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Medieval Lunar Symbolism in JRR Tolkien's
Journal of Tolkien Research Volume 6 | Issue 2 Article 2 2018 Magic, Matrimony, and the Moon: Medieval Lunar Symbolism in J.R.R. Tolkien’s “The Lay of Aotrou and Itroun” and “The alF l of Arthur” Kristine Larsen Central Connecticut State University, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Astrophysics and Astronomy Commons Recommended Citation Larsen, Kristine (2018) "Magic, Matrimony, and the Moon: Medieval Lunar Symbolism in J.R.R. Tolkien’s “The Lay of Aotrou and Itroun” and “The alF l of Arthur”," Journal of Tolkien Research: Vol. 6 : Iss. 2 , Article 2. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol6/iss2/2 This Conference Paper is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Larsen: Magic, Matrimony, and the Moon 1 Magic, Matrimony, and the Moon: Medieval Lunar Symbolism in J.R.R. Tolkien’s “The Lay of Aotrou and Itroun” and “The Fall of Arthur” Kristine Larsen This paper was delivered at the 2017 International Medieval Congress at the University of Leeds, UK. The handout referred to appears at the end of this paper as an appendix. In a 1951 letter to Milton Waldman, Tolkien wrote, “Light is such a primeval symbol in the nature of the Universe, that it can hardly be analysed…” (Letters, 2000, p. 148). Challenge accepted, Professor. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Oromë • Uldor Algund Adanedhel • A member of the Guar-waith. • Túrin Almarian Adurant • The daughter of Vëantur, husband of • A tributary of Gelion. Meneldur, and mother of Anardil, Ailinel, and Almiel. Aegnor • Elvish son of Finarfin. Almiel • Called: Egnor • A daughter of Meneldur and Almarian. Aelin-uial Alqualondë • The Twilight Meres • The mansions of Olwë in Aman. • Called: The Haven of Swans. Aerandir • A mariner who sailed with Eärendil to Aman Aman. • Home of the Valar. Across the Outer Sea from Arda Aerin • Called: The Land of Aman, the Blessed • A relative of Húrin. The wife of Brodda, an Realm, the Guarded Realm Easterling. The daughter of Indor. Amlach The After-born • The son of Imlach. • Men Amon Ereb The Aftercomers • A hill in Ossiriand where Denethor died • Men during the First Battle of the Wars of Beleriand. Agarwaen • Túrin Amon Ethir • A hill raised by Finrod in front of Aglon Nargothrond. • Himlad • Called: The Spyhill Ailinel Amon Gwareth • A daughter of Meneldur and Almarian, the • A mountain in Tumladen. wife of Orchaldor, and mother of Soronto. Amon Obel Ainairos • A mountain in Brethil. • An Elf of Alqualondë who stirred up the Valar against Melkor. Amon Rûdh • Mîm’s home in the west of Doriath. The Ainu of Evil • Called: Sharbhund, the Bald Hill, Bar-en- • Melkor Danwedh, the House of Ransom, Echad i Sedryn, Camp of the Faithful Alcarinquë and Elemmírë • Stars Amras • Elvish son of Fëanor. Aldarion • Anardil Amrod • Elvish son of Fëanor. Aldaron Tolkien Encyclopedia Anadûnê Anduin the Great • Andor • A river in Arda Anardil Andúnië • The son of Meneldur and Almarian. -
Two Faces of Eve: Galadriel and Shelob As Anima Figures
Volume 6 Number 3 Article 1 6-15-1979 Two Faces Of Eve: Galadriel and Shelob as Anima Figures Peter Damien Goselin Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Goselin, Peter Damien (1979) "Two Faces Of Eve: Galadriel and Shelob as Anima Figures," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 6 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol6/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines Galadriel as a Jungian anima figure, and Shelob as her opposite, the shadow anima, in The Lord of the Rings. Further, “each characteristic of Galadriel and its perversion in Shelob can be related to the characteristics of the anima.” Additional Keywords Anima figures in literature; Jungian analysis of Irish mythology; Tolkien, J.R.R.—Characters—Galadriel; Tolkien, J.R.R.—Characters—Shelob; Valerie Protopapas This article is available in Mythlore: A Journal of J.R.R. -
Applying Anthropology to Fantasy: a Structural Analysis Of
