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Zbwleibniz-Informationszentrum
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Bessière, Céline; Gollac, Sibylle Article Is social network analysis useful for studying the family economy? economic sociology_the european electronic newsletter Provided in Cooperation with: Max Planck Institute for the Study of Societies (MPIfG), Cologne Suggested Citation: Bessière, Céline; Gollac, Sibylle (2018) : Is social network analysis useful for studying the family economy?, economic sociology_the european electronic newsletter, ISSN 1871-3351, Max Planck Institute for the Study of Societies (MPIfG), Cologne, Vol. 19, Iss. 3, pp. 4-10 This Version is available at: http://hdl.handle.net/10419/181296 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu 4 demonstrate that the family is still a relevant unit of Is social analysis (Tilly & Scott, 1989 [1978]). -
Tenure Divides UR Faculty
TUESDAY, FEBRUARY 25, 2020 / VOLUME 147, ISSUE 2 Campus Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Tenure Divides UR Faculty By AN NGUYEN biology could work in could stop my contract,” that there won’t be back- But even the possibility PUBLISHER business, in a biotech a non-tenured professor lash from administra- of security is not open to company for example, from the social sciences tion, departments, and all faculty. While many students rather than here. And told the Campus Times. colleagues. At UR, faculty can be view UR as an academ- you would make more That social sciences According to the social divided into two tracks: ic pressure-cooker, the money working in the professor and other non- sciences professor, the one for professors who pressure extends to fac- private sector. But the tenured faculty will be repercussions “can be as do research and teach, ulty as well. and one for professors But when students look who focus on teaching. to grad school admis- Only the researchers can sions, many professors get tenure. have their eyes on ten- The social sciences pro- ure: the ultimate promise fessor, who is on the non- of security and prestige tenured instructional that is a make-or-break track, views their job as moment for their careers. taking care of students in Tenure guarantees a a “holistic” way — know- faculty member perma- ing, helping, and caring nent UR employment about them. to pursue their scholar- The wall next to their ship, which can mean desk is covered with let- research, publications, ters and thank-you cards or artwork. -
African Slavery in Documentary Films Why Now?
Journal of Global Slavery 5 (2020) 1–21 brill.com/jgs African Slavery in Documentary Films Why Now? Francesca Declich University of Urbino Carlo Bo [email protected] Marie Rodet SOAS, University of London [email protected] The last two decades have witnessed much scholarly debate around discursive and non-discursive legacies of African slavery, as well as a growing interest in memories of slavery from the African continent.1 At the same time, an increas- 1 A large body of publications has emerged on slavery in the African continent, including among others: Martin A. Klein, “Studying the History of Those Who Would Rather Forget: Oral History and the Experience of Slavery,”History in Africa 16 (1989): 215; Edward A. Alpers, “Recollecting Africa: Diasporic Memory in the Indian Ocean World,”African Studies Review 43 (1) (2000): 83–99; Rosalind Shaw, Memories of the Slave Trade: Ritual and the Historical Imag- ination in Sierra Leone (Chicago: University of Chicago Press, 2002); Eric E. Hahonou and Baz Lecocq, “Introduction: Exploring Post-Slavery in Contemporary Africa,”International Journal of African Historical Studies 48, no. 2 (2015): 181–192; Alice Bellagamba, Sandra E. Greene, Martin A. Klein, African Slaves, African Masters. Politics, Memories, Social Life (Trenton NJ: Africa World Press, 2017); Alice Bellagamba. “Yesterday and today. Studying African slav- ery, the Slave Trade and their Legacies through Oral Sources,” in Alice Bellagamba, Sandra E. Greene, Martin A. Klein, eds., African Voices on Slavery and the Slave Trade. Vol 2: Sources and Methods (Cambridge: Cambridge University Press, 2016), 174–197; Alice Bellagamba. “Living in the shadows of slavery”, OPEN DEMOCRACY (2016) https://www.opendemocracy .net/beyondslavery/alice‑bellagamba/living‑in‑shadows‑of‑slavery, accessed on 10 Novem- ber 2019; Marie Rodet, “Escaping Slavery and Building Diasporic Communities in French Soudan and Senegal, ca. -
The Unforgiven Ones
