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States of Incarceration and Subordination in the Learning and Lived Experiences of Youth in a Juvenile Detention Facility
ARE THE[SE] KIDS ALRIGHT?: STATES OF INCARCERATION AND SUBORDINATION IN THE LEARNING AND LIVED EXPERIENCES OF YOUTH IN A JUVENILE DETENTION FACILITY by Jonathan Patrick Arendt A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Curriculum, Teaching, and Learning Ontario Institute for Studies in Education University of Toronto © Copyright by Jonathan Patrick Arendt 2012 ARE THE[SE] KIDS ALRIGHT?: STATES OF INCARCERATION AND SUBORDINATION IN THE LEARNING AND LIVED EXPERIENCES OF YOUTH IN A JUVENILE DETENTION FACILITY Doctor of Philosophy 2012 Jonathan Patrick Arendt Department of Curriculum, Teaching, and Learning University of Toronto ABSTRACT This study examines the dynamics and implications of trans-spatial subordination in/across the lived experiences of six incarcerated participant youths in a secure custody facility for juveniles in Louisiana. Five male teenagers (four African American, one White) and one female teenager (African American) discuss the limitations, harassment, and confinement in various aspects of their lives and speak about the impact on their expectations for the future. The author employs several methodologies in order to develop a multimedia, multifaceted representation of their lives. The narratives elicited through interviews provide the bulk of the data as the participants describe this perpetual subordination. The photographs, resulting from the implementation of a visual ethnographic methodology, provide images that serve as catalysts for introspection and analysis of significance in the mundane and routine, particularly as they apply to the carceral facilities, structures, and policies themselves. Film viewing and discussion offer an array of depictions of youth and criminality to which the youths responded, granting a simultaneous peek at how these marginalized youths viewed themselves and how mainstream media productions depict them. -
Mary Douglas: Purity and Danger
Purity and Danger This remarkable book, which is written in a very graceful, lucid and polemical style, is a symbolic interpretation of the rules of purity and pollution. Mary Douglas shows that to examine what is considered as unclean in any culture is to take a looking-glass approach to the ordered patterning which that culture strives to establish. Such an approach affords a universal understanding of the rules of purity which applies equally to secular and religious life and equally to primitive and modern societies. MARY DOUGLAS Purity and Danger AN ANALYSIS OF THE CONCEPTS OF POLLUTION AND TABOO LONDON AND NEW YORK First published in 1966 ARK Edition 1984 ARK PAPERBACKS is an imprint of Routledge & Kegan Paul Ltd Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2001. © 1966 Mary Douglas 1966 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-06608-5 (Print Edition) ISBN 0-203-12938-5 Master e-book ISBN ISBN 0-203-17578-6 (Glassbook Format) Contents Acknowledgements vii Introduction 1 1. -
Tenure Divides UR Faculty
TUESDAY, FEBRUARY 25, 2020 / VOLUME 147, ISSUE 2 Campus Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Tenure Divides UR Faculty By AN NGUYEN biology could work in could stop my contract,” that there won’t be back- But even the possibility PUBLISHER business, in a biotech a non-tenured professor lash from administra- of security is not open to company for example, from the social sciences tion, departments, and all faculty. While many students rather than here. And told the Campus Times. colleagues. At UR, faculty can be view UR as an academ- you would make more That social sciences According to the social divided into two tracks: ic pressure-cooker, the money working in the professor and other non- sciences professor, the one for professors who pressure extends to fac- private sector. But the tenured faculty will be repercussions “can be as do research and teach, ulty as well. and one for professors But when students look who focus on teaching. to grad school admis- Only the researchers can sions, many professors get tenure. have their eyes on ten- The social sciences pro- ure: the ultimate promise fessor, who is on the non- of security and prestige tenured instructional that is a make-or-break track, views their job as moment for their careers. taking care of students in Tenure guarantees a a “holistic” way — know- faculty member perma- ing, helping, and caring nent UR employment about them. to pursue their scholar- The wall next to their ship, which can mean desk is covered with let- research, publications, ters and thank-you cards or artwork. -
