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Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights Michael G
Notre Dame Law Review Volume 93 | Issue 4 Article 12 3-2018 Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights Michael G. Kubik University of Notre Dame Law School Follow this and additional works at: https://scholarship.law.nd.edu/ndlr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Michael G. Kubik, Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights, 93 Notre Dame L. Rev. 1699 (2018). Available at: https://scholarship.law.nd.edu/ndlr/vol93/iss4/12 This Note is brought to you for free and open access by the Notre Dame Law Review at NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized editor of NDLScholarship. For more information, please contact [email protected]. \\jciprod01\productn\N\NDL\93-4\NDL412.txt unknown Seq: 1 31-MAY-18 11:29 NOTES REJECTING THE DE MINIMIS DEFENSE TO INFRINGEMENT OF SOUND RECORDING COPYRIGHTS Michael G. Kubik* INTRODUCTION “Get a license or do not sample.”1 The Sixth Circuit’s terse ultimatum in the 2005 Bridgeport Music, Inc. v. Dimension Films decision rejected the com- mon law de minimis2 exception to copying as applied to sound recordings, and for eleven years, Bridgeport stood unchallenged by the courts of appeals, the Supreme Court, and Congress.3 This changed in June 2016 with the Ninth Circuit’s decision in VMG Salsoul, LLC v. Ciccone.4 Confronted with the question of whether the de minimis defense applies to the unauthorized copying of sound recordings, the court openly rejected the Sixth Circuit’s reasoning and held that the de minimis defense applies.5 In doing so, the Ninth Circuit created a circuit split subjecting two centers of the American music industry, Nashville (Sixth Circuit) and Los Angeles (Ninth Circuit), to * Candidate for Juris Doctor, Notre Dame Law School, 2019; Bachelor of Arts, Honors in Philosophy, University of Michigan, 2016. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Rolling Stone “Danger Mouse Looks Through a Label Darkly”
Danger Mouse Looks Through A Label, Darkly | Music News | Rolling Stone Page 1 of 2 Danger Mouse Looks Through A Label, Darkly Behind his "Dark Night of the Soul" collaboration with Mark Linkous and David Lynch by: Austin Scaggs The final product isn't exactly what Danger Mouse envisioned, but the cutting-edge producer breathed a heavy sigh of relief with the release of Dark Night of the Soul , a multimedia package he created in tandem with songwriter Mark Linkous (the creative force behind Sparklehorse) consisting of a record and a large-form book of photos commissioned from filmmaker David Lynch. For the album, Danger Mouse and Linkous created moody backing tracks, then offered them to 10 vocalists who were charged to write lyrics and vocal melodies (contributors include Iggy Pop, the Strokes' Julian Casablancas, the Shins' James Mercer, Suzanne Vega and Pixies' Black Francis). "We had no intention of making a star-studded record," says Danger Mouse, born Brian Burton. "It's just when we started thinking about these people we just thought, 'Well, of course they'd sound good on a record together.' " The catch, which Danger Mouse describes as "bittersweet," is that the CD mounted in Dark Night of the Soul package is completely blank. Buyers are slyly encouraged to use the recordable disc to capture the music from the Internet, where it is widely available as a free, though illegal, download. Danger Mouse's inability to package the music with the book stems from a long-standing contractual disagreement with EMI, who retainrights to some of his music. -
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT to EUROPE
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT TO EUROPE KEY SELLING POINTS • First time to ever be reissued on vinyl since original 1996 release on Fader Records • Features original artwork from the official release • Limited edition of 1000 hand-numbered copies DESCRIPTION ARTIST: Blahzay Blahzay In August 1996, a Brooklyn duo consisting of MC Outloud and DJ TITLE: Blah Blah Blah P.F. Cuttin, better known to the world as Blahzay Blahzay, released CATALOG: l-TKR003 “Blah Blah Blah”, their one and only album, on Fader Records. The LABEL: Tuff Kong Records album’s 13 tracks proudly waved the flag of the East, featuring hit GENRE: Hip-Hop single “Danger”, as well as other bangers such as “Pain I Feel”, “Good BARCODE: 659123084215 Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, FORMAT: 2XLP Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The RELEASE: 6/30/2017 combination of PF Cuttin’s polished beats and Outloud’s aggressive LIST PRICE: $31.98 / FB lyrical style made this album a classic for all underground hip-hop heads. TRACKLISTING 1. Intro Twenty-one years after its original release, Blahzay Blahzay have 2. Blah, Blah, Blah teamed up with Italian independent record label Tuff Kong Records 3. Medina’s In Da House to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff 4. Danger - Part 2 (feat. La The Darkman, Smoothe Da Hustler, Kong Records will be releasing the album on 2LP, re-mastered for Trigger Tha Gambler) vinyl and featuring the original artwork, as a limited edition run of 5. -
English Version
