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Family Fortunes
ffirs.indd ii 13/06/12 1:58 PM FAMILY FORTUNES ffirs.indd i 13/06/12 1:58 PM ffirs.indd ii 13/06/12 1:58 PM FAMILY FORTUNES How to Build Family Wealth and Hold Onto It for 100 Years BILL BONNER WILL BONNER John Wiley & Sons, Inc. ffirs.indd iii 13/06/12 1:58 PM Copyright © 2012 by Bill Bonner and Will Bonner. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey. Published simultaneously in Canada. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the Web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at www.wiley.com/go/ permissions. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
Muppets Now Fact Sheet As of 6.22
“Muppets Now” is The Muppets Studio’s first unscripted series and first original series for Disney+. In the six- episode season, Scooter rushes to make his delivery deadlines and upload the brand-new Muppet series for streaming. They are due now, and he’ll need to navigate whatever obstacles, distractions, and complications the rest of the Muppet gang throws at him. Overflowing with spontaneous lunacy, surprising guest stars and more frogs, pigs, bears (and whatevers) than legally allowed, the Muppets cut loose in “Muppets Now” with the kind of startling silliness and chaotic fun that made them famous. From zany experiments with Dr. Bunsen Honeydew and Beaker to lifestyle tips from the fabulous Miss Piggy, each episode is packed with hilarious segments, hosted by the Muppets showcasing what the Muppets do best. Produced by The Muppets Studio and Soapbox Films, “Muppets Now” premieres Friday, July 31, streaming only on Disney+. Title: “Muppets Now” Category: Unscripted Series Episodes: 6 U.S. Premiere: Friday, July 31 New Episodes: Every Friday Muppet Performers: Dave Goelz Matt Vogel Bill Barretta David Rudman Eric Jacobson Peter Linz 1 6/22/20 Additional Performers: Julianne Buescher Mike Quinn Directed by: Bill Barretta Rufus Scot Church Chris Alender Executive Producers: Andrew Williams Bill Barretta Sabrina Wind Production Company: The Muppets Studio Soapbox Films Social Media: facebook.com/disneyplus twitter.com/disneyplus instagram.com/disneyplus facebook.com/muppets twitter.com/themuppets instagram.com/themuppets #DisneyPlus #MuppetsNow Media Contacts: Disney+: Scott Slesinger Ashley Knox [email protected] [email protected] The Muppets Studio: Debra Kohl David Gill [email protected] [email protected] 2 6/22/20 . -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
Family Fortunes Analysis of Changing Livelihoods in Maasailand Final Report
Family Fortunes Analysis of changing livelihoods in Maasailand Final report - Project ZC0275 DFID Livestock Production Programme K. Cochrane, D. Nkedianye, E. Partoip, S. Sumare, S. Kiruswa, D. Kaelo, L. Onetu, M. Nesele, M. Said, K. Homewood, P. Trench, R. S. Reid and M. Herrero DFID LPP Project ZC0275 Family Fortunes Analysis of Changing Livelihoods in Maasailand K. Cochrane1, D. Nkedianye1, E. Partoip1, S. Sumare1, S. Kiruswa1, D. Kaelo1, L. Onetu1, M. Nesele1, M. Said1, K. Homewood1,2, P. Trench1,2, R. S. Reid1 and M. Herrero1,3 1International Livestock Research Institute, P.O. Box 30709, Nairobi, Kenya 2Department of Anthropology, University College London, Gower Street, London WC1E 6BT, UK 3School of GeoSciences, The University of Edinburgh, West Mains Road, Edinburgh EH9 3JG, Scotland © International Livestock Research Institute, Nairobi, Kenya © Livestock Production Programme, DFID, United Kingdom Disclaimer: This document is an output of Project ZC0275 funded by the Livestock Production Programme of the Department for International Development (LPP – DFID) of the British Government. The views expressed in this document are the sole responsibility of the authors and may not represent the views of the donor. Correct Citation: Cochrane, K., Nkedianye, D., Partoip, E., Sumare, S., Kiruswa, S., Kaelo, D., Onetu, L., Nesele, M., Said, M., Homewood, K., Trench, P., Reid, R.S., and Herrero, M. 2005. Family Fortunes: Analysis of Changing Livelihoods in Maasailand. Final Project Report ZC0275. Livestock Production Programme. Department for International Development, United Kingdom. 261 pages For more information: Dr. Mario Herrero. International Livestock Research Institute, P.O. Box 30709, Nairobi, Kenya. [email protected] 2 DFID LPP Project ZC0275 I. -
