The Comics & Graphic Novel Bulletin Of

Total Page:16

File Type:pdf, Size:1020Kb

The Comics & Graphic Novel Bulletin Of MEANWHILE Dan Clowes Seth Doucet Doucet Doucet C.C. Beck Jaime Hernandez Eldo Yoshimizu Stan Lee Jean Giraud Moebius Julie Doucet Aline Kominsky-Crumb C.C. Beck Beck Beck Beck The Comics & Graphic Novel Bulletin of A trio of books with similar looks and similar hooks are now availa- ble from Lexington Public Library. Each share a visual approach with a certain creaminess in both color- ing and rendition. The latest in NBM’s series of “comics biog- raphies” that gave us the recent graphic histories of the Beatles and the Rolling Stones, The Provocative Colette focuses on the youth of the famed French writer and perform- er. Cartoonist Annie Goetzinger His name hasn’t shown up in any shows the slow but sensational movie credits, so Alex Toth is development of a dreamy country still obscure to most. But many are girl into the libertine trendsetter familiar with his work without who shocked yet epitomized the “After work, all the happiness in your body can disap- knowing it. If they grew up watching pear in one second,” writes Bogdanska. But sometimes any of the many TV cartoons de- work can provide meaning , purpose, identity, as hilari- signed by Toth, they know the sleek line, the classic costuming, the sim- ously shown in Penny Nichols. Published by Top Shelf ple but strong composition of every and written by MK Reed and Greg Means, our cover mule-headed pluck, she becomes shot, every figure. Before he A quartet of graphic novels clock feature is the story of Penny Nichols, twenty-something the “assistant” of a private eye. worked in animation, Toth honed in with four different takes on ne’er-do-well. Stuck in an rut of temp jobs—including his craft drawing every kind of com- Her first case is finding a missing labor and life. Wage Slaves (Co- ic book there was, from Westerns shilling her control-freak sister’s vile “health” product– canary. The job gets more compli- nundrum) is the true story of car- Penny doesn’t so much jump at as fall into an oppor- (above) to romance (below), with Belle Epoque. Goetzinger’s art is a toonist Daria Bogdanska’s strug- cated after that as Maggy follows smooth dessert of flesh and fashion, tunity to assist the crew of a low budget indie horror movie dinosaurs and Prudential In- gle to make a living in a new land. a trail of bloody, bruised bread surance promos in between. No a luscious spread of cream, rose and film, Blood Wedding. She gets to know her fellow would crumbs into the English under- plum. Green is the dominant color Immigrating from Poland to Swe- den to attend art school, Bogdan- -be film-makers at “Satan’s Fingers Productions”—Sam world. At least she meets a cute in the palette of Anne Simon’s The the flakey writer/director, skirt-chasing cameraman Empress Cixtisis (Fantagraphics). ska finds the “Scandanavian Mir- guy along the way, even if he is a Green as in wealth, green as in en- acle” less than extraordinary. For Bobert, homegrown special effects artist Spazzy and leg-breaker for a local crime boss. vy, which drives the Empress of one thing, she’s caught in a Catch lively leading lady Lix, joined by Sam’s pregnant wife Oiry’s slightly cartoony naturalism, Tchitchinie to kidnap the menfolk of 22: to work legally, Daria needs a Angela and hambone actor Adam. Day by day, Penny like a less vicious David Lapham, Sufragette City. This sequel to The Swedish personal identity num- takes over more of the responsibilities (below) as the is the perfect medium for Trond- Song Of Aglaia, which was based on ber. But she can’t get the number deadline looms for the film to be entered at Splatter- heim’s tricky but true-to-life yarn. Greek myth, riffs on the true story until she gets a job. Stuck in the con, “America’s premiere independent horror film festi- On the other side of the pond, bro- of Chinese Empress Cixi. Simon’s underground economy, Bogdan- val.” And the more work she does, the deeper she gets ken men and beaten women try to scratchy, detailed art recalls the ska bounces between restaurants in with this gang of weirdos, the happier Penny is. Artist get through another bad day on manic imagination and world-buil- while she bounces between boy- Matt Wiegle pays his rent as an industrial designer, the lousy job in America’s Rust ding prowess of Gary Panter and Belt. Sean Knickerbocker’s art is a David B. A couple with quite a bit friends. Drawn in a squirrely, which means he draws amazing backgrounds through matter the subject, Toth loose-limbed style reminiscent of which his physically and emotionally expressive charac- rough-hewn update of vintage wor- brought his trademark in- Julie Doucet (see “Meanwhile”), ters do their zany turns. A delightful, funny tribute to king class comics like Gasoline telligence and intensity, his Wage Slaves will ring true for any- the pleasures and pains of DIY pop culture, Penny Alley. Go to lexpublib.org to re- drive to get to the essence serve this fine Secret Acres book! of what makes comics com- one who’s worked a low-level job. Nichols is available at Beaumont, Eastside and Tates ics. A wide-ranging miscel- Creek. Those locations also feature Maggy Garrison lany of long-unseen work, (Self Made Hero). Though written and drawn by French from sketches to unpub- cartoonists Lewis Trondheim and Stephane Oiry, this lished jobs such as the street-level detective story is set in England. Our hero- Space Ghost story left, less in common become Blossoms ine is a luckless Londoner looking for a job. By