Banda Desenhada Recomendada, Com Ligações Associadas

Total Page:16

File Type:pdf, Size:1020Kb

Banda Desenhada Recomendada, Com Ligações Associadas (c) 2004 Banda desenhada recomendada, com ligações associadas __ http://www.simil.com/kikebenlloch/0baker.htm Kyle BAKER, "Why I hate Saturn" __ http://www.simil.com/kikebenlloch/0biggs.htm Brian BIGGS, "Dear Julia" __ http://www.simil.com/kikebenlloch/0blain.htm David B. & Christophe BLAIN, "Hiram Lowatt & Placido Dans: Les ogres" __ http://www.simil.com/kikebenlloch/0cava.htm Felipe HERNÁNDEZ CAVA y Federico DEL BARRIO, "El artefacto perverso" __ http://www.simil.com/kikebenlloch/0clowes.htm Daniel CLOWES, "Ghost World" __ http://www.simil.com/kikebenlloch/0koike.htm Kazuo KOIKE & Goseki KOJIMA, "Lone Wolf and Cub" 1 (c) 2004 __ http://www.simil.com/kikebenlloch/0larcenet.htm Manu LARCENET, "Une aventure rocambolesque de Sigmund Freud: Le temps de chien" __ http://www.simil.com/kikebenlloch/0mazzucchelli.htm David MAZZUCCHELLI, "Big Man" __ http://www.simil.com/kikebenlloch/0quino.htm QUINO, "Mafalda" __ http://www.simil.com/kikebenlloch/0sfar.htm Joann SFAR & TANQUERELLE, "Professeur Bell: Le cargo du Roi Singe" __ http://bravu.net/contnova.htm?id=926 Christophe BLAIN, "Isaac o Pirata: As Américas" (1) Christophe BLAIN, "Isaac o Pirata: Os Gelos" (2) Christophe BLAIN, "Isaac o Pirata: Olga" (3) __ http://www.simil.com/kikebenlloch/d_bone.pdf Jeff SMITH, "Bone" 2 (c) 2004 __ http://www.simil.com/kikebenlloch/d_chunky.pdf http://www.simil.com/kikebenlloch/mp3s/a_tab02_chunky.mp3 Craig THOMPSON, "Goodbye, Chunky Rice" __ http://www.simil.com/kikebenlloch/synapsis/syn119_g.htm Germán GARCÍA, "Tess Tinieblas" __ http://www.simil.com/kikebenlloch/d_jali.pdf http://www.simil.com/kikebenlloch/mp3s/a_tab07_jali_quadrado.mp3 JALI, "Billete de ida al espacio" JALI, "Igor Mortis" __ http://www.simil.com/kikebenlloch/x_txtbd/d_trondheim.pdf http://www.simil.com/kikebenlloch/mp3s/a_tab03_trondheim.mp3 Joann SFAR et Lewis Trondheim, "Donjon" __ http://www.simil.com/kikebenlloch/d_corto.pdf Hugo PRATT, "Corto Maltés" __ http://www.simil.com/kikebenlloch/d_juegomanos_nemo05.pdf Jason LUTES, "Jar of fools" Jason LUTES, "Berlin" 3 (c) 2004 __ http://www.simil.com/kikebenlloch/synapsis/syn031_e.htm Neil GAIMAN, "Sandman" __ http://www.simil.com/kikebenlloch/mp3s/a_tab04_manga_corto.mp3 Osamu TEZUKA, "Black Jack" __ http://www.simil.com/kikebenlloch/mp3s/a_tab06_asterix.mp3 René GOSCINNY et Albert UDERZO, "Astérix" __ http://www.simil.com/kikebenlloch/mp3s/a_tab09_miller2.mp3 Frank MILLER & David MAZZUCCHELLI, "Born again" __ http://www.simil.com/kikebenlloch/mp3s/a_tab10_calvin.mp3 Bill WATTERSON, "Calvin & Hobbes" __ http://www.lacupula.com/brut/mazzu/mazzu.htm David MAZZUCCHELLI & Paul KARASIK, "La ciudad de cristal, de Paul Auster" 4 (c) 2004 __ http://www.simil.com/kikebenlloch/mp3s/tab13_sacco_palestine.mp3 http://www.simil.com/kikebenlloch/mp3s/tab13_sacco_gorazde_1.mp3 http://www.simil.com/kikebenlloch/mp3s/tab13_sacco_gorazde_2.mp3 http://www.simil.com/kikebenlloch/mp3s/tab13_sacco_gorazde_3.mp3 http://www.inicia.es/de/kikebenlloch/tab13_sacco_comicjornalismo Joe SACCO, "Palestine" Joe SACCO, "Safe Area: Gorazde" __ http://www.planetacomic.com/productos/9036.htm http://www.planetacomic.com/productos/9037.htm Carlos GIMÉNEZ, "Paracuellos", "Paracuellos 2" __ http://www.planetacomic.com/productos/18121.htm Manel FONDEVILA, "Mantecatos" __ http://www.planetacomic.com/productos/18721.htm David B., "La ascensión del gran mal" __ http://www.planetacomic.com/productos/13829.htm La PENYA, "Mondo Lirondo" __ http://www.planetacomic.com/productos/10240.htm Barry WINDSOR-SMITH, "Un artista inglés en Marvel" 5 (c) 2004 __ http://www.planetacomic.com/productos/16930.htm KEKO, "4 botas" __ http://www.planetacomic.com/productos/13971.htm GALLARDO, "Informe G" __ http://www.planetacomic.com/productos/10133.htm ÁGREDA, "Cosecha rosa" __ http://willeisner.tripod.com/lib/dropsie.html Will EISNER, "Dropsie Avenue" __ http://willeisner.tripod.com/lib/loap.html Will EISNER, "Life on another planet" __ http://www.fantagraphics.com FANTAGRAPHICS books __ http://www.topshelfcomix.com TOP SHELF comix 6 (c) 2004 __ http://www.highwaterbooks.com HIGHWATER books __ http://www.coconinopress.com COCONINO press __ http://www.kylebaker.com Kyle BAKER __ http://larcenet.free.fr Manu LARCENET __ http://www.pastis.org/joann Joann SFAR __ http://www.topshelfcomix.com/catalog.php?type=5&page=10 Jason LITTLE __ http://www.highwaterbooks.com/cavein_book.html Brian RALPH 7 (c) 2004 __ http://www.topshelfcomix.com/catalog.php?title=18 Brian BIGGS __ http://www.topshelfcomix.com/catalog.php?type=1&page=30 Rick SMITH __ http://www.topshelfcomix.com/catalog.php?title=314 James KOCHALKA 8.
Recommended publications
  • Igncc18 Programme
    www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation.
    [Show full text]
  • Comic Book Coloring Stricciones Y Creatividad” Titles Include: Bizarro Comics (DC), Nick- Festival ÑAM, Palencia, Spain, October 5, 2014
    Matt Madden curriculum vitae areas of expertise contact • comics La maison des auteurs • art education 2 Bd Aristide Briand • comics criticism 16000 Angoulême • translation from French and Spanish France [email protected] +33 (0)6 80 67 55 80 teaching experience www.mattmadden.com faculty positions education Université de Picardie Jules Verne à Amiens University of Texas at Austin, May 1996 2013-2015 Austin, Texas USA Designed and led workshops teaching basics of cartooning language M.A., Foreign Language Education (TEFL) and skills to students in comics degree program. University of Michigan, May 1990 School of Visual Arts, 209 East 23 St., New York NY Ann Arbor, Michigan USA fall 2001-2012 B.A., Comparative Literature Classes taught include full year “Storytelling” class, a class on experimental comics, and a continuing education class, “Comics memberships & distinctions Storytelling” as well as a monthly seminar. Develop own syllabi and course materials. Chevalier dans l’Ordre des Arts et des Lettres Paid consultant on curriculum development for Division of 2012 Continuing Education comics classes. Conseil d’Orientation de la Cité Internatio- nale de la Bande Dessinée et de l’Image Eugene Lang College, The New School, 65 West 11th Street, New 2013-present York NY Comics Committee, Brooklyn Book Festival Spring 2007 2011-present Taught intensive workshop class on comics storytelling to Advisor, Sequential Artists Workshop humanities and art students. 2010-present Member, OuBaPo, Workshop for Potential Comics Yale University, New Haven CT 2002- present summer 2004 National Association of Comics Art Educators Created and taught five-week intensive course called “Comics 2002-present Storytelling” taught in the English Department as part of Yale Graphic Artists Guild Summer Programs.