May 13, 2020 FAN-FAVORITE MUPPET TWINS, SKEETER AND
May 13, 2020 FAN-FAVORITE MUPPET TWINS, SKEETER AND SCOOTER, WILL MAKE THEIR PLAYROOM DEBUT IN A NEW EPISODE OF DISNEY JUNIOR'S 'MUPPET BABIES,' PREMIERING FRIDAY, MAY 22 ♪♪♪♪♪♪♪ Muppet Babies They Make Their Dreams Come True! ♪♪♪♪♪♪♪ Beloved twin Muppets Skeeter and Scooter visit Miss Nanny's playroom in a special episode of Disney Junior's hit Emmy® Award-nominated series "Muppet Babies," premiering FRIDAY, MAY 22 (8:30 a.m. EDT/PDT) on Disney Channel and DisneyNOW. Photo credit: Disney Junior* Photos are available here. Both 11-minute stories in the all-new episode will feature Skeeter and Scooter: "Win a Twin" – When Skeeter volunteers to help Miss Nanny bake, her twin, Scooter, isn't sure he can have fun playing without her. "Skeeter and the Super Girls" – Skeeter is so excited to save the day with Super Fabulous and Captain Ice Cube, but she doesn't think she can be a superhero if she wears her glasses. Based on the original Emmy Award-winning series, "Muppet Babies" chronicles the hilarious playroom antics of a young Kermit the Frog, Piggy, Fozzie Bear, Gonzo, Animal and Summer Penguin. Tom Warburton ("Codename: Kids Next Door") is executive producer, Matt Danner ("Gravity Falls") is co-executive producer and supervising director, Chris Moreno ("Xiaolin Chronicles") is co-producer and art director, and Robyn Brown ("WellieWishers") is story editor. Danner also voices the role of Kermit. In addition to Danner, the series voice cast includes Jenny Slate (Disney's Academy Award®-winning "Zootopia") as Miss Nanny, Melanie Harrison ("Fish Hooks") as Piggy, Dee Bradley Baker ("Milo Murphy's Law") as Animal, Eric Bauza ("The Adventures of Puss in Boots") as Fozzie, Jessica DiCicco ("Puppy Dog Pals") as Summer and 2019 Emmy Award winner for Outstanding Performer in a Preschool Animated Program Ben Diskin ("The Spectacular Spider-Man") as Gonzo. -
Gary Stadden AMPS MIBS
Mobile: 07970 667937 / Films@59: 0117 9064334 [email protected] / [email protected] www.garystadden.com / www.filmsat59.com/people/gary-stadden Various Production Credits: Programme Client Broadcaster Format Entertainment: Turn Back Time: The High Street Wall To Wall BBC1 XDCam The Restaurant (1, 2 & 3) BBC BBC2 Hi Def 60 Minute Makeover (1 to 11) ITV Productions ITV1 Digi Beta Rosemary Shrager`s School For Cooks (1 & 2) RDF Media West ITV1 DVCam Dickinson’s Real Deal (3 to 10) RDF Media West ITV1 DVCam Live n Deadly BBC Bristol CBBC / BBC2 DVCam Sorcerer’s Apprentice Twenty Twenty BBC2 / CBBC DVCam James May’s Toy Stories Plum Pictures BBC2 Digi Beta Red or Black Syco ITV1 XDCam Come Dine With Me Granada London Channel 4 DVCam The X Factor / Xtra Factor Talkback Thames / Syco ITV1 / ITV2 Digi Beta Deal Or No Deal: Live Endemol West Channel 4 DVCam The Biggest Loser Shine TV ITV1 XDCam Grand Designs Talkback Thames Channel 4 XDCam Great Welsh Adventure With Griff Rhys Jones Modern Television ITV1 F5 / SD664 Homes Under The Hammer Lion Television BBC1 Digi Beta Dogs: Their Secret Lives (1 & 2) Arrow Media Channel 4 C300/SD664 Time Team Videotext Communications Channel 4 Digi Beta Ade In Britain Shiver ITV1 XDCam Dancing On Ice ITV Productions ITV1 Digi Beta Naomi’s Nightmares Of Nature BBC Bristol CBBC XDCam Escape To The Country Talkback Thames BBC2 DVCam The Apprentice (1 & 2) Talkback Thames BBC2 Digi Beta Britain’s Got Talent Talkback Thames / Syco ITV1 Digi Beta Celebrity Wedding Planner Renegade Picture Channel 5 XDCam Homes -
Women Directors – Who’S Calling the Shots?