APPLYING ANTHROPOLOGY TO FANTASY: A STRUCTURAL ANALYSIS OF THE LORD OF THE RINGS By Christina C. Estep B.A., University of Mary Washington, 2010 A thesis submitted to the Department of Anthropology College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2014 © 2014 Christina C. Estep The thesis of Christina C. Estep is approved: ____________________________________________ _________________ Margaret W. Huber, Ph.D., Committee Member Date ____________________________________________ _________________ Kristina Killgrove, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First and foremost, I would like to recognize my thesis committee, Dr. Robert Philen, Dr. Kristina Killgrove, Dr. John Worth, and Dr. Margaret Huber, for taking the time and effort to help me with not only my thesis, but my academic endeavors. Without these individuals, I would not be where I am now or possess the knowledge that I now have. Secondly, I want thank my parents, Bonnie and Carl Estep. Despite their hardships in life, my parents have supported me through every decision I have made, encouraged me to pursue a higher degree, and were always there to cheer me on when times were tough. Finally, I want to acknowledge my husband Brian, who has been my rock during the most stressful of times. -
Manx Place-Names: an Ulster View
37 Manx Place-Names: an Ulster View Kay Muhr In this chapter I will discuss place-name connections between Ulster and Man, beginning with the early appearances of Man in Irish tradition and its association with the mythological realm of Emain Ablach, from the 6th to the I 3th century. 1 A good introduction to the link between Ulster and Manx place-names is to look at Speed's map of Man published in 1605.2 Although the map is much later than the beginning of place-names in the Isle of Man, it does reflect those place-names already well-established 400 years before our time. Moreover the gloriously exaggerated Manx-centric view, showing the island almost filling the Irish sea between Ireland, Scotland, England and Wales, also allows the map to illustrate place-names from the coasts of these lands around. As an island visible from these coasts Man has been influenced by all of them. In Ireland there are Gaelic, Norse and English names - the latter now the dominant language in new place-names, though it was not so in the past. The Gaelic names include the port towns of Knok (now Carrick-) fergus, "Fergus' hill" or "rock", the rock clearly referring to the site of the medieval castle. In 13th-century Scotland Fergus was understood as the king whose migration introduced the Gaelic language. Further south, Dundalk "fort of the small sword" includes the element dun "hill-fort", one of three fortification names common in early Irish place-names, the others being rath "ring fort" and lios "enclosure". -
The Poetry of Geoffrey Bache Smith with Special Note of Tolkienian Contexts
Journal of Tolkien Research Volume 12 Issue 2 Article 2 2021 The Poetry of Geoffrey Bache Smith with Special Note of Tolkienian Contexts Kris Swank University of Glasgow, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Swank, Kris (2021) "The Poetry of Geoffrey Bache Smith with Special Note of Tolkienian Contexts," Journal of Tolkien Research: Vol. 12 : Iss. 2 , Article 2. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol12/iss2/2 This Conference Paper is brought to you for free and open access by ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. The Poetry of Geoffrey Bache Smith with Special Note of Tolkienian Contexts Cover Page Footnote N.B. This paper grew from two directions: my PhD thesis work at the University of Glasgow under the direction of Dr. Dimitra Fimi, and conversations with John Garth beginning in Oxford during the summer of 2019. I’m grateful to both of them for their generosity and insights. This conference paper is available in Journal of Tolkien Research: https://scholar.valpo.edu/journaloftolkienresearch/ vol12/iss2/2 Swank: The Poetry of Geoffrey Bache Smith The Poetry of Geoffrey Bache Smith with Special Note of Tolkienian Contexts Kris Swank University of Glasgow presented at The Tolkien Symposium (May 8, 2021) sponsored by Tolkien@Kalamazoo, Dr. Christopher Vaccaro and Dr. Yvette Kisor, organizers The Voyage of Bran The Old Irish Voyage of Bran concerns an Otherworld voyage where, in one scene, Bran meets Manannán mac Ler, an Irish mythological figure who is often interpreted as a sea god. -
The Voyage of Bran Son of Febal
