THURSDAY, MAY 2, 2013 for IMMEDIATE RELEASE KPR STUDENT LEADERSHIP CONFERENCE MAY 16 FOCUSES on POSITIVE SCHOOL CLIMATES Close T

Total Page:16

File Type:pdf, Size:1020Kb

THURSDAY, MAY 2, 2013 for IMMEDIATE RELEASE KPR STUDENT LEADERSHIP CONFERENCE MAY 16 FOCUSES on POSITIVE SCHOOL CLIMATES Close T THURSDAY, MAY 2, 2013 FOR IMMEDIATE RELEASE KPR STUDENT LEADERSHIP CONFERENCE MAY 16 FOCUSES ON POSITIVE SCHOOL CLIMATES Close to 200 Grades 7-10 students from schools across the Kawartha Pine Ridge District School Board (KPR) will gather for the annual Student Leadership Conference at Trent University May 16. The conference will run from 9 a.m.-2:30 p.m. in Lady Eaton College, with the keynote presentation at 9:20 a.m. featuring award-winning film producer and director Paul Saltzman. This year's theme is YOSO: You Only School Once - Think, Be, Inspire. The event is open to two students and one staff advisor from each school. Following are more details: Student Leadership Conference May 16, 2013 9 a.m. - 2:30 p.m. Trent University, Lady Eaton College, Peterborough This annual conference provides students (Grades 7 to 10) with an opportunity to expand their leadership skills, explore leadership opportunities, and develop strategies and ideas to build a strong school community. The conference will be a fun, interactive and informative day with an important theme, YOSO: You Only School Once - Think, Be, Inspire. The event is also a chance to recognize and reward all Student Leaders in the Board for their hard work and continued effort in creating an inclusive and positive school climate. In conjunction with Student Trustee Vivienne Jaehn-Kreibaum, members of the KPR Student Leadership group will facilitate active, hands-on, small group workshops in carousel format, all of which tie into the theme and focus on helping those around us to reach their full potential. The keynote speaker for the conference is Paul Saltzman. Saltzman is a two-time Emmy Award winning, Toronto-based film and television producer/ director known for over 300 productions. In 2008, he made his feature-film directorial debut with the documentary Prom Night in Mississippi, with Morgan Freeman, which premiered in competition at the Sundance Film Festival, 2009. His second feature documentary, The Last White Knight, featuring Delay de la Beckwith, Jr., Harry Belafonte and Morgan Freeman premiered in 2012 at the Toronto International Film Festival. In 2011, with Patricia Aquino, Saltzman founded the non-profit organization, Moving Beyond Prejudice, to work with students, youth-at-risk and community groups, using Prom Night in Mississippi to launch discussion. In December 2011, he was invited to the White House to screen the movie and hold a Moving Beyond Prejudice discussion with the audience. While there, he was honoured, as a community leader, at a reception with the President and the First Lady. -30- For information, please call Judy Malfara, Communications Officer - School Liaison, at 705- 742-9773 or toll-free at 877-741-4577, ext. 2001 .
Recommended publications
  • The Role of the Beatles in Popularizing Indian Music and Culture in the West Rodrigo Guerrero Faculty Advisors: Dr
    32 The Role of The Beatles in Popularizing Indian Music and Culture in the West Rodrigo Guerrero Faculty Advisors: Dr. Charles Brewer, Dr. Sarah Eyerly, and Dr. Douglass Seaton College of Music Abstract: The Beatles were responsible for several long-lasting innovations that shaped the history of pop music and Western culture in general. As a British rock band that dominated the popular music scene during the 1960s, they made one of their most significant, yet sometimes overlooked, contributions through the incorporation of elements from Indian culture in their music and lyrics. This essay discusses the role that the Beatles played in introducing and popularizing certain features of Indian culture, and specifically Indian music, in the Western hemisphere. I first describe their relationship with Indian culture. In this section, I bring forth questions, such as why they became interested in this culture, why they decided to go on a spiritual retreat to India, and how the trip influenced their thoughts about foreign culture. After that, this essay analyzes the influence of Indian culture and Indian music on the Beatles’ lyrics and music, respectively. Finally, I will illuminate the lasting effect that this cross- fertilization had in subsequent years. he 1960s was a decade of experimentation in popular music. The Beatles, the British rock band that dominated the popular music scene Tduring this decade, was responsible for long-lasting innovations that would shape the history and style of pop music and Western culture. One of their most significant, yet overlooked, contributions to Western culture was the incorporation of Indian musical elements into their songs.
