Paper Preservation: Nature, Extent, & Recommendations. Occasional Papers. Number 171
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Assessing Preservation Needs: a Self-Survey Guide, by the Northeast Document Conservation Center
ASSESSING PRESERVATION NEEDS ASSESSING PRESERVATION NEEDS A SELF-SURVEY GUIDE Beth Patkus Northeast Document Conservation Center Andover, Massachusetts 2003 The Institute of Museum and Library Services, a federal agency that fosters innovation, leadership, and a lifetime of learning, supported the publication of this book, Assessing Preservation Needs: A Self-Survey Guide, by the Northeast Document Conservation Center. The National Endowment for the Humanities, an independent grant-making agency of the federal government, provides substantial funding to support field service activities, including publications, at the Northeast Document Conservation Center. Library of Congress Cataloging Number ISBN No. 0-9634685-5-3 Copyright © 2003 by Northeast Document Conservation Center. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes in any form or media, or stored by any means in any storage retrieval system, without prior written permission of the Northeast Document Conservation Center, 100 Brickstone Square, Andover, MA 01810. This publication is printed on paper that meets the requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 (R1997). CONTENTS PREFACE ................................................................................................................................. ix INTRODUCTION.................................................................................................................... -
The EMA Guide to Envelopes and Mailing
The EMA Guide to Envelopes & Mailing 1 Table of Contents I. History of the Envelope An Overview of Envelope Beginnings II. Introduction to the Envelope Envelope Construction and Types III. Standard Sizes and How They Originated The Beginning of Size Standardization IV. Envelope Construction, Seams and Flaps 1. Seam Construction 2. Glues and Flaps V. Selecting the Right Materials 1. Paper & Other Substrates 2. Window Film 3. Gums/Adhesives 4. Inks 5. Envelope Storage 6. Envelope Materials and the Environment 7. The Paper Industry and the Environment VI. Talking with an Envelope Manufacturer How to Get the Best Finished Product VII. Working with the Postal Service Finding the Information You Need VIII. Final Thoughts IX. Glossary of Terms 2 Forward – The EMA Guide to Envelopes & Mailing The envelope is only a folded piece of paper yet it is an important part of our national communications system. The power of the envelope is the power to touch someone else in a very personal way. The envelope has been used to convey important messages of national interest or just to say “hello.” It may contain a greeting card sent to a friend or relative, a bill or other important notice. The envelope never bothers you during the dinner hour nor does it shout at you in the middle of a television program. The envelope is a silent messenger – a very personal way to tell someone you care or get them interested in your product or service. Many people purchase envelopes over the counter and have never stopped to think about everything that goes into the production of an envelope. -
Triangle Accordion Books Part 2
“Part Two: Assembling the book” Time from start to finish = 1 hour You will need the following materials: • Heavy paper, which will be cut into three 4 5/8” X 20” strips, the best option is to cut these strips from one large 22” X 30” sheet of watercolor paper (this will be used for the inner “accordion” of the book) • 2 pieces of chipboard or thick cardboard, 6x6 inches each • Painted paper or scrapbooking paper at least 6x6 inches in size • Pencil • Ruler • Glue (regular white glue or glue sticks) • Clean scrap paper, computer paper or newsprint is good • X-acto Knife or scissors • Cutting matt (or a piece of scrap cardboard to protect your work surface) Brief description: The next part of our process is to measure, cut and assemble your book. This part is made up of several smaller steps within each major step and requires precise measurement and patience. For Part Two, I suggest making a cup of your favorite tea and putting on some relaxing music in the background. While, this may be the most challenging step for some, if you follow the instructions closely and don’t rush, you should come out of it with a fully assembled book ready for creative alteration and decoration! For those new to bookmaking here are a few helpful hints: • Measure! Measure! Measure!: Nothing is more disappointing than assembling several pieces only to find at the final step that they don’t quite fit, especially when you’re out of materials to try again! During this process, we will be measuring out strips of paper, then folding, cutting and gluing them together at specific points. -