The Voyage of Bran Son of Febal to the Land of the Living AN OLD IRISH SAGA NOW FIRST EDITED, WITH TRANSLATION, NOTES, AND GLOSSARY, BY Kuno Meyer London: Published by David Nutt in the Strand [1895] The Voyage of Bran Son of Febal to the Land of the Living Page 1 INTRODUCTION THE old-Irish tale which is here edited and fully translated 1 for the first time, has come down to us in seven MSS. of different age and varying value. It is unfortunate that the oldest copy (U), that contained on p. 121a of the Leabhar na hUidhre, a MS. written about 1100 A.D., is a mere fragment, containing but the very end of the story from lil in chertle dia dernaind (§ 62 of my edition) to the conclusion. The other six MSS. all belong to a much later age, the fourteenth, fifteenth, and sixteenth centuries respectively. Here follow a list and description of these MSS.:-- By R I denote a copy contained in the well-known Bodleian vellum quarto, marked Rawlinson B. 512, fo. 119a, 1-120b, 2. For a detailed description of this codex, see the Rolls edition of the Tripartite Life, vol. i. pp. xiv.-xlv. As the folios containing the copy of our text belong to that portion of the MS. which begins with the Baile in Scáil (fo. 101a), it is very probable that, like this tale, they were copied from the lost book of Dubdálethe, bishop of p. viii [paragraph continues] Armagh from 1049 to 1064. See Rev. Celt. xi. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Called: The Hornburg, Glæmscrafu • Uldor (Rohirrim) Adanedhel Aglon • Túrin • Himlad Adorn Akallabêth the Downfallen • A river in the Enedwaith near the fortress of • Andor Freca. Ailinel Adrahil • A daughter of Meneldur and Almarian, the • (Númenórean) Ondoher’s Captain of the wife of Orchaldor, and mother of Soronto. Left Wing Ainairos Adûnaic • An Elf of Alqualondë who stirred up the • The language of the King’s Men in Andor. Valar against Melkor. Adurant The Ainu of Evil • A tributary of Gelion. • Melkor Aeglos Aiwendil • The spear of Gil-galad. • An Istari sent by Yavanna. • Called: Radagast Aegnor • Elvish son of Finarfin. Alatar • Called: Egnor • An Istari sent by Oromë. Aelin-uial Alcarin • The Twilight Meres • Atanatar II Aerandir Alcarinquë and Elemmírë • A mariner who sailed with Eärendil to • Stars Aman. Alcarondas Aerin • Pharazôn’s mighty ship. • A relative of Húrin. The wife of Brodda, an • Called: Castle of the Sea Easterling. The daughter of Indor. Aldamir The After-born • (Eldarin) A son of Eldacar and father of • Men Hyarmendacil II. A king of Gondor. The Aftercomers Aldarion • Men • Anardil Agarwaen Aldaron • Túrin • Oromë Aghan Adelard Took • A Drûg leech and friend of Barach. • A hobbit friend of Bilbo. Aglarond Aldor • A fortress watching the Gap of • (Rohirrim) A son of Brego and father of Calenardhon. Fréa. A king of the Rohirrim who drove out the Dunlendings. Tolkien Encyclopedia Algund Amon Gwareth • A member of the Guar-waith. • (Sindarin) A mountain in Tumladen. Almarian Amon Obel • The daughter of Vëantur, husband of • (Sindarin) A mountain in Brethil. Meneldur, and mother of Anardil, Ailinel, and Almiel. -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5. -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
Or, There and Back Again
Please do not remove this page The Name of the Ring; or, There and Back Again Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643405330004646?l#13643524790004646 Croft, J. B. (2017). The Name of the Ring; or, There and Back Again. Mythlore, 35(2), 81–94. https://doi.org/10.7282/T3XP77CV This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/01 14:58:43 -0400 HE NAME OF THE RING: OR, THERE AND BACK AGAIN JANET BRENNAN CROFT HE WHOLE OF ‘MIDDLE-EARTH’ WAS MORGOTH’S RING” (Morgoth’s Ring “T [MR] 400). What did Tolkien mean by this somewhat cryptic statement, which appears in an unpublished essay titled “Notes on motives in The Silmarillion” and nowhere else, and from which the tenth volume of The History of Middle-earth takes its title? Tolkien goes on to explain that Morgoth’s power was “disseminated” throughout Middle-earth; that it was “nowhere absent” though “nowhere absolute,” and was a prerequisite for using any sort of matter towards an evil magical end. If Arda is Morgoth’s Ring, with his power infusing the whole world, and Sauron’s “relatively smaller” power is, in comparison, “concentrated” in the Ring of his own making (MR 400), what might this imply if we follow this thread to the tangled knot at its end? In Middle-earth, it seems that evil suffers a steady decline from the cosmic to the petty over the course of “the long defeat” of Arda, in the same way that Verlyn Flieger demonstrates that Light in the legendarium appears in “progressively lessening intensities [, e]ach light […] dimmer than the one before it, splintered by Tolkien’s sub-creators” (Splintered Light, 60). -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate.