University of Huddersfield Repository
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
OFF Festival Katowice 2018 Warsaw Village Band Meets Poznań City Revival
OFF Festival Katowice 2018 Warsaw Village Band meets Poznań City Revival Here at the OFF Festival, we always enjoy reminiscing: there’s the 2007 debut by Muchy, and the songs of our forefathers as reinterpreted by the Warsaw Village Band. But we also look boldly into the future, as personified by a pair of excellent debut artists: Rolling Blackouts Coastal Fever and Fontaines D.C. Kapela ze Wsi Warszawa – mazovian re:action No one has done more to demystify folk music in the ears of popular young audiences than the Warsaw Village Band (known in Poland as Kapela ze Wsi Warszawa), who often resort to audacious experiments that draw the ire of their own musical milieu. No one has been bolder when it comes to combining local roots with musical shoots growing all over the world and in all eras. Only they could spice up a Slavic melody with a voice from India, a solo by an Iranian virtuoso, and a electronic beat lifted from a London dance club. On Warsaw Village Band’s latest album, mazovian re:action (a late 2017 release that’s already scored a Fryderyk Award), the artists head home from their distant travels, playing Mazovian songs learned from old masters and sharing those tunes with the world. Muchy performing „Xerroromans” This Poznań band made their memorable debut in 2007 with Terroromans, an album that launched Muchy into immediate indie-rock stardom. More than a decade later, the group returns with the same lineup, the same material (and an extra track on the re-edition of Terroromans), and the same drive. -
Best of 2012
http://www.afropop.org/wp/6228/stocking-stuffers-2012/ Best of 2012 Ases Falsos - Juventud Americana Xoél López - Atlantico Temperance League - Temperance League Dirty Projectors - Swing Lo Magellan Protistas - Las Cruces David Byrne & St Vincent - Love This Giant Los Punsetes - Una montaña es una montaña Patterson Hood - Heat Lightning Rumbles in the Distance Debo Band - Debo Band Ulises Hadjis - Cosas Perdidas Dr. John - Locked Down Ondatrópica - Ondatrópica Cat Power - Sun Love of Lesbian - La noche eterna. Los días no vividos Café Tacvba - El objeto antes llamado disco Chuck Prophet - Temple Beautiful Hello Seahorse! - Arunima Campo - Campo Tame Impala - Lonerism Juan Cirerol - Haciendo Leña Mokoomba - Rising Tide Lee Fields & The Expressions - Faithful Man Leon Larregui - Solstis Father John Misty - Fear Fun http://www.bestillplease.com/ There’s still plenty of time to hit the open road for a good summer road trip. Put your shades on, roll down the windows, crank up the tunes and start cruising. Here are some of CBC World's top grooves for the summer of 2012. These are songs that have a real rhythm and a sunny, happy, high-energy vibe to them. 6. Mokoomba, “Njoka.” Mokoomba is a band from the Victoria Falls area of Zimbabwe, made up of musicians from the Tonga people of Zimbabwe. The textures on this first single, from Mokoomba's second album Rising Tide, are great, especially the vocals http://music.cbc.ca/#/blogs/2012/8/Road-trip-playlist-with-Quantic-the-Very-Best-Refugee-All-Stars-more CHARTS & LISTS AFRICAN MUSIC: THE BEST OF 2012. This list considers only new, original studio recordings released this year. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
2016-03-23 Dt-Michel
1 WDR 3 Jazz & World Redaktion: Dagmar Töpfer Mittwoch, 22.05-24.00 Uhr Datum: 23.03.2016 Klezmer for my love - Feidman, Avital, Kasbek & Co. Moderation: Babette Michel ___________________________________________________________________________ UNSERE KONZERTTIPPS: Giora Feidman & Rastrelli Cello Quartett: Jubiläumstournee zum 80. Geburtstag 11.04.2016 Philharmonie, Köln 13.04.2016 Ev. St. Reinoldikirche, Dortmund Wirbeley 29.06.2016 Domforum, Köln Juriy Gurzhy: „Born in UA“ 09.04.2016 Stadtgarten, Köln Zion 80 (Jon Madof, Frank London, Matt Darriau u.a.) 08.05.2016 Acht Brücken Festival, Stadtgarten Köln Äl Jawala 13.04.2016 Bahnhof Langendreer, Bochum Beckmann spielt Cello Vol. II 26.03.2016 Schumannsaal, Düsseldorf 27.03.2016 Schumannsaal, Düsseldorf 01.04.2016 St. Maria im Kapitol, Köln Mikail Aslan im Radio 09.04.2016, 20.05.-22.00 Uhr WDR 3 Konzert (Aufnahme des Konzertes bei Klanglandschaften Mülheim/Ruhr) ********************************************************** MUSIKLISTE: Titel: Fuga y misterio Interpret: Avi Avital Komp. / Text / Bearb.: Astor Piazzolla / Bearb.: Juan Esteban Cuacci CD-Titel: Between Worlds, track 10 Verlag / Label / Bestell-Nr. / LC-Nr.: Deutsche Grammophon / 4791069 GH / LC 00173 / EAN: 028947910695 Zeit: 7'30 Titel: So they dance in Safad Interpret: Giora Feidman Komp. / Text / Bearb.: traditionell / Bearb.: Giora Feidman CD-Titel: The incredible clarinet, track 13 Verlag / Label / Bestell-Nr. / LC-Nr.: Pläne / PLÄNE 88725 / LC 00972 / EAN: 4007198838381 Zeit: 2'30 Titel: Moanin Interpret: Giora Feidman & Rastrelli Cello Quartett Komp. / Text / Bearb.: Bobby Timmons / Bearb.: Peter Breiner CD-Titel: Klezmer Bridges, track 1 Verlag / Label / Bestell-Nr. / LC-Nr.: Pianissimo Musik GmbH / PM 0934 / LC 20164 / EAN: 4260184040469 Zeit: 4'41 2 Titel: Di grine kuzine - Sher Interpret: Yxalag Komp. -
2012 09 Topten.Pdf (609.3 Kib)
SEPTEMBER 2012 GREEKADELIA l KRISTI STASSINOPOULOU & STATHIS KALYVIOTIS GREECE (WORLD MUSIC NETWORK) NORD l WARSAW VILLAGE BAND POLAND/SWEDEN (JARO) NO NA ORELHA l CRIOLO BRAZIL (STERNS) LA CANTIGA DEL FUEGO l ANA ALCAIDE SPAIN (A.ALCAIDE PROD) SONGS FOR DESERT REFUGEES l V.A. VARIOUS (GLITTERHOUSE) ONDATROPICA l ONDATROPICA COLOMBIA (SOUNDWAY) A CURVA DA CINTURA l A.ANTUNES, E.SCANDURRA, T.DIABATE BRAZIL/MALI (MAIS UM DISCOS) MEYHANE - KAFE AMAN l LOXANDRA GREECE (POLYPHONON) INNOVATION l SEKOUBA BAMBINO GUINEE (LUSAFRICA) EL AAIUN AGDAT l MARIEM HASSAN WESTERN SAHARA (NUBENEGRA) 2 The WORLD MUSIC CHARTS EUROPE Panel: Austria: Albert Hosp (ORF), Johann Kneihs (ORF); Belgium: Didier Melon (RTBF), 1 0 Zjakki Willems (vrt); Czech Republic: Petr Doruzka (VLTAVA); Estonia: Tonu Timm (Vikkerraadio), Aimar Ventsel (Radio2 Tallinn); 2 c Finland:, Marten Holm (YLE,Radio Vega), Ole Holmberg (YLE), Harri Tuominen (YLE); France: Laurence Aloir (RFI), Daniel Brown i s (RFI), Bintou Simpore (Radio Nova); Germany: Klaus Frederking (NDR), Francis Gay (WDR-Funkhaus Europa), Michael Kleff (DLF), u m Gülbahar Kültür (Radio Bremen), Jay Rutledge (Bayerischer Rundfunk), Johannes Theurer (Rundfunk Berlin-Brandenburg); Greece: t f i Giorgos Markakis (Kosmos), Manos Tzanakakis (Mylos); Hungary: Balázs Weyer (MR3-Bartok), László Marton (MR2); Ireland: Gerry g Godley ( RTE); Italy: Paolo Ferrari (Popolare Firenze), Patrick Fassiotti (Popolare Milano) ; Latvia: Gita Lancere (Radio Latvia); © Ilmars Slapins (Radio NABA, Rigas Slaiks); Netherlands: Bas Springer -
Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional -
Nigel Kennedy Is Back and He's Showing No Signs of Mellowing
Still playing the rebel: Nigel Kennedy is back and he's showing no signs of mellowing Nigel Kennedy returns for a gig at London's Tower Festival as his seminal Vivaldi album gets a 20th anniversary re- release. He still has the haircut, the attitude, and he's still angry – about conductors, the price of CDs, Palestine, country music, Margaret Thatcher, and much more. Jessica Duchen met him, and then partied... Friday, 4 September 2009 Sunset over the Brandenburg Gate, Berlin, and Nigel Kennedy is giving a special performance with his jazz quintet to mark the conclusion of the World Athletics Championships. "Berlin – nummer eins!" the mohican-crested renegade fiddler shouts to the crowd from a stage opposite the landmark. He takes a spoof bow, flapping his hands while pony-galloping forward and back, telling the crowd that this is "Shakespearean". "Oh, Nigel," his manager sighs, "what are you doing?" Later, after his trademark greeting, "monster!", we settle in his dressing-room tent, Kennedy nursing an outsize tumbler of neat vodka, to discuss what he really is doing. At 52, outwardly the bad boy of the violin hasn't changed much since his ever-controversial recording of Vivaldi's The Four Seasons 20 years ago, when it got into The Guinness Book of Records as the highest-selling classical album ever and caused near-apoplexy in the classical world. The record industry is marking the anniversary with a special re-release, but Kennedy has long since moved on. He works hard, plays hard – the night before he'd been partying until 9am – and never stops dreaming up new projects. -
December 2000 Vol