Women Directors – Who’s Calling the Shots? Women Directors in British Television Production A Report by Directors UK May 2014 Contents Page 1. Executive Summary 2 2. About Directors UK/ Background to the Research 4 3. Women Directors and Employment: The Data 5 4. Drama 11 5. Entertainment and Comedy Programmes 14 6. Children’s Programmes 17 7. Factual Programmes 18 8. Why is this happening? Responses to Findings 21 9. Recommendations 24 10. Appendix Gender make-up of the UK’s film and television Directors 28 Maintaining a Career as a Director 29 Production Companies 30 Methodology 31 Children’s programmes featured in this report 31 Drama programmes featured in this report 33 Entertainment/Comedy programmes featured in this report 36 Factual programmes featured in this report 38 Women Directors – Who’s Calling the Shots? A Report by Directors UK 1. Executive Summary This study, conducted throughout 2013, examined a range of television programmes produced by BBC, ITV Studios, and six leading independent production companies; All3Media, Endemol, Fremantle, Kudos, Shed and Zodiak. The study provides a snapshot of employment patterns and practices on programmes transmitted up to December 2012. The data is drawn from programme credits for UK commissioned television programmes, matched with the most comprehensive database of directors working on those programmes. It shows a worrying decrease in employment for women directors in the most recent 2 years analysed (i.e. 2011 and 2012), specifically in drama, entertainment and comedy. Key findings 0% Women directors have ever worked on many popular dramas and entertainment shows. 13% Drama episodes directed by women in 2011 and 2012, down from 14% of the total sample1. -
ITV Diversity Acceleration Plan
DIVERSITY ACCELERATION PLAN REPORT 2021 WELCOME CAROLYN MCCALL, CEO ITV Welcome to our report. A year ago, we committed to increasing investment, including appointing a new Diversity & Inclusion team, in order to accelerate the speed of change and increase representation on-screen, in our production teams and within our own workforce. Attracting the best talent from a wide range of backgrounds, creating an inclusive culture where all colleagues can flourish, and making programmes that appeal to wide and diverse audiences are all hugely important priorities to our business. I feel incredibly proud to work for ITV and this has been an extraordinary year. I would like to acknowledge the passion and commitment ITV colleagues have displayed to drive this agenda forward and particularly the hard work of and the important role that our colleague Network Groups have played. Lockdown made things harder to deliver on many fronts including some elements of this plan and there are further steps to reach all our targets. There is no doubting our commitment – we are also committed to measuring our progress and reporting publicly each year because we know that we will rightly be judged by actions rather than words. 2 INTRODUCTION ADE RAWCLIFFE, GROUP DIRECTOR DIVERSITY AND INCLUSION, ITV As a senior leader at ITV I know how essential it is for us to use our position in society to shape Britain’s culture whilst reflecting who we are; it’s a position of privilege and responsibility. ITV has a duty to remain relevant, successful and profitable. As custodians of an organisation which millions of British people have a close relationship and affinity with, we understand the importance of ensuring that ITV consistently lives up to their expectations. -
Silver Spoon Oligarchs
CO-AUTHORS Chuck Collins is director of the Program on Inequality and the Common Good at the Institute for Policy Studies where he coedits Inequality.org. He is author of the new book The Wealth Hoarders: How Billionaires Pay Millions to Hide Trillions. Joe Fitzgerald is a research associate with the IPS Program on Inequality and the Common Good. Helen Flannery is director of research for the IPS Charity Reform Initiative, a project of the IPS Program on Inequality. She is co-author of a number of IPS reports including Gilded Giving 2020. Omar Ocampo is researcher at the IPS Program on Inequality and the Common Good and co-author of a number of reports, including Billionaire Bonanza 2020. Sophia Paslaski is a