Rap and Feng Shui: on Ass Politics, Cultural Studies, and the Timbaland Sound
Chapter 25 Rap and Feng Shui: On Ass Politics, Cultural Studies, and the Timbaland Sound Jason King ? (body and soul ± a beginning . Buttocks date from remotest antiquity. They appeared when men conceived the idea of standing up on their hind legs and remaining there ± a crucial moment in our evolution since the buttock muscles then underwent considerable development . At the same time their hands were freed and the engagement of the skull on the spinal column was modified, which allowed the brain to develop. Let us remember this interesting idea: man's buttocks were possibly, in some way, responsible for the early emergence of his brain. Jean-Luc Hennig the starting point for this essayis the black ass. (buttocks, behind, rump, arse, derriere ± what you will) like mymother would tell me ± get your black ass in here! The vulgar ass, the sanctified ass. The black ass ± whipped, chained, beaten, punished, set free. territorialized, stolen, sexualized, exercised. the ass ± a marker of racial identity, a stereotype, property, possession. pleasure/terror. liberation/ entrapment.1 the ass ± entrance, exit. revolving door. hottentot venus. abner louima. jiggly, scrawny. protrusion/orifice.2 penetrable/impenetrable. masculine/feminine. waste, shit, excess. the sublime, beautiful. round, circular, (w)hole. The ass (w)hole) ± wholeness, hol(e)y-ness. the seat of the soul. the funky black ass.3 the black ass (is a) (as a) drum. The ass is a highlycontested and deeplyambivalent site/sight . It maybe a nexus, even, for the unfolding of contemporaryculture and politics. It becomes useful to think about the ass in terms of metaphor ± the ass, and the asshole, as the ``dirty'' (open) secret, the entrance and the exit, the back door of cultural and sexual politics. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Kelty Beginning to Surge at the Fort
V13 N33 Thursday, April 19, 2007 Kelty beginning to surge at the Fort By BRIAN A. HOWEY FORT WAYNE - With the primary just over two weeks away, a number of in- dicators point to a surge for architect Matt Kelty in his Republican primary mayoral race against Allen County 07 Commissioner Nelson Peters. The HPR Election Horse Race is mov- ing this contest from “Leans Peters” to “Tossup,” with, perhaps, a slight advantage to Kelty, a former aide to U.S. Sens. Richard Lugar and Dan Coats. Multiple sources tell HPR that Kelty is running an energetic, grassroots cam- Republican mayoral candidate Matt Kelty at his Fort Wayne headquarters. Polls and paign, similar to his 2002 challenge to State other indicators point to a surge in his campaign. (Fort Wayne Observed Photo) Rep. Winfield Moses Jr., a race Kelty lost by less than 100 votes. One source told HPR, “You go to past week, Peters called for a public referendum, saying Peters’ headquarters and it is solemn and you find one that he is working with Fort Wayne legislators to get the person working. You go to Kelty’s headquarters and it’s a referendum passed in the Indiana General Assembly. beehive of activity.” In a Wednesday Fort Wayne Journal Gazette But beyond that, Peters has reacted badly to the editorial, the newspaper wrote, “Nelson Peters’ last-second, Harrison Square project that would build a hotel, baseball short-sighted attempt to force a referendum on Harrison stadium and condos in downtown Fort Wayne. Peters origi- Square comes across as a desperate, crass, political at- nally supported Harrison Square and Kelty is opposed. -
So Sad So Sexy out TODAY, JUNE 8TH VIA RCA RECORDS