The Unforgiven Ones 1 God These are the generations of Esau (that is, Edom). 2 Esau took his wives from the Canaanites: Adah the daughter of Elon the Hittite, Oholibamah the daughter of Anah the daughter of Zibeon the Hivite, 3 and Basemath, Ishmael's daughter, the sister of Nebaioth. 4 And Adah bore to Esau, Eliphaz; Basemath bore Reuel; 5 and Oholibamah bore Jeush, Jalam, and Korah. These are the sons of Esau who were born to him in the land of Canaan. 6 Then Esau took his wives, his sons, his daughters, and all the members of his household, his livestock, all his beasts, and all his property that he had acquired in the land of Canaan. He went into a land away from his brother Jacob. 7 For their possessions were too great for them to dwell together. The land of their sojournings could not support them because of their livestock. 8 So Esau settled in the hill country of Seir. (Esau is Edom.) 9 These are the generations of Esau the father of the Edomites in the hill country of Seir. 10 These are the names of Esau's sons: Eliphaz the son of Adah the wife of Esau, Reuel the son of Basemath the wife of Esau. 11 The sons of Eliphaz were Teman, Omar, Zepho, Gatam, and Kenaz. 12 (Timna was a concubine of Eliphaz, Esau's son; she bore Amalek to Eliphaz.) These are the sons of Adah, Esau's wife. 13 These are the sons of Reuel: Nahath, Zerah, Shammah, and Mizzah. -
WGAE ANNOUNCES PARTNERSHIP with the BLACK LIST Guild Partners with Storied Database’S Recently Launched Paid Service Site
November 5, 2012 Contact: Jay Strell Sunshine Sachs [email protected] 212.691.2800 Franklin Leonard, The Black List [email protected] 213.280.4049 WGAE ANNOUNCES PARTNERSHIP WITH THE BLACK LIST Guild partners with storied database’s recently launched paid service site New York, NY– The Writers Guild of America, East (WGAE) has announced a partnership with The Black List (www.blcklst.com), which produces an annual list of the best unproduced screenplays in Hollywood, as chosen by industry executives. The partnership allows Guild members to receive a discount to host their work on the new Black List subscription site, which includes access to the annual Black List, the site’s new ‘real-time portal’ as well as the opportunity to register and protect their screenplays with the click of a button. WGAE and The Black List will launch an online initiative to publicize Guild agreements and services and Guild representatives will contribute to the site’s blog: http://gointothestory.blcklst.com/. The initiative will include information throughout The Black List site about Guild programs, contracts, membership and registration as well as links to WGAE.org, OnWritingOnline.org, and the WGAE iTunesU page. WGAE members will also receive a 20% discount to have The Black List’s stable of professional script readers review and offer notes on their work. “The Black List makes it possible for screenwriters to get their work read and considered by people in the industry,” said Lowell Peterson, WGAE Executive Director. “We are proud to support this extension of The Black List concept. Screenwriters will get solid evaluations of their work and broader access to decision-makers. -
Feature Films for Education Collection
COMINGSOON! in partnership with FEATURE FILMS FOR EDUCATION COLLECTION Hundreds of full-length feature films for classroom use! This high-interest collection focuses on both current • Unlimited 24/7 access with and hard-to-find titles for educational instructional no hidden fees purposes, including literary adaptations, blockbusters, • Easy-to-use search feature classics, environmental titles, foreign films, social issues, • MARC records available animation studies, Academy Award® winners, and • Same-language subtitles more. The platform is easy to use and offers full public performance rights and copyright protection • Public performance rights for curriculum classroom screenings. • Full technical support Email us—we’ll let you know when it’s available! CALL: (800) 322-8755 [email protected] FAX: (646) 349-9687 www.Infobase.com • www.Films.com 0617 in partnership with COMING SOON! FEATURE FILMS FOR EDUCATION COLLECTION Here’s a sampling of the collection highlights: 12 Rounds Cocoon A Good Year Like Mike The Other Street Kings 12 Years a Slave The Comebacks The Grand Budapest Little Miss Sunshine Our Family Wedding Stuck on You 127 Hours Commando Hotel The Lodger (1944) Out to Sea The Sun Also Rises 28 Days Later Conviction (2010) Grand Canyon Lola Versus The Ox-Bow Incident Sunrise The Grapes of Wrath 500 Days of Summer Cool Dry Place The Longest Day The Paper Chase Sunshine Great Expectations The Abyss Courage under Fire Looking for Richard Parental Guidance Suspiria The Great White Hope Adam Crazy Heart Lucas Pathfinder Taken -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Pennington to Lead Student Body