sheer Treasures Retold: The Lost in Autumn (Self Made Hero). Both Art of Alex Toth joins the the story by Zidrou and art by IDW volumes shown below Aimee de Jongh are authentically in Central’s OVERSIZE co- real but luminous with romance. A mics collection. Get it now! unwillingly retired mover and a former model turned cheesemaker find an impossible love in the twi- light of their years. The ending is a shock, for both characters and readers, but a nice one. It’s a sweet story– and funny. “...The worst move of my life? A comic book collector (with) 15,000 books! We swiped one to see if he’d notice. And he did, the jerk!” For reserves, go to lexpublib.org! MEANWHILE cartoonist quickly gained attention in the crowd- ed alternative comics scene of the early 1990s. Her true-to-life tales of “sex, violence and men- struation” were drawn in a cluttered, intimate and inky style more like her underground for- bears than the slicker art of her alienated peers such as Dan Clowes and Seth. Often as un- comfortable as amusing, Doucet’s ground- breaking comic Dirty Plotte has been gathered in a two volume set by its original publisher Drawn & Quarterly. Available from Central, these hardbacks stand as testimony to both the pow- er of art and its limits, given Doucet quit mak- ing comics rather than “be stuck with the ‘cartoonist’ label for the rest of my life...Now I just can’t stand comics.” Driven by a similar disgust, another great artist walked away from the drawing board decades before Doucet set pen to paper. C.C. Beck was one of the titans Hot on the heels of the Locas collection Is of the Golden Age, the man whose fun and fan- This How You See Me? (see 741.5 no. 30) ciful approach to superheroes propelled the cha comes Tonta (Fantagraphics). Alternative comics icon Jaime Hernandez spins off a new cast of characters, punky youngsters with a few connections to his now-grown-up nab the revving, raging Ryuko from Central. Hoppers crew. Namely Vivian, AKA the Frog- The latest release from the team of Hard mouth, a brunette bombshell who’s trouble Case Crime and Titan Books is the combine’s with a capital RUB; she ends up dragging her first manga. Sculptor, photographer, musi- half-sister Tonta into a world of “Crime Raid- cian, Eldo Yoshimizu brings to his comics a ers International Mobsters and Execution- highly physical style. Figures race across the ers.” Tonta herself is a charming gap-toothed page in a storm of speed lines, violence ex- tangle of hopes and hormones, pining for the plodes in a splatter of ink shrapnel. The tale lead singer of her fave local hardcore combo, of stylish Yakuza assassin Ryuko and the hanging with her girls Gomez and the Gor- girls she’s raised in the business will contin- gon, dealing with family drama that takes a ue in Volume 2. Unfortunately for comics, dark turn by the end of the book. A story there was only one collaboration between that’s silly and subtle and even sinister, Marvel-maker Stan Lee and French icon often on the same page, is rendered in a Jean Giraud, better known as Moebius. perfectly simple and simply perfect balance Silver Surfer: Parable is an Oversize 30th of black and white. Xaime’s work is a Platon- Anniversary edition of the limited series that ic ideal of cartooning, all the more more won an Eisner Award in 1989. Space god impressive for how easy it looks. The same Galactus returns, but he doesn’t want to eat could never be said for Julie Doucet. One of Earth—he wants to run it! Only his former Aline Kominsky-Crumb’s discoveries (see herald stands against Galactus...and the cult “Meanwhile”, 741.5 no.
Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
    Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements.
    [Show full text]
  • Graphic Novels for Children and Teens
    J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr.
    [Show full text]
  • NEURO-WHAT? It’S Brain Awareness Week Page 10
    THEOAKLANDPOSTOakland University’s Independent Student Newspaper Volume 44 Issue 22 Mar. 13, 2019 l l NEURO-WHAT? It’s Brain Awareness Week Page 10 CLASS CREDITS LT. GOVERNOR SHOT DOWN OU considers changing course Garlin Gilchrist talks Michigan’s Men’s basketball loses in last credits from four to three future in technology second at LCA PAGE 4 PAGE 5 PAGE 7 GRAPHIC BY PRAKHYA CHILUKURI MARCH 13, 2019 | 2 THIS WEEK PHOTO OF THE WEEK THEOAKLANDPOST EDITORIAL BOARD AuJenee Hirsch Laurel Kraus Editor-in-Chief Managing Editor [email protected] [email protected] 248.370.4266 248.370.2537 Elyse Gregory Patrick Sullivan Photo Editor Web Editor [email protected] [email protected] 248.370.4266 EDITORS COPY&VISUAL Katie Valley Campus Editor Mina Fuqua Chief Copy Editor [email protected] Jessica Trudeau Copy Editor Zoe Garden Copy Editor Trevor Tyle Life&Arts Editor Erin O’Neill Graphic Designer [email protected] Prakhya Chilukuri Graphic Assistant Michael Pearce Sports Editor Ryan Pini Photographer [email protected] Nicole Morsfield Photographer Samuel Summers Photographer Jordan Jewell Engagement Editor Sergio Montanez Photographer [email protected] PRIDE MONTH SPEAKER Poet and educator J Mase III opens Pride Month with pow- REPORTERS DISTRIBUTION erful slam poetry about his experiences being black and transgender, and talks about Benjamin Hume Staff Reporter Kat Malokofsky Distribution Director Distributor combating white supremacy and false allyship. PHOTO / NICOLE MORSFIELD Dean Vaglia Staff Reporter Alexander Pham
    [Show full text]
  • English-Language Graphic Narratives in Canada
    Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411).