    [Show full text]
  • 12Noon Until 10:30 Pm the Festival Is Hosted by Two-Time Emmy Award
    OFFA Film Schedule 21 June – 12noon until 10:30 p.m. The festival is hosted by two-time Emmy Award winning film and television producer and Oakville resident Paul Saltzman. OFFA World Festival Premiere Double Doc feature 12:00 p.m. Sex, Fame, and Murder (Director’s cut) 60 minutes. Director: Naomi Hiltz Country: Canada Production Company: Hiltz Squared Media Duration: one hour Filmmakers Jon and Naomi Hiltz will introduce the film and answer questions following the screening. OFFA is proud to present the World Festival Premiere of Sex, Fame, and Murder, which chronicles the quest for fame of alleged killer Luka Rocco Magnotta. On the evening of May 24, 2012, a gruesome murder took place. Video of this terrible act was intentionally filmed and posted on the internet, and body parts belonging to the victim were mailed to Government addresses and schools all over the country. When the crime was discovered, an international manhunt was underway for a man named Luka Rocco Magnotta. Luka's background, which includes porn film appearances, auditions for reality television shows, and the creation of a highly-visible online presence, would be the talk of the media for months to come. The documentary was filmed in Canada, the United States, London, Paris and Berlin and has exclusive never before seen access to the people and places that were key parts of this unfolding story. OFFA Festival Premiere 1:30 p.m. A Dress Rehearsal for an Execution Director: Bahman Tavoosi Country: Canada Production Company: Hades Films / Peacock Films Duration: 1 hour Cast: Inka Malovic, Stevan Jobert, Marie-Christine Labelle.
    [Show full text]
  • UK Jewish Film@JW3 We Are Delighted to Announce a Year-Round Film Partnership with JW3, the New Jewish Community Centre for London
    SPONSORS THE SHORESH CHARITABLE TRUST THE KOBLER TRUST VOD SPONSOR BANK LEUmI (UK) GALA SPONSOR REFUGEES STRAND SPONSOR President: Hilton Nathanson Patrons Carolyn and Harry Black Paul and Keren Ristvedt Eric Senat Alan Brill Daniel Robey Andrew Stone Peter and Leanda Englander Stuart and Bianca Roden Arthur Matyas & Edward Stuart and Erica Peters Isabelle and Ivor Seddon Wojakovski Charitable Foundation EmERGING FILmmAKERS DAy SPONSOR HOTEL SPONSOR TRAVEL SPONSOR mEDIA SPONSOR mEDIA SPONSOR OFFICIAL SCREENING ROOm SPONSOR Funding Contributors In Kind Sponsors ICE CREAm SPONSOR CUPCAKES SPONSOR Film Sponsors Edward and Sharon Azouz Veronique and Jonathan Lewis Errol and Tessa Rudnick Beaverbrooks Dennis and Gillian Levine Searchlight Electric Ltd Beauchamp Estates LJCC The Steen Family Lawrence and Patti Collins Menorah Film Club David and Sayoko Teitelbaum Emanuel Charitable Trust The Lowy Mitchell Foundation UK Friends of The Abraham Fund Engaye Mark and Carolyn Mishon Initiatives Glasgow Jewish Film CLub Jessica Sebag-Montefiore Beth and Alan Wilkins Jane and Michael Grabiner Fiona and Peter Needleman Yachad The Green Family New Israel Fund Yad Vashem – UK Foundation Stella and Samir Joory Stuart and Erica Peters Young Yad Vashem – UK Foundation Annabel Karmel MBE Paul and Sara Phillips The ZF Honorary Patrons Honorary Life Patron: Sir Sydney Samuelson CBE Tim Angel OBE Michael Grabiner David Kustow OBE Helen Bamber OBE Romaine Hart OBE Paul Morrison Dame Hilary Blume Sir Terry Heiser Tracy-Ann Oberman The Right Honourable the Stephen Hermer Lord Puttnam of Queensgate CBE Lord Collins of Mapesbury Lord Janner of Braunstone QC Selwyn Remington Simon Fanshawe OBE Samir Joory Ivor Richards Vanessa Feltz Lia van Leer Jason Solomons Sir Martin Gilbert Maureen Lipman CBE Chaim Topol THE SELECTION OF FILMS AND EVENTS FOR THE UKJFF DOES NOT REFLECT, IN ANY WAY, THE VIEWS OR PREFERENCES OF THE SPONSORS OR THOSE WHO SUPPORT THE FESTIVAL.