    [Show full text]
  • Concorso Romics Dei Libri a Fumetti 2020: I Vincitori
    CONCORSO ROMICS DEI LIBRI A FUMETTI 2020: I VINCITORI Giunto alla diciannovesima edizione, il Concorso Romics dei Libri a fumetti è il prestigioso contest che premia le maggiori firme nazionali e internazionali della nona arte, col patrocinio del Centro per il Libro e la Lettura, Istituto Autonomo del Ministero dei Beni e delle Attività Culturali. Il Concorso mira ad evidenziare le novità del panorama nazionale ed internazionale delle più prestigiose case editrici italiane e promuove le produzioni di autori rinomati ed emergenti che con passione dedicano il proprio lavoro alla filiera editoriale e che grazie alla letteratura disegnata raccontano esperienze, storie, tematiche attuali e cronache che conducono il lettore negli scenari più disparati. Il Concorso Romics dei Libri a Fumetti 2020, con ben 120 titoli iscritti, ha visto la partecipazione delle case editrici: BAO Publshing, 80144 EDIZIONI, Barta, BeccoGiallo, Bugs Comics, Coconino Press – Fandango, ComicOut, Edizioni BD, Edizioni NPE, Edizioni Star Comics, Feltrinelli Editore, Gallucci Editore, J-Pop, Kasaobake, ManFont, Mondadori, saldaPress, Sergio Bonelli Editore, Shockdom, Tora Edizioni, Tunuè e Wilder on line. La giuria di qualità, composta da Valerio Stivè - critico, editor, redattore di Fumettologica.it, Sabrina Perucca - Direttore artistico di Romics e docente di cinema d’animazione ed Enrico Fornaroli - direttore dell’Accademia delle Belle Arti di Bologna, ha decretato i vincitori e annunciato i titoli premiati durante la Cerimonia di Premiazione tenutasi sabato 30 maggio 2020 con una diretta streaming sui canali social di Romics. Di seguito l’elenco dei titoli vincitori. GRAN PREMIO Clyde Fans di Seth, Coconino Press - Fandango PREMIO SPECIALE DELLA GIURIA La Fortezza vol.1 di Boulet, Joann Sfar e Lewis Trondheim, BAO Publishing PREMIO NUOVI TALENTI P.
    [Show full text]
  • Why Graphic Novels?
    Why Graphic Novels? Graphic novels may be a new format for your store, but they’re still all about telling stories. The way graphic novels tell their stories – with integrated words and pictures – looks different from traditional novels, poetry, plays, and picture books, but the stories they tell have the same hearts. Bone, by Jeff Smith, is a fantastical adventure with a monstrous villain and endearing heroes, like Harry Potter. American Born Chinese, by Gene Luen Yang, is a coming-of-age novel, like Catcher in the Rye. Fun Home, by Alison Bechdel, is a powerful memoir, like Running With Scissors. When people ask, ‘why graphic novels?’ the easiest answer you can give is, graphic novels tell stories that are just as scary and funny and powerful and heartwarming as prose. Here are two more sophisticated answers you can also try out. Education Graphic novels are a great way to go for kids making the transition from image-centric books to more text-based books, and for adults just learning English. Because of the combination of image and text in a graphic novel, readers get visual clues about what’s going on in the story even if their vocabulary isn’t quite up to all the words yet. And because graphic novels are told as a series of panels, reading graphic novels also forces readers to think and become actively involved each time they move between one panel and the next. What’s happening in that space? How do the story and the characters get from panel 1 to panel 2? Both television and the internet play a large part in our culture – images are becoming more and more integrated into everyone’s everyday life.
    [Show full text]
  • Nacds Recommended Books List 5-2013.Indd
    Updated 5-1-2013 recommended books The following list contains books that are categorized by developmental age level as well as genre. The “developmental age” refers to the appropriateness of both content and reading level for that age. The book titles included here have been compiled from various other lists. Inclusion on this list does not mean that NACD has reviewed and endorsed the content of a particular book. Parents must determine the appropriateness of content of any book for their individual child. You and your child can choose books both for shared reading (you read a page to them, they read a page to you) and for independent reading. For independent reading, be sure to choose a book that does not have challenging vocabulary—something they can move through quickly and enjoy. For more challenging content, consider shared reading or providing audio books that they can read along with as they listen. Age groups: • Primary—includes Pre-K through 2nd grade • Elementary—includes 3rd-5th grade • Tween—includes 5th-8th grade • Young Adult—includes 7th-12th grade + When determining which age group your child fits into, consider not only age, grade, and reading level, but also developmental level and maturity. There will sometimes be crossover between categories, especially for older “Elementary” and younger “Tween.” Within the age groups, this list organizes books into the following genres: • Picture Books • Classic Fiction • Contemporary Fiction • Biographies • Hi-Lo (high interest, low reading level) (Note: This is for low level readers who are older and therefore need a more mature content than the beginning readers.) • Graphic Novels Please note that this is a dynamic list.
    [Show full text]
  • New Comicslit 1
    1 NEW COMICSLIT NEW (April) In the LOUVRE Collection: THE SKY OVER THE LOUVRE Bernard Yslaire & Jean-Claude Carriere In the next volume in co-edition with the Louvre museum we go back to the very origins of the Louvre as a museum: the tumultuous years of the French revolution. It’s the story of a painting of the Supreme Being, ordered by Robespierre from the famous painter David. A painting which was never made. It’s also the story of anoth- er painting, that of the young Bara, a 13 year old martyr of the Republic. From the inauguration of the Louvre, former royal palace, as the museum for the people, to the death of Robespierre, this is also the portrayal of the face to face of two major actors of a revolution in a great hurry. Robespierre appears equally enlightened and lost while David accomplishes his destiny: a painter torn between political engage- ment and artistic ambition. Yslaire, one the great stars of French comics, delivers a stunning masterwork in an epic and disturbing graphic novel seeped in a dramatic and fascinating period of history. 10½ x 11¼”, 72pp. full color hardcover, $19.99, ISBN 978-1-56163-602-0 Also in the LOUVRE Collection: ON THE ODD HOURS Eric Liberge The highly successful series of graphic novels co- published with the Louvre museum in Paris (“Glacial Period”, “Museum Vaults”) continues with its next out- standing graphic novel. This time, the author invites us on a guided tour of the museum… by night… when the works of art come alive.
    [Show full text]
  • Drawn & Quarterly Fall 2013
    DRAWN & QUARTERLY FALL 2013 ART SPIEGELMAN CO-MIX: A RETROSPECTIVE OF COMICS, GRAPHICS, AND SCRAPS ART SPIEGELMAN CO-MIX: A RETROSPECTIVE OF COMICS, GRAPHICS, AND SCRAPS THE CAREER OF A LITERARY & ART COMICS PIONEER Co-Mix: A Retrospective of Comics, Graphics, and Scraps is a com- prehensive career overview of the output of legendary, Pulitzer Prize-winning cartoonist Art Spiegelman. Gorgeous full-page reproductions of Spiegelman’s artwork, including covers for R. Crumb’s Short Order Comix and panels from Maus, over- whelm the senses. Essays by acclaimed film critic J. Hoberman and MoMA curator and Dean of the Yale University School of Art, Robert Storr, bookend Co-Mix, offering eloquent medita- tions on an artist whose work has been genre-defining in every sense of the word. Co-Mix began as a museum retrospective detailing Spiegelman’s lifelong involvement with comics, and was published in France in a bilingual edition, accompanying Spiegelman’s presidency at the prestigious Angoulême International Comics Festival. This ex- panded North American edition will have an additional thirty-two pages of content, including a full-size insert of the long-out-of-print Raw comic, “Two Fisted Painters,” and Spiegelman’s New Yorker comics about authors Maurice Sendak, Charles Schulz, and Harvey Kurtzman. Spiegelman has been a leader of, and an inspiration for, alternative comics artists throughout the past three decades, long before Raw magazine and Maus, and in Co-Mix: A Retrospective of Comics, Graphics, and Scraps, readers will be able to trace the evolution of this multifaceted artist throughout his storied career. PRAISE FOR CO-MIX “Co-mix shows Mr.
    [Show full text]
  • 5A Temporada 5.- Mis Circunstancias / Lewis Trondheim Març 2012
    5a Temporada 5.- Mis circunstancias / Lewis Trondheim Març 2012 Índex: Club de Lectura: Mis circunstancias / Lewis Trondheim Astiberri, 2002 L’autor: Lewis Trondheim ...................................................................................................................................1 Lewis Trondheim: la seva obra.........................................................................................................................1 Mis circunstancias / Ressenya / César Ramírez Flores........................................................................................2 Mis circunstancias / Ressenya / Ignacio Illarregui ...............................................................................................4 “Soy muy vago” / Entrevista / Santiago García......................................................................................................4 Altres L’Association: Nouvelle Bd / Article / Santiago García ....................................................................................6 L’Association: historia de una disociación / Article / Matthias Wivel.........................................................7 Novetats de desembre / Secció Còmics d’Adults / Bib. Tecla Sala......................................................................9 Novetats de gener / Secció Còmics d’Adults / Bib. Tecla Sala ..............................................................................9 Recomanacions.......................................................................................................................................................10
    [Show full text]
  • 6Th Doctor Novelisation Eric Saward Pub Date
    BBC PHYSICAL AUDIO Doctor Who: Revelation of the Daleks : 6th Summary: Doctor Novelisation The Doctor and Peri land on the planet Necros to visit the Eric Saward funerary home Tranquil Repose—where the dead are Pub Date: 7/1/20 interred and the near-dead placed in suspended animation $36.95 USD until such time as their conditions can be cured. But the 1 pages Great Healer of Tranquil Repose is far from benign. Under his command, Daleks guard the catacombs where sickening experiments are conducted on human bodies. The new life he offers the dying comes at a terrible cost—and the Doctor and Peri are being lured into a trap that will change them forever. Roarings from Further Out : Four Weird Summary: Novellas by Algernon Blackwood From one of the greatest and most prolific authors of 20th Algernon Blackwood, Xavier Aldana Reyes century weird fiction come four of the very best strange Pub Date: 7/1/20 stories ever told. In "The Willows," two men become $15.95 USD stranded on an island in the Danube delta, only to find that 288 pages they might be in the domain of some greater power from beyond the limits of human experience. "The Wendigo" features a hunting party in Ontario who begin to fear that they are being stalked by an entity thought to be confined to legend. In "The Man Whom the Trees Loved," a couple is driven apart as the husband is enthralled by the possessive and jealous spirits dwelling in the nearby forest. And lastly, in conversation with the occult detective and physician Dr.
    [Show full text]
  • Neil Gaiman: When I Was Censored
    CHICAGO VS. PERSEPOLIS: NEIL CONSPIRACY GAIMAN: & COVER-UP WHEN I WAS CENSORED FREE SPEECH AFTER CHARLIE HEBDO THE YEAR COMICS ALMOST DIED HOW TO FIGHT BOOK BANS Issue 1 Spring 2015 Director’s Note Welcome to CBLDF Defender, a new ongoing magazine reporting from the front lines of comics censorship! In each issue, we’ll take you to the communities where comics are under attack, introduce you to the people who are fighting back, and give you the tools to support the fight. It’s the latest weapon in the Fund’s decades-long battle to protect the freedom to read comics! STAFF In the first days of 2015, the massacre atCharlie Hebdo in France tragically proved Charles Brownstein, Executive Director Alex Cox, Deputy Director that the battle for free expression is ongoing and that the stakes aren’t abstract— Samantha Johns, Development Manager they’re life and death. We’re proud to bring you eyewitness reporting from cartoonist Kate Jones, Office Manager Dylan Horrocks, showing the aftermath of the attacks in France following this year’s Betsy Gomez, Editorial Director Maren Williams, Contributing Editor Angoulême festival. Our editorial team also examines the fallout from the Charlie Caitlin McCabe, Contributing Editor Hebdo murders and what they mean for free speech, starting on page 10. Robert Corn-Revere, Legal Counsel Neil Gaiman, no stranger to censorship himself, made time to talk to us about his views on the Charlie Hebdo attacks and his concerns about how some public re- BOARD OF DIRECTORS actions to them could erode free expression. Neil also told us about his formative Larry Marder, President Milton Griepp, Vice President experience as a young writer, sharing the stage with members of U.K.
    [Show full text]
  • The Comics & Graphic Novel Bulletin Of
    MEANWHILE Dan Clowes Seth Doucet Doucet Doucet C.C. Beck Jaime Hernandez Eldo Yoshimizu Stan Lee Jean Giraud Moebius Julie Doucet Aline Kominsky-Crumb C.C. Beck Beck Beck Beck The Comics & Graphic Novel Bulletin of A trio of books with similar looks and similar hooks are now availa- ble from Lexington Public Library. Each share a visual approach with a certain creaminess in both color- ing and rendition. The latest in NBM’s series of “comics biog- raphies” that gave us the recent graphic histories of the Beatles and the Rolling Stones, The Provocative Colette focuses on the youth of the famed French writer and perform- er. Cartoonist Annie Goetzinger His name hasn’t shown up in any shows the slow but sensational movie credits, so Alex Toth is development of a dreamy country still obscure to most. But many are girl into the libertine trendsetter familiar with his work without who shocked yet epitomized the “After work, all the happiness in your body can disap- knowing it. If they grew up watching pear in one second,” writes Bogdanska. But sometimes any of the many TV cartoons de- work can provide meaning , purpose, identity, as hilari- signed by Toth, they know the sleek line, the classic costuming, the sim- ously shown in Penny Nichols. Published by Top Shelf ple but strong composition of every and written by MK Reed and Greg Means, our cover mule-headed pluck, she becomes shot, every figure. Before he A quartet of graphic novels clock feature is the story of Penny Nichols, twenty-something the “assistant” of a private eye.
    [Show full text]
  • Bart Beaty CV
    Dr. Bart H. Beaty Department of English ~ The University of Calgary 2500 University Dr. NW ~ Calgary, Alberta, Canada ~ T2N 1N4 2313 2nd Ave. NW ~ Calgary, Alberta, Canada ~ T2N 0H3 H. 403-209-0208 ~ B. 403-220-4655 ~ F. 403-289-1123 ~ [email protected] Current Appointment Professor Commenced July 2010 Department of English University of Calgary, Calgary, Alberta Previous Appointments Associate Professor July 2004 – June 2010 Faculty of Communication and Culture University of Calgary, Calgary, Alberta Assistant Professor July 2000 - June 2004 Faculty of Communication and Culture University of Calgary, Calgary, Alberta Coordinator, Film Studies Minor Program July 2000-October 2001 Education Ph.D. Communications June 1999 Graduate Program in Communications McGill University, Montréal, Québec Thesis: All Our Innocences: Fredric Wertham, Mass Culture and the Rise of the Media Effects Paradigm, 1940-1972 Advisor: Dr. Will Straw M.A. Communications July 1995 Graduate Program in Communications McGill University, Montréal, Québec Thesis: Good Expectations: Adaptation and Middlebrow Literacy Advisor: Dr. George Szanto B.A. Film Studies April 1993 School for Studies in Art and Culture Carleton University, Ottawa, Ontario Awards Beaty 2 2009 Calgary Institute for the Humanities Fellowship 2006 Gertrude J. Robinson Book Prize awarded by the Canadian Communication Association for the book Fredric Wertham and the Critique of Mass Culture Grants Received Social Sciences and Humanities Research Council Standard Research Grant (2011-2014) Comics Off the
    [Show full text]