    [Show full text]
  • Check All That Apply)
    Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers.
    [Show full text]
  • Fantastic Four Compendium
    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
    [Show full text]
  • Black Panther: Volume 1: the Complete Collection Pdf, Epub, Ebook
    BLACK PANTHER: VOLUME 1: THE COMPLETE COLLECTION PDF, EPUB, EBOOK Mark Texeira,Joe Jusko,Christopher Priest | 416 pages | 25 Aug 2015 | Marvel Comics | 9780785192671 | English | New York, United States Black Panther: Volume 1: The Complete Collection PDF Book Rhodey shows up and hates everybody because his sister died. The library didn't have it though, so then took a while to get my hands on my own copy and now they do have the entire series sigh but then I was sort of moving away from superhero comics for a bit Similarly, I'm not sure if disability vs ability is ever confronted. Ayla Pendragon rated it really liked it Jan 13, Be the first to ask a question about Black Panther by Christopher Priest. About Christopher J. May 31, Joe Lunday rated it really liked it Shelves: comics-graphic-novels. Aug 11, Scott rated it really liked it. Trevor Hairsine Illustrations ,. View Product. Who is the Black Panther - and what is the secret history of Wakanda? His story is just amazingly epic! Home 1 Books 2. Priest is also a baptist minister. If you're interested in t With the film on the way, I wanted to be caught up on some of the histories of the character, as the cinematic version will pull some inspiration from this series. There's even a scene where thousands of black people come to the city to see a glimpse of the black panther. Science Fiction. Jere Pilapil rated it really liked it Oct 03, Books by Christopher J. He stands featureless and masked up in a generic, light-swallowing Panther costume.
    [Show full text]
  • Igncc18 Programme
    www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation.
    [Show full text]
  • Report on Micro Data, Sorted by Title
    English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor
    [Show full text]
  • Books at 2016 05 05 for Website.Xlsx
    Australian Lesbian and Gay Archives Book Collection Author or editor last Author or editor first name(s) name(s) Title : sub-title Place of publication Publisher Date Special collection? Fallopian Tube [Antolovich] [Gaby] Fallopian tube : fallopiana Sydney, NSW Pamphlet July, 1974 December, [Antolovich] [Gaby] Fallopian tube : madness Sydney, NSW Fallopian Tube Press 1974 GLBTIQ with cancer Network, Gay Men's It's a real bugger isn't it dear? Stories of Health (AIDS Council of [Beresford (editor)] Marcus different sexuality and cancer Adelaide, SA SA) 2007 [Hutton] (editor) [Marg] Your daughter's at the door [poetry] Melbourne, VIC Panic Press, Melbourne March, 1975 Inequity and hope : a discussion of the current information needs of people living [Multicultural HIV/AIDS with HIV/AIDS from non-English speaking [Multicultural HIV/AIDS November, Service] backgrounds [NSW] Service] 1997 "There's 2 in every classroom" : Addressing the needs of gay, lesbian, bisexual and Australian Capital [2001 from 100 [no author identified] transgender (GLBT) young people Territory Family Planning, ACT yr calendar] 1995 International Year for Tolerance : gay International Year for and lesbian information kit : milestones and Tolerance Australia [no author identified] current issues Melbourne, VIC 1995 1995 [no author identified] About AIDS in the workplace Massachusetts, USA Channing L Bete Co 1988 [no author identified] Abuse in same sex relationships [Melbourne, VIC] not stated n.d. Acquired Immune Deficiency Syndrome : [New York State [no author identified] 100 questions & answers : AIDS New York, NY Department of Health] 1985 AIDS : a time to care, a time to act, towards Australian Government [no author identified] a strategy for Australians Canberra, ACT Publishing Service 1988 Adam Carr And God bless Uncle Harry and his roommate Jack (who we're not supposed to talk about) : cartoons from Christopher [no author identified] Street Magazine New York, NY Avon Books 1978 [no author identified] Apollo 75 : Pix & story, all male [s.l.] s.n.
    [Show full text]
  • Vol. 3 Issue 4 July 1998
    Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults.
    [Show full text]