    [Show full text]
  • How India Changed the Beatles
    HOW INDIA CHANGED THE BEATLES OS_62016.P00.indd 1 5/23/16 10:51 AM lombok (LHP).pdf 1 5/22/16 4:53 PM LOMBOK C M Y CM MY CY CMY K World’s Best Halal Tourism Destination and World’s Best Halal Honeymoon Destination 2015 (World’s Best Halal Travel Summit in Abu Dhabi 2015) www.indonesia.travel www.kemlu.go.id/AbuDhabi Phone: +971 2 445 4448 lombok (RHP).pdf 1 5/22/16 4:49 PM Splendid white sand beaches, C M surfing paradise and Y CM MY South Sea Cultured Pearls CY CMY K Only 45 minutes from Dubai International Airport No need for room service out here. The Arabian desert served up more than enough room for all of us! www.raktda.com Al Wadi Nature Reserve Lifestyle LHP.pdf 1 5/16/16 11:33 AM C M Y CM MY CY CMY K Lifestyle RHP.pdf 1 5/16/16 11:35 AM C M Y CM MY CY CMY K EDITOR-IN-CHIEF Obaid Humaid Al Tayer MANAGING PARTNER & GROUP EDITOR Ian Fairservice EDITORIAL DIRECTOR Gina Johnson [email protected] GROUP EDITOR Mark Evans [email protected] SENIOR EDITOR Andrew Nagy [email protected] DIGITAL / PRINT DESIGNER Ralph Mancao [email protected] DIGITAL ANIMATOR Surajit Dutta [email protected] VIDEO EDITOR Donnie Miguel [email protected] SUB EDITOR Salil Kumar [email protected] EDITORIAL ASSISTANT Londresa Flores [email protected] CONTRIBUTORS Chris Anderson, Andrew Birbeck, Marina Chetner, Gemma Correll, Sarah Freeman, Ben Jacobs, Jamie Knights, Vincent Long, Matt Mostyn, Sandra Tinari, Stuart Turton, Rachael Vance, Rehab Al Haj Yousef Cover: Rui Ricardo GENERAL CHIEF COMMERCIAL OFFICER MANAGER Anthony Milne [email protected]
    [Show full text]
  • A Discussion Around an Exhibition Showcasing Photographic Prints Of
    A Discussion around an exhibition showcasing photographic prints of The Beatles’ time in India with photographer Paul Saltzman, which highlights the role of photography in representing subcultures For Immediate Release In 1968, The Beatles visited Rishikesh, India to study transcendental meditation at the Maharishi Mahesh Yogi’s Ashram on the banks of the Ganga. It was here that they crossed paths with Canadian filmmaker Paul Saltzman, who was on a journey of his own, working as a sound-engineer for the National Film Board of Canada. Saltzman was also visiting the Ashram to mend a broken heart through meditation. He went on to spend 11 days meditating with John, Paul, George and Ringo and managed to capture some of the most intimate photographs ever taken of the iconic band. This collection of 25 photographic prints has been featured in his new book – The Beatles in India and will exhibited in Mumbai for the first time at ICIA Gallery, Kala Ghoda. Tim B. Wride, Curator of Photography at The Norton Museum of Art says of Paul’s work, “Saltzman’s images are irresistible- the more one looks into them, the more they relinquish their secrets. Tiny details and unnoticed associations coalesce around the unplanned and the unexpected.” In 2000 Viking Penguin released Paul’s first book, “The Beatles in Rishikesh”. In early 2006, Paul created a deluxe Limited Edition Box- Set, “The Beatles in India”. In 2018, Insight Editions released a hardcover edition of “The Beatles in India” a curated selection of which will be displayed in this forthcoming exhibition. Avid Learning, Consulate General of Canada in Mumbai and ICIA Gallery present Beatlemania: Capturing Subcultures through the Lens a conversation between filmmaker and photographer Paul Saltzman and art critic and curator Girish Shahane.