dDamage Title: Shimmy Shimmy Blade Label: Tsunami-Addiction Release date: 6 Novembre 2006 Distribution: Discograph Both Hanak brothers, known under the name of dDamage, play an indescribable electronic music, violent and melodic at the same time, juggling with hip-hop beats, riffs of guitars and heat of analog synths. With tended flow, their music lets appear a rare sensitivity, skilfully camouflaged behind intense “boom tchack” of modern cruelty. After two long years of intense work, these terrible children of the electronic music bring out again from the studios with a fortnight tracks, on which are invited the crême of the independent hip-hop scene. We can find Bigg Jus there (former member of the legendary new Yorkean band Company Flow) and his comparse Orko Eloheim (NMS / Project Blowed) for two on-vitaminized tracks, overloaded of intergalactic synths. Dose One, leader of the bands Subtle and Clouddead, makes his appearance beside the emblematic figures of French hip hop,TTC , in an opera of digital maths-rock. Mike Ladd rewards us with a featuring full of rapologic brick breakage, botching the walls of samples with blows of punchlines with a detonating force. We can also see Tes (Lex Records), feeling at ease on dynamic rock’ n roll, then teletransported in Zapp&Rogers’ talk-box. Also Crunc Tesla, Atlanta’s crunky south based rapper, posing his flow in a war of synthetic violins and vibrating basses. Or Stacs of Stamina, in an exercise of zigzag where the beats take sometimes the shape of anti-personal mines. dDamage leaves then rifles to pump, on the explosive “S.I.N.” track, where the dance is carried out by the rapper Sin, Sizzerb member affiliated with the new Yorkean scene Dipset/Diplomats. -
Roundhouse Annual Review 2012/13
TICKETS 0844 482 8008 ROUNDHOUSE WWW.ROUNDHOUSE.ORG.UK ANNUAL REVIEW 2012/13 ROUNDHOUSE CHALK FARM ROAD LONDON NW1 8EH ENERGY, ENTHUSIASM & INVENTIVENESS Christopher Satterthwaite Chairman, the Roundhouse Trust Nothing has inspired me more during my time at the Ron Arad, Anthony Gormley, Alan Bennett and Roundhouse than our work with young people and Sebastian Coe, among others. the way that work runs through everything we do. Since taking my seat around the Board table at the end From our very own Street Circus troupe performing at of 2010, I’ve been continually impressed by the energy, CircusFest, to the Broadcast Crew live-streaming bands enthusiasm and inventiveness of Roundhouse staff, from the Main Space, and 15 teenagers creating and especially in these challenging economic times. And, performing The Dark Side of Love as part of the World led by Marcus, they’ve shown that they possess the Shakespeare Festival, the participation of young people skills, experience and ambition to keep developing this is an essential element of the Roundhouse experience. wonderful organisation. Every year we work with thousands of 11–25 year-olds It only remains for me to thank everyone who, in one – many of whom have been excluded, marginalised or way or another, enables the Roundhouse to keep doing disadvantaged by society – offering them a chance to such extraordinary work and reaching out to so many discover the sheer joy of participating in the arts, find young people: Arts Council England for their continued their way back into education, gain confidence or, in funding; the many companies, trusts, foundations and some cases, truly transform their lives. -
Homestar Karaoke Song Book
HomeStar Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 10cc Avril Lavigne Good Morning Judge HSW216-04 Sk8er Boi HSW001-07 2 Play B.A. Robertson So Confused HSW022-10 Bang Bang HSG011-08 50 Cent Bang Bang HSW215-01 In Da Club HSG005-05 Knocked It Off HSG011-10 In Da Club HSW013-06 Knocked It Off HSW215-04 50 Cent & Nate Dogg Kool In The Kaftan HSG011-11 21 Questions HSW013-01 Kool In The Kaftan HSW215-05 ABBA To Be Or Not To Be HSG011-12 Chiquitita HSW257-01 To Be Or Not To Be HSW215-09 Chiquitita SFHS104-01 B.A. Robertson & Maggie Bell Dancing Queen HSW251-04 Hold Me HSG011-09 Does Your Mother Know HSW252-01 Hold Me HSW215-02 Fernando HSW257-03 B2K & P. Diddy Fernando SFHS104-02 Bump, Bump, Bump HSW001-02 Gimme Gimme Gimme (A Man After Midnight) HSW257-04 Baby Bash Gimme Gimme Gimme (A Man After Midnight) SFHS104-04 Suga Suga HSW024-09 I Do, I Do, I Do, I Do, I Do HSW252-03 Bachelors, The I Have A Dream HSW258-01 Chapel In The Moonlight HSW205-03 I Have A Dream SFHS104-05 I Wouldn't Trade You For The World HSW205-09 Knowing Me, Knowing You HSW257-07 Love Me With All Of Your Heart HSW206-02 Knowing Me, Knowing You SFHS104-06 Ramona HSW206-06 Mama Mia HSW251-07 Bad Manners Money, Money, Money HSW252-05 Buona Sara HSW204-02 Name Of The Game, The HSW258-09 Hey Little Girl HSW204-05 Name Of The Game, The SFHS104-13 Just A Feeling HSG011-03 S.O.S. -
Praxis Makes Perfect
Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru. -
Digimag36ita.Pdf
DIGICULT Digital Art, Design & Culture Fondatore e Direttore: Marco Mancuso Comitato consultivo: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Editore: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Testata Editoriale registrata presso il Tribunale di Milano, numero N°240 of 10/04/06. ISSN Code: 2037-2256 Licenze: Creative Commons Attribuzione-NonCommerciale-NoDerivati - Creative Commons 2.5 Italy (CC BY-NC-ND 2.5) Stampato e distribuito tramite Peecho Sviluppo ePub e Pdf: Loretta Borrelli Cover design: Eva Scaini INDICE Marco Mancuso Le Luci E I Suoni Di Sonarama 2008 .......................................................................... 3 Claudia D'Alonzo Future Past Cinema: Sonarmatica 2008 .................................................................. 9 Antonio Caronia Una Volta E’ Troppo Poco .......................................................................................... 13 Giulia Simi Do It Yourself. Dal Punk Al Web 2.0 ......................................................................... 19 Clemente Pestelli Tecnologia Ludica. Hacker Space Festival ............................................................. 22 Lucrezia Cippitelli Brumaria, Editoria Militante ..................................................................................... 25 Domenico Quaranta The Artist As Artwork In Virtual World – Parte 1 ................................................... 30 Alessio Galbiati Sonarcinema 2008. Musica Per Gli Occhi ............................................................. -
The R&B Pioneers Series
The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4.