PAGE 2 • NEWS PAGE 7 • ARTS PAGE 16 • FEATURES During hybrid learning, Head designer of the Check out reviews of three many teachers have sneaker shop Leaders chicken sandwiches from struggled to find a 1354, alumnus Ellen Ma around Chicago. Find balance where both in- uses her platform to out how factors such as person and distance connect Asian and Black presentation, freshness, learning students remain communities in Chicago crispiness and flavor can engaged in class. through streetwear. make or break the taste. University of Chicago Laboratory High School 1362 East 59th Street, Chicago,U-HIGH Illinois 60637 MIDWAY uhighmidway.com • Volume 97, Number 2 MAY 6, 2021 Editors Pennington to lead student body by AMANDA CASSEL With a relatively low voter EDITOR-IN-CHIEF 2021-22 Student Council turnout this year, do you think sign off This interview took place May 1, Student Council is representative President: Brent Pennington the day after the election, and was of the entire student body? Kennedi Bickham lightly edited for clarity and space. Vice President: Student Council is 23 people year of The extended version is online. Secretary: Peter Stern representing 610 students. There What is your main goal or a Treasurer: Taig Singh is no way in the world that Student couple of your main goals as all- Cultural Union President: Council is going to be able to rep- distance school president. How do you Saul Arnow resent that many people with just plan to put them into action? Cultural Union Vice President: 23 people, which is why I want to by EDITORS-IN-CHIEF My main goal as all-school pres- make sure that Student Council is Katie Baffa Dear Readers, ident is to make it so that Student open to having people who either Fourteen months ago, life Council is capable of accomplish- CLASS OF 2022 didn’t win or just didn’t run at all to changed: from classes to ing a lot and to prove to the rest of President: Zachary Gin come on Student Council and rep- clubs to sports. -
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like Alone, Omen 3 by King Krule RIYL: Cosmo Pyke, Ariel Pink The chameleonic singer-songwriter is gearing up for the February 21st release of his next album, Man Alive!, with single "Alone, Omen 3", which displays elements of both the stark, rough-shod post-punk of his first record, 6 Feet Beneath the Moon, and the more eclectic art pop leanings of his second, The OOZ. But "Alone, Omen 3" also hints at a new, psychedelically inclined direction for Marshall, featuring a more understated vocal performance and a woozy, meditative tone. By Colin Jones Run by Joji RIYL: James Blake, Rejjie Snow George Kusunoki Miller began his online career as Filthy Frank (a sketch comedy act), transitioned to Pink Guy (a comedy rapper), and finally realized his full musical form as Joji, the lo-fi hip hop artist inspired by Donald Glover and influenced by electronic and R&B music. On “Run,” a haunting, mysterious electric guitar snakes its way through the song supported by heartbreaking lyrics. Imagine you’re driving along a coastal highway, top-down, feeling the wind, letting the song’s words wash over you, and thinking of your last great love...all while wearing a bad-ass, black leather jacket. That’s what this song is like. By Chase Garvey-Daniels Shangri-La by EOB RIYL: Radiohead, The Postal Service Shangri-la is one of three singles released ahead of Radiohead frontman Edward O'Brien’s upcoming album, which will be called “Earth”. This is O’Brien’s debut album as a solo artist, marking the end of (or at least a break from) his 20+ years with Radiohead. -
Harry Potter and the Unforgivable Curses: Norm- Formation, Inconsistency, and the Rule of Law in the Wizarding World Aaron Schwabach Thomas Jefferson School of Law