    [Show full text]
  • Beatles Inspired Hotel Press Kit
    BEATLES INSPIRED HOTEL PRESS KIT Hard Days Night Hotel, Central Building, North John Street, Liverpool, L2 6RR +44 (0) 151 236 1964 www.harddaysnighthotel.com Follow us on: Welcome 2008 – 2018, celebrating ten fabulous years of being the world’s only Beatles inspired hotel. Located in the heart of the Cavern Quarter in Liverpool. Featuring Beatles artwork throughout, the four-star, hotel pays homage to the Fab Four and their musical legacy. Concept and Design The concept of a Beatles-inspired hotel has been prevalent in Liverpool and amongst Beatles enthusiasts for over two decades. 2004 saw the dream become a reality as plans were finalised to convert Central Buildings into the Hard Days Night Hotel. When the stunning Grade II listed hotel opened on 1st February 2008 to coincide with Liverpool’s tenure as the 2008 Capital of Culture, the objective was to create a unique environment offering high-quality hotel facilities with an exciting and interesting ‘twist’. The hotel features exclusive Beatles artwork by world-renowned artists with close association to the band, including Shannon, Paul Ygartua, Julia Baird, and Klaus Voorman. Previously unseen archived photographs of the band, including those taken by Fleet Street photographer Bill Zygmant and Paul Saltzman, adorn the walls of the hotel along with items of Beatles memorabilia placed throughout the public areas. Each one of the hotel’s 110 guest bedrooms displays a unique piece of striking artwork each telling a different part of the Beatles story. Photographs from the early 60s until present day are displayed along the grand central staircase from the basement to the roof of the hotel, often considered one of the hotel’s most spectacular features.
    [Show full text]
  • Prom Night in Mississippi Educational Resource
    PROM NIGHT IN MISSISSIPPI EDUCATIONAL RESOURCE Lead Sponsor Generously supported by WWW.HOTDOCS.CA PROM NIGHT IN MISSISSIPPI by Paul Saltzman TEACHER’S GUIDE This guide has been designed to help teachers There is tension between some white and black female students. Deputy Sheriff Lyndon Johnson, who is armed, and students enrich their experience of full-time security in the school, is concerned there could documentary film by providing support in the be some trouble on prom night. The preparations for the prom and the personal relationships between our form of questions and activities. There are characters are woven together to create the intimacy and a range of questions that will help teachers drama that culminates on prom night in Mississippi. frame discussions with their classes, activities for before, during, and after viewing the film, and some web-links that provide starting THE FILMMAKER Although a first-time feature director, Paul Saltzman points for further research or discussion. In is a two-time Emmy Award-winning film and television separate packages, there will also be support producer-director with 300 productions to his credit. In 1965 he did civil rights work with Student Non-Violent materials available with information regarding Coordinating Committee in Mississippi. In 1968 he was general viewing and teaching principles second unit director and production manager on the first for documentary film and the fundamental IMAX film. A published author and photographer, his most recent book is The Beatles in India. aspects of making documentary films. THE FILM PROM NIGHT IN MISSISSIPPI: On April 19, 2008, Charleston High School, in Charleston, Mississippi, held its historic, first-ever integrated senior prom, ending a long tradition of segregated, parent-organized white proms and black proms.
