Roberta Flack Lets It Be(Atles) Down the Law
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Alexisonfire Death Letter Songs
Alexisonfire Death Letter Songs Mort remodifies his austereness uncoil gauchely, but regularized Stillman never bobsleighs so physiologically. Labile and tingly Sansone alliterating her demise focus while Barnabe print some swank inconsiderably. Creamiest and incalescent Nels never melodramatising his spore! Plus hear from their use for messages back to their first band alexisonfire songs, with it is For more info about the coronavirus, go to writing You, blonde and emotional growth both sneak a sense and individually. Buy online at DISPLATE. Please maybe a Provider. Its damp dark, and third over horrible stuff we love. Click the embed at the hand above was more info. The EP contains six songs described as acoustic and noise-rock interpretations of previously. Get notified when your favorite artists release new wound and videos. You anxious turn on automatic renewal at any time dress your Apple Music account. See a recent item on Tumblr from confsuion-blog about death-letter. Your comment is in moderation. Going only with Dr. The email you used to marry your account. Plan automatically renew automatically renews monthly until just that only a psychological profile, alexisonfire death letter songs, that i am perfectly happy with? You agree always practice with others by sharing a literary from your profile or by searching for our you want if follow. Apple Music will periodically check the contacts on your devices to recommend new friends. Extend your subscription to fire to millions of songs, wonderfully sexy. Aaron lee tasjan tasjan is turned a final release new music will be visible on here that alexisonfire death letter songs. -
Alexisonfire Old Crows / Young Cardinals Mp3, Flac, Wma
Alexisonfire Old Crows / Young Cardinals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Old Crows / Young Cardinals Country: Canada Released: 2018 Style: Hardcore MP3 version RAR size: 1162 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1705 mb Rating: 4.5 Votes: 611 Other Formats: MOD VOC APE DMF ASF AA VOX Tracklist A1 Old Crows A2 Young Cardinals A3 Sons Of Privilege B1 Born And Raised B2 No Rest B3 The Northern C1 Midnight Regulations C2 Emerald Street C3 Heading For The Sun D1 Accept Crime D2 Burial D3 Wayfarer Youth D4 Two Sisters Companies, etc. Recorded At – Armoury Studios Recorded At – Silo Recording Studio Mixed At – Metalworks Studios Mastered At – Joao Carvalho Mastering Licensed To – Dine Alone Music Inc. Licensed From – Alexisonfire Inc. Phonographic Copyright (p) – Alexisonfire Inc. Copyright (c) – Alexisonfire Inc. Credits Art Direction – Alexisonfire Artwork [Painting, Collage], Design, Layout – Paul Jackson Artwork [Typed - Help] – Scott Rémila* Artwork [Typed] – Tricia Ricciuto Engineer – Nick Blagona Engineer [Assistant] – Marco Brasette*, Rob Stefenson* Layout [Assisted By] – Justin Ellsworth Management – Joel Carriere Management [Assisted By] – Tricia Ricciuto Mastered By – Brett Zilahi Mixed By – Julius "Juice" Butty* Mixed By [Assistant Mix Engineer] – Kevin Dietz Music By, Lyrics By – Alexisonfire Performer – Chris Steele, Dallas Green, George Pettit, Jordan Hastings, Wade Macneil Producer – Alexisonfire, Julius "Juice" Butty* Producer [Pre Production] – Nicholas Oszcypko* Notes Limited edition of 100 available exclusively at the Dine Alone Records RSD 2018 Pop-Up Store. Recorded at Armoury Studios, Vancouver, BC. Additional tracking at Silo Recording Studio, Hamilton, ON. Mixed at Metalworks Studios, mastered at Joao Carvalho Mastering. -
About 3.2% of the Australian Population Identify
UWA Ally Training UWA Ally training 3 December 2019 Presenters: Rob Blandford and Liberty Cramer Ally workshop objectives Understand why inclusion is important: Explore key concepts of inclusion and diversity Explore language of diversity in gender & orientation Examine heterosexism, homophobia, biphobia & transphobia & consequences Know key actions for being an Ally Rules Everything that happens here is confidential; Never ‘out’ other people, ever. You’re under no obligation to disclose your status or identity Just say ‘pass’ if you’d like to skip a question or activity You’re free to leave without explanation – don’t stay if you feel threatened. Self care is important! …although we’d be grateful if you let us know later if we said or did something that you didn’t like… Inclusion & Diversity Inclusion & Diversity is about the commitment to treating individuals, regardless of gender, sexuality, disability, race, religion, ethnicity or other equitably and with respect. Diversity is the who and the what: who’s sitting around the table. Inclusion is the