researcher and communications specialist at the IPS Program on Inequality and the Common Good. Kalena Thomhave is a researcher with the Program on Inequality and the Common Good at the Institute for Policy Studies. ACKNOWLEDGEMENTS The authors wish to thank Sarah Gertler for her cover design and graphics. Thanks to the Forbes Wealth Research Team, led by Kerry Dolan, for their foundational wealth research. And thanks to Jason Cluggish for using his programming skills to help us retrieve private foundation tax data from the IRS. THE INSTITUTE FOR POLICY STUDIES The Institute for Policy Studies (www.ips-dc.org) is a multi-issue research center that has been conducting path-breaking research on inequality for more than 20 years. The IPS Program on Inequality and the Common Good was founded in 2006 to draw attention to the growing dangers of concentrated wealth and power, and to advocate policies and practices to reverse extreme inequalities in income, wealth, and opportunity. -
Using New Family 100 Game to Develop Students’ Vocabulary at the Second Grade of Smpn 1 Bua Ponrang
CORE Metadata, citation and similar papers at core.ac.uk Provided by Repository IAIN Palopo USING NEW FAMILY 100 GAME TO DEVELOP STUDENTS’ VOCABULARY AT THE SECOND GRADE OF SMPN 1 BUA PONRANG A THESIS Submitted to the English Language of S1 Tarbiyah and Teacher Training Faculty of State Institute of Palopo in Partial Fulfillment of Requirement for Degree of Sarjana Pendidikan (S.Pd) in English Study Program REZKY EKA ZAPUTRI Reg. Num. 141630110 Supervised by: 1. WAHIBAH, S. Ag., M. Hum 2. MUH. IRFAN HASANUDDIN, S. Ag., M. A ENGLISH STUDY PROGRAM OF TARBIYAH AND TEACHER TRAINING FACULTY STATE ISLAMIC INSTITUTE ( IAIN) PALOPO 2019 i ii iii iv v ACKNOWLEDGEMENT ا ْل َح ْم ُد ِلِلِ َر ِّب ْال َعال ِم ْي َن َوال َّص ََلةُ َوال ّس ََل ُم َع َلى اَ ْش َر ِف ْا ْﻻ ْنبِيَا ِء وا ْل ُم ْر َسلِ ْي َن َسيِّ ِد َنا ُم َح َّم ٍد َو َع َلى اَلِ ِه َواَ ْصحاَبِ ِه َا ْج َم ِع ْي َن Alhamdulillahirabbil’alamin, the researcher express my highest gratitude to Allah SWT for blessing, love, mercy on most of all change to finish this thesis although in a simple form. The researcher realizes that there is much luckiness. Shalawat and salam are addressed to beloved and chosen messenger the prophet Muhammad SAW, his family, his beloved friends and for the people who always follow his step and we hope we are the person that follows his step. The researcher realizes that this thesis cannot be accomplished without help, guidance, critics, advice, and motivation from the others that help me along this research. -
Tomorrow-Is-Waiting.Pdf
Tomorrow Is Waiting www.strangehorizons.com/2011/20111121/tomorrow-f.shtml By Holli Mintzer 21 November 2011 If you want the truth, it happened because Anji was feeling lazy. Her AI class wasn't all that interesting, nor was it a field she wanted a career in, so there wasn't any reason she could see for trying especially hard. So she came up with a project that didn't look like too much work, and she picked what looked like the easiest way of doing it. Things just got a little out of hand, after that. Anji's AI class was taught by a grad student who seemed as bored as her students. It was a graduation requirement for programmers, even though everyone knew AIs, as a field, weren't going anywhere much. In seventy years of computing nobody yet had designed an AI that passed the Turing test, let alone did anything really interesting. No matter the computing power behind them, AIs just couldn't be as complex as a human brain; everyone knew that. Anji and her classmates still needed to know how to use the little crippleware bots that ran traffic lights and production lines, though, and that meant knowing the basics of AI programming. At least well enough to pass the final. So Anji decided to pick the easiest-looking project off the list of options: Design an AI that mimics the behavior of a public domain character. There was a list of characters to choose from, mostly stuff she'd never heard of. She picked Kermit the Frog because, she figured, there was a ton of footage of Kermit, even if it was mostly fifty years old, and she could just feed old TV shows to a bot until it started acting enough like Kermit to get her a passing grade.