V:J 'ONSffild Z9Z ·oN l!lillgd 1008-0PL£6 V'J 'OUS;}Jd PHd S/W .;}AV Ja)(~~g .N ~PZS OIVd UIRI~OJd S;}!J)fllS ~!U;)UIJV gg~1sod ·s·n '1f1 UO!l~ZfiiB~JQ SlU;}pOlS U~!U;)UIJV lYOJd-UON OUS;}Jd '[lS'J ;}ql JO J;}d~dSM;}N ;}q~ HYE SHARZHOOM nd Arme·nian Action .:.us cu.Pc~-n-,.zr Year December 2000 Vol. 22, No. 2 (72) Supplement to the Collegian ASP Hosts Catholicos Aram I at Fresno State . By John-Jabagchourian ship that is not based on ethical, Editor moral, and spiritual values," His Holiness Aram I said. "Unprec edented economic, technological · natriptothe United States, and industrial progreS&With unlim His Holiness Aram I, ited use of earth's limited resources Catholicos of the Great House of Cilicia, made a special has greatly jeopardized the ecosys stop at California State University, tem that sustains our universe." Fresno on the morning of October His speech demonstrated a link 23, 2000 to speak to students and between theology and the preser faculty on ''The Ecological Crisis, · vation of the environment. Its Causes and Implications: A His Holiness stressed that the Christian View." earth, its resources and all life are Dressed in the traditional black God's creation; however, human -robe with purple cuffs, His Holi ity has distorted this concept and ness Aram I arrived on campus has exploited God's creation by with an entourage of bishops and misusing its limited resources for local religious leaders of the Arme purposes of greed rather than satis nian Church at the invitation of and fying the needs of survival. -
Faculty Scholarship May 2015-May 2016
FACULTY SCHOLARSHIP MAY 2015-MAY 2016 Faculty Scholarship at Whitworth in the 21st century, and explore the work of WHO WE ARE Teresa of Avila. Social scientists compare The Whitworth faculty comprises 154 Christian religious and secular HIV-prevention NGOs in teacher-scholars who engage in research, Kenya and present on hope in a consumerist writing, and creative performance to advance culture. Faculty in the arts perform, contribute their understanding of the world, to enrich to exhibits, write about microcontrollers and their teaching, to share their discoveries, and music, create arrangements for jazz ensembles, to bring new information and insights into and compose hymns. Economists write about their classrooms. Organizations beyond our household economics, and educators present campus recognize the high quality of our faculty their research on programs for high-ability scholarship; many support Whitworth research learners. programs. Whitworth faculty members have received grants from a broad range of funders WHY WE DO IT including federal grants from the National At Whitworth, teaching and scholarship are Science Foundation, the National Institutes not seen as separate and competing spheres. of Health and the U.S. State Department’s Faculty members model lifelong learning for Fulbright program; state funding from our students while staying immersed in the the Office of the Superintendent of Public joy of discovery and connected to the broader Instruction; support from private regional and conversations of their academic disciplines. national foundations such as the M. J. Murdock Some faculty members conduct research and Charitable Trust and the Lilly Endowment; write monographs with their undergraduate and funding from local corporate foundations students in special research programs that including Spokane Teachers Credit Union and mentor students for graduate study. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Yiddish Songs of the Shoah: A Source Study Based on the Collections of Shmerke Kaczerginski Permalink https://escholarship.org/uc/item/6x72f9t5 Author Werb, Bret Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Bret Charles Werb 2014 Copyright © Bret Charles Werb 2014 ABSTRACT OF THE DISSERTATION Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski by Bret Charles Werb Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Timothy Rice, Chair This study examines the repertoire of Yiddish-language Shoah (or Holocaust) songs prepared for publication between the years 1945 and 1949, focusing its attention on the work of the most influential individual song collector, Shmerke Kaczerginski (1908-1954). Although a number of initiatives to preserve the “sung folklore” of the Nazi ghettos and camps were undertaken soon after the end of the Second World War, Kaczerginski’s magnum opus, the anthology Lider fun di getos un lagern (Songs of the Ghettos and Camps), published in New York in 1948, remains unsurpassed to this day as a resource for research in the field of Jewish folk and popular music of the Holocaust period. ii Chapter one of the dissertation recounts Kaczerginski’s life story, from his underprivileged childhood in Vilna, Imperial Russia (present-day Vilnius, Lithuania), to his tragic early death in Argentina.