Roger Williams University Law Review Volume 11 | Issue 2 Article 2 Winter 2006 Harry Potter and the Unforgivable Curses: Norm- formation, Inconsistency, and the Rule of Law in the Wizarding World Aaron Schwabach Thomas Jefferson School of Law Follow this and additional works at: http://docs.rwu.edu/rwu_LR Recommended Citation Schwabach, Aaron (2006) "Harry Potter and the Unforgivable Curses: Norm-formation, Inconsistency, and the Rule of Law in the Wizarding World," Roger Williams University Law Review: Vol. 11: Iss. 2, Article 2. Available at: http://docs.rwu.edu/rwu_LR/vol11/iss2/2 This Article is brought to you for free and open access by the Journals at DOCS@RWU. It has been accepted for inclusion in Roger Williams University Law Review by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Articles Harry Potter and the Unforgivable Curses: Norm-formation, Inconsistency, and the Rule of Law in the Wizarding World Aaron Schwabacht I. INTRODUCTION The Big Thing in popular literature in the 1980s and the early 1990s was cyberpunk, and academics loved it:1 Neuromancer2 was dark. It was serious. It dripped Weltschmerz from every page. But the essential nihilism of the genre, so delightful to cultural scholars, offered little for lawyers. No one could have predicted, back then, that the Next Big t Professor of Law, Thomas Jefferson School of Law. J.D., 1989, Boalt Hall; B.A., 1985, Antioch College, [email protected]. I'd like to thank my daughters Veronica and Jessica Schwabach, my sisters Karen and Jennifer Schwabach, and my wife Qienyuan Zhou for their patience with this project and many long discussions on arcane points of Potter lore, and I'd especially like to thank Jeffrey Thomas for coming up with the whole mad scheme in the first place and seeing it through. -
PRESS KIT 2004 in May of 1999, a Team of Music-Science Journalists Were on a Routine field Outing in Manhattan
PRESS KIT 2004 In May of 1999, a team of music-science journalists were on a routine field outing in Manhattan. What they discovered shocked and perplexed them. Many experts classified The Heroine Sheiks as odd and primitive throwbacks, though others pointed out that the musical structures of these creatures were absolutely unique (some even thought the species of higher intelligence.) The scientific mainstream was unconvinced. The musical DNA evidence is now in and the dissidents have been vindicated, this is a NEW species. Many scientists still insist that these creatures will be unable to adapt themselves to a conservative climate regime. Others counter that those scientists have not personally observed The Heroine Sheiks in the wild and have ignored new data (RE. SIAMESE PIPE, Rubric Records) which suggests that these creatures have in fact been expanding their range across a spectrum of ecosystems- to the alarm of many music environmentalists Bios- Eric Robel, Drums From the Great Plains of North America, this animal has astonished naturalists in that when it attacks, it appears to possess six arms! However, careful follow-up ob- servations with slow motion photography have revealed only the normal two. The phantom appendages are in fact a rare beneficial genetic mutation. Witness that the most elusive of evolutionary events – “The Hopeful Master.” Martin Ros - Guitar This newly discovered sub-species is thought by some scientists to have rafted over in recent times from another nearby island, perhaps on matted vegetation or some other flotsam. It has flourished in its new environment through its brute power and surprising cunning. -
The Top 100 Listener Picks for 2013, from NPR Music 1. Vampire
The Top 100 Listener Picks For 2013, From NPR Music 1. Vampire Weekend, Modern Vampires Of The City 2. Arcade Fire, Reflektor 3. Daft Punk, Random Access Memories 4. The National, Trouble Will Find Me 5. Lorde, Pure Heroine 6. Chvrches, The Bones Of What You Believe 7. Kanye West, Yeezus 8. HAIM, Days Are Gone 9. Neko Case, The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You 10. James Blake, Overgrown 11. Volcano Choir, Repave 12. Phosphorescent, Muchacho 13. Queens Of The Stone Age, ...Like Clockwork 14. Kurt Vile, Wakin On A Pretty Daze 15. The Avett Brothers, Magpie And The Dandelion 16. The Civil Wars, The Civil Wars 17. Janelle Monáe, The Electric Lady 18. Justin Timberlake, The 20/20 Experience - 1 of 2 19. David Bowie, The Next Day 20. Local Natives, Hummingbird 21. Atoms For Peace, Amok 22. Sigur Rós, Kveikur 23. Foxygen, We Are The 21st Century Ambassadors Of Peace & Magic 24. Rhye, Woman 25. The Head And The Heart, Let's Be Still 26. Tegan And Sara, Heartthrob 27. My Bloody Valentine, m b v 28. Typhoon, White Lighter 29. Phoenix, Bankrupt! 30. Jason Isbell, Southeastern 31. Iron And Wine, Ghost On Ghost 32. Disclosure, Settle 33. Laura Marling, Once I Was An Eagle 34. Chance The Rapper, Acid Rap 35. Edward Sharpe & The Magnetic Zeros, Edward Sharpe & The Magnetic Zeros 36. Kacey Musgraves, Same Trailer Different Park 37. Daughter, If You Leave 38. The Flaming Lips, The Terror 39. Nick Cave & The Bad Seeds, Push The Sky Away 40.