the humanities and social sciences in Australia, represents the project’s continuing revision process. In 2013, Christine Fernon and I edited a history of the dictionary, The ADB’s Story, which covered its first six decades.2 The ADB going online in 2006 then seemed to be the major turning point. At the time, it was the book reproduced online with a search function. The pace of change has quickened, however, since Volume 18 was published in 2012. Above all, the ADB Online now leads the process, with the hardcopy volume being published in its wake, rather than the other way around.