Executive Director Position Guide
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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Minding the Gap : a Rhetorical History of the Achievement
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Minding the gap : a rhetorical history of the achievement gap Laura Elizabeth Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Jones, Laura Elizabeth, "Minding the gap : a rhetorical history of the achievement gap" (2013). LSU Doctoral Dissertations. 3633. https://digitalcommons.lsu.edu/gradschool_dissertations/3633 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MINDING THE GAP: A RHETORICAL HISTORY OF THE ACHIEVEMENT GAP A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Laura Jones B.S., University of Colorado, 1995 M.S., Louisiana State University, 2010 August 2013 To the students of Glen Oaks, Broadmoor, SciAcademy, McDonough 35, and Bard Early College High Schools in Baton Rouge and New Orleans, Louisiana ii Acknowledgements I am happily indebted to more people than I can name, particularly members of the Baton Rouge and New Orleans communities, where countless students, parents, faculty members and school leaders have taught and inspired me since I arrived here in 2000. I am happy to call this complicated and deeply beautiful community my home. -
Julia Reichert and the Work of Telling Working-Class Stories
FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-58719-5 Our file Notre référence ISBN: 978-0-494-58719-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Starz’S €˜America to Me’ Docuseries Explores Race in Schools
Starz’s ‘America to Me’ Docuseries Explores Race in Schools 06.29.2018 Filmmaker Steve James (Hoop Dreams, The Interrupters, Life Itself, Abacus: Small Enough to Jail) spent a year inside suburban Chicago's Oak Park and River Forest High School, exploring the grapple with decades-long racial and educational inequities. America to Me follows students, teachers and administrators at one of the country's highest performing and diverse public schools, digging into many of the stereotypes and challenges that today's teenagers face, and looking at what has succeeded and failed in the quest to achieve racial equality in our educational system. The 10-part series also serves as the launch of a social impact campaign focusing on the issues highlighted in each episode. Starz partnered with series producer Participant Media to encourage candid conversations about racism through a downloadable Community Conversation Toolkit and elevate student voices through a national spoken-word poetry contest. Alongside the release of each new episode, the campaign will also host a high-profile screening event in one city across the country. Over the course of 10 weeks, these 10 events will seed a national dialogue anchored by the series, and kick off activities across the country to inspire students, teachers, parents and community leaders to develop local initiatives that address inequities in their own communities, says Starz. James directed and executive produced the series, along with executive producers Gordon Quinn (The Trials of Muhammad Ali), Betsy Steinberg (Edith+Eddie) and Justine Nagan (Minding the Gap) at his longtime production home, Kartemquin Films. -
Doc Nyc Unveils Influential Short Lists
DOC NYC UNVEILS INFLUENTIAL SHORT LISTS FOR FEATURES & SHORTS PLUS INAUGURAL “WINNER’S CIRCLE” SECTION, LIFETIME ACHIEVEMENT SCREENINGS, “40 UNDER 40” LIST AND NEW AWARDS NEW YORK, September 26, 2019 - DOC NYC, America’s largest documentary festival, celebrating its 10th anniversary, announced the lineup for three of its most prestigious sections. Short List: Features and Short List: Shorts each curate a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards. For the first time, the Short List: Features will vie for juried awards in four categories: Directing, Producing, Cinematography and Editing, and a Best Director prize will also be awarded in the Short List: Shorts section. The festival also announced the launch of a new section, Winner’s Circle, highlighting films that have won top prizes at international festivals, but might fly below the radar of American audiences. Michael Apted and Martin Scorsese, the two recipients of DOC NYC’s previously announced Visionaries Lifetime Achievement Awards, will also have their latest documentary films screened: 63 Up and Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, respectively. The festival also announced the second year of its 40 Under 40 list of young rising stars in the documentary community, co-presented by Topic Studios. “Today’s announcements of the DOC NYC Short Lists, Winner’s Circle and 40 Under 40 showcase a tremendous breadth and depth of talent,” said festival Artistic Director Thom Powers. “We’re excited to bring New York audiences to some of the year’s best films and showcase the future of the documentary field.” AMPAS members can email [email protected] to register for a Short List Pass to gain free admission to Short List, Winner’s Circle and Lifetime Achievement screenings; as well as to the panel discussions for Short List: Features (Fri, Nov. -
A 2016 Documentary Film by Dinesh Das Sabu And