LYKKE LI RELEASES FOURTH STUDIO ALBUM so sad so sexy OUT TODAY, JUNE 8TH VIA RCA RECORDS ANNOUNCES “SO SAD SO SEXY” FALL NORTH AMERICAN AND EUROPEAN TOUR WATCH LAST NIGHT’S PERFORMANCE ON LATE SHOW WITH STEPHEN COLBERT HERE COVER ART + PRESS PHOTO HERE (New York -- June 8, 2018) Today, Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li releases her critically acclaimed fourth studio album so sad so sexy via RCA Records. so sad so sexy is available now across all digital service providers: http://smarturl.it/sosadsosexy The release of the album will be celebrated with the “so sad so sexy” fall tour, presented by YOLA Mezcal, that will run throughout major cities in North America and Europe including New York, Los Angeles, Toronto, London, Paris, and more. The tour will kick off on October 5th in Washington, D.C. with general on-sale tickets becoming available in the UK on Wednesday, June 13 at 9am UK/10am CET and on Friday, June 15 at 10am local time here. In anticipation for her tour, Lykke Li has performed on several festivals outside of the US, including last month’s BBC’s Biggest Weekend Festival in Belfast, All Points East in London, and will be performing at Lollapalooza, and more. See full tour dates below or visit lykkeli.com for complete schedule. Prior to release, Lykke revealed multiple tracks including the album’s lead single “deep end,” followed by “hard rain,” “utopia,” “two nights feat Aminé,” and “sex money feelings die.” Lykke Li released two highly seductive videos, one for single “deep end” shot entirely on an iPhone, and released part two of that love story with the cinematic video for album track “hard rain” directed by Anton Tammi. -
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like Alone, Omen 3 by King Krule RIYL: Cosmo Pyke, Ariel Pink The chameleonic singer-songwriter is gearing up for the February 21st release of his next album, Man Alive!, with single "Alone, Omen 3", which displays elements of both the stark, rough-shod post-punk of his first record, 6 Feet Beneath the Moon, and the more eclectic art pop leanings of his second, The OOZ. But "Alone, Omen 3" also hints at a new, psychedelically inclined direction for Marshall, featuring a more understated vocal performance and a woozy, meditative tone. By Colin Jones Run by Joji RIYL: James Blake, Rejjie Snow George Kusunoki Miller began his online career as Filthy Frank (a sketch comedy act), transitioned to Pink Guy (a comedy rapper), and finally realized his full musical form as Joji, the lo-fi hip hop artist inspired by Donald Glover and influenced by electronic and R&B music. On “Run,” a haunting, mysterious electric guitar snakes its way through the song supported by heartbreaking lyrics. Imagine you’re driving along a coastal highway, top-down, feeling the wind, letting the song’s words wash over you, and thinking of your last great love...all while wearing a bad-ass, black leather jacket. That’s what this song is like. By Chase Garvey-Daniels Shangri-La by EOB RIYL: Radiohead, The Postal Service Shangri-la is one of three singles released ahead of Radiohead frontman Edward O'Brien’s upcoming album, which will be called “Earth”. This is O’Brien’s debut album as a solo artist, marking the end of (or at least a break from) his 20+ years with Radiohead. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
The Influence of Rap/Hip-Hop Music: a Mixed-Method Analysis by Gretchen Cundiff — 71
The Influence of Rap/Hip-Hop Music: A Mixed-Method Analysis by Gretchen Cundiff — 71 The Influence of Rap/Hip-Hop Music: A Mixed-Method Analysis on Audience Perceptions of Misogynistic Lyrics and the Issue of Domestic Violence Gretchen Cundiff* Strategic Communications Elon University Abstract Using a qualitative content analysis and online survey, this research examined how college students perceive and respond to the portrayal of women when exposed to misogynistic lyrics. Based on cultivation theory, this study analyzed the lyrical content of popular rap and hip-hop songs (n=20) on Billboard’s “Hot 100” chart between 2000 and 2010. Song lyrics were classified into one or more of the following coding categories: demeaning language, rape/sexual assault, sexual conquest and physical violence. Themes of power over, objectification of and violence against women were identified as prevalent throughout the content analysis sample. Survey results indicated a positive correlation between misogynous thinking and rap/hip-hop consumption. I. Introduction This study examined