JAIC , Volume 39, Number 3, Article 1 (Pp
Paper Splitting: History and Modern Technology The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Brückle, Irene and Jana Dambrogio. "Paper Splitting: History and Modern Technology." Journal of the American Institute for Conservation, 39.3 (2000). As Published http://cool.conservation-us.org/jaic/articles/ jaic39-03-001_indx.html Version Final published version Citable link http://hdl.handle.net/1721.1/120743 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. JAIC , Volume 39, Number 3, Article 1 (pp. to ) 28/10/2013 22:52 JAIC , Volume 39, Number 3, Article 1 (pp. to ) PAPER SPLITTING: HISTORY AND MODERN TECHNOLOGY IRENE BRÜCKLE, & JANA DAMBROGIO ABSTRACT—ABSTRACT—In the 19th century, restorers used paper splitting to separate recto and verso of double-sided prints or drawings. Today, the treatment is employed for strengthening weakened paper. Two German conservation centers are chiefly responsible for the development of the process to its current level of sophistication: over the course of more than 30 years, Günter Müller at the Thuringian University and State Library at Jena perfected manual paper splitting; over the same time period, Wolfgang Wächter, now at the Zentrum für Bucherhaltung in Leipzig, developed the paper- splitting machine. We outline the history of paper splitting and describe the contemporary processes from firsthand observations and interviews with the conservators at Jena and Leipzig. Technical evaluations of contemporary paper splitting are summarized, and some observations on objects that were split for the authors are documented (a 19th-century newspaper page, a 17th-century document written in iron gall ink, 17th-century book leaves). -
Final Paper Products Recovered Materials Advisory Notice Response to Public Comments
FINAL PAPER PRODUCTS RECOVERED MATERIALS ADVISORY NOTICE Response to Public Comments Office of Solid Waste U.S. Environmental Protection Agency April 1996 CONTENTS I. Introduction . 1 A. The Draft Paper Products Recovered Materials Advisory Notice . 1 B. Overview of the RCRA Requirements . 1 C. Overview of the Executive Order Provisions for Paper . 3 II. Applicability . 5 A. Background. 5 B. Comments and Agency Response. 5 III. EPA's Objectives . 7 A. Background. 7 B. Comments and Agency Response. 7 IV. EPA's Approach to Recommendations. 11 A. Background . 11 B. Comments and Agency Response . 11 V. EPA's Methodology . 14 A. Background . 14 B. Comments and Agency Response . 14 VI. Recommendations for Printing and Writing Papers. 15 A. Background . 15 B. Comments and Agency Response . 19 VII. Recommendations for Newsprint . 27 A. Background . 27 B. Comments and Agency Response . 27 VIII. Recommendations for Tissue Products. 31 A. Background . 31 B. Comments and Agency Response . 32 IX. Recommendations for Paperboard and Packaging Products . 36 A. Background . 36 B. Comments and Agency Response . 38 X. Recommendations for Miscellaneous Paper Products. 45 A. Background . 45 B. Comments and Agency Response . 45 XI. Recommendations for Measurement. 46 A. Background . 46 B. Comments and Agency Response . 46 XII. Recommendations for Specifications. 48 A. Background . 48 B. Comments and Agency Response . 48 XIII. Recommendations for Recyclability. 49 A. Background . 49 B. Comments and Agency Response . 49 XIV. Definitions . 51 A. Background . 51 B. Comments and Agency Response . 51 XV. Certification and Verification . 54 A. Background . 55 B. Comments and Agency Response . 55 XVI. Sawdust as Recovered Fiber. -
Arrangement and Maintenance of Library Material MODULE - 3 ORGANISATION of INFORMATION SOURCES
Arrangement and Maintenance of Library Material MODULE - 3 ORGANISATION OF INFORMATION SOURCES 11 Notes ARRANGEMENT AND MAINTENANCE OF LIBRARY MATERIAL 11.1 INTRODUCTION In this lesson, we will discuss the issues related to organization and maintenance of library material. You will be told how materials have to be arranged on library shelves and how the arrangement of books differs from the arrangement of periodicals. The library material needs to be maintained on routine basis. Maintenance of library material involves kinds of stacking, shelf arrangement, cleaning, shelving, stock verification and weeding of unwanted material. Binding of documents will also be discussed as it is essential for care and repair of documents for their long life. 11.2 OBJECTIVES After studying this lesson, you will be able to :– describe various ways to arrange books and periodicals ; identify various kinds of library stacks; explain the shelving order of books; explain arrangement of periodicals; describe the activities related to care of documents; highlight the importance of mending and binding of library books and periodicals; illustrate the role of stock verification and weeding of documents; LIBRARY AND INFORMATION SCIENCE 187 MODULE - 3 Arrangement and Maintenance of Library Material ORGANISATION OF INFORMATION SOURCES justify the need for security of library documents; and give illustrations of library displays. 