    [Show full text]
  • Film Screening & Discussion with Paul Saltzman
    Black History Month Free Community Presentations All Are Welcome! The Last White Knight—Is Reconciliation Possible? Film Screening & Discussion with Paul Saltzman Paul Saltzman is a two-time Canadian Emmy Award-winning film and television producer-director with more than 300 films, both dramas and documentaries, to his credit. The 2008 documentary feature, Prom Night in Mississippi, featuring actor Morgan Freeman, premiered at the 2009 Sundance Film Festival. His most recent film, the feature documentary, The Last White Knight—Is Reconciliation Possible? premiered at the Toronto International Film Festival in 2012. He will be Screening The Last White Knight: Tuesday, February 18th • Bowmanville High School 49 Liberty Street N. • Bowmanville, Ontario and Wednesday, February 19th • Adam Scott CVI 175 Langton Street • Peterborough, Ontario Film screening and discussion beginning at 7pm. More Than A Month Film Screening Shukree Hassan Tilghman, a 29-year-old African-American filmmaker, sets out on a cross-country campaign to end Black History Month. He stops in various cities, wearing a sandwich board, to solicit signatures on his petition to end the observance. He explains that relegating Black History Month to the coldest, shortest month of the year is an insult, and that black history is not separate from American history. Through this thoughtful and humorous journey, he explores what the treatment of history tells us about race and equality in a “post-racial” America. Thursday, February 27th @ Campbellford District High School 119 Ranney Street N. • Campbellford, Ontario Film screening and discussion beginning at 7pm. #KPRBHM www.kprschools.ca [email protected].
    [Show full text]
  • Mind the Gap Exploring the Experiences of Diasporic Media
    MIND THE GAP EXPLORING THE EXPERIENCES OF DIASPORIC MEDIA PRODUCERS AND REPRESENTATIONS OF CULTURAL DIVERSITY IN CANADA by Paul De Silva A dissertation presented to Ryerson University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture. Toronto, Ontario, Canada, 2018 © Paul De Silva 2018 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract CULTURAL DIVERSITY IN NARRATIVE SCREEN MEDIA IN CANADA: LEGISLATIVE INTENTIONS AND CURRENT REALITIES FOR SCREEN MEDIA ARTISTS FROM DIASPORIC COMMUNITIES OF COLOUR. WHY THE GAP? Paul De Silva Doctor of Philosophy Communication and Culture Ryerson University Toronto, Ontario, Canada, 2018 Prime-time narrative is the most watched and influential genre of television. It creates a sense of belonging and contributes to identity formation. It also receives the largest amount of publicly mandated funding in the form of investment, subsidies, and tax incentives in Canada. Anecdotal and empirical evidence suggests that despite legislation requiring equitable representation in all aspects of screen media, and over thirty years of many “special initiatives” and training and mentorship programs, little progress has been made in the area of equitable representation in narrative programming.
    [Show full text]
  • Cinema As Witness to Modern History
    Cinema as a Witness to History and a Product of History High school students today are often habitual and uncritical consumers of a vast array of media productions. For many young people, film and television are important sources of historical knowledge and form the basis of their understanding of the past and of contemporary social issues. The audio-visual media have in many ways become the new storytellers, constructing historical narratives that seek to engage the hearts, the minds, and the aesthetic sensibilities of viewers. Since the beginnings of cinema in the late 19th century, history has been represented and interpreted in a great variety of film genres. History is not only the explicit subject of archival primary sources, but it also plays an important role in Canadian and foreign documentary film, as well as in many Hollywood and international feature films. History is implicitly present in most of the repertoire of cinema, including drama, satire, biography, animation, independent films, propaganda films, and animation. Whether or not a cinematic message is overtly historical, films need to be critically analyzed and understood, not only for their explicit treatment of historical content, but also as historical archives in themselves. Films represent and express the values, understandings, culture, world view, and technological expertise of the time and place of their production. In this sense, cinema provides a rich instructional resource to support the development of media literacy, critical thinking, and historical consciousness. This course uses cinema as a teaching tool to help students go beyond the experience of film as entertainment or even as a source of information.