the culture of rap/hip-hop music and how misogynistic lyrical messages influ- enced listeners’ attitudes toward intimate partner violence. Adams and Fuller (2006) define misogyny as the “hatred or disdain of women” and “an ideology that reduces women to objects for men’s ownership, use, or abuse” (p. 939). Popular American hip-hop and rap artists, such as Eminem, Ludacris and Ja Rule, have increasingly depicted women as objects of violence or male domination by communicating that “submission is a desirable trait in a woman” (Stankiewicz & Rosselli, 2008, p. 581). These songs condone male hegemony in which “men find the domination and exploitation of women and other men to be not only expected, but actu- ally demanded” (Prushank, 2007, p. -
To “Trauma”: Adverse Childhood Experiences and Hip Hop's
University of Arkansas at Little Rock William H. Bowen School of Law Bowen Law Repository: Scholarship & Archives Faculty Scholarship 2020 From “Mind Playing Tricks On Me” to “Trauma”: Adverse Childhood Experiences and Hip Hop’s Prescription andré douglas pond cummings University of Arkansas at Little Rock William H. Bowen School of Law, [email protected] Caleb Gregory Conrad Follow this and additional works at: https://lawrepository.ualr.edu/faculty_scholarship Part of the Law and Society Commons Recommended Citation andré douglas pond cummings & Caleb Gregory Conrad, From "Mind Playing Tricks on Me" to "Trauma": Adverse Childhood Experiences and Hip Hop's Prescription, 59 Washburn L.J. 267 (2020). This Article is brought to you for free and open access by Bowen Law Repository: Scholarship & Archives. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Bowen Law Repository: Scholarship & Archives. For more information, please contact [email protected]. CUMMINGS CORRECTED.DOCX (DO NOT DELETE) 3/3/20 10:52 AM From “Mind Playing Tricks On Me”* to “Trauma”**: Adverse Childhood Experiences and Hip Hop’s Prescription andré douglas pond cummings† and Caleb Gregory Conrad†† INTRODUCTION Over the past two decades, research focused on the causes and the lasting impact of Adverse Childhood Experiences, or ACEs, has been changing the way researchers, healthcare providers, and advocates approach areas like mental health, risky behaviors, and chronic disease.1 Numerous studies have produced and solidified results that present three undeniable truths: (1) the vast majority of Americans have experienced some form of trauma in their childhood,2 (2) people with low income or educational attainment and people of color experience increased instances of childhood trauma and adversity,3 and (3) the more childhood trauma an individual *GETO BOYS, Mind Playing Tricks On Me, on WE CAN’T BE STOPPED (Rap-A-Lot/Priority Records 1991). -
The Top 100 Listener Picks for 2013, from NPR Music 1. Vampire
The Top 100 Listener Picks For 2013, From NPR Music 1. Vampire Weekend, Modern Vampires Of The City 2. Arcade Fire, Reflektor 3. Daft Punk, Random Access Memories 4. The National, Trouble Will Find Me 5. Lorde, Pure Heroine 6. Chvrches, The Bones Of What You Believe 7. Kanye West, Yeezus 8. HAIM, Days Are Gone 9. Neko Case, The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You 10. James Blake, Overgrown 11. Volcano Choir, Repave 12. Phosphorescent, Muchacho 13. Queens Of The Stone Age, ...Like Clockwork 14. Kurt Vile, Wakin On A Pretty Daze 15. The Avett Brothers, Magpie And The Dandelion 16. The Civil Wars, The Civil Wars 17. Janelle Monáe, The Electric Lady 18. Justin Timberlake, The 20/20 Experience - 1 of 2 19. David Bowie, The Next Day 20. Local Natives, Hummingbird 21. Atoms For Peace, Amok 22. Sigur Rós, Kveikur 23. Foxygen, We Are The 21st Century Ambassadors Of Peace & Magic 24. Rhye, Woman 25. The Head And The Heart, Let's Be Still 26. Tegan And Sara, Heartthrob 27. My Bloody Valentine, m b v 28. Typhoon, White Lighter 29. Phoenix, Bankrupt! 30. Jason Isbell, Southeastern 31. Iron And Wine, Ghost On Ghost 32. Disclosure, Settle 33. Laura Marling, Once I Was An Eagle 34. Chance The Rapper, Acid Rap 35. Edward Sharpe & The Magnetic Zeros, Edward Sharpe & The Magnetic Zeros 36. Kacey Musgraves, Same Trailer Different Park 37. Daughter, If You Leave 38. The Flaming Lips, The Terror 39. Nick Cave & The Bad Seeds, Push The Sky Away 40.