11.3 MAINTENANCE WORK Notes In every library, maintenance of library material involves continuous monitoring of the stack room, displaying of new material on the display racks and arrangement of the books and periodicals on the shelves after use. Besides these, the material has to be dusted and cleaned at periodic intervals. -
Collections and Assets in Museums
Foresight Research Report: Collections and Assets in Museums Document Overview The following research report is designed to provide an overview of key strategic issues relevant to the future of California communities and museums. We hope that this report will be of interest to California museum professionals working to improve service to their community and to plan for the future. From the Spring of 2012 to the Summer of 2013, a team of museum professionals participating in the California Association of Museum’s Leaders of the Future: Museum Professionals Developing Strategic Foresight training project conducted their own secondary (desktop) research on current conditions, trends, and plans for a baseline forecast that postulates the most expected futures for museums in the domain of the collections and assets. A group of members of the California Association of Museum’s Foresight Committee worked to complete this report. The authors of this report include: . Leigh Gleason, Curator of Collections, UCR/California Museum of Photography (team leader) . David Bloom, VertNet Coordinator, Museum of Vertebrate Zoology, UC Berkeley . Paul Spitzzeri, Assistant Director, Workman and Temple Family Homestead Museum . Lisa Eriksen, Principal, Lisa Eriksen Consulting While by no means comprehensive, this report is intended to define the idea of “Collections and Assets in Museums,” explore the most pressing issues and possible futures that may result from these circumstances, and create a framework upon which a baseline forecast could be presented. -
THE REVISION of EU ECOLABEL CRITERIA for Converted Paper Products
THE REVISION OF EU ECOLABEL CRITERIA for Converted Paper Products Draft Preliminary Report Malgorzata Kowalska, Antonios Konstantas, Oliver Wolf Marzia Traverso, Rose Nangah Mankaa, Sabrina Neugebauer November 2018 EUR xxxxx xx 1 This publication is a Science for Policy report by the Joint Research Centre, the European Commission’s in-house science service. It aims to provide evidence-based scientific support to the European policy-making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. Contact information Name: Address: E-mail: Tel.: JRC Science Hub https://ec.europa.eu/jrc JRCxxxxx EUR xxxxx xx PDF ISBN xxx-xx-xx-xxxxx-x ISSN xxxx-xxxx doi:xx.xxxx/xxxxxx XX-NA-xxxxx-EN-N Print ISBN xxx-xx-xx-xxxxx-x ISSN xxxx-xxxx doi:xx.xxxxx/xxxxxx XX-NA-xxxxx-EN-C © European Union, 20xx Reproduction is authorised provided the source is acknowledged. How to cite: Authors; title; EUR; doi All images © European Union 20xx, except: 2 Table of contents ABSTRACT ............................................................................................................ 3 Executive summary ............................................................................................... 3 1. Introduction ...................................................................................................... 4 2. Task 1: Scope and definition analysis .................................................................. -
Paper Grades