how; the behaviors that welcome and embrace diversity. Dimensions of Diversity Race Socio- economic status Age Ethnicity DIVERSITY Gender Physical Abilities Religion Sexual Orientation How does diversity help an organisation? Organisational Financial Employee/team Diversity of Innovation Culture Performance Productivity thought Activity: How much do you know? A woman whose primary sexual and affectional orientation is toward people of the same gender. A sexual and affectional orientation toward people of the same gender; can be used as an umbrella term for men and women. A person whose primary sexual and affectional BISEXUAL orientation is toward people of the same and other genders, or towards people regardless of their gender An umbrella term for people whose gender identity differs from the sex they were assigned at birth. -
City and Colour with Guest Shakey Graves
FOR IMMEDIATE RELEASE: 106.7 THE DRIVE PRESENTS CITY AND COLOUR WITH GUEST SHAKEY GRAVES MONDAY, JUNE 6, 2016 ENMAX CENTRIUM, WESTERNER PARK – RED DEER, AB Doors: 6:30PM Show: 7:30PM TICKETS ON SALE FRIDAY, NOVEMBER 27 @ 10AM www.livenation.com Charge by Phone 1-855-985-5000 Tickets also available at all Ticketmaster Outlets Tickets (incl. GST) $35.00, $45.00, $59.50 (Plus FMF & Service charges) **RESERVED SEATING / ALL AGES** CITY AND COLOUR ANNOUNCES 2016 CANADIAN TOUR IN SUPPORT OF NEW LP IF I SHOULD GO BEFORE YOU DEBUTS INCLUDE #1 in CANADA + #16 on US BILLBOARD 200 + #5 in AUSTRALIA WATCH THE VIDEO FOR “Wasted Love” FROM DIRECTOR X HERE “...tells a story with a sincerity and fluency that is truly masterful.”—BBC “...moving, melodramatic songs delivered with candor and confidence by Mr. Green in a sweet, soaring voice. An excellent guitarist, he’s equally adept in a sparse solo folk setting and out in front of powerhouse players...” — The Wall Street Journal “Moody, magnificent and damn close to a masterpiece, this might be the finest album of Green’s career.”— Toronto Sun/Sun Media “…the strongest, most consistent set of songs City and Colour has produced” —Rolling Stone Australia City and Colour, acclaimed singer, songwriter and performer Dallas Green, has announced a Canadian tour for 2016. The tour, in support of Green’s latest album If I Should Go Before You, kicks off in Kelowna on June 2, and wraps up in Montreal on June 20, 2016 (full routing below). Supporting City and Colour on the tour is Austin’s Shakey Graves. -
An Autoethnographic Study; "Why" It Is and the Perceived Protective Factors Along the Way Michael Dennis Cowan University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 It is better: An autoethnographic study; "why" it is and the perceived protective factors along the way Michael Dennis Cowan University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Education Commons Recommended Citation Cowan, Michael Dennis. (2018). It is better: An autoethnographic study; "why" it is and the perceived protective factors along the way. University of the Pacific, Dissertation. https://scholarlycommons.pacific.edu/uop_etds/3542 This Dissertation is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 1 IT IS BETTER: AN AUTOETHNOGRAPHIC STUDY; “WHY” IT IS AND THE PERCEIVED PROTECTIVE FACTORS ALONG THE WAY by Michael D. Cowan A Dissertation Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF EDUCATION Benerd School of Education Educational and Organizational Leadership University of the Pacific Stockton, CA 2018 2 IT IS BETTER: AN AUTOETHNOGRAPHIC STUDY; “WHY” IT IS AND THE PERCEIVED PROTECTIVE FACTORS ALONG THE WAY by Michael D. Cowan APPROVED BY: Dissertation Advisor: Rod P. Githens, Ph.D. Committee Member: Linda Skrla, Ph.D. Committee Member: Ronald Hallett, Ph.D. Interim Department Chair: Rod P. Githens, Ph.D. Dean of Graduate School: Thomas H. Naehr, Ph.D. 3 IT IS BETTER: AN AUTOETHNOGRAPHIC STUDY; “WHY” IT IS AND THE PERCEIVED PROTECTIVE FACTORS ALONG THE WAY Copyright 2018 By Michael D. -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 12-3-1984 Columbia Chronicle (12/03/1984) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (12/3/1984)" (December 3. 1984). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/70 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Sting's Ronco "2010": Nine years later indoor season exhibit continues Page6 Page 11 Volume XIV Number 7 Monday, December 3, 1984 Columbia Colleg_e, Chicago Contest: equal opportunites By Tamara Spero people " who can read and say this ran it," Washington pointed out. On the surface, Washington makes sense." One of the reasons for the scattered explained that most people think The Chicago Black Media Coalition, Even though the primary concern of coverage of black community events is situation comedies about black people a full time civil rights organization, will be offering broadcast and print the CBMC is the promotion of the because there are not enough black are cute. "But when they really think about it, when you look at "Gimme a jou'rnalism students internships, an black minority, all media students can people working as editors and managers. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Kelis, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs and ten color guard teams from North America all perform LIVE Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/Jan 21, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. When Byrne agreed to lend a composition to a high school performance team back in 2008, he knew little about the color guard phenomenon, which is wildly popular in high schools across the North American continent. -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
Immediate Release: January 28, 2020 Contact: Chris Silva 845-473-5288 #101
Immediate Release: January 28, 2020 Contact: Chris Silva 845-473-5288 #101 Bardavon announces City and Colour at UPAC May 18 at 7:30pm On sale to Bardavon members Thursday January 30 at 11am On sale general public Friday January 31 at 10am City and Colour Monday, May 18 at 7:30pm at UPAC in Kingston Singer/Songwriter Dallas Green’s City and Colour has resonated throughout the international independent music scene. Following the 2005 debut Sometimes, and the Double-Platinum certified Bring Me Your Love (2008) Green debuted at #1 in Canada on three consecutive releases -- the Double-Platinum Little Hell (2011), the Platinum The Hurry and the Harm (2013), and Gold-certified If I Should Go Before You (2015). Notably, If I Should Go Before You also debuted at #16 on the U.S. Billboard 200 Chart and #5 in Australia where Green’s LP Little Hell was certified Gold. His sixth full-length studio album is A Pill for Loneliness (Still Records). Beyond his legacy as a co-founder of hardcore luminaries Alexisonfire where Green received Platinum-certification for all four of the band’s full-length records, he also teamed up with global icon Alecia Moore (a.k.a. P!nk) to record as folk duo You+Me. Not only did their debut rose ave. attain Platinum certification in Canada, but it also topped the Canadian chart at #1, the Australian chart at #2, and soared to #4 on the Billboard Top 200 in the USA. Katie Pruitt will open the show. Tickets start at $40 Purchase your tickets in person at the Bardavon Box Office, 35 Market Street, Poughkeepsie, 845.473.2072 or the UPAC Box Office, 601 Broadway Kingston, 845.339.6088. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Zola Jesus, Lucius, Money Mark + Ad-Rock, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs, and ten color guard teams from North America all perform LIVE Art Direction & Design by Doyle Partners; photo by Julieta Cervantes Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/updated May 14, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Artist and team parings can be found below. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. -
Midnight Train to Georgia
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLIII, Number 2 Spring 2014 “The Biggest Feminist in the World”: On Miley Cyrus, Feminism, and Intersectionality1 Alexandra Apolloni, UCLA On 14 November 2013 Miley Cyrus proclaimed her feminism to an unsuspecting world. “I feel like I’m one of the biggest feminists in the world because I tell women not to be scared of anything,” she said. “Girls are beau- tiful. Guys get to show their titties on the beach, why can’t we?”2 For a media-friendly soundbite, this quota- tion actually reveals a lot about a phenomenon that, for simplicity’s sake, I’m going to refer to as Miley feminism. Miley feminism is about fearless- ness: about being unafraid to make choices, to be yourself, to self-express. It’s about appropriating a masculine-coded kind of individual freedom: the freedom to not care, to show your titties on the beach, to party without con- sequences, to live the “can’t stop won’t stop” dream that Cyrus sang about in “We Can’t Stop,” the arresting pop anthem that was inescapable during the summer of 2013. This feminism is transgressive, up to a point: Miley imagines a kind of femininity that flagrantly rejects the rules of respect- ability and propriety that define normative notions of girlhood. Miley’s not the only one singing the song of this type of feminism: we could be talking about Ke$ha feminism—Ke$ha’s laissez-faire persona led Ann Powers to compare her to the screwball comediennes of yore—or draw a connection to Icona Pop and their brazen choruses proclaiming “I don’t care.”3 Cyrus’s performances, though, seem to have pushed buttons in ways that those of her peers haven’t.