Unbroken Glass unbrokenglassfilm.com | facebook.com/unbrokenglass | @unbrokenglass A 2016 documentary film by Dinesh Das Sabu and Kartemquin Films Unbroken Glass is a documentary about filmmaker Dinesh Das Sabu's journey to understand his parents, who died 20 years ago when he was just six years old. Traveling to India and across the United States, Dinesh pieces together the story of his mother's schizophrenia and suicide, and how his family dealt with it in an age and culture where mental illness was often misunderstood, scorned and taboo. Unbroken Glass weaves together Dinesh’s journey of discovery with cinema-verite scenes of his family dealing with still raw emotions and consequences of his immigrant parents’ lives and deaths. Dinesh hopes that telling this story will raise awareness and reduce the stigma of mental illness, while at the same time empower suicide survivors and families of the mentally ill to share their stories. Unbroken Glass is Dinesh’s first feature film for Kartemquin Films. A graduate of University of Chicago, Dinesh is an independent documentary filmmaker. His work includes shooting part of Kartemquin’s American Arab and The Homestretch, as well as cinematography for Waking in Oak Creek, How to Build a School in Haiti and the forthcoming End of Love. In fall 2016, the team behind UNBROKEN GLASS is launching a robust community outreach campaign to screen the film and host discussions nation-wide. If you would like to schedule a screening, please contact [email protected]. The film is funded in part by the Sage Foundation, Firelight Media and the Asian Giving Circle.. -
The New Americans
TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien Originally published in 2007: Grossman and O'Brien (eds) Projecting Migration: Transcultural Documentary Practice, Columbia University Press, NY (Book/DVD). [Combined DVD/Book engaged with questions of migration, mobility and displacement through the prism of creative practice. Columbia University Press, NY] I The title of this book [The New Americans] and the documentary series upon which it reflects proclaims that something is fundamentally different about our most recent wave of immigration The racial and ethnic identity of the United States is ‐ once again ‐ being remade. The 2000 Census counts some 28 million first‐generation immigrants among us. This is the highest number in history – often pointed out by anti‐immigrant lobbyists ‐ but it is not the highest percentage of the foreign‐born in relation to the overall population. In 1907, that ratio was 14 percent; today, it is 10 percent. Yet there is the pervasive notion that something is occurring that has never occurred before, or that more is at stake than ever before. And there is a crucial distinction to be made between the current wave and the ones that preceded it. As late as the 1950s, two‐thirds of immigration to the US originated in Europe. By the 1980s, more than 80 percent came from Latin America and Asia. As at every other historical juncture, when we receive a new batch of strangers, there is a reaction, a kind of political gasp that says: We no longer recognize ourselves. -
With Poor Immigrants to America
Library of Congress With poor immigrants to America. WITH POOR IMMIGRANTS TO AMERICA ·The MMCo.· THE MACMILLAN COMPANY NEW YORK·BOSTON·CHICAGO·DALLAS ATLANTA·SAN FRANCISCO MACMILLAN & CO., Limited LONDON·BOMBAY·CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO WITH POOR IMMIGRANTS TO AMERICA BY STEPHEN GRAHAM AUTHOR OF “WITH THE RUSSIAN PILGRIMS TO JERUSALEM” WITH 32 ILLUSTRATIONS FROM PHOTOGRAPHS BY THE AUTHOR LC New York THE MACMILLAN COMPANY 1914 All rights reserved Copyright, 1914, By HARPER AND BROTHERS. Copyright, 1914, By THE MACMILLAN COMPANY. With poor immigrants to America. http://www.loc.gov/resource/lhbtn.15813 Library of Congress Set up and electrotyped. Published September, 1914. Norwood Press J. S. Cushing Co.—Berwick & Smith Co. Norwood, Mass., U.S.A. SEP 19 1914 $2.00 © Cl. A379559 no 1 NOTE A translation of this book has appeared serially in Russia before publication in Great Britain and America. The matter has accordingly been copyrighted in Russia. My acknowledgments are due to the Editor of Harper's Magazine for permission to republish the story of the journey. I wish to express my thanks to Mrs. James Muirhead, Miss M. A. Best, and to Mr. J. Cotton Dana, who, with unsparing energy and hospitality, helped me to see America as she is. STEPHEN GRAHAM. Vladikavkaz, Russia. vii CONTENTS PAGE Prologue xi CHAPTER With poor immigrants to America. http://www.loc.gov/resource/lhbtn.15813 Library of Congress I. The Voyage 1 II. The Arrival of the Immigrant 41 III. The Passion of America and the Tradition of Britain 54 IV. Ineffaceable Memories of New York 73 V. -
Theinterruptersv10.Pdf
Presented by Kartemquin Films THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE TABLE OF CONTENTS About the Film | 1 How To Use The Film and Resource Guide | 2 Character Profiles | 3 Laying the Groundwork for Dialogue | 4 Discussion Questions | 5 5 Things You Can Do Today | 7 Online Resource List | 8 About Kartemquin Films | 10 Credits and Funders | 10 THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE ABOUT THE FILM During one weekend in 2008, 37 people were shot in Chicago, seven of them fatally. It was the year Chicago became the emblem of America’s inner-city violence and gang problem. The Interrupters is the moving story of three dedicated “violence interrupters”—Ameena Matthews, Cobe Williams and Eddie Bocanegra—who, with bravado, humility and even humor, work to protect their Chicago communities from the violence they themselves once employed. Their work and their insights are informed by their own journeys, which, as each of them points out, defy easy characterization. From acclaimed producer-director Steve James (Hoop Dreams) and best-selling author-turned-producer Alex Kotlowitz (There Are No Children Here), The Interrupters is an unusually intimate journey into the stubborn persistence of violence in our cities. The New York Times says the film “has put a face to a raging epidemic and an unforgivable American tragedy.” Tio Hardiman created the “Violence Interrupters Program” for an innovative organization. CeaseFire, which is the brainchild of epidemiologist Gary Slutkin, who for 10 years battled the spread of cholera and AIDS in Africa. Slutkin believes that the spread of violence mimics that of infectious diseases, and so the treatment should be similar: Go after the most infected, and stop the infection at its source.