720 PAPERMAKING / Paper Grades Further Reading Biermann CJ (1996) Handbook of Pulping and Papermak- ing. San Diego: Academic Press. Borch J, Lyne MB, Mark RE, and Habeger Jr, CC (eds) (2002) Handbook of Physical Testing of Paper, vol. 2, 2nd edn. New York: Marcel Dekker. Britt KW (1975) Handbook of Pulp and Paper Technology. New York: Van Nostrand Reinhold. Clark Jd’A (1985) Pulp Technology and Treatment for Paper, 2nd edn. San Francisco: Miller Freeman. Dieson M (1998) Papermaking Science and Technology. Atlanta, GA: Tappi Press. Gavelin G (1998) Paper Machine Design and Operation. Vancouver, BC: Angus Wilde. Hunter D (1978) Papermaking: The History and Techni- que of an Ancient Craft. New York: Dover Publications. Karlsson M (2000) Papermaking, Part 2, Drying. Atlanta, GA: Tappi Press. Kline JE (1991) Paper and Paperboard: Manufacturing and Converting Fundamentals. San Francisco: Miller Freeman. Kojio M (1999) Papermaking: Finishing. Atlanta, GA: Tappi Press. Levlin J-E and So¨ derhelm L (1999) Pulp and Paper Testing. Atlanta, GA: Tappi Press. Mark RE, Habeger Jr, CC, Borch J, and Lyne MB (eds) (2002) Handbook of Physical Testing of Paper, vol. 1, 2nd edn. New York: Marcel Dekker. Patrick KL (1999) Primer of Pulping and Paper Making: Technologies and Production Practices. San Francisco, CA: Miller Freeman Books. Figure 20 Calender of the pilot papermachine at SUNY Paulapuro H (2000) Papermaking Part 1: Stock Prepara- College of Environmental Science and Forestry. The sheet tion and Wet End. Atlanta, GA: Tappi Press. passes through multiple nips to smooth the surface of the sheet. Savolainen A (1998) Paper and Paperboard Converting: Papermaking Science and Technology. -
A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products. -
Study of the Windows of Window Envelopes for the Purpose of Developing Standard Specifications
DEPARTMENT OF COMMERCE AUG BUREAU OF STANDARDS George K. Burgess, Director TECHNOLOGIC PAPERS OF THE BUREAU OF STANDARDS, No. 343 [Part of Vol. 21] STUDY OF THE WINDOWS OF WINDOW ENVELOPES FOR THE PURPOSE OF DEVELOPING STANDARD SPECIFICATIONS BY R. E. LOFTON, Associate Physicist Bureau of Standards -' y> \>^' June 6, 1927 >*& w - PRICE 5 CENTS $1.25 Per Volume on Subscription Sold only by the Superintendent of Documents, Government Printing Office Washington, D.C. UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON 1927 T343 STUDY OF THE WINDOWS OF WINDOW ENVELOPES FOR THE PURPOSE OF DEVELOPING STANDARD SPECIFICATIONS By R. E. Lofton ABSTRACT This paper gives an idea of the extent of the use of window envelopes, and also the importance of this matter to postal employees, especially mail clerks, since windows of poor transparency and high gloss would cause serious eyestrain and loss of time in distributing the mails. For the purpose of getting data upon which specifications for transparency and gloss might be based, glassine papers, one-piece and two-piece windows, and a few semitransparent materials were tested. One-piece envelopes are those made from a single sheet of paper in which the window is made by impregnating that part of the envelope pattern through which the address is to be read with a suit- able oil or varnish. Two-piece envelopes are those made from two pieces of paper. The envelope pattern is cut from an opaque sheet of paper; the window is then cut out, and subsequently covered with glassine paper. For permanenc}7 of transparency, the glassine paper windows were better than the one-piece windows. -
CLR and Preservation
NANCY E. GWINN CLR and Preservation The deterioration of library materials has become an increasingly critical problem . Many of the programs devoted to finding solutions during the last twenty-five years have been sponsored by the Council on Library Resources (CLR), a private, operating foundation. CLR grants supported chemical. and applied research in the causes of paper deterioration, helped to establish conservation laboratories, and supported development of new equipment and tests. CLR also has assisted in attempts to establish cooperative pres ervation programs and to spell out a national strategy. Recent events show a heightened awareness of the problem; several new programs and promise of increased funding give hope for the future. IN A FULL-PAGE COLOR PHOTOGRAPH in the remains. "2 It persists because the deteriora April 1980 issue of Smithsonian magazine, tion is passive, largely unnoticed by the li Library of Congress restoration officer Peter brary user until a book or journal is re Waters stands enveloped in a shower of quested and the pages begin to crumble in paper fragments, the remains of a scholarly the hand. work blown from his open hand by a puff of Much of what has been accomplished in exhaled air. No more dramatic testimony is the last quarter of a century has been made needed to illustrate the danger the United possible through an array of grants fur States is in "of losing its mind. " 1 The his nished and programs administered by the tory of why millions of books, journals, Council on Library Resources, Inc. (CLR), manuscripts, and other paperbound records an independent, private, operating founda of our cultural and intellectual inheritance tion established in 1956 by the F6rd Founda are deteriorating has been carefully tion.