    [Show full text]
  • Canadian Film and Television Industries: a Bibliography
    Canadian Film and Television Industries: A Bibliography Last updated: Thursday, August 02, 2007 @ 8:38 a.m. Compiled by Marsha Ann Tate, PhD Librarian and Web Coordinator Hildebrandt Library The Pennsylvania State University 222 Buckhout Laboratory University Park, Pennsylvania USA 16802-4507 Email: [email protected] Canadian Film and Television Industries: A Bibliography | Introduction 2 Last updated: August 2, 2007 Introduction The following is a bibliography of sources consulted in conjunction with the compiler’s PhD research on Canada’s film and television industries, and more specifically a case study of Alliance Atlantis Communications and its predecessor companies. Arrangement of Entries The bibliography is arranged into eleven sections based upon resource type: (1) library and archives collections; (2) government documents (including submissions by individuals and companies to the CRTC and other government bodies); (3) interview and speech transcripts/correspondence; (4) books, book chapters, and reports; (5) theses; (6) journal articles; (7) conference and working papers; (8) magazine and film/television trade paper articles; (9) news articles and press releases; (10) Web-based resources (with no known direct print equivalent); and (11) miscellaneous sources. All entries are listed alphabetically, using a word-by-word scheme, according to the author’s last name or title of the work, if the author(s) are unknown. Canadian or British spellings of English words are retained as are French spellings of words. Access to Full Text of Resources Included in the Bibliography A number of the resources included in the bibliography are freely accessible via the Web and whenever possible, links to the full text of these resources are provided.
    [Show full text]
  • PRODUCTION GUIDE by Jose Arroyo
    • • PRODUCTION GUIDE by Jose Arroyo exec. p. mgr. Stephen Sassen assoc. p. cons!. co·ord Garry Brolly foreman Gary York of the excitement. activity, people and events Marianne Canepa asst. p. (LA) Gary Hall prod. painter Ted Polkinghorner, Jacob Wiebe trans­ that are shaping the XV Olympic Winter games. man. Randy Cheveldayve prod. co-ord Valerie port co· ord Jim Perenseff transport capt. Production commenced Jan. 1, 1987, wrapping he following is a list of films in production (actually before cameras) McNicol prod. sec. Susan Crawford L.A. Prod. Larry Fanzega, Marty Grohn, David Anderson Jan. 31 , 1988. Currently sold to CFTO, CFRN, and in negotiation in Canada. Needless to say, the films which are Sec. Dot Mallard VAN Receptionist Stephanie caterer (Film Fare) Sandy BenneH caterer Bet­ CJOH. and CKY. sup. p. Brian Vos pJd. Gord still in the project stage are subject to changes. A third category,ln Matches-Johnson office handiman Jon Moore tina D'Ercevielle 1st aid craft service PaHi Enno, Dave Oberg, Ed Gatzke sc. Kathy Reno T d. Michael Pressman 1st a.d. Ritchie Forrest Pre-Production, will be used to indicate films which are in active pre-pro­ MacReynolds auditor Linda Kelly prod. est. Tin host Gord Kelly reporters Mane Hohtanz, Ken 2nd a.d. Ron French lrd a.d. Jim Rowe asst d. Ten Eyck ass!. audl. Billy Boyd, Judy Wolch Newans, Russ Peake, Cathy Sproule. Brian duction, having set a date for the beginning of principal photography and trinee BreH Dowler d.o.p. Ed Koons cam op. C. asst. to prod.
    [Show full text]